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Authors: Truman Capote

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BOOK: Breakfast at Tiffany's
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"She's drunk," Joe Bell informed me.

"Moderately," Holly confessed. "But Doc knew what I meant. I explained it to him very carefully, and it was something he could understand. We shook hands and held on to each other and he wished me luck." She glanced at the clock. "He must be in the Blue Mountains by now."

"What's she talkin' about?" Joe Bell asked me.

Holly lifted her martini. "Let's wish the Doc luck, too," she said, touching her glass against mine. "Good luck: and believe me, dearest Doc -- it's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear."

 

TRAWLER MARRIES FOURTH. I was on a subway somewhere in Brooklyn when I saw that headline. The paper that bannered it belonged to another passenger. The only part of the text that I could see read:
Rutherfurd "Rusty" Trawler, the millionaire playboy often accused of pro-Nazi sympathies, eloped to Greenwich yesterday with a beautiful
-- Not that I wanted to read any more. Holly had married him: well, well. I wished I were under the wheels of the train. But I'd been wishing that before I spotted the headline. For a headful of reasons. I hadn't seen Holly, not really, since our drunken Sunday at Joe Bell's bar. The intervening weeks had given me my own case of the mean reds. First off, I'd been fired from my job: deservedly, and for an amusing misdemeanor too complicated to recount here. Also, my draft board was displaying an uncomfortable interest; and, having so recently escaped the regimentation of a small town, the idea of entering another form of disciplined life made me desperate. Between the uncertainty of my draft status and a lack of specific experience, I couldn't seem to find another job. That was what I was doing on a subway in Brooklyn: returning from a discouraging interview with an editor of the now defunct newspaper,
PM
. All this, combined with the city heat of the summer, had reduced me to a state of nervous inertia. So I more than half meant it when I wished I were under the wheels of the train. The headline made the desire quite positive. If Holly could marry that "absurd foetus," then the army of wrongness rampant in the world might as well march over me. Or, and the question is apparent, was my outrage a little the result of being in love with Holly myself? A little. For I was in love with her. Just as I'd once been in love with my mother's elderly colored cook and a postman who let me follow him on his rounds and a whole family named McKendrick. That category of love generates jealousy, too.

When I reached my station I bought a paper; and, reading the tail-end of that sentence, discovered that Rusty's bride was:
a beautiful cover girl from the Arkansas hills, Miss Margaret Thatcher Fitzhue Wildwood
. Mag! My legs went so limp with relief I took a taxi the rest of the way home.

Madame Sapphia Spanella met me in the hall, wild-eyed and wringing her hands. "Run," she said. "Bring the police. She is killing somebody! Somebody is killing her!"

It sounded like it. As though tigers were loose in Holly's apartment. A riot of crashing glass, of rippings and callings and overturned furniture. But there were no quarreling voices inside the uproar, which made it seem unnatural. "Run," shrieked Madame Spanella, pushing me. "Tell the police murder!"

I ran; but only upstairs to Holly's door. Pounding on it had one result: the racket subsided. Stopped altogether. But leading to let me in went unanswered, and my efforts to break down the door merely culminated in a bruised shoulder. Then below I heard Madame Spanella commanding some newcomer to go for the police. "Shut up," she was told, "and get out of my way."

It was José Ybarra-Jaegar. Looking not at all the smart Brazilian diplomat; but sweaty and frightened. He ordered me out of his way, too. And, using his own key, opened the door. "In here, Dr. Goldman," he said, beckoning to a man accompanying him.

Since no one prevented me, I followed them into the apartment, which was tremendously wrecked. At last the Christmas tree had been dismantled, very literally: its brown dry branches sprawled in a welter of torn-up books, broken lamps and phonograph records. Even the icebox had been emptied, its contents tossed around the room: raw eggs were sliding down the walls and in the midst of the debris Holly's no-name cat was calmly licking a puddle of milk.

In the bedroom, the smell of smashed perfume bottles made me gag. I stepped on Holly's dark glasses; they were lying on the floor, the lenses already shattered, the frames cracked in half. Perhaps that is why Holly, a rigid figure on the bed, stared at José so blindly, seemed not to see the doctor, who, testing her pulse, crooned: "You're a tired young lady. Very tired. You want to go to sleep, don't you? Sleep."

Holly rubbed her forehead, leaving a smear of blood from a cut finger. "Sleep," she said, and whimpered like an exhausted, fretful child. "He's the only one would ever let me. Let me hug him on cold nights. I saw a place in Mexico. With horses. By the sea."

