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Authors: Shelby Foote

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BOOK: Chickamauga
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“Jim, don’t you hear me?”—and I shook him by the arm. “Hit’s over, man! We’ve licked ’em and the fight is over!—Can’t you understand?”

And then I heared them shoutin’ on the right, the word came down the line again, and Jim—poor Jim!— he raised his head and listened, and “Oh God!” he said, “we’ve got to go again!”

Well, hit was true. The word had come that Thomas had lined up upon the Ridge, and we had to go fer him again. After that I never exactly knowed what happened. Hit was like fightin’ in a bloody dream—like doin’ somethin’ in a nightmare—only the nightmare was like death and hell. Longstreet threw us up that hill five times, I think, before darkness came. We’d charge up to the very muzzles of their guns, and they’d mow us down like grass, and we’d come stumblin’ back—or what was left of us—and form again at the foot of the hill, and then come on again. We’d charge right up the Ridge and drive ’em through the gap and fight ’em with cold steel, and they’d come back again and we’d brain each other with the butt end of our guns. Then they’d throw us back and we’d re-form and come on after ’em again.

The last charge happened jest at dark. We came along and stripped the ammunition off the dead—we took hit from the wounded—we had nothin’ left ourselves. Then we hit the first line—and we drove them back. We hit the second and swept over them. We were
goin’ up to take the third and last—they waited till they saw the color of our eyes before they let us have hit. Hit was like a river of red-hot lead had poured down on us: the line melted thar like snow. Jim stumbled and spun round as if somethin’ had whupped him like a top. He fell right toward me, with his eyes wide open and the blood a-pourin’ from his mouth. I took one look at him and then stepped over him like he was a log. Thar was no more to see or think of now—no more to reach—except that line. We reached hit and they let us have hit—and we stumbled back.

And yet we knowed that we had won a victory. That’s what they told us later—and we knowed hit must be so because when daybreak came next mornin’ the Yankees was all gone. They had all retreated into town, and we was left there by the Creek at Chickamauga in possession of the field.

I don’t know how many men got killed. I don’t know which side lost the most. I only know you could have walked across the dead men without settin’ foot upon the ground. I only know that cedar thicket which had been so dense and thick two days before you could’ve drove a knife into hit and hit would of stuck, had been so shot to pieces that you could’ve looked in thar on Monday mornin’ with your naked eye and seed a black snake run a hundred yards away.

I don’t know how many men we lost or how many of the Yankees we may have killed. The Generals on both sides can figger all that out to suit themselves. But I know that when that fight was over you could have looked in thar and wondered how a hummin’ bird could’ve flown through that cedar thicket and come out alive. And yet that happened, yes, and something more than hummin’ birds—fer men came out, alive.

And on that Monday mornin’, when I went back
up the Ridge to where Jim lay, thar just beside him on a little torn piece of bough, I heard a redbird sing. I turned Jim over and got his watch, his pocket-knife, and what few papers and belongin’s that he had, and some letters that he’d had from Martha Patton. And I put them in my pocket.

And then I got up and looked around. It all seemed funny after hit had happened, like something that had happened in a dream. Fer Jim had wanted so desperate hard to live, and hit had never mattered half so much to me, and now I was a-standin’ thar with Jim’s watch and Martha Patton’s letters in my pocket and a-listenin’ to that little redbird sing.

And I would go all through the war and go back home and marry Martha later on, and fellers like poor Jim was layin’ thar at Chickamauga Creek.

Hit’s all so strange now when you think of hit. Hit all turned out so different from the way we thought. And that was long ago, and I’ll be ninety-five years old if I am livin’ on the seventh day of August, of this present year. Now that’s goin’ back a long ways, hain’t hit? And yet hit all comes back to me as clear as if hit happened yesterday. And then hit all will go away and be as strange as if hit happened in a dream.

But I have been in some big battles I can tell you. I’ve seen strange things and been in bloody fights. But the biggest fight that I was ever in—the bloodiest battle anyone has ever fought—was at Chickamauga in that cedar thicket—at Chickamauga Creek in that great war.

