Bloodstream (16 page)

‘Explain that to me,’ Murphy said, losing track of what was being said.

Parker looked towards Murphy then back to the relative safety of Rossi’s pen on her notepad as she scribbled notes. ‘He could get five, sometimes ten grand from a restaurant in town, just for pretending he was going for a meal there. Papped – photographed – outside, the restaurant sign all lit up, then five minutes inside with the owner. Few more photos for their walls, then back home. Didn’t even have to eat there. Five grand for an hour’s work. Tops. Next day, photos are in all the local papers and sometimes a few nationals. Same thing with clubs, shops. All that sort of thing. The news websites lap that sort of thing up. Five hundred words on what they were wearing, all that stuff. Chloe and Joe get their faces out there, keep in the spotlight, everyone’s happy.’

Murphy looked away, tugged on his bottom lip with his teeth to stop himself saying something he would regret. ‘Five grand . . .’ he said under his breath.

Parker shrugged his shoulders. ‘That’s just the way things are.’

‘Chloe would be with him when he did this sort of thing?’

‘Of course,’ Parker replied, the pitch of his voice higher now. ‘The story was always about them. It was Joe who pushed those things, though. Always wanted to know when the next one was coming along.’

‘And Chloe wasn’t always happy to go along with that?’ Rossi said, looking up at Parker finally.

Another hesitation. Murphy tried to catch Parker’s eyes to make him aware that he wasn’t happy at that, but they were fixed firmly on his own shoes.

‘She wanted to do other things,’ Parker said. ‘Didn’t want to be known for turning up to the opening of an envelope. Joe didn’t care. He just wanted to make money.’

‘Do you think they were in love, Mr Parker?’ Murphy asked, seeing the answer already.

‘I think . . . yes. I think Chloe loved Joe.’

‘We know he was stopped from making a move to a bigger football club.’

Parker looked up, glancing at Murphy now. ‘That wasn’t her,’ Parker said, his voice quivering a little, but attempting to be firm. ‘That was me. Not that I thought he listened. He was still in talks until the end of that transfer window thing they have in January. I think Chloe convinced him she wouldn’t be going with him if he moved. He knew that would bring an end to the way things had been. No wedding either, so the whole lead-up to that would be lost. Took a while though.’

Murphy went back over what Parker had said in the previous minute, trying to work out what it was that was niggling him.

Rossi got there before him.

‘You said Chloe loved Joe,’ she said, removing the pen that had been nestled on the corner of her mouth as she’d waited. ‘You don’t think he loved her, do you? You think the wedding was a sham. That he was just in it for the money, the fame.’

Parker sighed, the weight on his shoulders becoming harder and harder to bear, Murphy thought.

‘I don’t think he ever felt anything for her,’ Parker said, his voice almost lost in the space between them. ‘Nothing at all. Not from the start. She was a meal ticket and he got lucky.’

Murphy had moved to the sofa once the drinks which hadn’t been offered arrived. He sipped on too hot coffee, enjoying the taste alongside the burning sensation on his lips. He chanced another sip before placing the cup down. ‘They were having issues. I think we can say that much about Chloe and Joe.’

Parker nodded. ‘I guess so. They always do, these types of couples. Everything starts out as a whirlwind romance, but it all calms down and reality hits. And not the distorted one we see on TV. It’s when it’s just the two of them alone, with no cameras, or other people watching, that things change. Then, you get to know the real person. How many times has it happened?’

‘Loads,’ Rossi said. ‘I don’t know this particular story, but there’s Peter Andre and Jordan. TOWIE shite. Any
Big Brother
couple . . .’

‘You could go on and on,’ Parker said, a smile disappearing as quickly as it appeared. ‘I’ve repped a lot of them. It’s my job to make sure they make as much as possible before the bubble bursts and we’re on to the next lot.’

‘Did they keep in touch with any of the other people on the show?’

‘I don’t think so. They were nothing but friendly, but I never met them. I took Chloe and Joe on, but they were the only two of interest to me. The others have done bits here and there, but they don’t have anywhere near the kind of pulling power Chloe and Joe had.’

‘How did we get here, though? To the point where they’re both gone?’

