Beyond the Black River (18 page)

It halted some feet away and Conan glared at it, trying to distinguish its fire-misted outlines. The quivering flame had a solid core; the flame was but a green garment that masked some animate and evil entity; but the Cimmerian was unable to make out its shape or likeness. Then, shockingly, a voice spoke to him from amidst the fiery column.

“Why do you stand like a sheep waiting for the butcher, Conan?”

The voice was human but carried strange vibrations that were not human.

“Sheep?” Conan’s wrath got the best of his momentary awe. “Do you think I’m afraid of a dammed Pictish swamp-devil? A friend called me.”

“I called in his voice,” answered the other. “The men you follow belong to my brother; I would not rob his knife of their blood. But you are mine. O fool, you have come from the far gray hills of Cimmeria to meet your doom in the forests of Conajohara.”

“You’ve had your chance at me before now,” snorted Conan. “Why didn’t you kill me then, if you could?”

“My brother had not painted a skull black for you and hurled it into the fire that burns forever on Gullah’s black altar. He had not whispered your name to the black ghosts that haunt the uplands of the Dark Land. But a bat has flown over the Mountains of the Dead and drawn your image in blood on the white tiger’s hide that hangs before the long hut where sleep the Four Brothers of the Night. The great serpents coil about their feet and the stars burn like fireflies in their hair.”

“Why have the gods of darkness doomed me to death?” growled Conan.

Something — a hand, foot or talon, he could not tell which, thrust out from the fire and marked swiftly on the mold. A symbol blazed there, marked with fire, and faded, but not before he recognized it.

“You dared make the sign which only a priest of Jhebbal Sag dare make. Thunder rumbled through the black Mountain of the Dead and the altar-hut of Gullah was thrown down by a wind from the Gulf of Ghosts. The loon which is messenger to the Four Brothers of the Night flew swiftly and whispered your name in my ear. Your race is run. You are a dead man already. Your head will hang in the altar-hut of my brother. Your body will be eaten by the black-winged, sharp-beaked Children of Jhil.”

“Who the devil is your brother?” demanded Conan. His sword was naked in his hand, and he was subtly loosening the ax in his belt.

“Zogar Sag; a child of Jhebbal Sag who still visits his sacred groves at times. A woman of Gwawela slept in a grove holy to Jhebbal Sag. Her babe was Zogar Sag. I too am a son of Jhebbal Sag, out of a fire-being from a far realm. Zogar Sag summoned me out of the Misty Lands. With incantations and sorcery and his own blood he materialized me in the flesh of his own planet. We are one, tied together by invisible threads. His thoughts are my thoughts; if he is struck, I am bruised. If I am cut, he bleeds. But I have talked enough. Soon your ghost will talk with the ghosts of the Dark Land, and they will tell you of the old gods which are not dead, but sleep in the outer abysses, and from time to time awake.”

“I’d like to see what you look like,” muttered Conan, working his ax free, “you who leave a track like a bird, who burn like a flame and yet speak with a human voice.”

“You shall see,” answered the voice from the flame. “See, and carry the knowledge with you into the Dark Land.”

The flames leaped and sank, dwindling and dimming. A face began to take shadowy form. At first Conan thought it was Zogar Sag himself who stood wrapped in green fire. But the face was higher than his own, and there was a demoniac aspect about it — Conan had noted various abnormalities about Zogar Sag’s features — an obliqueness of the eyes, a sharpness of the ears, a wolfish thinness of the lips: these peculiarities were exaggerated in the apparition which swayed before him. The eyes were red as coals of living fire.

More details came into view: a slender torso, covered with snaky scales, which was yet manlike in shape, with manlike arms, from the waist upward; below, long crane-like legs ended in splay, three-toed feet like those of some huge bird. Along the monstrous limbs the blue fire fluttered and ran. He saw it as through a glistening mist.

Then suddenly it was towering over him, though he had not seen it move toward him. A long arm, which for the first time he noticed was armed with curving, sickle-like talons, swung high and swept down at his neck. With a fierce cry he broke the spell and bounded aside, hurling his ax. The demon avoided the cast with an unbelievably quick movement of its narrow head and was on him again with a hissing rush of leaping flames.

But fear had fought for it when it slew its other victims, and Conan was not afraid. He knew that any being clothed in material flesh can be slain by material weapons, however grisly its form may be.