An Occurrence at Owl Creek Bridge
AMBROSE BIERCE

A man stood upon a railroad bridge in northern Alabama, looking down into the swift water twenty feet below. The man’s hands were behind his back, the wrists bound with a cord. A rope closely encircled his neck. It was attached to a stout cross-timber above his head and the slack fell to the level of his knees. Some loose boards laid upon the sleepers supporting the metals of the railway supplied a footing for him and his executioners—two private soldiers of the Federal army, directed by a sergeant who in civil life may have been a deputy sheriff. At a short remove upon the same temporary platform was an officer in the uniform of his rank, armed. He was a captain. A sentinel at each end of the bridge stood with his rifle in the position known as “support,” that is to say, vertical in front of the left shoulder, the hammer resting on the forearm thrown straight across the chest—a formal and unnatural position, enforcing an erect carriage of the body. It did not appear to be the duty of these two men to know what was occurring at the centre of the bridge; they merely blockaded the two ends of the foot planking that traversed it.

Beyond one of the sentinels nobody was in sight; the railroad ran straight away into a forest for a hundred yards, then, curving, was lost to view. Doubtless there was an outpost farther along. The other bank of
the stream was open ground—a gentle acclivity topped with a stockade of vertical tree trunks, loop-holed for rifles, with a single embrasure through which protruded the muzzle of a brass cannon commanding the bridge. Midway of the slope between bridge and fort were the spectators—a single company of infantry in line at “parade rest,” the butts of the rifles on the ground, the barrels inclining slightly backward against the right shoulder, the hands crossed on the stock. A lieutenant stood at the right of the line, the point of his sword upon the ground, his left hand rested upon his right. Excepting the group of four at the centre of the bridge, not a man moved. The company faced the bridge, staring stonily, motionless. The sentinels, facing the banks of the stream, might have been statues to adorn the bridge. The captain stood with folded arms, silent, observing the work of his subordinates, but making no sign. Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him. In the code of military etiquette silence and fixity are forms of deference.

The man who was engaged in being hanged was apparently about thirty-five years of age. He was a civilian, if one might judge from his habit, which was that of a planter. His features were good—a straight nose, firm mouth, broad forehead, from which his long, dark hair was combed straight back, falling behind his ears to the collar of his well-fitting frock-coat. He wore a mustache and pointed beard, but no whiskers; his eyes were large and dark gray, and had a kindly expression which one would hardly have expected in one whose neck was in the hemp. Evidently this was no vulgar assassin. The liberal military code makes provision for hanging many kinds of persons, and gentlemen are not excluded.

The preparations being complete, the two private soldiers stepped aside and each drew away the plank upon which he had been standing. The sergeant turned to the captain, saluted and placed himself immediately behind that officer, who in turned moved apart one pace. These movements left the condemned man and the sergeant standing on the two ends of the same plank, which spanned three of the cross-ties of the bridge. The end upon which the civilian stood almost, but not quite, reached a fourth. This plank had been held in place by the weight of the captain; it was now held by that of the sergeant. At a signal from the former the latter would step aside, the plank would tilt and the condemned man go down between two ties. The arrangement commended itself to his judgment as simple and effective. His face had not been covered nor his eyes bandaged. He looked a moment at his “unsteadfast footing,” then let his gaze wander to the swirling water of the stream racing madly beneath his feet. A piece of dancing driftwood caught his attention and his eyes followed it down the current. How slowly it appeared to move! What a sluggish stream!

He closed his eyes in order to fix his last thoughts upon his wife and children. The water, touched to gold by the early sun, the brooding mists under the banks at some distance down the stream, the fort, the soldiers, the piece of drift—all had distracted him. And now he became conscious of a new disturbance. Striking through the thought of his dear ones was a sound which he could neither ignore nor understand, a sharp, distinct, metallic percussion like the stroke of a blacksmith’s hammer upon the anvil; it had the same ringing quality. He wondered what it was and whether immeasurably distant or near by—it seemed both. Its recurrence was regular, but as slow as the tolling of a death
knell. He awaited each stroke with impatience and—he knew not why—apprehension. The intervals of silence grew progressively longer; the delays became maddening. With their greater infrequency the sounds increased in strength and sharpness. They hurt his ear like the thrust of a knife; he feared he would shriek. What he heard was the ticking of his watch.

