BITCHfest: Ten Years of Cultural Criticism from the Pages of Bitch Magazine (43 page)
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MARGARET PRICE (“Queer and Pleasant Danger”) lives in Atlanta and teaches writing at Spelman College. Her essays, poetry, and short fiction have been published in
Ms
., the
Michigan Quarterly Review, Creative Nonfiction
, and
The Gay and Lesbian Review
. She is at work on a scholarly tome titled “Writing from Normal” and a novel titled “Knocking Alex Up.” She satisfies her parenting urges by adopting another cat every time she drives past the shelter, and watches
The L Word
with equal parts enjoyment and horror.
Ms
., the
Michigan Quarterly Review, Creative Nonfiction
, and
The Gay and Lesbian Review
. She is at work on a scholarly tome titled “Writing from Normal” and a novel titled “Knocking Alex Up.” She satisfies her parenting urges by adopting another cat every time she drives past the shelter, and watches
The L Word
with equal parts enjoyment and horror.
DON ROMESBURG (“Holy Fratrimony”), a freelance writer and PhD candidate in U.S. history at the University of California, Berkeley, lives in San Francisco with his boyfriend, dog, and TiVo.
DANYA RUTTENBERG (“Fringe Me Up, Fringe Me Down”) is the editor of
Yentl’s Revenge: The Next Wave of Jewish Feminism
(Seal Press). She serves as a contributing editor to both
Lilith
and
Women in Judaism:
A
Multidisciplinary Journal,
and is a contributing writer for
Jewschool.com
. Her writing has appeared in numerous anthologies and magazines, including the
San Francisco Chronicle, Tikkun, Bitch, Heeb, Salon, The Best Jewish Writing 2002, The Unsavvy Traveler, The Women’s Seder Sourcebook, The Women’s Movement Today: An Encyclopedia of Third-Wave Feminism,
and the forthcoming edition of
Encyclopedia Judaica.
She is currently studying for rabbinic ordination at the University of Judaism in Los Angeles and speaks widely about religion and culture.
Yentl’s Revenge: The Next Wave of Jewish Feminism
(Seal Press). She serves as a contributing editor to both
Lilith
and
Women in Judaism:
A
Multidisciplinary Journal,
and is a contributing writer for
Jewschool.com
. Her writing has appeared in numerous anthologies and magazines, including the
San Francisco Chronicle, Tikkun, Bitch, Heeb, Salon, The Best Jewish Writing 2002, The Unsavvy Traveler, The Women’s Seder Sourcebook, The Women’s Movement Today: An Encyclopedia of Third-Wave Feminism,
and the forthcoming edition of
Encyclopedia Judaica.
She is currently studying for rabbinic ordination at the University of Judaism in Los Angeles and speaks widely about religion and culture.
KEELY SAVOIE (“Screen Butch Blues”; “Unnatural Selection”) is a freelance writer based in Brooklyn, New York. She writes on science, politics, and feminism separately, but enjoys it most when they all collide. She is a frequent contributor to
Bitch
and a featured writer for Women in Media & News’ blog. She also writes regularly for
Choice!,
Planned Parenthood’s online magazine;
InTheFray,
an online magazine; as well as for a politician
whose views she generally respects. One of her recent essays appears in 50
Ways to Support Lesbian and Gay Equality
(Inner Ocean, 2005).
Bitch
and a featured writer for Women in Media & News’ blog. She also writes regularly for
Choice!,
Planned Parenthood’s online magazine;
InTheFray,
an online magazine; as well as for a politician
whose views she generally respects. One of her recent essays appears in 50
Ways to Support Lesbian and Gay Equality
(Inner Ocean, 2005).
JULIA SCHEERES (“Vulva Goldmine”) is a San Francisco—based journalist and the author of the memoir
Jesus Land
(Counterpoint, 2005).
Jesus Land
(Counterpoint, 2005).
HEATHER SEGGEL (“I Heard It Through the Loveline”) is a freelance journalist and frequent contributor to
Bitch
. Her work has appeared in the
North Bay Bohemian
, the
San Francisco Bay Times
, and throughout the zine world. It makes her teeth ache to know that Adam Carolla continues to find gainful employment on the air.
Bitch
. Her work has appeared in the
North Bay Bohemian
, the
San Francisco Bay Times
, and throughout the zine world. It makes her teeth ache to know that Adam Carolla continues to find gainful employment on the air.
JULIA SERANO (“Skirt Chasers”) is a writer, spoken word artist, scientist, and gender activist. She has presented and performed her work at universities, high schools, cafés, clubs, libraries, poetry slams, and queer and women’s events across the United States. She is currently working on a collection of personal essays, tentatively titled
Feminine Wiles: On Transsexual Women, Gender, and the Future of Feminism
(forthcoming from Seal Press in 2007). For more info about Julia’s various creative endeavors, visit her website at
www.juliaserano.com
.
Feminine Wiles: On Transsexual Women, Gender, and the Future of Feminism
(forthcoming from Seal Press in 2007). For more info about Julia’s various creative endeavors, visit her website at
www.juliaserano.com
.
