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Authors: Lorna Sage

BOOK: Bad Blood
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Funeral wreaths were even better, although only for looking at until they were thrown on to the rubbish heap in the corner, when if you were lucky you could salvage a carnation or lily
or chrysanthemum still blooming – luxury flowers a cut above the sweet williams, wall-flowers and Michaelmas daisies of village borders. We marvelled, too, at the glass and porcelain immortelles under their glass globes, and the graves that had shrubs growing on them and shorn grass looked impressively tidy, but it was the bunches of flowers people brought to lay on the graves that gave us our chance really to join in the grown-ups' mourning games. There's nothing small children enjoy more than parcelling things out according to some system of just deserts and it was obvious that many of the dead were being short-changed. This a gang of us – mostly girls – set about putting right, redistributing the flowers in jam jars and empty vases filled at the sexton's pump so that everybody had some. We weren't strictly egalitarian, however. Certain graves, particularly one with a soulful baby angel in white marble belonging to a child who'd died in the 1930s, always ended up with the best bunches.

It's tempting, now, looking back, to see in our pious and partial efforts a dim reflection of post-war social policies. Certainly Hanmer churchyard was a pretty good microcosm of inequality. None of those children who puddled around so busily at the pump, and solemnly divided up the daffs and the pinks, had any graves of their own, as it were. Their families must have been buried there, but the graves were unmarked, they had no more property in the churchyard than anywhere else. My family had none there either, of course, but that was because they had recently moved to Hanmer. Nowadays my mother lies there under her stone, alongside my grandparents' grave. I wonder if any of my generation of upwardly mobile Duckets or Williamses or Briggses have invested in graveyard real estate? Back in the late 1940s their families inhabited anonymous, untended tussocks after they died. I think we kids
took it for granted that life after death was a class matter. I know we spent many fruitless hours searching for the entrances to the Hanmer and Kenyon vaults, in the expectation of meeting real ghosts: it was clear to us that the only reason they needed those underground apartments was because they were somehow undead. Or perhaps this was a theory I suggested. Away from the playground, on church territory, I set up as an expert on such spooky topics and managed – on some blissful days – to feel accepted, a member of the child world of Hanmer.

Well, the bugs thought so, I had the school doctor's word for that. I was sent home with a note, like most people (but not everyone: that line about lice preferring clean hair is just a propaganda ploy to get the middle classes to own up) and predictably Grandma said: one, that I'd caught them from those dirty children; and two, that there was no point in applying the magic bug-killing mixture recommended because it would mean boiling too many kettles and anyway I'd only get reinfected. And
anyway
we couldn't be seen buying that stuff in local towns, we'd have to do it in a strange place where no one knew us. So I spent the rest of my time at junior school blithely passing on head lice. The first year at grammar school, too, to my utter chagrin – but that comes later. For the moment, I sort of belonged.

The high point of my career as a dirty child was also, coincidentally, inspired by the school doctor. Medical examinations were a complete novelty to most Hanmer families, and for us kids the beginnings of the National Health Service licensed elaborate games of doctors and nurses, which took place in the bushes at the bottom of the vicarage garden. Nowhere else was private enough (no one else's family was so oblivious) and so I became, while the craze lasted, everybody's friend.

We queued up behind a hazel tree, knickers round our knees,
clutching leaves for ‘papers', and shuffled along to have our bottoms examined by Kenny or Bill or Derek, who, after having a good look and making dubious predictions, always prescribed the same thing: another leaf, which might, excitingly, be a nettle, but never was. This one was stuck on with spit if you were a girl, and threaded over your willie if you were a boy, and you were supposed to keep it on like a poultice as long as you could. For most of one summer this illicit clinic was convened once or twice a week, until we got bored, or the weather turned. Never again was there quite such a good occasion for kidnapping other kids on to my territory.

When I think back to that time, it's not such heady, forbidden games that really represent its feel, but other much more routine memories – like lining up with the others outside on raw winter days, all wearing damp, knitted pixie hats and rubbing our chilblains while we waited to be marched over to the parish hall for our regulation school dinner of whale-meat stew. Thinking of that produces a mingled brew of fear and longing that seems the very essence of school.

Bit by bit the fear came to predominate. I became a timid, clumsy, speechless child – agonisingly shy. In my last year at school Mr Palmer would promise me sixpence for every time he spoke to me and I didn't cry. I think I earned a shilling. More and more I lived in books, they were my comfort, refuge, addiction, compensation for the humiliations that attended contact with the world outside. But books were nothing really to do with school, not this school. I was a real dunce at the things I was supposed to learn – how to be neat, tidy, dexterous, obedient, punctual. My sewing turned to a grubby rag, it had been unpicked so many times. My knitting was laddered with dropped stitches. I couldn't write a line without making a blot. So I was mystified when I passed the ‘scholarship' at ten, and
felt sure it was a mistake and someone was going to find me out.

They didn't and still haven't, I suppose. Hanmer school left its mark on my mental life, though. For instance, one day in a grammar school maths lesson I got into a crying jag over the notion of minus numbers. Minus one threw out my universe, it couldn't exist, I couldn't understand it. This, I realised tearfully, under coaxing from an amused (and mildly amazed) teacher, was because I thought numbers were
things
. In fact, cabbages. We'd been taught in Miss Myra's class to do additon and subtraction by imagining more cabbages and fewer cabbages. Every time I did mental arithmetic I was juggling ghostly vegetables in my head. And when I tried to think of minus one I was trying to imagine an anti-cabbage, an anti-matter cabbage, which was as hard as conceiving of an alternative universe.

