Cat Raise the Dead (21 page)

She had a sudden change of mind about stealing from one of the oceanfront houses. After what happened Thursday afternoon, she decided to give it a shot; how could she resist. The conversation she overheard in the drugstore, the exchange between this Mrs. Bonniface and the pharmacist seemed destined specifically for her enlightenment. And Friday morning, when she woke and saw the fog thick outside her windows, fog heavy enough to give her total cover approaching and leaving the Bonniface house, there was no decision to make. She was on her way. Not only would the fog conceal her, but the beach would be virtually empty, the tourists all in bed, warm in their motel rooms, or bundled up drinking hot coffee in the little restaurants. And the cops, with minimal beach attendance, wouldn't put out a full patrol.

In the drugstore, Mrs. Bonniface, whom she had seen around town, of course, had been standing at the pharmacy counter waiting for a prescription. Bonniface was a big name in Molena Point—he was the founding partner of Bonniface, Storker, and Kline. Dorothy Bonniface was thirtysomething, one of those beautifully groomed blondes, perfect haircut and professional makeup, one of those women who could walk into the Ritz Carleton wearing out-of-style jeans and a worn-out sweatshirt and still have the entire staff falling over themselves to serve her.

Mrs. Bonniface, standing at the pharmacy counter, had told the druggist conversationally that Donald was in Japan wrapping up a sales contract with some Sony subsidiary, that he would be home a week from Friday. They talked about little Jamie's cough, which was not bad enough to keep her out of school. The prescription was for Jamie. She said the other two children were just fine, she was on her way to pick them up from school and drop them at a birthday party. Her shopping list, lying on the counter beside her, included a flat of pansies and a flat of petunias and six flats of ajuga ground cover, presumably from the local nursery. This meant, with any luck, that Dorothy Bonniface might be spending the next morning in her garden, putting in the tender plants, leaving her house unattended.

She had left the pharmacy, walking out behind Mrs. Bonniface, feeling high, a delicious surge of excitement. She had stopped in at the Coffee Mill two doors away to look up the Bonniface address in the Molena Point phone book.

There were three Bonnifaces; she knew they were related. The Donald Bonnifaces lived at 892 Shore Drive. Leaving the Coffee Mill, she got her car and took a swing by the Bonniface house, cruising slowly.

The nicely kept two-story blue frame featured a huge patio in front, with expensive wrought-iron furniture. The handsome outdoor sitting area, walled in by glass to cut the sharp sea wind, reached to within ten feet of the sidewalk, and was given privacy by a row of pyracanthas. The entry walk, the lawn, and the flower beds were to the right of this, with a wide expanse of bare earth where some kind of bedding plants had recently been removed.

She had glimpsed behind the house another bricked terrace, sheltered by a series of freestanding walls, these supporting espaliered bushes, and offering privacy from the neighbors' windows. As there were openings bet
ween them, it was a perfect setup. She could park on the back street a block away and slip through the neighbors' yards and into the Bonniface yard calling for her lost kitty.

Friday morning she did just that: parked on the back street and wandered on through, calling softly for Kitty. She was certain no one noticed her moving through the fog; she could hardly see the neighbors' flower beds and fences. Approaching the Bonniface house, she wandered innocently to the back steps.

Wiping the damp from her feet, she surveyed what she could see of the neighbors' windows, which wasn't much. But no one was watching. She tapped lightly at the back door, though she didn't expect an answer. As she drove by the front, she had seen Dorothy Bonniface already on her knees in the dirt, hard at work setting out her petunias. The woman was an early riser. The pansies were already in place, perky and bright in the pale fog; and the flat of ajuga stood waiting. There was no car in the drive, as if a maid might be working within, and no car nearby on the street. Most Molena Point families, except for those with estates in the hills, hired help only for housecleaning and to assist at dinner parties.

No one answered her knock. She tapped again, hoping she wouldn't be heard from the front yard, and after a safe interval she turned the knob. The door was unlocked. Smiling, she slipped inside.

Dorothy Bonniface had left the coffeepot on, and the cooking brew smelled as strong as boiled shoe polish. The morning paper lay folded on the table as if Mrs. Bonniface had saved it, perhaps to read during a midmorning coffee break. The kitchen was handsome, all creamy tile, deep blue walls, and whitewashed oak cabinets. Under one of the upper cabinets was installed a nice little miniature TV set. She wiggled it in its bracket. Yes, it would slip right out. And, in the fog, it wouldn't be too noticeable beneath her tan raincoat.
She'd get it as she left. Moving on into the dining room, she spent a few minutes assessing the Spode and crystal in the china cabinet. These items weren't much good unless she took a whole set, and she had no way to carry so much. The china was lovely. Maybe she'd come back later, load up her car, do things a bit differently for a change.

