B0041VYHGW EBOK (209 page)

greenery man,
25

Il Grido,
149
,
149

Griffith, D.W.,
458

The Battle at Elderbush Gulch,
246
,
248
,
248

The Birth of a Nation,
58
,
63
,
223
,
459

Intolerance,
122
,
123
,
191
,
191
,
459

Musketeers of Pig Alley,
192
,
193

A Romance of Happy Valley,
460

grips,
20

Groom, Red,
Tappy Toes,
366
,
367

grosses,
34

gross-out films,
334

Groundhog Day,
87
,
125
,
329
,
334

plot of,
87
–88

group style,
312

La Guerre est finie,
202
,
203

editing of,
260
–261

guide track,
26

Gyllenhaal, Jake,
139

Hail Mary,
477

hairdressers,
21

Halloween,
478

Hamilton, Guy,
Goldfinger,
99
,
99

Hamlet,
290

hand coloring,
170

handheld camera movement,
200
–201

Haneke, Michael,
Caché,
15
,
84
,
260
,
260

Hannah and Her Sisters,
103
,
143
,
479

Hanson, Curtis.
see also L.A. Confidential

8
Mile,
344

L.A. Confidential,
83
,
333

Hard Core,
478

Hark, Tsu,
483

Harlan County, U. S. A.,
31
,
31

Harris, David,
425

Harris, Leslie,
Just Another Girl on the IRT,
30
,
480

Hart, William S.,
338

The Narrow Trail,
460

Hartley, Hal

Simple Men,
178
,
178

Trust,
481
,
481

Au Hasard Balthasar,
144

The Haunting,
340

Hawks, Howard,
475
.
see also His Girl Friday

The Big Sleep,
33
,
100
,
118

Bringing Up Baby,
98
,
242
,
243
,
478

on dialogue,
398

on framing,
196

His Girl Friday,
102
,
104
,
125
,
128
,
128
,
174
,
285
,
444
–445

Rio Bravo,
478

Haynes, Todd,
Safe,
273

HD.
see
high definition video

Head, Edith,
33

Heat,
130
,
333

Heckerling, Amy

Fast Times at Ridgemont High,
479

Look Who’s Talking,
479

Heimatfilm
genre,
328

heist films,
333

Hell’s Hinges,
338
,
338

Hepworth, Cecil,
457

Herrmann, Bernard,
273

Herzog, Werner,
Lessons of Darkness,
197
,
197

hierarchy of knowledge in narration,
94

high definition video (HD)

advantages of,
14

budget savings with,
15

in
Collateral,
14

Panavision Genesis,
14
,
14

resolution of,
14
–15

35mm compared to,
13
,
15

high-key lighting,
135
–136

high-speed cinematography,
173

Hill, Walter,
58

Hindle, Will,
Pastorale d’été,
205

Hiroshima mon amour,
96
–97

flashbacks in,
233
,
233

Hirsch, Paul,
232

His Girl Friday,
102
,
104
,
125
,
128
,
128
,
174
,
285
,
444
–445

cause and effect in,
397
–398

critical analysis of,
396
–400,
399
–400

dialogue overlap in,
399
–400

dialogue rhythms in,
281

line of action in,
397
–398

mise-en-scene in,
399

mobile framing in,
203
,
203

narrative time in,
398
–399

screen space in,
399

sound in,
399

His New Job,
335

A History of Violence,
333
,
333

Hitchcock, Alfred,
332
,
461
,
475
.
see also The Birds; North by Northwest; Shadow of a Doubt

The Birds,
18
,
197

color and,
225
–226

North by Northwest,
80
,
80
,
95
,
329
,
404
,
443
–446

Notorious,
400

Psycho,
95
,
223
,
329
,
340
,
400

Rear Window,
69
,
244
,
245

on restricted narration,
94
–95

Rope,
69
,
214

Stage Fright,
400

Vertigo,
180
,
204

Hoffman, Dustin,
148
,
148

Hollywood cinema.
see
classical Hollywood cinema

Holm, Celeste,
139

Homer,
61

Hong Kong cinema,
482
–485

Hoop Dreams,
38
,
351

parallelism in,
79

Hopper, Dennis,
Easy Rider,
478

horror films,
340
–342

film subgenres of,
342

iconography in,
340

independent film production of,
341
–342

makeup use in,
130
,
131
,
340
–341

studio film production of,
342

Hot Shots,
293

house nut,
34

House of Games,
334

House on Trubnoi Square,
468

House Party,
344
,
479

How Green Was My Valley,
273
,
296

Howard, James Newton,
7

Howard, Ron

Apollo
13
,
352

The Da Vinci Code,
40

Parenthood,
242

Howitt, Peter,
Sliding Doors,
87
–88,
89
,
334
,
482

Hsiao-hsien, Hou

City of Sadness,
158
,
158

Flowers of Shanghai,
45

Summer at Grandpa’s,
198

Hu, King

Dragon Gate Inn,
482

The Valiant Ones,
188
,
482

Hudlin, Reginald,
344
,
479

The Hudsucker Proxy,
69
,
138
,
138

Hughes, Albert,
479

Hughes, Allen,
479

Hui, Ann,
483

Huillet, Danièle

The Chronicle of Anna Magdalena,
183
,
183

Not Reconciled,
103

Humphrey, Hubert,
78

The Hunt for Red October,
26
,
277

dialogue overlap in,
276
,
282

Hunter, Tim,
The River’s Edge,
296

Huston, John.
see also The Maltese Falcon

Asphalt Jungle,
131
,
131

The Maltese Falcon,
33
,
224

Hutton, Lauren,
356

I. Vitelloni,
474

iconography

in film genre,
330

in horror films,
340

in The Western,
338

Identity,
89

ideology.
see
social ideology

Imax system,
11
,
13

implicit meaning,
63
–64

in
Man with a Movie Camera,
424
–425

in
The Thin Blue Line,
428

Impressionist cinema,
463
–466

In the Mood for Love,
172

In the Year of the Pig,
351

Iñárritu, Alejandro González,
Babel,
272

Ince, Thomas H.,
459

The Incredibles,
382

independent film production,
29
–30

of horror films,
341
–342

in New Hollywood,
477
–482

Indiana Jones and the Kingdom of the Crystal Skull,
276

Industrial Light & Magic,
385
,
480

Ingebord Holm,
223

Innocence,
170
,
170

inserts,
24

The Insider,
173

intermittent motion (in film),
455

internal diegetic sound,
290
–291

internegative (from film footage),
26

internet

film distribution and,
43

nontheatrical exhibition on,
42

interpositve (from film footage),
26

interpretations, meaning and,
64

interview documentary,
351

Intolerance,
122
,
123
,
191
,
191
,
459

iris,
191

Iron Man,
23
,
331

The Italian,
459

Italian Neorealism cinema,
473
–474.
see also
Antonioni, Michelangelo; Fellini, Federico

Itami, Juzo,
Tampopo,
123
,
124
,
226
,
227

Ivan the Terrible,
122
,
123
,
128
,
129
,
134
,
136
,
137
,
143
,
144
,
199
,
200
,
273
,
273

costumes in,
125
,
127

Ivens, Joris,
350

Jackie Brown,
286
–289,
333

diegetic sound in,
286
–288

offscreen/onscreen sound in,
287

sound mixing in,
287
–288