One flailing talon-armed limb knocked his helmet from his head. A little lower and it would have decapitated him. But fierce joy surged through him as his savagely driven sword sank deep in the monster’s groin. He bounded backward from a flailing stroke, tearing his sword free as he leaped. The talons raked his breast, ripping through mail-links as if they had been cloth. But his return spring was like that of a starving wolf. He was inside the lashing arms and driving his sword deep in the monster’s belly — felt the arms lock about him and the talons ripping the mail from his back as they sought his vitals — he was lapped and dazzled by blue flame that was chill as ice — then he had torn fiercely away from the weakening arms and his sword cut the air in a tremendous swipe.

The demon staggered and fell sprawling sidewise, its head hanging only by a shred of flesh. The fires that veiled it leaped fiercely upward, now red as gushing blood, hiding the figure from view. A scent of burning flesh filled Conan’s nostrils. Shaking the blood and sweat from his eyes, he wheeled and ran staggering through the woods. Blood trickled down his limbs. Somewhere, miles to the south, he saw the faint glow of flames that might mark a burning cabin. Behind him, toward the road, rose a distant howling that spurred him to greater efforts.

8. Conajohara No More

There had been fighting on Thunder River; fierce fighting before the walls of Velitrium; ax and torch had been plied up and down the bank, and many a settler’s cabin lay in ashes before the painted horde was rolled back.

A strange quiet followed the storm, in which people gathered and talked in hushed voices, and men with red-stained bandages drank their ale silently in the taverns along the riverbank.

There, to Conan the Cimmerian, moodily quaffing from a great wine-glass, came a gaunt forester with a bandage about his head and his arm in a sling. He was the one survivor of Fort Tuscelan.

“You went with the soldiers to the ruins of the fort?”

Conan nodded.

“I wasn’t able,” murmured the other. “There was no fighting?”

“The Picts had fallen back across Black River. Something must have broken their nerve, though only the devil who made them knows what.”

The woodsman glanced at his bandaged arm and sighed.

“They say there were no bodies worth disposing of.”

Conan shook his head. “Ashes. The Picts had piled them in the fort and set fire to the fort before they crossed the river. Their own dead and the men of Valannus.”

“Valannus was killed among the last — in the hand-to-hand fighting when they broke the barriers. They tried to take him alive, but he made them kill him. They took ten of the rest of us prisoners when we were so weak from fighting we could fight no more. They butchered nine of us then and there. It was when Zogar Sag died that I got my chance to break free and run for it.”

“Zogar Sag’s dead?” ejaculated Conan.

“Aye. I saw him die. That’s why the Picts didn’t press the fight against Velitrium as fiercely as they did against the fort. It was strange. He took no wounds in battle. He was dancing among the slain, waving an ax with which he’d just brained the last of my comrades. He came at me, howling like a wolf — and then he staggered and dropped the ax, and began to reel in a circle screaming as I never heard a man or beast scream before. He fell between me and the fire they’d built to roast me, gagging and frothing at the mouth, and all at once he went rigid and the Picts shouted that he was dead. It was during the confusion that I slipped my cords and ran for the woods.

“I saw him lying in the firelight. No weapon had touched him. Yet there were red marks like the wounds of a sword in the groin, belly and neck — the last as if his head had been almost severed from his body. What do you make of that?”

Conan made no reply, and the forester, aware of the reticence of barbarians on certain matters, continued: “He lived by magic, and somehow, he died by magic. It was the mystery of his death that took the heart out of the Picts. Not a man who saw it was in the fighting before Velitrium. They hurried back across Black River. Those that struck Thunder River were warriors who had come on before Zogar Sag died. They were not enough to take the city by themselves.

“I came along the road, behind their main force, and I know none followed me from the fort. I sneaked through their lines and got into the town. You brought the settlers through all right, but their women and children got into Velitrium just ahead of those painted devils. If the youth Balthus and old Slasher hadn’t held them up awhile, they’d have butchered every woman and child in Conajohara. I passed the place where Balthus and the dog made their last stand. They were lying amid a heap of dead Picts — I counted seven, brained by his ax, or disemboweled by the dog’s fangs, and there were others in the road with arrows sticking in them. Gods, what a fight that must have been!”

“He was a man,” said Conan. “I drink to his shade, and to the shade of the dog, who knew no fear.” He quaffed part of the wine, then emptied the rest upon the floor, with a curious heathen gesture, and smashed the goblet. “The heads of ten Picts shall pay for his, and seven heads for the dog, who was a better warrior than many a man.”

And the forester, staring into the moody, smoldering blue eyes, knew the barbaric oath would be kept.

“They’ll not rebuild the fort?”

“No; Conajohara is lost to Aquilonia. The frontier has been pushed back. Thunder River will be the new border.”

