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Authors: Sharon Lee

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BOOK: Carousel Sun
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I pulled the door shut and skipped down the stairs to the street. It wasn’t all that long ago that it seemed Joe Nemeier’s business was charmed—nobody could touch him or his. The Coast Guard couldn’t see ’em, the Maine Drug Enforcement agents didn’t know ’em, and deliveries slipped through the secret places and those who kept them like so much mist and wrack.

That situation had changed, for the better, assuming that the Coasties and the MDEA were the good guys. Joe Nemeier’s concerns were no longer charmed—a condition for which I was directly responsible. I didn’t imagine that Mr. Nemeier was in any way pleased with me; we hadn’t met under the best of conditions and our relationship had gone downhill from a bad start. He’d twice tried to have me killed—and missed both times, which had to smart. I figured he was itching to try again, but the failure of charm and subsequent business setbacks were forcing him to keep his head down.

That was okay by me; I had plenty to keep me busy.

And right at the top of the list? Going up the hill, to see a man about a horse.

CHAPTER TWO

Low Tide 3:10
P.M.
EDT

Artie’s Enterprise is ’way up the hill, across Route 5, at the very end of Adelaide Road Extended. “Enterprise” is Mainer for “junkyard,” which is why Artie’s sits at the end of the road, with a field behind it and plenty of room to put new pieces when they come in.

The Enterprise is old; Gran told me it’d been a trading post, back a couple hundred years ago. She didn’t say whether Artie had the keeping of it then, but it was possible. After all, Gran’s rising four hundred, herself. In theory,
trenvay
—that’s
earth spirit
, to you—could live forever, so long as nothing poisons their rock, their patch of marsh or bit of water.

Or their tree.

However old it is, the Enterprise contains quite an astonishing collection of . . .
stuff
. All sorts of odd and unlikely bits and pieces of this, that, and what-the-hell’s-THAT? come to rest there. Not just things you’d expect, like manual typewriters and buttonhooks, Turkish carpets, pickle barrels, ancient weathervanes, skeleton keys, glass insulators from telephone poles, and yellowed china bowls painted with pink flowers, though there are those, in good—some might say, bad—number.

But the Enterprise also shelters other things, and it’s those that the casual shopper needs to be aware, and wary, of.

It’s best to enter Artie’s Enterprise with the picture of what you want to find there firmly fixed in your head. If you go in with an open mind, just thinking to see the sights, do a little window-shopping combined with a history lesson—then you’re ripe for trouble. You
will
spend hours, and may spend days, inside, going from one improbable geegaw to another, beguiled and lost to time. When you do leave, you’ll very likely find that you purchased something you not only don’t remember buying, but that you don’t actually like—and which will prove very hard to lose.

Me, now . . . Walking in, I
knew
what I wanted—I wanted a carousel horse carved from tupelo wood by my several times great-granduncle on the Archer side. By choice, it would be a horse, since it was a horse that had been lost. Also by choice it would have wings. It would not, however, have fangs.

“Kate.” Artie came out of the back, cleaning his hands on a stained red rag. He looked faintly aggrieved, and not all that pleased to see me, which wasn’t exactly a surprise. My personal popularity rating isn’t high among the
trenvay
of Archers Beach; plus I’d caught the notion somewhere that Gran and Artie had old business between them.

Airing old grievances wasn’t on the day’s agenda, though, so I gave the man a smile and a cordial nod. “’Morning. Pretty one, too.”

“It is—and I’ll tell you straight out, I got nothin’ like you’re wishin’ on here. We got our limits, y’know.”

I
did
know that—we all have our limits. Still, I felt a ripple of disappointment, to have my dream summarily shot down not two steps from the front door. Dammit, I
needed
a carousel animal, and the Enterprise was my last resource.

“Nothin’ wrong with dreamin’,” Artie said, like I’d spoken out loud. “Only you gotta dream smaller. What’s a place like this
likely
to have, in the line of what yer lookin’ for—that’s the question you want to ask.”

It was a trick, of course—
trenvay
live to trick the unwary—and I fell for it.

No sooner were the words out of his mouth, than an image leapt into my mind—an image of a brilliantly colored Herschel-Spillman rooster, green and red tail feathers awry, and yellow legs at full stretch as he pelted toward or away from some peril, a blue saddle on his back and a wicked gleam in his eye.

