Bones of the Lost (13 page)

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Authors: Kathy Reichs

BOOK: Bones of the Lost
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S
OUTH END, JUST BELOW UPTOWN
Charlotte, is a mixed hunk of turf with serious ambitions up the social ladder. And climbing fast.

The neighborhood dates to the 1850s when the construction of a railroad line connected the Queen City to Columbia and Charleston, South Carolina. Over the decades a manufacturing community sprang up along the tracks, fired largely by a booming textile industry.

Fast-forward to the waning years of the twentieth century. Largely ignored by a town viewing itself as the face of the New South, South End had little to offer beyond abandoned mills, warehouses, and a minor league baseball park. But come the nineties, cagey developers saw dollar signs.

Today, South End is a mélange of condos, lofts, and renovated industrial leftovers housing restaurants, shops, studios, and a broad spectrum of design-related industries. Want a plumbing fixture, fabric, or upscale lamp? South End is the answer to your needs.

But traces of the hood’s past remain. The Design Center of the Carolinas, the headquarters for Concentric Marketing, and the Chalmers Memorial Associate Reformed Presbyterian Church breathe the same yuppie air as seedy garages, abandoned factories, weed-covered acreage, and a strip club.

John-Henry’s Tavern was located not far from the intersection of Winifred and Bland. Flanking it on both sides were lots with entire eco zones thriving in the cracked concrete.

Opposite was a windowless bunker covered with graffiti and enclosed in chain-link fencing. A sign warned
NO TRESPASSING.
Nothing indicated the structure’s name or explained the purpose of its existence. Junk covered a raised platform that might once have been a loading dock. Rusty beer kegs. A table made of slapped-together boards. An old piano with a black skull spray-painted on a silver moon on its upright portion.

Slidell swung a left into the tavern’s small parking area, which may have been paved. Or not. A coating of dirt and gravel rendered the issue moot.

“This place saw a lot of action back in the sixties.” Slidell shifted into park and cut the engine.

“I’d have guessed the twenties.”

“Beach music, shagging, that kinda shit. For a while the owners brought in truckloads of sand, strung lights in the yard. Young assholes pretended they were at Myrtle Beach grooving to Maurice Williams.” Pronounced
Moe-reese.

“When was that?”

Slidell slid a toothpick from the right to the left corner of his mouth. “Late seventies.”

A smile tugged at my lips. “You bust some moves here, detective?”

Slidell looked at me as though I’d told him the world was made of Gouda.

What was I thinking? Slidell’s soul probably had liver spots by his sixteenth birthday.

“Who comes here now?” I asked.

“Older assholes.”

“What’s that?” I tipped my head toward the building across the street.

“Back in the day it was a mill of some kind. Been abandoned since the fifties. Rumor was the property was going condo. Project went south, I guess. Now the dump’s mostly a pain in the ass ’cause of squatters.”

For several moments we both evaluated our target.

Save for a Coors sign glowing in the rain-blurred front window, the small brick bungalow might have been a private home. Iron handrails bordered the two stairs leading up to the stoop. A chimney jutted from the far end, suggesting the presence of a fireplace inside.

The front door, once red, and the trim, once white, were faded and peeling. I’d been by this old building. When?

Before Katy had hired on with the Public Defender’s Office she’d briefly tended bar at the Gin Mill, a trendy Irish pub a few blocks over on Tryon. Perhaps I’d taken a wrong turn after dropping her off.

Slidell’s Taurus shared the parking area with a pickup and five cars whose odometers undoubtedly showed very high numbers.

I was about to comment when a man in sweats rounded the building and walked with questionable balance to a white Honda Civic. Slidell and I watched him climb in and drive off.

“Ready?” I asked.

Taking Slidell’s grunt as affirmative, I stepped out into rain that had dwindled to a slow, steady drizzle. All around me were the sounds of dripping water.

After heaving himself free, Slidell hiked his pants, checked the back of his waistband, and rolled his shoulders. A glance left, then right, and he strode onto the stoop and through the door. I followed.

As expected, the tavern’s management invested little in lighting. Or cleaning. The air smelled of stale beer, human sweat, grease, and smoke.

As my eyes adjusted to the dim, my mind logged details about my surroundings. From the tension in his back, I knew Slidell was also assessing.

