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Authors: Ian Fleming

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BOOK: Bond 03 - Moonraker
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On Her Majesty’s Secret Service

You Only Live Twice

The Man with the Golden Gun

Octopussy
and
The Living Daylights

 

 

MOONRAKER © Ian Fleming Publications Ltd 1955
Thomas & Mercer edition, October 2012

 

Ian Fleming has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work.

James Bond
and
007
are registered trademarks of Danjaq LLC, used under license by Ian Fleming Publications Ltd.

This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition, including this condition, being imposed on the subsequent purchaser.

First published in Great Britain by Jonathan Cape in 1955.

 

All rights reserved.

 

The characters and events portrayed in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.

 

Published by Thomas & Mercer

P.O. Box 400818

Las Vegas, NV 89140

 

ISBN-13: 9781612185453

ISBN-10: 1612185452

Library of Congress Control Number: 2012945140

CONTENTS

 

PART ONE | MONDAY

1 | SECRET PAPER-WORK

2 | THE COLUMBITE KING

3 | ‘BELLY STRIPPERS’, ETC.

4 | THE ‘SHINER’

5 | DINNER AT BLADES

6 | CARDS WITH A STRANGER

7 | THE QUICKNESS OF THE HAND

 

PART TWO | TUESDAY, WEDNESDAY

8 | THE RED TELEPHONE

9 | TAKE IT FROM HERE

10 | SPECIAL BRANCH AGENT

11 | POLICEWOMAN BRAND

12 | THE MOONRAKER

13 | DEAD RECKONING

14 | ITCHING FINGERS

15 | ROUGH JUSTICE

16 | A GOLDEN DAY

17 | WILD SURMISES

 

PART THREE | THURSDAY, FRIDAY

18 | BENEATH THE FLAT STONE

19 | MISSING PERSON

20 | DRAX’S GAMBIT

21 | ‘THE PERSUADER’

22 | PANDORA’S BOX

23 | ZERO MINUS

24 | ZERO

25 | ZERO PLUS

ABOUT THE AUTHOR

PART ONE

MONDAY

1 ....... SECRET PAPER-WORK

T
HE TWO
thirty-eights roared simultaneously.

The walls of the underground room took the crash of sound and batted it to and fro between them until there was silence. James Bond watched the smoke being sucked from each end of the room towards the central Ventaxia fan. The memory in his right hand of how he had drawn and fired with one sweep from the left made him confident. He broke the chamber sideways out of the Colt Detective Special and waited, his gun pointing at the floor, while the Instructor walked the twenty yards towards him through the half-light of the gallery.

Bond saw that the Instructor was grinning. ‘I don’t believe it,’ he said. ‘I got you that time.’

The Instructor came up with him. ‘I’m in hospital, but you’re dead, sir,’ he said. In one hand he held the silhouette target of the upper body of a man. In the other a polaroid film, postcard size. He handed this to Bond and they turned to a table behind them on which there was a green-shaded desk-light and a large magnifying glass.

Bond picked up the glass and bent over the photograph. It was a flash-light photograph of him. Around his right hand there was a blurred burst of white flame. He focused the glass carefully on the left side of his dark jacket. In the centre of his heart there was a tiny pinpoint of light.

Without speaking, the Instructor laid the big white man-shaped target under the lamp. Its heart was a black bull’seye, about three inches across. Just below and half an inch to the right was the rent made by Bond’s bullet.

‘Through the left wall of the stomach and out at the back,’ said the Instructor, with satisfaction. He took out a pencil and scribbled an addition on the side of the target. ‘Twenty rounds and I make it you owe me seven-and-six, sir,’ he said impassively.

Bond laughed. He counted out some silver. ‘Double the stakes next Monday,’ he said.

‘That’s all right with me,’ said the Instructor. ‘But you can’t beat the machine, sir. And if you want to get into the team for the Dewar Trophy we ought to give the thirty-eights a rest and spend some time on the Remington. That new long twenty-two cartridge they’ve just brought out is going to mean at least 7,900 out of a possible 8,000 to win. Most of your bullets have got to be in the X-ring and that’s only as big as a shilling when it’s under your nose. At a hundred yards it isn’t there at all.’

‘To hell with the Dewar Trophy,’ said Bond. ‘It’s your money I’m after.’ He shook the unfired bullets in the chamber of his gun into his cupped hand and laid them and the gun on the table. ‘See you Monday. Same time?’

‘Ten o’clock’ll be fine, sir,’ said the Instructor, jerking down the two handles on the iron door. He smiled at Bond’s back as it disappeared up the steep concrete stairs leading to the ground floor. He was pleased with Bond’s shooting, but he wouldn’t have thought of telling him that he was the best shot in the Service. Only M. was allowed to know that, and his Chief of Staff, who would be told to enter the scores of that day’s shoot on Bond’s Confidential Record.

Bond pushed through the green baize door at the top of the basement steps and walked over to the lift that would take him up to the eighth floor of the tall, grey building near Regent’s Park that is the headquarters of the Secret Service. He was satisfied with his score but not proud of it. His trigger finger twitched in his pocket as he wondered how to conjure up that little extra flash of speed that would beat the machine, the complicated box of tricks that sprung the target for just three seconds, fired back at him with a blank .38, and shot a pencil of light at him and photographed it as he stood and fired from the circle of chalk on the floor.

The lift doors sighed open and Bond got in. The liftman could smell the cordite on him. They always smelled like that when they came up from the shooting gallery. He liked it. It reminded him of the Army. He pressed the button for the eighth and rested the stump of his left arm against the control handle.

If only the light was better thought Bond. But M. insisted that all shooting should be done in averagely bad conditions. A dim light and a target that shot back at you was as close as he could get to copying the real thing. ‘Shooting hell out of a piece of cardboard doesn’t prove anything’ was his single-line introduction to the Small-arms Defence Manual.

The lift eased to a stop and as Bond stepped out into the drab Ministry-of-Works-green corridor and into the bustling world of girls carrying files, doors opening and shutting, and muted telephone bells, he emptied his mind of all thoughts of his shoot and prepared himself for the normal business of a routine day at Headquarters.

BOOK: Bond 03 - Moonraker
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