City of Nets (92 page)

207    
Young Margarita:
Ibid., pp. 28–9, 36, 43–50, 174, 181.

208    
Middle-aged men:
Ibid., pp. 50–1. Bob Thomas,
King Cohn,
p. 169.

209    
Sheehan shortened:
Kobal,
Rita Hayworth,
pp. 52, 63, 70–4. Joe Morella and Edward Z. Epstein,
Rita,
p. 253.

209    
Then along came:
Charles Higham,
Orson Welles,
p. 210.

210    
But Judson:
Thomas,
King Cohn,
pp. 72, 170–2. Kobal,
Rita Hayworth,
pp. 76, 80–2, 95, 102, 113, 123.

212    
Once Miss Hayworth:
Time,
Nov. 10, 1941. Morella and Epstein,
Rita,
p. 257.

213    
It was apparently:
Kobal,
Rita Hayworth,
pp. 154, 159, 161.

213    
Cover Girl
was an:
Author's notes on TV showing.

214    
The purpose of:
Kobal,
Rita Hayworth,
pp. 157, 161–3, 142–4.

216    
Love is eternal:
Joseph McBride,
Orson Welles,
p. 11. Anne Baxter,
Intermission,
p. 119 (1978). André Bazin,
Orson Welles,
pp. 30, 40.

216    
The trip to:
Charles Higham,
The Films of Orson Welles,
pp. 91–2, 95. Bazin,
Orson Welles,
p. 86.

217    
But in 1943:
McBride,
Orson Welles,
p. 42.

217    
Of the Hollywood figures:
Frank Capra,
The Name Above the Title,
pp. 360–3.

218    
Major William Wyler:
Axel Madsen,
William Wyler,
pp. 220–40. John Huston,
An Open Book,
pp. 99ff.

218    
Jack Warner:
Jack Warner,
My First Hundred Years in Hollywood,
p. 283. Michael Freedland,
The Warner Brothers,
pp. 153–5. Rudy Behlmer,
Inside Warner Bros.,
p. 161.

219    
Before that unfortunate:
Warner,
First Hundred Years,
pp. 290ff. Freedland,
The Warner Brothers,
p. 150.

219    
White House officials:
Freedland,
The Warner Brothers,
p. 189. Colin Shindler,
Hollywood Goes to War,
pp. 58–9. Warner,
First Hundred Years,
p. 293. Howard Koch,
As Time Goes By,
pp. 101ff.

219n    
In her witty book:
Nora Sayre,
Running Time,
p. 6.

220    
Warner's other big:
Freedland,
The Warner Brothers,
pp. 155–6.

220    
Reagan had managed:
Ronald Reagan and Richard C. Hubler,
Where's the Rest of Me?,
pp. 124–5, 127–8, 130.

220    
The Army Air Corps:
Reagan and Hubler,
Where's the Rest,
pp. 132–3. Huston,
An Open Book,
108.

221    
Lieutenant Reagan apparently:
Laurence Leamer,
Make-Believe,
pp. 122–3.

221    
Reagan was always:
Reagan and Hubler,
Where's the Rest,
p. 134.

221    
There was equally:
Gottfried Reinhardt,
The Genius: A Memoir of Max Reinhardt,
pp. 10, 20, 24–5.

224    
In one reasonably:
Time,
Sept. 20, 1943. James Naremore,
The Magic World of Orson Welles,
p. 137. William Robert Faith,
Bob Hope,
pp. 32–3.

