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LIST OF ILLUSTRATIONS, MAPS AND PHOTOGRAPHS

Illustrations

Maps

Travels Through a European Paintbox

Travels Through an Australian Paintbox

Travels Through an Afghan Paintbox

Travels Through a Mexican Paintbox

Photographs

Bottles of powdered pigments. Reproduced courtesy of Winsor & Newton, Harrow. © Winsor & Newton.

Artists at Papunya, Australia. Reproduced courtesy of Geoffrey Bardon. © Geoffrey Bardon.

A natural paintbox at Jumped Up Creek, Australia. © Victoria Finlay.

A pattern book from 1763 © Victoria and Albert Picture Library. A sampler from the 1860s © Victoria and Albert Picture Library.
A Girl with a Baby,
Joshua Reynolds. Reproduced courtesy of the Dulwich Picture Gallery, London. © Dulwich Picture Gallery.

Dunhuang Caves, cave painting, China. Reproduced courtesy of CIRCA Photo Library / © Tjalling Halbertsma.

Manuscript of Pliny’s
Natural History
(1465). © Victoria and Albert Picture Library.

Cochineal bugs on a cactus leaf. © Victoria Finlay.

The Entombment,
Michelangelo (1501). © National Gallery, London.

Saffron poster from Consuegra. © Victoria Finlay.

Red trays. Reproduced courtesy of Winsor & Newton, Harrow. © Winsor & Newton.

Antonio Stradivari. “Parke” violin (1711). Reproduced courtesy of J & A Beare, London. © J & A Beare.

Krishna playing flute to cows, Indian temple (North India). Reproduced courtesy of CIRCA Photo Library / © Martin Palmer.

Sprig of indigo. © Royal Botanic Gardens, Kew.

Santiago de la Cruz in Mexico. © Nell Nelson.

Yellow
cuerda seca
tile (1600s). © Victoria and Albert Picture Library.

Miner from Sar-e-sang in Afghanistan. © Robert Nickelsberg.

Lapis Lazuli for ultramarine paint. Reproduced courtesy of Winsor & Newton, Harrow. ˙© Winsor & Newton.

Window depicting
Notre Dame de la Belle Verriere
in south choir, thirteenth century (stained glass), Chartres Cathedral, Chartres, France. © Bridgeman Art Library.

Indian Yellow nuggets. Reproduced courtesy of Winsor & Newton, Harrow.© Winsor & Newton.

CREDITS

Permission to use copyright material is gratefully acknowledged to the following. While every effort has been made to trace all copyright holders the author apologizes to any holders not acknowledged.

The quotations from
The Dalai Lama’s Secret Temple: Tantric wall paintings from Tibet,
by Ian Baker, 2000 is © Thames & Hudson; the quotations from
The Ambonese Curiosity Cabinet
by Georgius Everhardus Rumphius, translated by E.M. Beekman, 1999 are by kind permission of Yale University Press; the quotation from
Chauvet Cave, the Discovery of the World’s Oldest Paintings
by Jean-Marie Chauvet, Eliette Brunel Deschamps and Christian Hillaire, 1996 is © Thames & Hudson; the quotation from
Looking at Pictures
by Kenneth Clark, 1961 is by kind permission of John Murray; the quotation from
What Painting Is
by James Elkins, 1999 by kind permission of Routledge; the quotation by Harvey Fierstein is by kind permission of Harvey Fierstein; the quotations from
Colour and Culture
by John Gage, 1993 are © Thames & Hudson; all quotations from
Painting Materials: a short encyclopaedia,
1966 by Rutherford Gettens and George Stout are by kind permission of Dover Books, New York; all quotations from
The Art Forger’s Handbook,
by Eric Hebborn, 1997 are © Cassell; the quotation from
The Essential Saffron Companion,
by John Humphries, 1996 is by kind permission of Grub Street, London; the quotation from
Leonardo on Painting
edited by Martin Kemp, 1985, is © Yale University Press; the quotations from
The Artist’s Handbook of Materials and Techniques
by Ralph Mayer, 1991 are by kind permission of Faber & Faber and Viking Press New York; the quotations by Desmond Morris from
The Cambridge Illustrated History of Prehistoric Art
by Paul Bahn, 1988 is by kind permission of Cambridge University Press, Cambridge; the quotation from
Taliban: Islam, Oil and the New Great Game
by Ahmed Rashid, published by I. B. Tauris & Co. is by kind permission of I. B. Tauris & Co.; all quotations from
The Craftsman’s Handbook
by Cennino Cennini and translated by Daniel Thompson, 1933 (1960) are by kind permission of Dover Books, New York; the quotation by J. M. Thompson is by kind permission of Basil Blackwell, Oxford; all quotations from
The Long Old Road in China
by Langdon Warner, 1926 are © William Heinemann.