Black Lace Quickies 3
Read Black Lace Quickies 3 Online
Authors: Kerri Sharpe
Contents
Nothing But This: Kristina Lloyd
Cooking Lessons: Teresa Noelle Roberts
About the Book
Not all pleasure is of this world...
Tessa likes to ride hard and be put away wet...
A sonata can get inside a girl’s soul...
Some women go thrill-seeking underground...
Who would believe that a shed could be a pleasure palace for Tamara...
Some girls do more than just admire a hot chef...
Indulgent, sensual, taboo, outrageous and always, always erotic, Black Lace short stories are the best in modern sexy fiction. Fun, irreverent and deliciously decadent, this arousing little anthology of our erotica is a showcase of the diversity and imagination of modern women’s erotic desires. So pick me up and dip into the most entertaining erotic fiction around.
Quickies – 3
A Black Lace erotic short-story collection
Nothing But This
Kristina Lloyd
I CALL HIM
the Boy although he isn’t. He’s skinny enough, it’s true – as skinny as the kids who do backflips in the square – and there’s not a single hair on his flat brown chest. But his age is in his eyes, eyes as green as a cat’s, and when I look right at him, though we’re meant to be ignoring him, I see eyes that might be a thousand years old.
He’s been following us for half an hour, weaving among the crowds, his flip-flops slap-slapping in the dust of the souk. ‘Hey, mister! Hey, lady!’ he keeps calling. ‘You wanna buy carpet? Teapot? Saffron? You wanna buy incense? Come, come! Come to meet my uncle.’
His urge to ‘come, come’ sounds grubby and erotic and the refrain pulses in my head like some dark drumbeat, weird enough for me to wonder if it’s going to bring on one of my migraines.
‘Lady, you wanna buy handbag? Real leather! The best! Hey, mister, nice wallet for you! Look this way! You are my guest. Come!’ The Boy averts his eyes, head down and spinning, and the whole song and dance routine seems a pastiche of the real hustlers, an empty act he can turn off at will.
No
wonder he can’t look at us: we’d see right through him.
‘I feel like David bloody Niven,’ mutters Tom.
Tom’s posh as fuck, so self-assured and confident you don’t even notice it. He’s relaxed and ironic. A bit on the prim side, it has to be said, but I adore every hot salty inch of him. I like to draw him, standing, sitting, lying, sprawling, my futile bid to capture him in charcoal and pencils. In evening class, I learnt to draw not just the object but the space around it. I learnt to see absence. ‘What’s not there is as important as what is,’ said our tutor, although personally I’d contest that with Tom. I’m quite a fan of what’s there. Naked, he’s pale and softly muscled with strong swimmer’s shoulders and thighs like hams. Sometimes I sketch his cock, big and randy or just lolling on his thigh, framed in dark curls, and when I show him the end result he’ll invariably wince. ‘Oh God,’ he drawls, looking away and sounding slightly camp. ‘You’re so
vulgar
.’ But he can’t help smiling and I know deep down he likes it.
‘
Pssst!
’
It’s the Boy. I can’t see him, only hear him. The medina is crammed with noise, its maze of tiny streets choked with the scents of paraffin, leather, spit-roast meats, sour sweat, baked earth and strong rough tobacco. Here and there, the souk opens out, exposing its squinting stallholders to a livid blue sky. But for now we’re in the thick of it,
two
clueless pink-skins in an ancient labyrinth, lost among beggars, hawkers, shoppers, mopeds, donkey carts and big wire cages squawking with heaps of angry hens. The Boy’s hiss slices through the chaos, clean as a whistle, but I can’t spot him anywhere.
I’m disappointed. I’m supposed to be relieved because the official line is he’s been annoying us from the off, prancing around like some mad imp of consumerism, urging us to buy this, buy that, buy the other. The thing is, we do want to buy a carpet, a nice Berber runner for the hallway, but he’s probably on commission and, besides, we’d rather do it in peace.
My disappointment tempers the arousal I’m half-ashamed to acknowledge. At first, I couldn’t be sure it was sexual although I suspected it was. Heck, it usually is with me. And then I knew damn well it was when my groin flickered its need and I grew aware of my inner thighs, filmy with sweat, sliding wetly as I walked, my sarong flapping around my ankles. But it’s a weird kind of sexual. It’s not as if I fancy him, this slip of a lad with the calm, creepy eyes, but I’m drawn to him in a way I can’t identify. He keeps dropping back from us to sidle among the crowd or prowl at a distance, elegant and stealthy, stalking us like prey. My money’s in a belt. I must have checked it a dozen times. I don’t think he’s a thief though.
I don’t know what he is. All I know is he’s
sparked
off in me some intrigue, some furtive hunger that makes me not quite trust myself. We keep walking, Tom and I, and within the humid fabric of my knickers, I’m as sticky and swollen as a Barbary fig.
‘
Pssst!
’
His call sounds so close I actually look over my shoulder, expecting him right there, but no sign. It’s as if he’s invisible, some mythical djinni up to no good or a golem from the old Jewish quarter, laughing to himself as I pat my money belt once again.
‘Seem to have shaken him off, the little shit,’ Tom says mildly as he unscrews his water bottle.
I realise Tom’s not hearing what I hear, making me question my senses. The heat in this place stupefies me and I haven’t been sleeping well either. At night, after an evening of jugglers, magicians, fire-eaters and snake-charmers, the bedsheets tangle themselves around my legs, cobras for the pipe-player, and my mind whirls with madness and enchantments. To soothe me, I think of the stillness beyond the town: snowcapped mountains, endless deserts and a black velvet night sprayed with silver stars. But I sleep fitfully, slipping in and out of dreamscapes, grotesque and lewd, and I wake each morning sloppy with desire. When I sink onto Tom’s cock, drowsy and heavy, I feel fucked already, post-coitally limp, as if I’ve been possessed by an incubus, a gleeful demon who screwed me senseless as I
slept
. My limbs seem to liquefy as I ride Tom, awash with vagueness, remembering feral creatures, how they pawed at my flesh, and priapic monsters with gas-mask faces, rutting in steamy swamps.
