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Authors: Lillian Beckwith

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‘She was dead?' whispered Sue.

‘Oh, aye, right enough she was dead,' said the old man. ‘It was a fine handsome tombstone she'd got for him an' there was a good weight in it.'

The old woman spoke. ‘If that wasn't the spirit reachin' beyond the grave I don't know what is,' she said.

‘It's uncanny,' breathed Sue. The old man nodded.

‘So the young man didn't get the croft in between after all?' I commented.

‘Aye, he got it all right,' replied the old man. We all looked at him enquiringly. ‘Like I was sayin', there was no closer relations than the ones in Australia an' they weren't wantin' home to claim it so the young man applied to the Land Court that has to do with these things an' they agreed he should take it over. So he got the three crofts together again as they'd been in his grandfather's time an' he has them to this day.'

‘Good,' I said. ‘I hope he prospered.'

‘He worked the three crofts together an' he married an' I'm thinkin' he prospered,' affirmed the old man.

‘So the father's vengeance, if that's what it was, was wasted,' observed Robert.

‘It was indeed,' replied the old man. ‘But then did I not tell you the man was a Greannach that would as often spoil himself with his spitefulness?' He got up and rooting in a cupboard beside the fireplace produced a book from which he extracted a small newspaper cutting. The headline read, ‘Father's Tombstone Kills Daughter' and below it, as if it had been a fairly unremarkable experience, it gave a few sketchy details of the incident along with the verdict that it had occurred because of the phenomenally wet weather. I handed the cutting back to the old man and he replaced it carefully between the pages of the book.

The next morning we bade the old couple goodbye and continued on our way. We had not gone far before we noticed an abandoned croft house quite close to the road and Sue insisted on getting out to take a closer look. ‘I wonder who owns this one and if they would sell it?' she murmured.

‘To us?' asked Robert facetiously.

‘Why not?' she replied. ‘Just think if we could have a cottage like this to come to in the summer. All this lovely remoteness and silence.'

‘Not so remote from the hotel,' I pointed out, ‘and I imagine there'll be plenty of tourists here in the summer.'

‘But you can't see the hotel from here,' argued Sue. ‘That's what matters.'

‘Look, Sue,' Robert reminded her patiently. ‘Even if we could buy it we would need to do it up before we could live in it and what time would we have to do it up? Holidays wouldn't be much fun if we had to spend them indoors working to make the place habitable.'

‘You are so disgustingly practical,' Sue complained and with a shrug of her shoulders got back into the car. As we cruised along we saw another abandoned croft house and since it was not so derelict as the previous one Sue once again insisted on getting out to inspect it. ‘I wish we could find out who owns these two empty places,' she said. ‘This one wouldn't take much doing up before we could spend our holidays in it and then if we ever could escape permanently it would be a wonderful place to dream of coming to.'

We stood together admiring the situation. It certainly was an attractive spot set among the snow shawled hills and looking out over the waters of the loch which this morning were racing before a pettish breeze. We heard a shout and turned to see a shepherd calling his dog to heel.

‘Ask him,' urged Sue, prodding Robert's arm. We waited until the shepherd came abreast of us.

‘It is a cold day,' he greeted us cordially. We agreed it was. ‘I'm thinkin' the snow will be with us again soon enough,' he added.

‘Go on!' hissed Sue.

‘I wonder,' Robert began as the shepherd was about to walk away, ‘can you tell us who owns this cottage and whether there's a chance of it being for sale?'

The shepherd came back to where we were standing beside the car. He was surprisingly forthcoming.

‘It is owned by the man that has the hotel there,' he told us. ‘Did you not spend the night there?' We told him we had. ‘Ach, but I doubt he would be selling it. There's plenty of visitors been wantin' to get it from him in the summer.' I both saw and sensed Sue's disappointment.

‘Well what about the one further back down the road,' she persisted. ‘Who owns that one?'

‘The one in between this an' the croft where the hotel now stands?' he asked. Sue nodded. ‘That belongs to the old man too,' replied the shepherd, giving her a compassionate grin. ‘But I'm thinkin' he's even less likely to sell that one. He had a job gettin' it an' he's not wantin' for money.' Sue made a disappointed grimace. ‘Maybe you wouldn't want to be livin' in that house supposin' you could get it,' he told her, inclining his head in the direction of the first house we had seen. ‘There's somethin' queer always about that place.'

‘Queer?' echoed Sue. ‘Do you mean haunted?'

‘Indeed I don't know if it is haunted but it was never a happy house. It belonged to a young woman once that was going to marry someone her father had forbidden her to marry an' though she waited until he was dead before she fixed the weddin' she was killed three days before the day.'

‘Her father's tombstone fell on her,' said Sue.

‘Aye?' The shepherd was surprised. ‘You will be knowin' the story then?'

‘Yes, we know it,' Sue told him. ‘Oh well, thanks for telling us,' she said. The shepherd continued on his way and we got back into the car.

‘So it was the old man at the hotel who was once the young man who wanted the croft in between,' said Robert. We had rounded the loch now and were looking across to where the hotel stood close to the margin of the shore. To the right of it we could see the two abandoned croft houses set almost equidistant from each other.

‘And the young man worked the three crofts and he married and he prospered,' Sue mimicked the old man's rich Highland accents.

‘And why not?' Robert demanded. ‘After all, he does serve damn good whisky.'

Copyright

First published in 1975 by Hutchinson & Co.

This edition published 2012 by Bello an imprint of Pan Macmillan, a division of Macmillan Publishers Limited Pan Macmillan, 20 New Wharf Road, London N1 9RR Basingstoke and Oxford Associated companies throughout the world

www.panmacmillan.com/imprints/bello
www.curtisbrown.co.uk

ISBN 978-1-4472-1686-5 EPUB
ISBN 978-1-4472-1686-5 POD

Copyright © Lillian Beckwith, 1975

The right of Lillian Beckwith to be identified as the
author of this work has been asserted in accordance
with the Copyright, Designs and Patents Act 1988.

Every effort has been made to contact the copyright holders of the material reproduced in this book. If any have been inadvertently overlooked, the publisher will be pleased to make restitution at the earliest opportunity.

You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

The Macmillan Group has no responsibility for the information provided by any author websites whose address you obtain from this book (‘author websites').

The inclusion of author website addresses in this book does not constitute an endorsement by or association with us of such sites or the content, products, advertising or other materials presented on such sites.

This book remains true to the original in every way. Some aspects may appear out-of-date to modern-day readers. Bello makes no apology for this, as to retrospectively change any content would be anachronistic and undermine the authenticity of the original.

Bello has no responsibility for the content of the material in this book. The opinions expressed are those of the author and do not constitute an endorsement by, or association with, us of the characterization and content.

A CIP catalogue record for this book is available from the British Library.

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