224    
Hope began simply:
Faith,
Bob Hope,
pp. 161–4. Bob Hope,
Have Tux, Will Travel,
p. 189.

225    
A friend urged:
Faith,
Bob Hope,
pp. 173–6. Bob Hope,
I Never Left Home,
p. 48.

226    
By now, the Allies:
Bob Hope,
I Never Left Home,
pp. 3, 8–9, 161–2, 178.

227    
Billy Wilder, who:
Maurice Zolotow,
Billy Wilder in Hollywood,
p. 35.

227    
This
Double Indemnity:
Roy Hoopes,
Cain,
p. 258. Gay Talese,
The Kingdom and the Power,
p. 22 (1970).

228    
Cain, who had:
Hoopes,
Cain,
pp. 268, 331–2.

229    
At that point:
Zolotow,
Billy Wilder
, p. 108.

230    
Paramount bought
Double:
Ibid., p. 111. Hoopes,
Cain,
pp. 332–3.

230    
Chandler was a:
Frank MacShane,
The Life of Raymond Chandler,
pp. 35–40 (1978). S. J. Perelman,
The Most of S. J. Perelman,
p. 17.

231    
Summoned to Paramount:
Zolotow,
Billy Wilder,
pp. 113–14.

231    
It was a kind:
MacShane,
Raymond Chandler,
pp. 107, 101. Zolotow,
Billy Wilder,
p. 121.

232    
So the struggles:
Zolotow,
Billy Wilder,
pp. 114–16. MacShane,
Raymond Chandler,
pp. 108–9. Tom Wood,
The Bright Side of Billy Wilder, Primarily,
p. 20.

234    
“I don't read”:
Zolotow,
Billy Wilder,
pp. 117–19, 123. Hoopes,
Cain,
p. 335. Wood,
Billy Wilder,
p. 84.

235    
It was never:
Gene D. Phillips,
Hemingway and Film,
p. 41. Ingrid Bergman and Alan Burgess,
My Story,
pp. 125, 128. David O. Selznick,
Memo from David O. Selznick,
p. 333.

236    
Hemingway had turned:
Ernest Hemingway,
Selected Letters, 1917–1961,
pp. 577, 540.

237    
Ingrid Bergman was:
Paul Henreid,
Ladies' Man,
p. 130.

237    
The day after:
Bergman and Burgess,
My Story,
pp. 148–9.

237    
Dialogue was one:
Richard Corliss, ed.,
Talking Pictures,
pp. 225ff. Nancy Lynn Schwartz,
The Hollywood Writers' Wars,
p. 53. Carlos Baker,
Ernest Hemingway,
p. 371. Hemingway,
Letters,
p. 540.

238    
But even then:
Phillips,
Hemingway and Film,
p. 43. Larry Ceplair and Steven Englund,
The Inquisition in Hollywood,
pp. 210–11.

238    
Wood was by no means:
Ceplair and Englund,
The Inquisition,
p. 211.

239    
After that heroic:
Maurice Zolotow,
Shooting Star: A Biography of John Wayne,
pp. 249–53 (1975).

239    
By this time:
Ceplair and Englund,
The Inquisition,
p. 209.

239    
But all this:
Phillips,
Hemingway and Film,
p. 42.

240    
Miss Bergman was:
Bergman and Burgess,
My Story,
pp. 151, 153.

240    
One major Hollywood:
David Niven,
Bring on the Empty Horses,
p. 127. Charles Higham,
Errol Flynn,
pp. 140ff. Michael Freedland,
The Two Lives of Errol Flynn,
p. 164.

241    
To Warner Bros.:
Errol Flynn,
My Wicked, Wicked Ways,
pp. 253–4 (1974). Alvah Bessie,
Inquisition in Eden,
p. 80.

241    
Flynn's search:
Flynn,
Wicked Ways,
p. 239.

241    
Among the many:
Freedland,
The Two Lives,
p. 95.

242    
It was to this:
Flynn,
Wicked Ways,
pp. 239–40. Walsh acknowledged in his own memoirs that he had done the deed. He said that he had done it alone, that no money had changed hands, and that he was a friend of the undertakers, whom he identified as the Malloy Brothers. Raoul Walsh,
Each Man in His Time,
pp. 331–3.

243    
Betty Hansen was:
Jerry Giesler,
The Jerry Giesler Story,
pp. 94–8.

244    
As charges of rape:
Florabel Muir,
Headline Happy,
p. 137. Kenneth Anger,
Hollywood Babylon,
pp. 296, 363–4.

245    
Florabel Muir:
Muir,
Headline Happy,
pp. 136–7, Higham,
Errol Flynn,
p. 185.

245    
Betty Hansen claimed:
I have taken all this verbatim testimony from Giesler, pp. 95, 104, 107, 100, 110–11, 113, 115, 116, 123–5, 130–1, 133, 136, 141.