Down the hall, the master bedroom faced the front, opening with sliding doors onto the glassed terrace. Standing at the dresser, she broke the lock on Dorothy Bonniface's jewel chest and surveyed an impressive collection of gold and diamond earrings, amethyst and emerald chokers, a topaz pendant, a few gold bracelets. Dorothy Bonniface liked color, though all the pieces were delicate and in good taste. She was lifting them out, tucking them away in the various pockets beneath her coat, when the phone rang.

There was only one ring. When the phone stilled without ringing again, a stab of alarm touched her. Had Mrs. Bonniface come into the house? Had she been passing the phone when it rang?

But when she stepped to the bedroom window, she saw Mrs. Bonniface still kneeling on the walk, talking on a remote, holding the phone gingerly so not to dirty it with her soiled gardening glove. Her trowel lay in the half-empty box of petunia plants. She was not speaking, now, but listening. She glanced once toward the house, glanced up the street, and made a short reply. When she hung up, she rose and headed for the front door, studying the living-room windows.

At the porch she removed her shoes, stepping through the front door in her stocking feet. Someone had snitched, some nosy neighbor.

Moving fast down the hall and through the kitchen as Dorothy Bonniface crossed the living room, she slipped quickly out the back door, moved quickly away through the fog-shrouded backyards. Softly calling the cat, she glanced around toward the neighbors' indistinct
windows, wondering which busybody little housewife had made that phone call.

Ambling around through a neighbor's garden to the street, she moved slowly down the sidewalk, still calling for Kitty, but wanting to get out of there fast. She was half-wired with nerves, and half-strung with amusement. Heading through the fog for her car, she glanced back several times.

The houses behind her had nearly vanished.

She had not brought the blue Honda, and she had put a Nevada plate on this car, along with half a dozen bumper stickers pointing up worthwhile wonders to be seen around Nevada. She had applied the stickers with rubber cement so she could tear them off in a hurry.

She drove eight blocks up the beach to where the houses ended, where the dunes rambled away to the south. Getting out, she left the engine running as she removed the stickers and stuffed them in her purse. Then she headed for the village and across it to The Bakery, craving a cup of coffee and a chocolate donut.

She left her coat and slouch hat in the car and changed her shoes. In the restaurant she chose a veranda table, where she could enjoy the fog-muffled sea. She ordered, then headed for the rest room.

In the little cubicle she tore the bumper stickers into tiny pieces and flushed them away, then worked her loose hair into a knot.

Returning to her table, to her steaming coffee and an incredibly sticky, nut-covered donut, she got her first look at the morning edition of the Molena Point
Gazette
.

The paper lay on the next table; she nearly had palpitations before the occupant left, and she could snag the front page.

The Molena Point
Gazette
paid little attention to world events. People could buy the San Francisco
Chronicle
or
Examiner
for that. Village news, the small local stories, that was what sold the
Gazette
. Yesterday evening's paper, putting Max Harper down about missing the open grave, had been sufficiently amusing. But this article in the morning edition, though it, too, put down Harper—and that pleased her—this article did not cheer her. She felt, in fact, a chill depression, an emotion which perhaps had taken some time to build, and which she did not care to examine closely.

She might enjoy this newspaper column later, about the cat burglar, and she would certainly save it, but at the moment it presented only a personal warning. And though maybe it wasn't that warning alone that frightened her, whatever emotions caused this hollowness in her belly, she knew it was time to go, time to leave Molena Point.

She set down her coffee cup, staring at the newspaper. Mrs. Garver's claim of a missing Goya so amazed her she had almost choked. There had never been a Goya. She'd seen no etching by Goya in that house, nor had she seen any valuable artwork there. The woman was flat lying. Planning to rip off her insurance company for a cool hundred thousand, and using her as the patsy.

The fact that someone would piggyback a scam of that magnitude on her own modest operation was both annoying and, in a way, flattering. But then she started to get mad—mad that this Garver woman would set up a poor little old bag lady to take the rap for a hundred-thousand-dollar painting.

The idea so angered her that by the time she finished her coffee and paid her bill, she was seething. The woman wasn't going to get away with this.

Returning to the ladies' room, she dropped a quarter in the pay phone and called the Molena Point PD.

She was able to reach Max Harper himself, and told him there was never any Goya etching. “I expect the Garvers' insurance agent will be pleased to have that information.” And because she was feeling so mad, and because she had to prove to Harper that she spoke the truth, she gave him a complete list of the items she had taken from the Garver house, gave him a far more detailed accounting than was in the paper.

Hanging up the phone, she stood a moment, letting her pounding heart slow. Then she got out of there fast.