III
Grandma at Home

Hanmer's pretty mere, the sloping fields that surrounded us, and the hedges overgrown with hawthorn, honeysuckle and dog roses that fringed the lanes, might as well have been a cunning mirage as far as Grandma was concerned. They did nothing to alleviate the lousy desert that made up her picture of village life. She lived like a prisoner, an urban refugee self-immured behind the vicarage's bars and shutters. None of my new school friends were allowed in the house. You could get into the vicarage garden via the side yard, or by climbing over the walls, and that was the way we did it. The whole thing was clandestine, the other children weren't supposed to be really
there
at all, any more than that picturesque backdrop of lake and trees and cows. Meanwhile, insulated and apart, vicarage life went on. In the church, in bars, in books (Grandpa) or in a scented bedroom fug of dreams of home in South Wales (Grandma). That is of Tonypandy in the Rhondda, which rhymed with yonder, but with its Welsh ‘d's softened into ‘th', so that it seemed the essence of elsewhere.

Her Welsh accent was foreign – sing-song, insidious, unctuous, converting easily to menace. Asthma lent a breathy vehemence to her curses and when she laughed she'd fall into wheezing fits that required a sniff of smelling-salts. She had a repertoire of mysterious private catchphrases that always sent
her off. If anyone asked what was the time, she'd retort ‘just struck an elephant!' and cackle triumphantly. Then, ‘Dew, Dew,' she'd mutter as she got her breath back – or that's what it sounded like – meaning ‘Deary me' or ‘Well, well', shaking her head. That ‘ew' sound was ubiquitous with her. She pronounced ‘you' as ‘ew', puckering up her small mouth as if to savour the nice or nasty taste you represented.

She had lost her teeth and could make a most ghoulish face by arranging the false set, gums and all, outside her lips, in a voracious grin. This clownish act didn't conceal her real hunger, however. She projected want. During the days of rationing she craved sugar. Its shortage must have postponed some of the worst ravages of the diabetes that martyred her later, for once the stuff was available again she couldn't resist it at all. She was soft and slightly powdery to the touch, as though she'd been dusted all over with icing sugar like a sponge cake. She shared her Edwardian generation's genteel contempt for sunburn and freckles, and thanks to her nocturnal habits her skin was eerily pale. And just as she maintained that soap and water were too harsh for this delicate skin of hers, so she insisted that she couldn't chew or digest gristly, fibrous meals with meat and vegetables, but must live on thin bread and butter with the crusts cut off if she couldn't have tarts and buns. This, she'd repeat to me, was what little girls were made of, sugar and spice and all things nice – and I knew she was thinking of the sticky blondness of butter icing. Her ill-health had aged her into a child again in a way: a fat doll tottering on tiny swollen feet. But in her head she'd never been anything else, she still lived in the Rhondda in her mother's house, with her sister Katie. So powerful was the aura of longing surrounding the place that it
ought
, by rights, to have been entirely fantastical, or at best only a memory. But no. True,
her mother was long dead, but home actually still existed.

In the summer holidays we went there to visit, Grandma, my mother and me, leaving Grandpa behind. (This was called ‘letting him stew in his own juice'.) South Wales was an entirely female country in our family mythology, despite the mines and miners. A female place, an urban place and a place all indoors. Going there was like sinking into fantasy for all these reasons – and for one special reason above all, which was that home was a shop and we lived over it, and when we were there all the money horrors were magically suspended. Life was unfallen, prelapsarian, as though paying for things hadn't yet been invented. When you wanted a chop or a teacake you just went and helped yourself without even having to cross the street. It was a self-sufficient kingdom, or almost: a general stores that stocked everything from tin trays to oranges to sausages to sides of beef and cigarettes, with a special line in Lyons cakes, and when I was small I could entirely sympathise with Grandma in her resentment at having been persuaded to swap this blissful set-up for the vicarage and the dilapidations. Life at ‘Hereford Stores' – named for her mother's native town – was her ideal of luxury and gentility, the source of her unshakeable conviction of social superiority to everyone in Hanmer.

Hereford Stores, Tonypandy, pre-First World War, teenaged Grandma in the pale frock

Her sense of what class amounted to was remarkably pure and precise, in its South Wales way. Owning a business in a community where virtually everyone else went down the pit for wages
would
have seemed, in her youth, thoroughly posh. And the simple fact of
not working
when all around you were either slaving away or – worse – out of work would have been sufficient to mark you out as a ‘lady'. What could be grander than lounging around upstairs, nibbling at the stock when the fancy took you, brushing out your curls? She and Katie would still spend hour upon hour getting ready to go out – to Cardiff,
or to Pontypridd, to some teashop, or to the pictures – recapturing the world of their girlhood, before men and money had turned real.

Katie was in her forties and had never married. She too was very plump and a bit breathless, but her hair was still red, her teeth were her own and her laugh had a tuneful trill to it, so that she tended on the face of things to bear out Grandma's belief that you were better off without men. There
was
a shadowy man on the premises – their elder brother Stan – but he didn't really count, because (after, so they said, a dashing, brilliant youth) he'd had a colossal breakdown and was never quite right again. Now, in his fifties, he was seedy and skinny, with a faraway gleam in his eye, due to stubbornly wearing his mother's spectacles instead of getting some of his own. Stan hardly dented the atmosphere of scent and vanishing cream and talc I thought of as Hereford Stores. He slipped through it sideways like a ghost. There were two other brothers, but they'd long ago left home and were thought about as outcasts:
elderly Tom, who looked after the butchery part of the business, was a pariah because he lived with a housekeeper, who was not very secretly his mistress, and thus belonged to the same vicious male sect as Grandpa; and Danny was talked about in the past tense as though he was dead, because he had actually had the gall to set up a shop of his own in another valley. So the magic circle of sweet, stale dreams stayed intact, up the crooked stairs over the old double-fronted store, with their family name, ‘Thomas', fading over the door.

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