Bewere the Night (27 page)

She watched him thrashing about on the ground. After he had stopped she spat and rubbed her face with her hands to try to clear her head. Then she gathered her clothes, squeezed and shook the water from them and dressed. Her hair was wet and tangled, but she managed to comb it back with her fingers and tie it into a bun. She looked once more at the gardener’s still body, feeling the beginnings of a vague uneasiness.

She began to walk slowly home, looking about her like a child, letting the sights, sounds and smells wash over her: men on bicycles, ringing their bells, children splashing into rainwater puddles, shouting in their clear, shrill voices, cars all shiny and wet, honking, lurching as they negotiated potholes, the smell of wet earth and the vapors already rising from the moist ground, the drip of rainwater from the tree branches above her. Slowly it came back to her. The way home. It was familiar and strange all at once.

And there, meandering down the street was Muniya the cow. She caught up with the great white bovine matriarch and stretched her arm toward her, but the cow shied away from her as though stung, and began to edge away, fear in her dark eyes. Dismayed, Susheela stood there helplessly, tears welling up in her eyes. She made a small, experimental, cajoling sound, thinking of the way Kishore had looked at her last. The cow let out a breath redolent with the odor of grass and carrot ends, and let Susheela come up to her. She shuddered as Susheela stroked her back, but did not move away.

Susheela felt an urgent need now to see her son. Taking leave of Muniya she began to walk rapidly, knowing that passersby were staring at her, with her disheveled hair and sodden clothes. She had to win back her little boy, to take that look from his eyes. She would do it, she thought in the wordless tongue, with patience, with stories, but—it came back to her now with horrifying clarity: the of the gardener in the wet grass—how to protect her family from what she had become? What would she tell them? She couldn’t even begin to articulate it, she realized in terror. People on the street were talking, laughing, and they might as well have been speaking some incomprehensible foreign language, because their speech had no meaning for her.

Then, slowly, she remembered the words, and understood them. It was Naag Panchami, the Festival of Snakes, and the monsoons had arrived at last. A car went by, fast, and two glittering arcs of water rose in its wake. There was the house; the shisham trees, their round leaves glistening, the trunks dark with moisture. Through the open front window she could see her husband’s profile as he waited, reading his paper, one brown hand on the sunlit sill. A picture came into her mind’s eye: that brown hand scooping up earth, making a hollow like a womb for the roots of the harsingar tree, patting the soil in place. She trembled, as though a string had been plucked deep inside her. The door was open. She walked into the house as if for the first time.

GROTESQUE ANGELS

GWENDOLYN CLARE

The rain turns the city upside down. In the gutters the water pools and flows, each drop fracturing the surface until the slick streets glitter as if seeded with pavement-bound stars. Low-slung clouds glow orange with light pollution, the night sky lit better than the street below. Not that the street is too dark for her eyes; nothing is ever completely dark in Chicago.

From her rooftop perch, Kelsey waits and watches. The city feels wrong tonight. Something old and hungry lurks in her territory, and the streets moan silently under the unwelcome weight of it. The Old One hides behind the city’s glamour—
her
glamour—and she cannot see it. So she waits, wishing shadows were its only disguise, but the Old One is more clever than that.

Kelsey drops off the roof and lands on a narrow ledge part way down the side of the building, her claws scraping the neo-Gothic limestone façade. She crouches, motionless again, and the rainwater runs over her skin and streams from the tips of her wing-feathers as it might from a statue. The sidewalk below grumbles and sighs to her, unsettled by the Old One’s passage. It walked this street not long ago.

A muted wail of sirens cuts through the sounds of the storm and the sidewalk’s complaints, and Kelsey’s head snaps up to catch the distance and direction. The sound lies ahead of her along the path she has already chosen—the path to track the Old One. It could mean nothing.

It’s probably not nothing.

The rain stings her face when she flies, and she squints against it. Her nose detects the reek of bad magic from half a block away, vile and sulfurous. It leads her to a narrow alley wedged between a couple of brick four-floor walk-ups. She circles above, evaluating. Police lights paint the old brick in alternating blue and red, and the alley crawls with cops.

She alights on the fire escape above and watches through the black metal grate. The glamour cloaks her from sight. If they were to stare at her hard enough, they might see a shadow shape crouched in her place, but she knows they won’t stare; they will not think to look up at all. Humans have an odd deficiency of awareness for what’s above their heads. Perhaps their genetic programming is to blame, their pre-historic ancestors never having encountered airborne predators. An odd quirk of human psychology, Kelsey thinks, but convenient.

Below, the flooded alley looks like a biblical curse, rainwater diluting blood until there seems to be much more than a few liters and it flows like a river. Red streaks the side of one building, the evidence already smeared by the weather. Kelsey does not envy the humans as they splash through the remnants of their rapidly deteriorating crime scene. The corpse is a messy pile of ruined flesh likely to win the award for all-time low point in the detectives’ careers. Kelsey certainly has no desire to give it a closer inspection.

She has never seen such exuberant carnage before, and it worries her. The Old One’s misbehavior is escalating. Time to report in. Perhaps Duncan will know what to do.

A brick-and-glass monolith on State Street, the Harold Washington Library devours an entire city block in downtown Chicago—an impressive feat of architecture, and also Duncan’s daytime resting place. Like most grotesques, Duncan has a penchant for dramatic buildings.

Kelsey finds him on the broad balcony that circles the top floor. She lands beside him, drops down on one knee in a quick obeisance, and straightens. Duncan seems pensive tonight, and the rain slicks his shale-gray skin giving him a polished look. The feathers of his headcrest are the color of olivine—a deep greenish hue that darkens to black when wet.