Artie grinned, and I felt my stomach drop.

“Well, now,
there
yer in luck! Something a lot like that come in couple years ago . . .” He looked around, as if trying to remember where he’d put it, the bastard, then all of a sudden nodded and took off at an angle down an overshadowed aisle.

I followed, stretching my legs and deliberately not looking at the enticing shadowy shapes arrayed on either side of the thin way. Ahead of me, Artie pushed open a door, admitting a flash of sunlight, and went out into the side yard.

The side yard is where most of the Enterprise is stored—some stuff is under tarp, some open to the weather. There might have been a pattern and a reason to it all, but, if so, both escaped me. I kept Artie’s broad flannel-covered back in view, running now, dodging a stack of hubcaps, the rusty metal frame of a slatless park bench, and a tangle of old lobster traps.

Artie stepped around the back of a wrought-iron garden pavilion. I barreled after him—and jerked up short, my sneakers skidding on the grass. I managed to keep my feet and not ram my nose into Artie’s shoulder, though I didn’t manage to avoid being splattered with condensation when he snapped a particularly ratty blue tarp off of—

I blinked.

It
was
a rooster.

Not, mind you, a Herschel-Spillman, sharp-painted, and clean of line.

The rooster in hand was . . . unfortunate. As if someone, somewhere, had tried to reproduce the original, but found their skill, or their memory, insufficient to the task . . .

. . . or both.

It was dirty, this rooster—in need of cleaning
and
a paint job—but that was just the beginning. The tail feathers weren’t awry, they were downright bedraggled, the eyes were dull, both stirrups were missing, and there was a crack down the dingy yellow neck that was going to have to be—

I blinked and stepped closer, frowning at the crack and what it revealed.

“Problem?” Artie asked, obligingly pulling the tarp out of my way.

“It’s fiberglass!”

Artie shrugged. “It’s what I got; take ’im or leave ’im.”

I threw Artie a glare, which he didn’t seem to notice.

“Where’d you get it?” I asked, buying time. It didn’t matter to me where he’d gotten the stupid bird. For all I knew, or cared, the Enterprise had spun it out of grass and dew.

Another shrug. “It come in, like it all does.”

Which was to say:
None of your business, Kate
.

Well, okay; we all have our secrets, too.

I sighed and moved past Artie, walking around the bird in formal inspection. It was depressingly dingy, but elbow grease and paint would fix that. I knelt down and inspected the underside, which was firm and rot-free, got up, brushed off the knees of my jeans, frowned at the tangled mess of a tail, and walked on.

I came back to my starting point and stood for a long minute, considering. The only real damage was the crack on the neck—and that was why God had given us epoxy—but my inclination was to leave the damn’ rooster right where he was. The thought of mixing fiberglass and wood lacerated my carousel-keeping sensibilities. But, really, prejudice aside, did I have a choice?

I thought about that hole in the menagerie, and my utter lack of success along other, preferable avenues, and the fines upcoming if I didn’t do
some
thing—and reluctantly accepted that, no, I
didn’t
have a choice.

“I’ll buy him,” I told Artie, with scant grace. “And you’ll bring him.”

“Be a delivery charge.”

I looked him in the eye. “Really? A delivery charge, inside the Beach?”

There was a long, stretched minute while we held eye contact; the air seemed to warm appreciably, and I thought I saw a shadow move in peripheral vision. Inside my head, I heard a sound something like a warning growl. The shadow faded. I concentrated on holding Artie’s eyes with mine . . .

. . . and he blinked first.

“Sorry,” he said. “Delivery free inside the Beach—sure it is, Kate. When you want it where?”

I did a rapid calculation. “Today, at three, at the carousel. How much?”

“We’ll have ’im down the merry-go-round at three today. Price is four bills.”

Four hundred dollars was considerably less than I’d expected to pay. Unworthily, I wondered what secret flaw, hidden from inspection, the rooster would be shown to possess, and decided that it wasn’t worth worrying about. I needed a fill-in animal; I had a fill-in animal. Immediate problem solved.

“I’ll have cash waiting,” I promised.

He nodded and tossed the tarp back over the rooster.