‘I just don’t know,’ Parker said, his head in his hands. ‘I mean, the stuff that is said to them on all that social media is bad. Really disgusting stuff that taken at face value could be threatening. But, this . . . I never thought it could lead to this.’

‘That’s what you think then?’ Murphy said, eyeing the coffee and, taking the chance that it had cooled a little, picking it back up. ‘Someone from Twitter or the like has had it in for them and taken it further?’

‘Let me read you some of things that were said to them,’ Parker said, producing the phone from his pocket and bringing it to life. ‘I have an email saved that Chloe sent me a while back with some of the worst ones.’

Murphy waited, looking round the place once more, a new piece of grand furniture catching his attention with each passing glance. ‘The word opulent was invented to describe this kind of room.’

‘I’d be scared to touch anything,’ Rossi said, looking up quickly then back to her notepad. ‘I prefer to have easily replaced stuff in my house.’

‘Here we go,’ Parker said, breaking into Murphy’s thoughts on interior design. ‘This one is from a few months back.
Chloe Morrison is a fucking whore. She needs to fuck off and die –
that’s actually one of the nicer ones. Here’s one from a well-known troll.
You’re a fucking slut who needs to wake up and realise we are laughing at you. Die bitch.
Oh, here’s a good one –
I’ll cut your cunt head off and rape your neck you fucking slag.
Apologies for the language.’

Murphy listened as Parker went on to read four or five increasingly sickening messages before holding up his hands for him to stop. ‘We get the picture,’ he said, his coffee left to go cold as his stomach churned. He turned to Rossi. ‘If I ever think about signing up for that thing, you have my permission to give me a smack.’

‘Noted.’

‘See what I mean, though?’ Parker said, placing his phone on the side table. ‘They get abuse like this all the time, celebrities. It’s constant. I get it as well, but nothing like the level they get. People just can’t help themselves.’

‘Jealousy, I imagine,’ Murphy said.

‘Partly,’ Parker replied. ‘But it’s not just that. It can’t be. This is disgusting stuff they’re saying about real people. Who knows how far a person who writes things like that could go . . .’

‘It’s about wanting to have an effect,’ Rossi said, as Murphy drove the car back through the gates and into the waiting throng of people outside. ‘They want a reaction to make themselves feel better. To know that they’ve had an effect on someone they think is untouchable. A celebrity – to these types of people – is rich, successful, everyone knows who they are. They forget they’re just normal people with families and that. They just want to hurt them in any way possible, just to give themselves meaning. It’s sickening to us, as we know Chloe a little, and Joe, of course, but how many times have we sneered at someone on TV or in films? I mean, look at something like
The X Factor
or whatever. We like to laugh at people. We enjoy being nasty about each other. Social media is just another avenue for people to do that. Get a reaction and feel good about themselves for a few minutes. People like Katie Hopkins have built a career on it.’

Murphy guided the car round a few straggling photographers, finally picking up some speed as they passed them and made it onto the road proper. ‘You think it could get worse than a few words on a computer screen, though? That someone out there could actually follow through with the type of things they were saying?’

Rossi allowed a few seconds to pass before answering. ‘It wouldn’t be the first time. Look at any famous assassination in history. It has its roots in the same feelings. Mark Chapman killed John Lennon because he thought he was a phony—’

‘He kinda was . . .’

‘That’s heresy in this city, Murphy. You know that. You’re just pissed off they renamed the airport.’

‘It’s still Speke Airport to me and loads of others.’

‘Anyway, that’s not my point. One of the reasons Chapman killed Lennon was because he didn’t think he was deserving of his celebrity status. Now, that’s a common thought to have. How many times do you hear people say this person or that person doesn’t deserve to be famous?’

They reached a red light and Murphy scratched at his beard with one hand as the other rested on the steering wheel. ‘True, but I think there’s more to it than just that.’

‘Of course,’ Rossi replied, fiddling with the electric windows until she’d opened a gap that she was happy with. ‘But that’s all part of it now. The way society reveres its famous people and then wants to tear them down. It’s an element of a whole way of thinking, and it’s all about people who have no idea what it’s actually like to have that level of fame.’

Murphy glanced up, realised the lights had changed and moved off before the car behind had a chance to complain. ‘I’m not sure how that helps us though. If that Wirral couple turn out to have had the same killer, then it’s probably got nothing to do with fame at all.’