"With horses by the sea," lullabied the doctor, selecting from his black case a hypodermic.

José averted his face, queasy at the sight of a needle. "Her sickness is only grief?" he asked, his difficult English lending the question an unintended irony. "She is grieving only?"

"Didn't hurt a bit, now did it?" inquired the doctor, smugly dabbing Holly's arm with a scrap of cotton.

She came to sufficiently to focus the doctor. "
Everything
hurts. Where are my glasses?" But she didn't need them. Her eyes were closing of their own accord.

"She is only grieving?" insisted José.

"Please, sir," the doctor was quite short with him, "if you will leave me alone with the patient."

José withdrew to the front room, where he released his temper on the snooping, tiptoeing presence of Madame Spanella. "Don't touch me! I'll call the police," she threatened as he whipped her to the door with Portuguese oaths.

He considered throwing me out, too; or so I surmised from his expression. Instead, he invited me to have a drink. The only unbroken bottle we could find contained dry vermouth. "I have a worry," he confided. "I have a worry that this should cause scandal. Her crashing everything. Conducting like a crazy. I must have no public scandal. It is too delicate: my name, my work."

He seemed cheered to learn that I saw no reason for a "scandal"; demolishing one's own possessions was, presumably, a private affair.

"It is only a question of grieving," he firmly declared. "When the sadness came, first she throws the drink she is drinking. The bottle. Those books. A lamp. Then I am scared. I hurry to bring a doctor."

"But why?" I wanted to know. "Why should she have a fit over, Rusty? If I were her, I'd celebrate."

"Rusty?"

I was still carrying my newspaper, and showed him the headline.

"Oh, that." He grinned rather scornfully. "They do us a grand favor, Rusty and Mag. We laugh over it: how they think they break our hearts when all the time we want them to run away. I assure you, we were laughing when the sadness came." His eyes searched the litter on the floor; he picked up a ball of yellow paper. "This," he said.

It was a telegram from Tulip, Texas:
Received notice young Fred killed in action overseas stop your husband and children join in the sorrow of our mutual loss stop letter follows love Doc
. Holly never mentioned her brother again: except once. Moreover, she stopped calling me Fred. June, July, all through the warm months she hibernated like a winter animal who did not know spring had come and gone. Her hair darkened, she put on weight. She became rather careless about her clothes: used to rush round to the delicatessen wearing a rain-slicker and nothing underneath. José moved into the apartment, his name replacing Mag Wildwood's on the mailbox. Still, Holly was a good deal alone, for José stayed in Washington three days a week. During his absences she entertained no one and seldom left the apartment -- except on Thursdays, when she made her weekly trip to Ossining.

Which is not to imply that she had lost interest in life; far from it, she seemed more content, altogether happier than I'd ever seen her. A keen sudden un-Holly-like enthusiasm for homemaking resulted in several un-Holly-like purchases: at a Parke-Bernet auction she acquired a stag-at-bay hunting tapestry and, from the William Randolph Hearst estate, a gloomy pair of Gothic "easy" chairs; she bought the complete Modern Library, shelves of classical records, innumerable. Metropolitan Museum reproductions (including a statue of a Chinese cat that her own cat hated and hissed at and ultimately broke), a Waring mixer and a pressure cooker and a library of cook books. She spent whole hausfrau afternoons slopping about in the sweatbox of her midget kitchen: "José says I'm better than the Colony. Really, who would have dreamed I had such a great natural talent? A month ago I couldn't scramble eggs." And still couldn't, for that matter. Simple dishes, steak, a proper salad, were beyond her. Instead, she fed José, and occasionally myself,
outré
soups (brandied black terrapin poured into avocado shells) Nero-ish novelties (roasted pheasant stuffed with pomegranates and persimmons) and other dubious innovations (chicken and saffron rice served with a chocolate sauce: "An East Indian classic,
my
dear.") Wartime sugar and cream rationing restricted her imagination when it came to sweets -- nevertheless, she once managed something called Tobacco Tapioca: best not describe it.