LEIGH SHOEMAKER (“Urinalysis”) notes that when this piece was originally published in
Bitch
in 1997, her bio read as follows: “Solipsistic Leigh Shoemaker will not rest until she has brought the transcendent stream down to earth with her incredible powers of concentration.” Nine years later, she still considers the attempt to ground the transcendent to be a worthwhile task. These days, however, she’s more inclined to get some rest between attempts.
Bitch
in 1997, her bio read as follows: “Solipsistic Leigh Shoemaker will not rest until she has brought the transcendent stream down to earth with her incredible powers of concentration.” Nine years later, she still considers the attempt to ground the transcendent to be a worthwhile task. These days, however, she’s more inclined to get some rest between attempts.
SHAUNA SWARTZ (“XXX Offender”) is a freelance writer who spent her first thirty-two years in Los Angeles and moved to Philadelphia in 2004. After enjoying a stint copyediting gay male porn (after all, there’s no bigger turnoff than typos), she turned to the seedier world of technical writing. She is also a regular contributor to
AfterEllen.com
. She can be contacted at [email protected].
AfterEllen.com
. She can be contacted at [email protected].
LORI L. THARPS (“The Black and the Beautiful”) is a freelance journalist, author, and teacher. Originally from Milwaukee, Wisconsin, she attended Smith College and received a master’s degree from Columbia University’s Graduate School of Journalism. She has written for
Ms., Savoy, Suede, American Legacy, Odyssey Couleur,
and
Essence
magazines. She was a staff reporter at
Vibe
magazine and then a correspondent for
Entertainment Weekly
. She is the coauthor of the award-winning book
Hair Story: Untangling the Roots of Black Hair in America
(St. Martin’s Press, 2001). Her work can also be read in the Seal Press anthology
Young Wives’ Tales: New Adventures in Love and Partnership
and
Naked: Black Women Bare All About Their Skin, Hair, Hips, Lips and Other Parts
(Perigee)
.
Tharps recently relocated to Philadelphia after living in New York City for over a decade. She has yet to unpack her television.
Ms., Savoy, Suede, American Legacy, Odyssey Couleur,
and
Essence
magazines. She was a staff reporter at
Vibe
magazine and then a correspondent for
Entertainment Weekly
. She is the coauthor of the award-winning book
Hair Story: Untangling the Roots of Black Hair in America
(St. Martin’s Press, 2001). Her work can also be read in the Seal Press anthology
Young Wives’ Tales: New Adventures in Love and Partnership
and
Naked: Black Women Bare All About Their Skin, Hair, Hips, Lips and Other Parts
(Perigee)
.
Tharps recently relocated to Philadelphia after living in New York City for over a decade. She has yet to unpack her television.
NOY THRUPKAEW (“Fan/Tastic Voyage”; “The God of Big Trends”) writes frequently on international affairs and culture as a freelance journalist and senior correspondent for
The American Prospect
. A former Fulbright scholar and Pew fellow in international journalism, she has reported from Cuba, Iran, Cambodia, and Morocco, and worked as a discussion panelist for Japan’s largest English-language radio station. She has written for
The Guardian
(U.K.),
Marie Claire, Nerve, Ms., The Nation
, and
Kyoto Journal,
and was an Online Journalism Award finalist for cultural commentary.
The American Prospect
. A former Fulbright scholar and Pew fellow in international journalism, she has reported from Cuba, Iran, Cambodia, and Morocco, and worked as a discussion panelist for Japan’s largest English-language radio station. She has written for
The Guardian
(U.K.),
Marie Claire, Nerve, Ms., The Nation
, and
Kyoto Journal,
and was an Online Journalism Award finalist for cultural commentary.
VANESSA VESELKA (“The Collapsible Woman”) is a writer and musician. Her work has appeared in many publications, including
Bitch, Bust, Ms
.,
Jane, The Seattle Weekly
, and
Maximum Rockn Roll.
As a musician, she tours and plays with her band, Vanessa Veselka and the Godless Moravians, as well as with the political punk duo The Pinkos. She lives in Portland, Oregon, with her daughter, Violet, and is now delving into the messy waters of fiction.
Bitch, Bust, Ms
.,
Jane, The Seattle Weekly
, and
Maximum Rockn Roll.
As a musician, she tours and plays with her band, Vanessa Veselka and the Godless Moravians, as well as with the political punk duo The Pinkos. She lives in Portland, Oregon, with her daughter, Violet, and is now delving into the messy waters of fiction.
SUMMER WOOD (“On Language: Choice”) is a student in the PhD program in anthropology at New York University, where her research focuses on the intersections among health, gender, culture, and human rights. She holds a master’s degree in public health and women’s studies from the University of Michigan, and has worked as a journalist covering issues of science and health, economics, and women’s rights.