‘I guess not,’ Rossi said, her head turned away from Murphy so he couldn’t see her face when he risked a glance towards her.

Murphy broke the silence that followed. ‘How’s the fella?’

Rossi turned and smiled, then squirmed a little. ‘Good. Saw him last night. He was asking about the case. Apparently I was in the background during one of the news bits at the house.’

‘Sarah has learned not to ask me anything specific these days.’

‘So will he. Especially after he didn’t get anything out of me last night. Once we’d got past that, we had a good time.’

‘It’s good that you’re seeing someone. Keeps your mind occupied when you’re away from the job. Just . . .’

‘Be careful?’

‘Exactly. Maybe I should meet him some time. Just to make sure he realises what would happen if he hurt you.’

‘I have five brothers, Murphy,’ Rossi replied with a laugh. ‘I think you’d have to join a queue.’

Murphy returned the laugh, deciding it was probably easier if he let five Italian Scousers loose, instead of him going it alone. It took them twenty minutes to get back to the station, the radio inside the car crackling into life just as they were parking up and about to get out of the car. ‘Go ahead,’ Rossi said, lifting the handset out of its cradle.

‘We’ve got results on HP vics one and two,’ DC Harris’s voice came back to them. ‘And something else coming in that may be connected. How long until you can get here?’

‘We’re in the car park as it happens. Be there in less than five.’

Murphy turned the engine off and grabbed his jacket from the back seat, almost headbutting Rossi as she reached to do the same for her own.

‘What do you think the second thing is?’ Murphy said slightly breathlessly as they walked briskly towards the station entrance.

‘I have my theories,’ Rossi replied, grasping the door handle and pushing forward, the door banging against the rubber stopper on the floor and almost hitting Murphy as it rebounded. ‘Not saying them out loud though.’

Murphy let Rossi steam ahead of him, guessing that was the best course of action. Of course, she was right. The dreaded jinx of being a copper. It was always best not to say anything out loud in case the worst happened.

Not that it mattered, most of the time.

‘The Wirral couple,’ DC Harris said as they entered the office, Rossi a fair few steps ahead of Murphy. ‘Looks like they’re the same guy.’

Murphy closed his eyes for a few seconds and screamed a few obscenities in his head to a deity he didn’t believe in most of the time.

‘How do we know this?’ Murphy said, once he’d finished his mental admonishment.

‘Same type of drug killed both female victims,’ DC Harris replied. ‘An opiate-based drug of some sort apparently. Possibly one used as an anaesthetic in hospitals. They can’t say for certain what the actual drug used was, but I think it’s too much of a coincidence . . .’

‘Same layout of scene, same cause of death, two victims, an intimate couple . . .
merda.’
Rossi looked round, Murphy took a step back, not wanting to get in the way of what he thought she was about to do. He breathed again when she appeared to settle and sit down instead.

‘Why can’t we get the actual drug name?’

‘Apparently it doesn’t stay in the body long enough after death,’ DC Harris replied, itching at stubble which was beginning to rival Murphy’s own beard length. ‘All they can say is the drug group it came from and that’s about it.’

‘Well, it’s still something we need to look into. Get a list together of the types of drugs we’re talking about and where they may have come from.’

‘That’s not all,’ said DC Hale, appearing from the corridor behind DC Harris. ‘I went over the file that DS Brannon gave us. Turns out there was another collage left there. It was in one of the photographs near the back of the folder, a picture of the spare room. They didn’t mention it in the main report as they thought it was the victims that did it. Obviously, with what we found at the ChloJoe house, it might mean something else now.’

Murphy wanted to close his eyes again, but shook off the feeling. ‘ChloJoe?’

‘Erm . . . that’s, sorry. It’s just what they call them on the news and that.’

‘Well, let’s try and not do that here maybe?’

‘Course, sir.’

‘Right, here’s what we do,’ Murphy said, loud enough that a few more heads looked up from various desks. ‘I can guarantee that the previous scene won’t have been gone over as carefully as ours has so, Hale and Kirkham, you go over the details as closely as possible with the idea it’s linked to ours. I don’t care how little or insignificant anything is, we need to investigate it. Rossi, you find out more about this drug that killed both victims. See if there’s something we can use there. I’ll speak to the boss.’