The woodsman sighed and stared at his callused hand, worn from contact with ax-haft and sword-hilt. Conan reached his long arm for the wine-jug. The forester stared at him, comparing him with the men about them, the men who had died along the lost river, comparing him with those other wild men over that river. Conan did not seem aware of his gaze.

“Barbarism is the natural state of mankind,” the borderer said, still staring somberly at the Cimmerian. “Civilization is unnatural. It is a whim of circumstance. And barbarism must always ultimately triumph.”

by C. L. Moore, A. Merritt, H. P. Lovecraft, Robert E. Howard and Frank Belknap Long

Fantasy Magazine, September 1935

George Campbell opened sleep-fogged eyes
upon darkness and lay gazing out of the tent flap upon the pale August night for some minutes before he roused enough even to wonder what had wakened him. There was in the keen, clear air of these Canadian woods a soporific as potent as any drug. Campbell lay quiet for a moment, sinking slowly back into the delicious borderlands of sleep, conscious of an exquisite weariness, an unaccustomed sense of muscles well used, and relaxed now into perfect ease. These were vacation’s most delightful moments, after all — rest, after toil, in the clear, sweet forest night.

Luxuriously, as his mind sank backward into oblivion, he assured himself once more that three long months of freedom lay before him — freedom from cities and monotony, freedom from pedagogy and the University and students with no rudiments of interest in the geology he earned his daily bread by dinning into their obdurate ears. Freedom from —

Abruptly the delightful somnolence crashed about him. Somewhere outside the sound of tin shrieking across tin slashed into his peace. George Campbell sat up jerkily and reached for his flashlight. Then he laughed and put it down again, straining his eyes through the midnight gloom outside where among the tumbling cans of his supplies a dark anonymous little night beast was prowling. He stretched out a long arm and groped about among the rocks at the tent door for a missile. His fingers closed on a large stone, and he drew back his hand to throw.

But he never threw it. It was such a queer thing he had come upon in the dark. Square, crystal smooth, obviously artificial, with dull, rounded corners. The strangeness of its rock surfaces to his fingers was so remarkable that he reached again for the flashlight and turned its rays upon the thing he held.

All sleepiness left him as he saw what it was he had picked up in his idle groping. It was clear as rock crystal, this queer, smooth cube. Quartz unquestionably, but not in its usual hexagonal crystallized form. Somehow — he could not guess the method — it had been wrought into a perfect cube, about four inches in measurement over each worn face. For it was incredibly worn. The hard, hard crystal was rounded now until its corners were almost gone and the thing was beginning to assume the outlines of a sphere. Ages and ages of wearing, years almost beyond counting, must have passed over this strange clear thing.

But the most curious thing of all was that shape he could make out dimly in the heart of the crystal. For imbedded in its center lay a little disc of a pale and nameless substance with characters incised deep upon its quartz-enclosed surface. Wedge-shaped characters, faintly reminiscent of cuneiform writing.

George Campbell wrinkled his brows and bent closer above the little enigma in his hands, puzzling helplessly. How could such a thing as this have imbedded in pure rock crystal? Remotely a memory floated through his mind of ancient legends that called quartz crystals ice which had frozen too hard to melt again. Ice — and wedge-shaped cuneiforms — yes, didn’t that sort of writing originate among the Sumerians who came down from the north in history’s remotest beginnings to settle in the primitive Mesopotamian valley? Then hard sense regained control and he laughed. Quartz, of course, was formed in the earliest of earth’s geological periods, when there was nothing anywhere but heat and heaving rock. Ice had not come for tens of millions of years after this thing he held must have been formed.

And yet — that writing. Man-made, surely, although its characters were unfamiliar save in their faint hinting at cuneiform shapes. Or could there, in a Paleozoic world, have been things with a written language who might have graven these cryptic wedges upon the quartz-enveloped disc he held? Or — might a thing like this have fallen meteor-like out of space into the unformed rock of a still molten world? Could it —

Then he caught himself up sharply and felt his ears going hot at the luridness of his own imagination. The silence and the solitude and the queer thing in his hands were conspiring to play tricks with his common sense. He shrugged and laid the crystal down at the edge of his pallet, switching off the light. Perhaps morning and a clear head would bring him an answer to the questions that seemed so insoluble now.

But sleep did not come easily. For one thing, it seemed to him as he flashed off the light, that the little cube had shone for a moment as if with retained light before it faded into the surrounding dark. Or perhaps he was wrong. Perhaps it had been only his dazzled eyes that seemed to see the light forsake it reluctantly, glowing in the enigmatic deeps of the thing with queer persistence.