Wooden tables with unmatched chairs filled the space where we stood. A jukebox rested against the wall to their right. A mirror in a heavy gilt frame hung above and beside it. Beyond them straight ahead a bar formed an L, its short side facing the tables.

I spotted a second entrance far back to the left, opposite the terminus of the L’s long side. At the moment, that door was propped open with a dark shape that looked like a gargoyle or garden troll.

A series of bulletin boards ran along the wall from the rear entrance to the near end of the bar. Above them were painted the words
STORY BOARD.
On them were tacked at least a billion photos.

To our right, an archway gave onto a room holding roughly a dozen more tables, all empty. A narrow corridor led deeper into the house, presumably to toilets and the kitchen.

A trio in work clothes and steel-tipped boots occupied a four-top
in the main seating area. Three hard hats lay at their feet. Three hamburger specials mounded their plates.

Two men and a woman sat at the bar, backs to the photo gallery, empty stools equidistant between them. The men wore hoodies, jeans, and running shoes. Both had logged enough miles to have shagged at the tavern in its Myrtle Beach days. Both were drinking beer.

The woman wore black stretch pants and a pink tee that warned,
STOP LOOKING AT MY BOOBS.
With her fried gray hair and sagging face she looked old enough to have mothered the men. Her glass held something the color of tea, probably bourbon.

Though the bartender matched Slidell in poundage, his weight was distributed along more orthodox lines. And much more compactly. Maybe five ten on tiptoes, he had rheumy blue eyes and a shaved skull. Tattooed on his forearm was some sort of bird.

Having memorized the layout, Slidell crossed to the bar.

“How’s it going?”

Rheumy eyes continued drying his hands on a rag.

Slidell made a show of looking around. “I see business is booming.”

“What’ll you have?”

Slidell shifted his toothpick. “Little more hospitality?”

“You’re a cop.”

“You’re a genius.”

The three laborers went quiet. The beer drinkers shifted on their stools.

Boob woman eavesdropped unapologetically.

“License is in order.” Rheumy eyes hooked a thumb at the wall behind him.

Slidell placed both palms on the bar, spread his feet, and loomed.

“How ’bout we start with a name?”

“How ’bout we start with some ID.”

Slidell badged him.

Rheumy eyes slid a glance at the shield and looked up at Slidell.

“Name? Or am I starting out with questions too high up the grid?”

“Sam.”

Slidell raised both brows in a go-on expression.

“Sam Poland.”

“How long you been working here, Sam?”

“What’s this about?”

“Whadja do, Sam? Jump some girl’s bones?” Boob woman guffawed at her own wit, then knocked back a slug of her drink.

“Zip it, Linda.” Poland gestured Slidell down the bar, closer to where I’d paused. “Who’s the chick?” Nodding at me.

“Lady Gaga. We’re getting an act together.”

Poland’s jaw muscles bulged, but he said nothing.

“So, Sam. How long you been working at the country club here?”

“Twelve years.”

“Tell me about Dominick Rockett.”

Poland studied the rag in his hands. Up close, I could see they were red and splotchy. I suspected eczema.

“I’m talking to you, dickwad.”

“This is harassment.”

“Rockett drink here?”

Poland shrugged.

“What’s that supposed to mean?”

“A customer looks old enough, I don’t ask for ID.”

“Guy’s face looks like he washed it with a blowtorch. That help?”

“I might’ve seen someone like that.”

“Sitting with John-Henry Story?”

“Who?”

“You know, Sam. I’m starting to think you’re trying to waste my time. People waste my time, they piss me off.”

“Sorry I can’t help.”

“You saying you never heard of John-Henry Story?”

Poland shrugged again.

Moving with astonishing speed for a man of his bulk, Slidell reached out, finger-wrapped Poland’s neck, and brought him forehead to forehead.

Around us the room went totally still.

“I find that odd, Sam. Being Story’s the man used to cut your checks.”

Poland struggled to free his head. Slidell held him like a vise.

“I can walk out to my car and run your name through every system in the city, the county, the state, and the universe. You got an outstanding warrant? Unpaid taxes? Late child-support payment? One single slip, your dick is mine.”