251    
Two of the three:
Higham,
Errol Flynn,
p. 213.

251    
If Bertolt Brecht:
Luis Buñuel,
My Last Sigh,
p. 189.

 

6 Reunions (1944).

253    
The Hollywood people:
John Huston,
An Open Book,
pp. 109–10.

256    
Darryl F. Zanuck:
Mel Gussow,
Darryl F. Zanuck,
pp. 58–9, 105, 75, 109. Leonard Mosley,
Zanuck,
pp. 197, 200–1, 169. Stephen Farber and Marc Green,
Hollywood Dynasties,
pp. 66–7, 93.

258    
Zanuck did produce:
Colin Shindler,
Hollywood Goes to War,
p. 86. Mosley,
Zanuck,
pp. 203–5.

259    
Another one of:
Otto Preminger,
Preminger,
pp. 1, 13.

260    
Then Zanuck handed him:
Preminger,
Preminger,
pp. 21–5, 73, 82. Willi Frischauer,
Behind the Scenes of Otto Preminger,
p. 85.

262    
One of the remarkable:
Preminger,
Preminger,
pp. 85–6.

263    
Laura
was all:
Gene Tierney,
Self-Portrait,
p. 119.

263    
Zanuck read the script:
Preminger,
Preminger,
pp. 86–9, 92–3. Tierney,
Self-Portrait,
pp. 121–2.

265    
After the emotional:
Charles Chaplin,
My Autobiography,
pp. 396–7, 414–15, 418–19. Also David Robinson,
Chaplin,
pp. 512–28.

267    
For most of his life:
John McCabe,
Charlie Chaplin,
pp. 201, 209.Chaplin,
My Autobiography,
pp. 229–30, 240.

268    
Lillita McMurray was:
McCabe,
Charlie Chaplin,
pp. 141, 143, 160–3.

269    
Paulette Goddard, née:
Chaplin,
My Autobiography,
pp. 400, 407–9, 413–15, 417. Charles Chaplin, Jr.,
My Father, Charlie Chaplin,
pp. 258–9.

272    
Warner himself later:
Jack Warner,
My First Hundred Years in Hollywood,
pp. 295–6.

272    
Chaplin insisted that:
Chaplin,
My Autobiography,
p. 407. Warner,
First Hundred Years,
p. 297.

273    
Chaplin went to:
Chaplin,
My Autobiography,
p. 416. McCabe,
Charlie Chaplin,
p. 204.

274    
With the three hundred:
Jerry Giesler,
The Jerry Giesler Story,
p. 187.

274    
A week later:
Chaplin,
My Autobiography,
pp. 419–22. Giesler,
Story,
pp. 183–90. McCabe,
Charlie Chaplin,
pp. 204–8. Hedda Hopper,
From Under My Hat,
pp. 149–53.

277    
One of the cornerstones:
Charles Higham,
Sisters,
p. 145. Also Larry Swindell,
Charles Boyer,
p. 168.

277    
They were frightened:
Lana Turner,
Lana,
p. 17. Daniel Fuchs,
West of the Rockies,
p. 84.

278    
In addition to:
Roland Flamini,
Ava,
pp. 17–18 (1984).

278    
If an actor:
Hortense Powdermaker,
Hollywood: The Dream Factory,
pp. 34–5, 85.

279    
The first rebel:
Charles Higham,
Bette,
pp. 109–21. Bette Davis,
The Lonely Life,
pp. 194–208. Warner,
First Hundred Years,
pp. 248–50.

279    
Still, holdouts and:
Larry Swindell,
Body and Soul, John Garfield,
p. 157. Warner,
First Hundred Years,
p. 234. Joseph Blotner,
Faulkner,
pp. 1121, 1154.