He lay there unquietly for a long while, turning the unanswered questions over and over in his mind. There was something about this crystal cube out of the unmeasured past, perhaps from the dawn of all history, that constituted a challenge that would not let him sleep.

He lay there it seemed to him for hours.
It had been the lingering light, the luminescence that seemed so reluctant to die, which held his mind. It was as though something in the heart of the cube had awakened, stirred drowsily, become suddenly alert . . . and intent upon him.

Sheer fantasy, this. He stirred impatiently and flashed his light upon his watch. Close to one o’clock; three hours more before the dawn. The beam fell and was focused upon the warm crystal cube. He held it there closely, for minutes. He snapped it out, then watched.

There was no doubt about it now. As his eyes accustomed themselves to the darkness, he saw that the strange crystal was glimmering with tiny fugitive lights deep within it like threads of sapphire lightnings. They were at its center, and they seemed to him to come from the pale disc with its disturbing markings. And the disc itself was becoming larger. . . the markings shifting shapes . . . the cube was growing . . . was it illusion brought about by the tiny lightnings . . . .

He heard a sound. It was the very ghost of a sound, like the ghosts of harp strings being plucked with ghostly fingers. He bent closer. It came from the cube . . . .

There was squeaking in the underbrush, a flurry of bodies and an agonized wailing like a child in death throes and swiftly stilled. Some small tragedy of the wilderness, killer and prey. He stepped over to where it had been enacted, but could see nothing. He again snapped off the flash and looked toward his tent. Upon the ground was a pale blue glimmering. It was the cube. He stooped to pick it up; then obeying some obscure warning, drew back his hand.

And again, he saw, its glow was dying. The tiny sapphire lightnings flashing fitfully, withdrawing to the disc from which they had come. There was no sound from it.

He sat, watching the luminescence glow and fade, glow and fade, but steadily becoming dimmer. It came to him that two elements were necessary to produce the phenomenon. The electric ray itself, and his own fixed attention. His mind must travel along the ray, fix itself upon the cube’s heart, if its beat were to wax, until . . . what?

He felt a chill of spirit, as though from contact with some alien thing. It was alien, he knew it; not of this earth. Not of earth’s life. He conquered his shrinking, picked up the cube and took it into the tent. It was neither warm nor cold; except for its weight he would not have known he held it. He put it upon the table, keeping the torch turned from it; then stepped to the flap of the tent and closed it.

He went back to the table, drew up the camp chair, and turned the flash directly upon the cube, focusing it so far as he could upon its heart. He sent all his will, all his concentration, along it; focusing will and sight upon the disc as he had the light.

As though at command, the sapphire lightnings burned forth. They burst from the disc into the body of the crystal cube, then beat back, bathing the disc and the markings. Again these began to change, shifting, moving, advancing, and retreating in the blue gleaming. They were no longer writings, no longer cuneiform shapes. They were things . . . objects.

He heard the murmuring music, the plucked harp strings. Louder grew the sound and louder, and now all the body of the cube vibrated to their rhythm. The crystal walls were melting, growing misty as though formed of the mist of diamonds. And the disc itself was growing . . . the shapes shifting, dividing and multiplying as though some door had been opened and into it companies of phantasms were pouring. While brighter, more bright grew the pulsing light.

He felt swift panic, tried to withdraw sight and will, dropped the flash. The cube had no need now of the ray . . . and he could not withdraw . . . could not withdraw? Why, he himself was being sucked into that disc which was now a globe within which unnameable shapes danced to an alien music. And the lightnings had stilled and had become sapphire suns that bathed the globe with steady radiance.

There was no tent. There was only a vast curtain of sparkling mist behind which shone the globe . . . .

He felt himself drawn through that mist, sucked through it as if by a mighty wind, straight for the globe.

As the mist-blurred light of the sapphire
suns grew more and more intense, the outlines of the globe ahead wavered and dissolved to a churning chaos. Its pallor and its motion and its music all blended themselves with the engulfing mist — bleaching it to a pale steel-colour and setting it undulantly in motion. And the sapphire suns, too, melted imperceptibly into the greying infinity of shapeless pulsation.

Meanwhile the sense of forward, outward motion grew intolerably, incredibly, cosmically swift. Every standard of speed known to earth seemed dwarfed, and Campbell knew that any such flight in physical reality would mean instant death to a human being. Even as it was — in this strange, hellish hypnosis or nightmare — the quasi-visual impression of meteor-like hurtling almost unhinged his mind. Though there were no real points of reference in the grey, pulsing, void, he felt that he was approaching and passing the speed of light itself. Finally his consciousness did go under — and merciful blackness swallowed everything.