Slidell’s words sent droplets of saliva onto Poland’s face. They glistened blue and green in neon oozing from signage behind the bar.

Even Linda had nothing to say.

Thinking Poland might speak more freely with me out of earshot, and wanting to avoid spittle, I moved toward the bulletin boards and feigned interest in the photos.

The collection looked as if it stretched back beyond the Nixon years. Some snapshots had old-fashioned scallopy edges. Some were standard drug-store-issue prints. Some were Polaroids not holding up well.

I fingered through the layers, digging out an image here and there.

A creased black-and-white showed an old Chevy coupe with whitewall tires, its fedoraed driver arm-draping the door. A color print featured a kid in a boater with an LBJ hatband. Another captured a Kodak moment inspired by four bare buttocks.

Dozens of pictures dated to the tavern’s Myrtle Beach days. In shot after shot couples danced under looping strands of lights, gathered at tables, or mugged at the lens in shoulder-to-shoulder camaraderie.

There were shots of New Year’s Eve celebrations, balloons festooning the fireplace, ceiling, and walls. Of diners in shorts and sundresses dappled by sunlight at patio tables. Of drunks in green hats, shamrocks, and beads.

Men in coveralls. Women in stilettos and spandex. Couples snugged together like spoons. Businessmen in suits. Twenty- and thirtysomethings in full-body Nike or Adidas. Athletic teams in uniform. Quartets and sextets of college students.

Over the years the fashions and hairstyles changed. Long bangs. Wild perms. Shaved heads. Pierced noses and lips. It was like sifting through layers at an archaeology dig.

Behind me, Slidell continued hammering at Poland. The beer drinkers and Linda remained silent. The workers had resumed conversing in low tones.

As I moved from board to board, I wondered how the collection had come to be.

Whatever its history, the allure had faded in recent years. Few images looked like products of the digital age.

I was at the end of the last board when I spotted Story. Or was it?

Moving discreetly, I pried the tack loose with a thumbnail and studied the photo.

Oh, yeah.
Rattus rattus
.

Story was beside a woman in a sparkly green halter creating va-va-voom cleavage. Both were raising champagne flutes. She was smiling. He was not.

A blond kid sat one barstool down from the woman, leaning at an angle that suggested at least twenty beers. The date embroidered on his varsity jacket was two years back.

Pumped, I burrowed through more stratigraphy.

Pay dirt.

I knew the terrible price of war. I’d seen images of veterans in full dress uniform, heads high, ravaged faces proud. Speaking at rallies. Arm in arm with their beautiful brides.

I’d been told Dominick Rockett’s burns were severe. Still, I was unprepared.

On the left, Rockett’s brows and lashes were gone, and his forehead hung bulbous over a lidless orbit. His lips were bloated and skewed, and his nostril melted into a cheek the consistency of congealed oatmeal.

On the right, save for hair loss and an unnatural smoothing of the skin, his face appeared normal. A knitted tuque was pulled low on his forehead.

I felt pity as I viewed the destruction. The image in the mirror every morning of Rockett’s life. In his mind when a stranger looked away. When a child stared or screamed in fear.

Dear God. What a price.

My eyes moved from Rockett to the other man sharing his table. Wiry, with gaunt cheeks and small rodent eyes.

Casting a quick glance behind me, I thumbed the second snapshot from the board and slipped both into my purse. Then I crossed back to the bar.

Slidell had released Poland but was still grilling him. The beer drinkers and Boob woman remained focused on their beverages.

“—telling you, man, I don’t know.”

“You don’t know much, do you, asshat.”

After a round of my not so subtle throat-clearing, Slidell graced me with a glance. I tipped my head toward the door.

Slidell frowned, then hit Poland with two more questions. Got more nothing, but the point was made. Dirty Harry was in charge.

Slapping a card on the bar, Slidell gave the usual instruction about phoning. Then we left.

Back in the Taurus, I pulled out the purloined pictures and identified the players. Slidell studied the faces without comment. Which surprised me.

“So Story and Rockett are drinking buddies,” he finally said.

“I don’t know about that. But this proves they’re acquainted.”

“What say we poke at that?”

“Oh, yeah. But remember. Dew doesn’t want Rockett spooked.”

“Right.”

We were rolling before my seat belt clicked home.

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