I don’t imagine we’ll buy a carpet today. I’m not really in the mood. Feeling a tad psychotic, to tell the truth. But I hide it well. I’m probably just premenstrual.
A few minutes later and the Boy’s with us again. I don’t see him but I smell him, a pungent sexual whiff as we pass stalls selling metalware, shards of sunlight glancing off pewter, copper and brass. Then, in the shadows behind, I see two green beads peering out from the gloom, points of luminescence, freakishly bright. My heart pumps faster. Among so many brown-eyed folk, those eyes are hauntingly strange, non-human almost. He doesn’t belong to these people, I think. An outsider, perhaps; a man who leaps across gullies high in the Atlas mountains, surviving on thin air.
‘Oh, God, there’s that smell again,’ complains Tom.
A few yards ahead, the Boy darts beneath a tatty awning. He’s wearing filthy, calf-length shorts and his legs, I notice, are dark with hair. He’s a youth, I think, and then some. Old enough, I’m quite sure, to go snuffling under my sarong.
‘It’s foul,’ says Tom. ‘Really fucking rank.’
I think he’s talking about the Boy. I think he’s
smelled
his appetite and is repulsed. Then it dawns on me he’s talking about the tannery. When we were last here, I was about ready to retch with the stink of it but now the tannery’s just a backnote and it’s the Boy’s odour I’m getting. It’s as if my senses are tuning in to him, to the sound, smell and sight of him, and everything else recedes. The whole thing’s starting to make me nervous.
Tom offers me the water before taking a swig himself. He has beautiful manners, partly because he’s from Surrey but stemming too from a naturally submissive streak he doesn’t fully acknowledge. He’s no pushover, believe me, but his gentle manner, combined with a curious intellect, makes him tend to the deferential or at least a fascinated passivity. Give him a good book and he’s lost for hours. Give him a good woman – or better still a bad one – and he’s lost for months. I took him away from someone else. Well, he left her for me at any rate. Two years down the line and we’re still in love, half-daft and quite besotted.
But I’m no fool. I know damn well if some other woman caught his heart he’d be gone in a flash, leaving me spitting with rage. I like Tom a lot. I want to hang on to him. I want to keep him mine. But all I can do is hope for the best. And meanwhile, I try to catch him as I can, all those impossible charcoals and pencils, all that seductive permanent ink.
My favourite sketches are the ones I do in bed
at
night, Tom lying there with his mouth agape, dreaming eyeballs quivering beneath his lids. I love him so much when he’s fast asleep, when he doesn’t even know he exists. Tom doesn’t realise I do this. I keep the sketches well hidden, my treasured possessions, proof of all the hours I stole from him while I watched him sleep. I have bouts of insomnia, you see. It’s not only out here.
‘Half a mo’. Batteries,’ says Tom. He edges past slow, swathed people, and I wait for him by a spice stall. Black strips of tamarind and threaded figs hang like jungle vegetation over sacks heaped with nuts, dried fruit, tea leaves and herbs.
S
NORING CURE
–
NEVER FAIL
! says a sign and
A
PHRODISIAC FOR THE
K
ING
! proclaims another. The air is powder-dry and colours catch in my throat, scarlet, copper, ochre and rust, an earthy rainbow of seasonings that makes me cough like a hag. ‘I have medicine! Never fail!’ cries a djellaba-hooded man, and I protest my health, realising there’s some seriously dodgy shit for sale here: a turtle strapped to the canopy’s scaffold, bunches of goats’ feet, dried hedgehogs, chameleons, snake skins and live lizards flicking around in giant-sized jars.
‘
Pssst! Lady!
’
His voice goes straight to my cunt. The sensation’s so strong he might have tongued me there. My senses reel and I turn, catching a glimpse of sharp brown shoulder blades before he’s swallowed up by the crowd. Across the way,
Tom’s
holding a pack of batteries, appealing to a stallholder who looks out with a half-blind gaze, his eyes veiled with cataracts. A woman with a wispy beard jostles me. Instinctively, I check my money-belt and I see the Boy just feet away, throwing a backwards glance, an invitation to follow. I cannot refuse him. I don’t even question my options. I just go.
As I move, Tom turns. He catches my eye, nodding acknowledgment of my direction. It’s fine, he’s cool. He rarely makes a fuss. And, should we lose each other, we’ve both got our phones. An image comes to me of my mobile trilling away, whiskery rats nosing the screen where the words ‘Tom calling …’ glow for no one. I push the image away. It’s not important. But the Boy is.
Anxious not to lose him, I squirm through the crowds, keeping his shorn head in my sights. A man with a monkey distracts me briefly and for a terrible moment I think I’ve lost him. Frantic, I whirl around, a vortex of faces blurring past me, colours racing. He’s gone, he’s gone. But seconds later, I have him again. I watch as he vanishes into an archway so narrow that at first I think he’s ghost-walked through a wall. Panicking, I hurry, elbowing people aside. Somebody curses me but I don’t care. I’m high with fear. I don’t know why I’m following him. I only know I can’t stop. Dark eyes flash around me, and my cunt’s pumping nearly as hard as my heart. I’m in the
grip
of something scary, my juices are hot, and I try to remember if I’ve eaten something funny. Maybe I stood too close to those desiccated hedgehogs. God knows what they were for. God knows what I’m doing.