Nor describe her attempts to master Portuguese, an ordeal as tedious to me as it was to her, for whenever I visited her an album of Linguaphone records never ceased rotating on the phonograph. Now, too, she rarely spoke a sentence that did not begin, "After we're married -- " or "When we move to Rio -- " Yet José had never suggested marriage. She admitted it. "But, after all, he
knows
I'm preggers. Well, I am, darling. Six weeks gone. I don't see why
that
should surprise you. It didn't me. Not
un peu
bit. I'm delighted. I want to have at least nine. I'm sure some of them will be rather dark -- José has a touch of
le nègre
, I suppose you guessed that? Which is fine by me: what could be prettier than a quite coony baby with bright green beautiful eyes? I wish, please don't laugh -- but I wish I'd been a virgin for him, for José. Not that I've warmed the multitudes some people say: I don't blame the bastards for saying it, I've always thrown out such a jazzy line. Really, though, I toted up the other night, and I've only had eleven lovers -- not counting anything that happened before I was thirteen because, after all, that just
doesn't
count. Eleven. Does that make me a whore? Look at Mag Wildwood. Or Honey Tucker. Or Rose Ellen Ward. They've had the old clap-yo'-hands so many times it amounts to applause. Of course I haven't anything
against
whores. Except this: some of them may have an honest tongue but they all have dishonest hearts. I mean, you can't bang the guy and cash his checks and at least not
try
to believe you love him. I never have. Even Benny Shacklett and all those rodents. I sort of hypnotized myself into thinking their sheer rattiness had a certain allure. Actually, except for Doc, if you want to count Doc, José is my first non-rat romance. Oh, he's not my idea of the absolute finito. He tells little lies and he worries what people
think
and he takes about fifty baths a day: men ought to smell somewhat. He's too prim, too cautious to be my guy ideal; he always turns his back to get undressed and he makes too much noise when he eats and I don't like to see him run because there's something funny-looking about him when he runs. If I were free to choose from everybody alive, just snap my fingers and say come here you, I wouldn't pick José. Nehru, he's nearer the mark. Wendell Wilkie. I'd settle for Garbo any day. Why not? A person ought to be able to marry men or women or -- listen, if you came to me and said you wanted to hitch up with Man o' War, I'd respect your feeling. No, I'm serious. Love should be allowed. I'm all for it. Now that I've got a pretty good idea what it is. Because I
do
love José -- I'd stop smoking if he asked me to. He's
friendly
, he can laugh me out of the mean reds, only I don't have them much any more, except sometimes, and even then they're not so hideola that I gulp Seconal or have to haul myself to Tiffany's: I take his suit to the cleaner, or stuff some mushrooms, and I feel fine, just great. Another thing, I've thrown away my horoscopes. I must have spent a dollar on every goddamn star in the goddamn planetarium. It's a bore, but the answer, is good things only happen to you if you're good. Good? Honest is more what I mean. Not law-type honest -- I'd rob a grave, I'd steal two-bits off a dead man's eyes if I thought it would contribute to the day's enjoyment -- but unto-thyself-type honest. Be anything but a coward, a pretender, an emotional crook, a whore: I'd rather have cancer than a dishonest heart. Which isn't being pious. Just practical. Cancer
may
cool you, but the other's sure to. Oh, screw it, cookie -- hand me my guitar, and I'll sing you a
fada
in
the
most perfect Portuguese."

Those final weeks, spanning end of summer and the beginning of another autumn, are blurred in memory, perhaps because our understanding of each other had reached that sweet depth where two people communicate more often in silence than in words: an affectionate quietness replaces the tensions, the unrelaxed chatter and chasing about that produce a friendship's more showy, more, in the surface sense, dramatic moments. Frequently, when
he
was out of town (I'd developed hostile attitudes toward
him
, and seldom used his name) we spent entire evenings together during which we exchanged less than a hundred words; once, we walked all the way to Chinatown, ate a chow-mein supper, bought some paper lanterns and stole a box of joss sticks, then moseyed across the Brooklyn Bridge, and on the bridge, as we watched seaward-moving ships pass between the cliffs of burning skyline, she said: "Years from now, years and years, one of those ships will bring me back, me and my nine Brazilian brats. Because yes, they
must
see this, these lights, the river -- I love New York, even though it isn't mine, the way something has to be, a tree or a street or a house, something, anyway, that belongs to me because I belong to it." And I said: "Do shut up," for I felt infuriatingly left out -- a tugboat in drydock while she, glittery voyager of secure destination, steamed down the harbor with whistles whistling and confetti in the air. So the days, the last days, blow about in memory, hazy, autumnal, all alike as leaves: until a day unlike any other I've lived.

BOOK: Breakfast at Tiffany's
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