Staring out over his city, he says, “What news of the Old One?”

Kelsey spits over the rail with savage disgust. “It has begun taking human lives, and messily. The police are investigating already. Problematic.”

“Find out what they know. Use it if you can.”

“And how am I supposed to do that?”

He turns to look at her, meeting her reluctance with a stern command in his eyes. “How do you think? The Change, of course.”

She spits again. “Fantastic.”

The first time, she was only a child and she thought she was dying. Her claws shrunk to useless, flat nails; her pale gray skin soured to a disgusting pink shade; her silver crest feathers yellowed like old paper and curled into strings of hair. Worst of all her wings melted away, feathers deliquescing and bones softening like hot wax, and the drops of her flesh vanished before they hit the ground as if the limbs had never existed.

She lived, but sometimes wished she hadn’t.

The other grotesques called her “half-breed” and “werehuman.” It didn’t matter that pure bloods were rare; it didn’t matter that few if any of them could claim a heritage untainted by humanity. The Change cursed her alone, and so she grew apart from them.

As she takes to wing, Kelsey’s stomach clenches with disgust at the thought of becoming that version of herself she has fought so hard to suppress. Duncan sends her forth to the task as if the Change were a gift and not a reason for shame. He knows what it costs her, but it doesn’t matter. Anything and everything in service of the city.

Kelsey wonders: if she is not a true grotesque, why does the city still compel her? Surely her human-self would let her sense of duty slide.

The question will have to wait for tomorrow night. Sunlight pales the cloud cover to the east, dull gray light invading the orange city-glow. She already feels the sluggishness of dawn pulling at her, turning her wing-strokes clumsy. She flies south to the university—her beautiful neo-Gothic university—where her own daytime resting place awaits. She takes her post atop the stone archway of Hull Gate and settles down, camouflaged by the city’s glamour to look like an architectural flourish, a gargoyle of the inanimate stone variety.

The city sighs relief as somewhere out there the Old One quiets too. Kelsey’s eyelids slip closed.

The storm blew off during the daylight hours, leaving the night cold and newly dry. Kelsey stretches her wings in the fading twilight and launches into the air to begin tracking the groans and shivers of the streets. The Old One has awoken, too, and the city hunkers down to endure the long hours ahead.

Tracking is slow business. The Old One keeps to a particular course for several blocks, then suddenly zigzags as if it knows it’s being followed and is trying to shake her. She must stop often to listen for the worst creaks and complaints from the pavement below. Perhaps if she were faster, perhaps if she could see her quarry—but “perhaps” is worth its weight in air.

So she keeps moving.

Up ahead the city wails softly to itself, the sound emanating from a spot too ravaged to send out a louder distress call. Another alley, chosen more hastily than the last kill site. Happenstance, or escalation? If the Old One is escalating, this won’t be the only tonight. Kelsey drops onto the edge of a rooftop to survey the damage.

The scene below is a blood splatter analyst’s wet dream: the full five liters sprayed in a spectacular starburst that spans the alley and climbs the brick walls on either side. No one is allowed close to the body—or what’s left of it—before the photographers finish their work, lest they trample the evidence.

A pair of detectives huddle off to one side, alternately staring and trying not to stare at the bloodbath while they wait for the forensics team to give them the okay. One of the detectives is tall and too narrow at the shoulders for his height, so his trench coat hangs loose on his skinny frame. The other’s somewhat shorter, somewhat older, and working on his coffee-and-donuts belly.

Kelsey drops quietly to the ground several yards away from them, landing barefoot on the wailing blacktop. Her clothes will be a problem soon—shorts and a tank top and no shoes in the middle of October—since her grotesque-form doesn’t mind the cold. Nothing to be done about it now.

With a deep breath, Kelsey reaches within herself for the closed door, the locked vault, the sealed box—every mental metaphor she used to suppress her blasphemous other half—and she spins the locks, releases the seals, turns the knob and
pulls
.

The Change snaps through her more swiftly than the first time, the pressure of being bottled up making for a rapid release. She wavers on her too-small human feet with their useless short toes and almost meets the pavement the hard way before her new sense of balance kicks in. The cold starts to seep into her weak human flesh. Time to get this over with.

Twisting a scrap of glamour around herself, Kelsey fashions a fluffy coat and shoes that do nothing to warm her shivering human-form. At least she’ll look a little less odd. She lifts the rest of the glamour slowly, sliding into the realm of human awareness as if strolling into view.

The tall detective notices her first and closes the distance in six strides. “Ma’am, I need you to get behind the line. This is a crime scene.” He puts a guiding hand on her elbow, though she does not let him pull her away.

“No explosives,” she says softly, looking past him at the remains.

He freezes. Then his hand drops from her arm to hang limp at his side. “What did you say?”

“You won’t find any traces of explosives,” she elaborates. “Just like the last one. Or have there been more?”

Not so subtly he sweeps back his trench coat to rest his hands on his narrow hips, the right one within easy reach of his gun. “If you could come with me, I’ll need to ask—”

“No. No police stations, no interrogation rooms. When you’re ready to talk, you tell me what you know about the case, and then I’ll take care of your problem.” She waves a hand in the vague direction of the carnage.

“Look, I don’t know who you think you are sweetheart, but this is a homicide investigation.”

“You’re out of your depth. You need my help. Call me when your ego deflates enough to admit it.”

Kelsey tosses a folded scrap of paper between his feet, and his eyes track it. By the time he glances up again, she has wrapped herself in the glamour and faded from view.

After her first Change, she went to Duncan for guidance. Or for penance, or absolution perhaps—she didn’t know what she expected from him, but whatever he could give, it had to be a step up from the hollow dread inside her.