Bruce (72 page)

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Authors: Peter Ames Carlin

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Bruce’s studio collaborators, the producers, engineers, mixers, and remixers who helped hone his music were to a man eager to talk it all over, often in intricate detail. Here Mike Appel steps up again, and while he sweetly declined to speak on the record, so does Jimmy Cretecos. Jon Landau did his part here too, along with the open-hearted, passionate Chuck Plotkin and techno whiz and walking music encyclopedia Toby Scott, both of whom spent hours and hours describing precise details of Bruce’s recording work. Thanks also to Neil Dorfsman, Bob Clearmountain, Arthur Baker, Brendan O’Brien, and Ron Aniello.

The members of the extended Springsteen family opened their homes, hearts, and personal archives. Pam Springsteen shared her stories, photographs, and handmade videos in Los Angeles. Adele Springsteen invited me into her home and shared all her most precious memories and artifacts, with the help and often conspiratorial glee of her older daughter, Virginia Springsteen Shave. Thanks also to the other Zerilli sisters, Dora Kirby (RIP) and Eda Urbalis. Dora passed away while this book was in its final stages, but I left her quotes in the present tense because I’m convinced she’d find a way to come back and, as her nephew once warned on a different matter, “bop you on the friggin’ bean” if I left her out of the party. Big thanks also to Glenn Cashion, who tied together the larger family story; Frank Bruno; and among the more distant relatives, Robert F. Zerilli in New York City and Anne Springs Close in South Carolina, the latter for her genealogy of the Springsteen/Springs family.

Bruce Springsteen made it clear that the only thing I owed him was an honest account of his life. He welcomed me into his world, spoke at great length on more than a few occasions, and worked overtime to make sure I had all the tools I’d need to do my job. Thanks for that, Bruce. And for everything else, too.

The final word goes to my kids, Anna, Teddy, and Max, whose music,
light, and laughs give me all the hope I need. Thanks for sharing it all with me (and Mom too), and I can’t wait to see what’s next.

Oh wait. The real final word, and maybe the biggest thanks of all, go to my wife, Sarah Carlin Ames, for making it possible for me to go all in on this one, come what may. And for thinking up the title, too.

© ELIZABETH S. AMES

PETER AMES CARLIN
is the
New York Times
bestselling author of
Catch a Wave: The Rise, Fall & Redemption of the Beach Boys’ Brian Wilson
and
Paul McCartney: A Life.
He has been a senior writer for
People
and a television critic for
The Oregonian
. Carlin lives with his family in Portland, Oregon.

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JACKET DESIGN BY CHERLYNNE LI

JACKET PHOTOGRAPH © HERB RITTS

COPYRIGHT © 2012 SIMON & SCHUSTER

ALSO BY PETER AMES CARLIN

Paul McCartney: A Life

Catch a Wave:

The Rise, Fall & Redemption
of the Beach Boys’ Brian Wilson

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INDEX

A&M Records,
96

A&M Studios,
364

Abdul, Paula,
365

“Adam Raised a Cain,”
239
n,
251
,
286
,
389

Adams, Bryan,
365

Adrenalize,
367

Advocate,
374

Afghanistan War,
413
,
417
n,
418
–19

After the Goldrush,
71

“Ain’t Good Enough for You,”
237

Albitz, Doug “Goph,”
61
,
69
,
70

Album III,
155

Alexander, Billy,
54
,
55
,
60
,
64
–65,
79
,
80
,
82

Alfano, Bob,
36
,
44

Alford, Zach,
368
,
369
,
372
,
376

Alice in Chains,
365

“All Day and All of the Night,”
29

Allen, Woody,
288
–89

“All I Wanna Do Is Dance,”
101

Allman, Duane,
94

Allman Brothers,
65
,
67
,
94
,
117

“All or Nothin’ at All,”
361

All Starr Band,
356

“All That Heaven Will Allow,”
332

“All the Way Home,”
421

Alpha Recording Corp.,
118

Al Qaeda,
418

Alterman, Eric,
410

American Babylon,
385

American Civil Liberties Union,
82

American Graffiti,
326
n

American Idol,
361
,
444

“American Land,”
457

Americans, The
(Frank),
247
–48,
450

“American Skin” (“41 Shots”),
401
–6,
411
,
417

“America Under Fire,”
67

Amnesty tour,
346
–49,
381

Andre, Wayne,
196
n

Andrews, J. Garrett,
168

“Angel, The,”
110
,
128
,
131
,
146

Aniello, Ron,
448
–49

Animals,
217
,
448

“Another Thin Line,”
401
,
413

Ant Farm,
282
n

Anthony, Dee,
114
,
124

Appalachian State University,
223

Appel, Germaine,
114

Appel, James,
114

Appel, Jo Anne,
114

Appel, Marie,
112
,
113

Appel, Mike,
103
,
104
–5,
109
–14,
116
,
118
,
121
,
123
–24,
129
,
130
–31,
132
,
133
,
136
,
141
,
142
,
152
,
153
,
161
,
162
,
166
,
171
–72,
178
–79,
182
,
186
,
188
–89,
194
,
195
,
208
,
223
,
238
,
328
,
399
,
426
,
434
,
440
,
441
,
458

Bruce’s contracts with,
124
,
151
,
214
–15,
220
–25

Bruce’s lawsuit with,
224
–25,
226
,
245

and recording of
Born to Run,
197
–98

Appel, Mike, Sr.,
223

Appel, Stephen,
112
,
113
,
171
–72,
176
,
197

Appel, Thomas,
112

“Arabian Nights,”
131
,
132

Arcade Fire,
448

Arnzt, Johnny,
177

Asbury Jukes,
197
,
246
,
302

Asbury Park, N.J., ix,
443

racial tensions in,
102
,
104
–6

Asbury Park Convention Hall,
62

Asbury Park Press,
74
–75,
92
,
150
–51

“Atlantic City,”
292
,
313

Atlantic Records,
192
,
193

Australia,
320
–21,
324
,
328
,
388

Avalon,
305

Axelrod, David,
427

B-52s,
368

“Baby Doll,”
104

“Baby I,”
35

Back Door club,
109

Back in the USA,
193

“Back in Your Arms,”
380
,
395

“Backstreets,”
185
,
195
,
203
,
330
n,
341
,
431

Badlands,
254
n,
291

“Badlands,”
251
,
254
,
259
,
284
,
285
,
340
,
346
,
347
,
381
,
447

Baez, Joan,
69

“Balboa Park,”
386

“Balboa vs. the Earthslayer,”
125
,
171

“Ballad of Easy Rider,”
287

“Ballad of Jesse James,”
101
,
117

Balloon Farm,
113

Bangs, Lester,
204
–5

Barry, Jeff,
113

Barsalona, Frank,
233
,
258
,
284

Batlan, Mike,
293
,
296
,
298
,
299
,
350
–52

Bat Out of Hell,
231

Beach Boys,
22
,
35
n,
96
,
97
,
157
,
172
,
181
n,
202

Beatles,
22
–23,
24
,
29
,
30
,
36
,
69
,
75
,
115
,
203
,
212
,
300
,
321
,
357

“Beat the Demo,”
335

Beaver, Ninette,
292

“Because the Night,”
246
,
259
–60,
280
,
346

Beck, Jeff,
52

Bell, Barry,
233
,
323
,
371

Benjamin, David,
220
–21,
227

Berg, John,
133

Berger, Jim,
412

Berger, Suzanne,
412

Berlin, Irving,
285

Berry, Chuck,
112
,
173
,
181
,
382
,
399

“Be True,”
341

Better Days,
156

“Better Days,”
364
,
367
,
370
n

Big Man
(Clemons),
201
,
438

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