It was very suddenly, and amidst the most impenetrable darkness, that thoughts and ideas again came to George Campbell. Of how many moments — or years — or eternities — had elapsed since his flight through the grey void, he could form no estimate. He knew only that he seemed to be at rest and without pain. Indeed, the absence of all physical sensation was the salient quality of his condition. It made even the blackness seem less solidly black — suggesting as it did that he was rather a disembodied intelligence in a state beyond physical senses, than a corporeal being with senses deprived of their accustomed objects of perception. He could think sharply and quickly — almost preternaturally so — yet could form no idea whatsoever of his situation.

Half by instinct, he realised that he was not in his own tent. True, he might have awaked there from a nightmare to a world equally black; yet he knew this was not so. There was no camp cot beneath him — he had no hands to feel the blankets and canvas surface and flashlight that ought to be around him — there was no sensation of cold in the air — no flap through which he could glimpse the pale night outside . . . something was wrong, dreadfully wrong.

He cast his mind backward and thought of the fluorescent cube which had hypnotised him — of that, and all which had followed. He had known that his mind was going, yet had been unable to draw back. At the last moment there had been a shocking, panic fear — a subconscious fear beyond even that caused by the sensation of daemonic flight. It had come from some vague flash or remote recollection — just what, he could not at once tell. Some cell-group in the back of his head had seemed to find a cloudily familiar quality in the cube — and that familiarity was fraught with dim terror. Now he tried to remember what the familiarity and the terror were.

Little by little it came to him. Once — long ago, in connection with his geological life-work — he had read of something like that cube. It had to do with those debatable and disquieting clay fragments called the Eltdown Shards, dug up from pre-carboniferous strata in southern England thirty years before. Their shape and markings were so queer that a few scholars hinted at artificiality, and made wild conjectures about them and their origin. They came, clearly, from a time when no human beings could exist on the globe — but their contours and figurings were damnably puzzling. That was how they got their name.

It was not, however, in the writings of any sober scientist that Campbell had seen that reference to a crystal, disc-holding globe. The source was far less reputable, and infinitely more vivid. About 1912 a deeply learned Sussex clergyman of occultist leanings — the Reverend Arthur Brooke Winters-Hall — had professed to identify the markings on the Eltdown Shards with some of the so-called “pre-human hieroglyphs” persistently cherished and esoterically handed down in certain mystical circles, and had published at his own expense what purported to be a “translation” of the primal and baffling “inscriptions” — a “translation” still quoted frequently and seriously by occult writers. In this “translation” — a surprisingly long brochure in view of the limited number of “shards” existing — had occurred the narrative, supposedly of pre-human authorship, containing the now frightening reference.

As the story went, there dwelt on a world — and eventually on countless other worlds — of outer space a mighty order of worm-like beings whose attainments and whose control of nature surpassed anything within the range of terrestrial imagination. They had mastered the art of interstellar travel early in their career, and had peopled every habitable planet in their own galaxy — killing off the races they found.

Beyond the limits of their own galaxy — which was not ours — they could not navigate in person; but in their quest for knowledge of all space and time they discovered a means of spanning certain trans-galactic gulfs with their minds. They devised peculiar objects — strangely energized cubes of a curious crystal containing hypnotic talismans and enclosed in space-resisting spherical envelopes of an unknown substance — which could be forcibly expelled beyond the limits of their universe, and which would respond to the attraction of cool solid matter only.

These, of which a few would necessarily land on various inhabited worlds in outside universes, formed the ether-bridges needed for mental communication. Atmospheric friction burned away the protecting envelope, leaving the cube exposed and subject to discovery by the intelligent minds of the world where it fell. By its very nature, the cube would attract and rivet attention. This, when coupled with the action of light, was sufficient to set its special properties working.

The mind that noticed the cube would be drawn into it by the power of the disc, and would be sent on a thread of obscure energy to the place whence the disc had come — the remote world of the worm-like space-explorers across stupendous galactic abysses. Received in one of the machines to which each cube was attuned, the captured mind would remain suspended without body or senses until examined by one of the dominant race. Then it would, by an obscure process of interchange, be pumped of all its contents. The investigator’s mind would now occupy the strange machine while the captive mind occupied the interrogator’s worm-like body. Then, in another interchange, the interrogator’s mind would leap across boundless space to the captive’s vacant and unconscious body on the trans-galactic world — animating the alien tenement as best it might, and exploring the alien world in the guise of one of its denizens.