He unclosed his eyes and saw again the water below him. “If I could free my hands,” he thought, “I might throw off the noose and spring into the stream. By diving I could evade the bullets and, swimming vigorously, reach the bank, take to the woods and get away home. My home, thank God, is as yet outside their lines; my wife and little ones are still beyond the invader’s farthest advance.”

As these thoughts, which have here to be set down in words, were flashed into the doomed man’s brain rather than evolved from it the, captain nodded to the sergeant. The sergeant stepped aside.

2

Peyton Farquhar was a well-to-do planter, of an old and highly respected Alabama family. Being a slave owner and like other slave owners a politician he was naturally an original secessionist and ardently devoted to the Southern cause. Circumstances of an imperious nature, which it is unnecessary to relate here, had prevented him from taking service with the gallant army that had fought the disastrous campaigns ending with the fall of Corinth, and he chafed under the inglorious restraint, longing for the release of his energies, the larger life of the soldier, the opportunity for distinction. That opportunity, he felt, would come, as it comes to all in war time. Meanwhile he did what he could. No service
was too humble for him to perform in aid of the South, no adventure too perilous for him to undertake if consistent with the character of a civilian who was at heart a soldier, and who in good faith and without too much qualification assented to at least a part of the frankly villainous dictum that all is fair in love and war.

One evening while Farquhar and his wife were sitting on a rustic bench near the entrance to his grounds, a gray-clad soldier rode up to the gate and asked for a drink of water. Mrs. Farquhar was only too happy to serve him with her own white hands. While she was fetching the water her husband approached the dusty horseman and inquired eagerly for news from the front.

“The Yanks are repairing the railroads,” said the man, “and are getting ready for another advance. They have reached the Owl Creek bridge, put it in order and built a stockade on the north bank. The commandant has issued an order, which is posted everywhere, declaring that any civilian caught interfering with the railroad, its bridges, tunnels or trains will be summarily hanged. I saw the order.”

“How far is it to the Owl Creek bridge?” Farquhar asked.

“About thirty miles.”

“Is there no force on this side of the creek?”

“Only a picket post half a mile out, on the railroad, and a single sentinel at this end of the bridge.”

“Suppose a man—a civilian and student of hanging—should elude the picket post and perhaps get the better of the sentinel,” said Farquhar, smiling, “what could he accomplish?”

The soldier reflected. “I was there a month ago,” he replied. “I observed that the flood of last winter had lodged a great quantity of driftwood against the
wooden pier at this end of the bridge. It is now dry and would burn like tow.”

The lady had now brought the water, which the soldier drank. He thanked her ceremoniously, bowed to her husband and rode away. An hour later, after nightfall, he repassed the plantation, going northward in the direction from which he had come. He was a Federal scout.

3

As Peyton Farquhar fell straight downward through the bridge he lost consciousness and was as one already dead. From this state he was awakened—ages later, it seemed to him—by the pain of a sharp pressure upon his throat, followed by a sense of suffocation. Keen, poignant agonies seemed to shoot from his neck downward through every fibre of his body and limbs. These pains appeared to flash along well-defined lines of ramification and to beat with an inconceivably rapid periodicity. They seemed like streams of pulsating fire heating him to an intolerable temperature. As to his head, he was conscious of nothing but a feeling of fulness—of congestion. These sensations were unaccompanied by thought. The intellectual part of his nature was already effaced; he had power only to feel, and feeling was torment. He was conscious of motion. Encompassed in a luminous cloud, of which he was now merely the fiery heart, without material substance, he swung through unthinkable arcs of oscillation, like a vast pendulum. Then all at once, with terrible suddenness, the light about him shot upward with the noise of a loud plash; a frightful roaring was in his ears, and all was cold and dark. The power of thought was restored; he knew that the rope had broken and he had fallen into the stream.
There was no additional strangulation; the noose about his neck was already suffocating him and kept the water from his lungs. To die of hanging at the bottom of a river!—the idea seemed to him ludicrous. He opened his eyes in the darkness and saw above him a gleam of light, but how distant, how inaccessible! He was still sinking, for the light became fainter and fainter until it was a mere glimmer. Then it began to grow and brighten, and he knew that he was rising toward the surface—knew it with reluctance, for he was now very comfortable. “To be hanged and drowned,” he thought, “that is not so bad; but I do not wish to be shot. No; I will not be shot; that is not fair.”

BOOK: Chickamauga
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