In the car she pulled on her coat again, against the chill of the fog, and headed on through the village. That insurance company would nip Mrs. Garver's scam, jerk her up short. And as far as Harper tracing her phone call, he hadn't had time. She knew how long such a thing took; she'd researched phone tracing carefully. Anyway, she'd be out of here in a day or two, and on up the coast. With
cat burglar
smeared all over
the front page, the whole village was alerted, she didn't dare hang around. Just a few loose ends to take care of, and she'd be gone. In Molena Point she'd be history.

Max Harper left the police station at midmorning, heading up the hills to have another look around the Prior estate. He didn't intend to pull into the Prior drive in his police unit. He thought he'd stop by his place, saddle Buck, and take a ride. He'd been using Buck all week to quarter the hills above the residential areas, looking for human bones or a shallow grave. And he could do with a break this morning, get out of the station for a few hours. The morning had not started out well, everything he'd touched seeming as murky and vague as the fog itself. Driving slowly uphill through the thick mist, he went over this morning's and last night's phone calls, looking for some detail he might have missed.

He had come in just before eight, parking in his reserved slot in the lot behind the station. He was pouring his first cup of coffee when his phone buzzed. The caller was a woman; she wouldn't give her name. She told him that Elaine Garver had lied about the Goya etching, said there was no etching. He couldn't dismiss the call; the woman gave him a detailed list of stolen items, information that only the Garvers or the burglar herself could know—or one of his own people, and that wasn't likely. If he prided himself on anything, it was on the quality and honesty of his officers, in a world where that wasn't always the case. Nothing made him as deeply angry as hearing some report about a bad cop, about someone's inner departmental decay.

When the anonymous caller hung up, too quickly to trace, Wilma Getz was on another line. She wanted to come in with the little Thurwell girl, see him for a few minutes. She said just enough to make him uneasy, make him think the problem might be tied in with Susan Dorriss's phone call late last night.

He would never peg Susan Dorriss as one to pass on wild stories, any more than he would think of Wilma that way. Yet the story Susan gave him was the same wild tale he'd heard weeks ago from that Casa Capri patient, little Mrs. Mae Rose.

Last night, Susan had called from her daughter's car phone, sitting in the parking lot of Casa Capri. Said she didn't want to use a phone inside Casa Capri. She had called her daughter at about ten, and Bonnie came on down and wheeled her out to the car.

Susan had called Bonnie just after Mae Rose came to her with the note she had supposedly found inside an old doll, a note from the woman Mae thought was missing, from Jane Hubble. Susan said the note and the doll smelled musty from being closed up in a locked closet. His immediate reaction was, what was he supposed to do about a note some old lady found inside a doll? And maybe he'd been short with Susan. When she read the note to him, his temper flared. He'd wanted to say, maybe it was something in the water up at Casa Capri that made everyone nuts, that he'd rather deal with any kind of straightforward crime than some groundless mystery that had just enough truth to turn him edgy. And when Susan told him about seeing Teddy Prior get out of his wheelchair and walk, that set him back. Everyone knew Teddy was incurably crippled—everyone thought they knew that.

And then this morning when Wilma brought the kid in, little Dillon Thurwell, to tell him about the doll, neither Wilma nor the kid knew that Susan had called him with the same story. Neither Wilma nor the kid knew about the note; Mae Rose had found that hours
after the two of them left Casa Capri yesterday afternoon, and Mae Rose had taken the note to Susan.

He'd never known Wilma Getz to go off on a tangent. She'd worked her whole life in corrections and wasn't the kind to buy into some nut story. Unless Wilma herself was getting senile. On the phone, she'd said, “I guess it's all nonsense, Max. I know it sounds crazy—but you know that little niggling feeling? That ring of truth that's so hard to shake?”

“Go on.”

“I saw Dillon take the doll from the closet, I could see clearly across the patio, from where I stood in the glass doors of the social room. I watched her slip inside, remove the lap desk, open it, and take out the doll. She shoved the desk back, hid the doll in her shirt, and made a dash out the door just as it started to rain. The cats…” She'd paused, stopped talking.

“The cats? You started to say, what?”

“Oh, that the cats were out in the rain, too. You know, the Pet-a-Pet cats.”

“So?”

“I don't know—so they got wet. What time can I come in?”

“Come on in,” he had said, sighing. “I can give you a few minutes.” He had hung up, poured another cup of coffee, and gotten some paperwork done. Not twenty minutes later, there was Wilma coming into the station with the kid. Threading their way back through the crowded squad room, Wilma herded the kid along, her hand on the little girl's shoulder, the child looking fascinated by all the uniforms, and looking scared.