Archers Beach Community Federal Credit Union sits right on the corner of Route 5 and Adelaide Road. Since I was going to need four hundred dollars in a couple hours, I stopped to take care of that piece of business. When I came out again, a few minutes later, I stood on the corner and looked down Archer Avenue.

Archer Avenue is the town’s main business street. It descends a long hill from Route 5 at the top, crossing the Amtrak line, and Grand Avenue, the parallel business street, before dead-ending at the dunes, the beach, and the Atlantic Ocean.

Since Archers Beach is a tourist town for part of the year, some of the businesses on Archer Avenue cater entirely to that trade. They open a week before the Season officially gets under way, and close the week after Labor Day.

When I was a kid, the Archers Beach tourist trade had a couple T-shirt and beach wear shops to choose from, an ice cream stand, couple of pizza stands, a sundry shop, Dynamite, a candy factory, a biker bar, a hobby and game store. The storefronts started out thick at the back side of Fun Country, at the bottom of the hill, but by the time you reached mid-hill, there were gaps in the line; maybe two, three empty stores sandwiched between those open for business.

Growing up, I heard a lot of grumbling among my grandmother’s friends about the Old Days, when the Beach had three Seasons full of tourists, and Archer Avenue fairly glittered with lighted shops.

Fashions change; fortunes fall. The dance bands and the off-Broadway shows stopped coming up to Archers Beach a long time ago. The Fire burned down a big swath of the posh hotels, gutted the fancy eateries. Owners chose not to rebuild—no insurance, or no heart, investors heard there was more return to be had someplace else.

The Beach had a small renaissance as a blue-collar party-place in the 1970s; rock bands instead of Big Bands came up to headline on the World Famous Pier at Archers Beach, and things in general took an uptick.

Then, a nor’easter chewed up the World Famous Archers Beach Pier and spat it out like so many toothpicks. The town rebuilt, though slowly, with the help of a couple of angel investors with old ties to the Beach, but it was a humble thing, compared even to its immediate predecessor, and the tourist trade . . . fell away.

By the time I came onto the Beach, the Seasons had long been The Season, and had shrunk from twenty weeks to twelve.

A twelve-week Season might interest investors in the glamorous resorts where children of wealth go to play, but the chilly and frankly old-fashioned coast of Maine just didn’t attract money from Away, anymore.

That had all been bad enough: a town gone a little to seed, but still able to show a brave front, and to keep on with its own business during the three-quarters of the year when the townies had only themselves for company.

By the time I’d returned from my self-appointed exile, though—matters had gone from bad to worse.

There was still business on the hill—a computer repair shop, a styling salon, the hobby shop and the candy store still holding firm, a tattoo parlor that was new since my time, a store selling country craftworks imported from China, and St. Margaret’s Catholic Church, sitting at the intersection of Route 5 and Archer like a crown atop a bald head.

The biker bar was gone, along with the antique store and the camera shop. Hell, even St. Margaret’s was on reduced hours—only two Masses on Sunday, and confessions heard by appointment.

The state of Archer Avenue worried me, to tell the truth. Not that there was anything
I
could do about attracting viable business to town—that was what the Chamber of Commerce was for, and they were—reasonably enough—trying to hold their base at the bottom of the hill together. They’d managed to tempt a high-end deli into taking a chance on West Grand, along with a luxury day spa and a boutique wine store, but there they’d been helped out by the fact of some of the older motels reinventing themselves as beach condos for the pleasure of folks from Away.

It’s an article of faith among most Mainers that people from Away always have money. Unfortunately, the high side of the hill was going to be a tough sell to money from Away, and if there wasn’t a certain ratio of shops to empty storefronts, even the businesses that’d been hanging on would starve for lack of foot traffic.

I crossed Route 5, heading down the hill, St. Margaret’s on my right. Directly ahead of me, taking up most of the sidewalk, was a pair of sawhorses, a bandsaw in close attendance, and a couple eight-foot boards propped against the window of what had four days ago been one of those empty storefronts that had recently been exercising my mind.

As I approached, I heard voices inside the place, echoing, and the sharp report of a nail gun.

I dodged the sawhorses and walked up the slight ramp, pausing with the toes of my sneakers at the line of the door, so that I was technically not trespassing, in case anybody cared.

BOOK: Carousel Sun
9.44Mb size Format: txt, pdf, ePub
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