FIRST AND FOREMOST, WE OWE SO MANY GINORMOUS THANKS to the staff and board of
Bitch
, without whom this book (and the magazine itself) would not exist. It’s often said that no book is solely the work of its author, and in this case it’s more true than usual. Over the course of
Bitch
’s life, we’ve been lucky to work with way too many talented folks to name here, each of whom helped make this all happen. Extra-special, all-inclusive thank-yous go to our longtime stand-up bitches: Rachel Fudge, Debbie Rasmussen, Cheryl Taruc, Juliana Tringali, Rita Hao, and Jeffery Walls.
Bitch
, without whom this book (and the magazine itself) would not exist. It’s often said that no book is solely the work of its author, and in this case it’s more true than usual. Over the course of
Bitch
’s life, we’ve been lucky to work with way too many talented folks to name here, each of whom helped make this all happen. Extra-special, all-inclusive thank-yous go to our longtime stand-up bitches: Rachel Fudge, Debbie Rasmussen, Cheryl Taruc, Juliana Tringali, Rita Hao, and Jeffery Walls.
We first discussed the possibility of an anthology more than six years ago with founding art director Ben Shaykin. Four art directors and one cross-country move later, we are pants-peeingly happy that Ben was able to design the book and bring this whole megillah full circle.
Denise Oswald, our fine editor at Farrar, Straus and Giroux, has been awesome in every way; ditto her assistant, Sara Jane Stoner, whom we plagued with our every pesky detail.
Jill Grinberg, our agent, was excited about this project from the start; we’re lucky to have her enthusiasm and hard work in helping us make an abstract concept into a still-somewhat-abstract reality. Thanks also to Jill’s assistant, Kirsten Wolf, who handled our many, many questions with unfailing graciousness.
Margaret Cho is a longtime inspiration and a formidable loudmouth.
We’re thrilled that she wrote our foreword; thanks also to Keri Smith for helping make it happen.
We’re thrilled that she wrote our foreword; thanks also to Keri Smith for helping make it happen.
We’re so very grateful to our families, who have been tireless supporters of and cheerleaders for the magazine even when they weren’t sure if the name was such a hot idea. Their words of wisdom, unsolicited PR and networking efforts, and occasional tough love have helped keep us going for ten years and counting. Colossal gratitude (and apologies) to the friends who have put up with our crankiness amid the deadlines for this book and, over the years, the magazine. You know who you are.
Tremendous thanks also go to the many contributors to
Bitch
, whose insight, smarts, and wit have been the reasons for the magazine’s success.
Bitch
, whose insight, smarts, and wit have been the reasons for the magazine’s success.
Most of all, we thank our readers, who have kept us going with praise, crucial financial support, and the occasional photos of their pets reading the magazine; they’ve kept us sharp with constructive criticism, difficult questions, and constant reminders of all that remains to be done.
Copyright © 2006 by Lisa Jervis and Andi Zeisler
Foreword copyright © 2006 by Margaret Cho
“Girl, Unreconstructed” by Rachel Fudge, copyright © 2006 by Rachel Fudge. “Dead Man Walking” by Brendan O’Sullivan, copyright © 2006 by Brendan O’Sullivan. “How to Reclaim, Reframe, and Reform the Media” by Jennifer L. Pozner, copyright © 2006 by
Jennifer L. Pozner. “Screen Butch Blues” by Keely Savoie, copyright © 2006 by
Keely Savoie. “Laugh Riot” by Andi Zeisler, copyright © 2006 by Andi Zeisler
All rights reserved
Farrar, Straus and Giroux
18 West 18th Street, New York 10011
18 West 18th Street, New York 10011
Designed by Benjamin Shaykin
eISBN 9781429998574
First eBook Edition : May 2011
First edition, 2006
Most of the essays herein were previously published, in somewhat different form, in issues of
Bitch: Feminist Response to Pop Culture
dating from 1996 to 2005, and are reprinted with the permission of their respective authors.
Bitch: Feminist Response to Pop Culture
dating from 1996 to 2005, and are reprinted with the permission of their respective authors.
“Elegy for Jane” copyright © 1950 by Theodore Roethke, from
The Collected Poems of Theodore Roethke.
Used by permission of Doubleday, a division of Random House, Inc., and Faber and Faber, Ltd.
The Collected Poems of Theodore Roethke.
Used by permission of Doubleday, a division of Random House, Inc., and Faber and Faber, Ltd.
Library of Congress Cataloging-in-Publication Data
BITCHfest: ten years of cultural criticism from the pages of Bitch magazine / edited by Lisa Jervis and Andi Zeisler.—1st ed.
p. cm.
“All of the essays were previously published, in somewhat different form, in Bitch Magazine from 1996—2005.”
Includes bibliographical references.
ISBN-13: 978-0-374-11343-8 (pbk. : alk. paper)
ISBN-10: 0-374-11343-2 (pbk. : alk. paper)
I. Feminism—United States. 2. Popular culture—United States. I. Title: Bitch fest.
II. Miya-Jervie, Lisa. III. Zeisler, Andi, 1972— IV. Bitch (San Francisco, Calif.)
HQ1421.B525 2006
305.420973’09049—dc2
2005036156
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