He'd poured coffee for Wilma and got the kid a Coke. Dillon was real silent for a while, but when she saw the picture of Buck on his desk she brightened right up. He told her about Buck, and they'd talked about horses. She started talking about Jane Hubble's horse, and the next thing she launched right in, telling him that Jane was missing, that she'd tried three times to see
Jane and every time had been run off from Casa Capri. Told him how yesterday afternoon she'd found Jane's lap desk with the doll inside.

He didn't point out to Dillon that she had no business in that closet and that she was taking things that weren't hers. The kid knew that. She described the closet shelves as stuffed full of small boxes of folded clothes and purses and shoes, items which, she thought, must belong to several people. Maybe, she said, to the six people Mae Rose said were missing.

The irritating thing was, Dillon seemed like a sensible kid. He knew her folks; they were a decent family, no problems that he knew of. Helen Thurwell was one of the most reliable Realtors in the area. And Bob, for a literature professor, was all right—he seemed a no-nonsense sort. Dillon Thurwell did not seem the type to go off on wild fancies, any more than Wilma did.

And what disturbed him was, the kid's story dovetailed exactly with Susan Dorriss's phone call.

That made him smile in spite of himself, and made him know he'd better pay attention—better to be wrong than plain bullheaded, and miss a bet. He'd hate like hell to be outflanked by a team of juvenile and geriatric amateur sleuths.

Driving slowly up the hills through the thick fog, he topped out suddenly above the white vapor blanket into sunshine. The hills, above that dense layer, shone bright, the sky above him clear and blue. Maybe he was getting old and soft-headed, and he'd sure take a ribbing from the department if he followed up on this doll business, but it wasn't something he wanted to ignore.

Turning south, he soon swung into his own narrow drive and headed back between the pastures. Across the pasture he saw Buck lift his head, looking toward the car. The gelding stood a minute, ears sharp forward, then headed at a trot for the barn, knowing damn well if Harper was home in the middle of the day that they'd
take a ride. Buck loved company, and he was rotten spoiled.

Harper parked by the little two-stall barn behind the house, wondering idly how Dillon Thurwell would get along with Buck, or maybe with one of the neighbor's horses.

No one knew better than he that kids could be skilled liars, that Dillon could be jiving him. The kid could have gone along with Mae Rose's fantasy just for the excitement, could have made up more details and embroidered on the story just for fun, could have put that note in the doll herself, sewn it up, hidden it in the cupboard—ragged stitches like a child's stitches.

He'd hate like hell to get scammed by a twelve-year-old con artist.

But he didn't think Dillon had done that.

His gut feeling, like Wilma's, was that the kid, though her imagination might have colored what she saw and was told, did not mean deliberately to mislead them.

In the house he changed into Levi's and boots and a soft shirt, and clipped his radio to his belt. Stepping out to the little barn again, he brushed Buck down, saddled him, and swung on. Buck ducked his chin playfully as they headed over the hills toward the Prior place.

Within half an hour he was crossing the hill above the old hacienda, looking down into the old, oak-shaded cemetery. The estate lay just above the fog, and as he studied the wooded cemetery and the ancient headstones, a mower started up near the stables. Buck snorted at the noise and wanted to shy. He watched the groundskeeper swing aboard the machine, and as he started to mow around the stable Buck bowed his neck and blew softly; but he was no longer looking at the mower, he was staring toward the old graves.

Scanning the grove, Harper saw a quick movement low to the ground as something small fled away into the shadows. Maybe a big bird had come down after some
creature, maybe a crow. Or maybe it had been a rabbit or a squirrel, frightened by something. The breeze shifted, rustling the oak leaves; and as the light changed within the woods, he saw it again. Two cats streaking away.

He guessed if there were cats around, still alive, there wasn't any poison nearby. Or maybe cats were smarter than dogs about that stuff. He rode on down, pulling Buck up at the edge of the woods. And he saw the cats again, watched them disappear into the bushes near the main house. That gray cat looked like Clyde Damen's tomcat, but it wouldn't be way up here.

He was getting a fixation about that cat. Ever since that hot-car bust up at Beckwhite's last summer, when Damen's cat got mixed up in the action and almost got itself shot, ever since then he thought he saw the cat everywhere.

But he did see it more than he liked. Every poker night there it was on the table, watching him play his hand. Who, but Damen, would let a cat sit on the table. It gave him the creeps the way the cat watched him bet, those big yellow eyes looking almost like it understood what he was doing. He could swear that last night, every time he raked in a pot, the cat almost grinned at him.

Harper sighed. He was losing his perspective here.

Getting as dotty as the old folks at Casa Capri.

Yet no amount of chiding himself changed the fact that there was something strange about Damen's cat, something that stirred in him a jab of fear, or wonder, or some damned thing. He sensed about the cat something beyond the facts by which he lived, something beyond his reach, some element he should pay attention to, and would prefer not to consider.