Complete Fictional Works of Washington Irving (Illustrated) (65 page)

BOOK: Complete Fictional Works of Washington Irving (Illustrated)
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When Inez, therefore, was brought into his presence by his emissaries, he affected not to notice her terror and surprise, but received her with formal and stately courtesy. He was too wary a fowler to flutter the bird when just entangled in the net. To her eager and wild inquiries about her father, he begged her not to be alarmed; that he was safe, and had been there, but was engaged elsewhere in an affair of moment, from which he would soon return; in the meantime, he had left word that she should await his return in patience. After some stately expressions of general civility, Don Ambrosio made a ceremonious bow and retired.

The mind of Inez was full of trouble and perplexity. The stately formality of Don Ambrosio was so unexpected as to check the accusations and reproaches that were springing to her lips. Had he had evil designs, would he have treated her with such frigid ceremony when he had her in his power? But why, then, was she brought to his house? Was not the mysterious disappearance of Antonio connected with this? A thought suddenly darted into her mind. Antonio had again met with Don Ambrosio—they had fought—Antonio was wounded—perhaps dying! It was him to whom her father had gone—it was at his request that Don Ambrosio had sent for them, to soothe his dying moments! These, and a thousand such horrible suggestions, harassed her mind; but she tried in vain to get information from the domestics; they knew nothing but that her father had been there, had gone, and would soon return.

Thus passed a night of tumultuous thought, and vague yet cruel apprehensions. She knew not what to do or what to believe—whether she ought to fly, or to remain; but if to fly, how was she to extricate herself?—and where was she to seek her father? As the day dawned without any intelligence of him, her alarm increased; at length a message was brought from him, saying that circumstances prevented his return to her, but begging her to hasten to him without delay.

With an eager and throbbing heart did she set forth with the men that were to conduct her. She little thought, however, that she was merely changing her prison-house. Don Ambrosio had feared lest she should be traced to his residence in Granada; or that he might be interrupted there before he could accomplish his plan of seduction. He had her now conveyed, therefore, to a mansion which he possessed in one of the mountain solitudes in the neighbourhood of Granada; a lonely, but beautiful retreat. In vain, on her arrival, did she look around for her father or Antonio; none but strange faces met her eye: menials, profoundly respectful, but who knew nor saw anything but what their master pleased.

She had scarcely arrived before Don Ambrosio made his appearance, less stately in his manner, but still treating her with the utmost delicacy and deference. Inez was too much agitated and alarmed to be baffled by his courtesy, and became vehement in her demand to be conducted to her father.

Don Ambrosio now put on an appearance of the greatest embarrassment and emotion. After some delay, and much pretended confusion, he at length confessed that the seizure of her father was all a stratagem; a mere false alarm, to procure him the present opportunity of having access to her, and endeavouring to mitigate that obduracy, and conquer that repugnance, which he declared had almost driven him to distraction.

He assured her that her father was again at home in safety, and occupied in his usual pursuits; having been fully satisfied that his daughter was in honourable hands, and would soon be restored to him. It was in vain that she threw herself at his feet, and implored to be set at liberty; he only replied by gentle entreaties, that she would pardon the seeming violence he had to use; and that she would trust a little while to his honour. “You are here,” said he, “absolute mistress of every thing: nothing shall be said or done to offend you; I will not even intrude upon your ear the unhappy passion that is devouring my heart. Should you require it, I will even absent myself from your presence; but, to part with you entirely at present, with your mind full of doubts and resentments, would be worse than death to me. No, beautiful Inez, you must first know me a little better, and know by my conduct that my passion for you is as delicate and respectful as it is vehement.”

The assurance of her father’s safety had relieved Inez from one cause of torturing anxiety, only to render her fears the more violent on her own account. Don Ambrosio, however, continued to treat her with artful deference, that insensibly lulled her apprehensions. It is true she found herself a captive, but no advantage appeared to be taken of her helplessness. She soothed herself with the idea that a little while would suffice to convince Don Ambrosio of the fallacy of his hopes, and that he would be induced to restore her to her home. Her transports of terror and affliction, therefore, subsided, in a few days, into a passive, yet anxious melancholy, with which she awaited the hoped-for event.

In the meanwhile, all those artifices were employed that are calculated to charm the senses, ensnare the feelings, and dissolve the heart into tenderness. Don Ambrosio was a master of the subtle arts of seduction. His very mansion breathed an enervating atmosphere of languor and delight. It was here, amidst twilight saloons and dreamy chambers, buried among groves of orange and myrtle, that he shut himself up at times from the prying world, and gave free scope to the gratification of his pleasures.

The apartments were furnished in the most sumptuous and voluptuous manner; the silken couches swelled to the touch, and sunk in downy softness beneath the slightest pressure. The paintings and statues, all told some classic tale of love, managed, however, with an insidious delicacy; which, while it banished the grossness that might disgust, was the more calculated to excite the imagination. There the blooming Adonis was seen, not breaking away to pursue the boisterous chase, but crowned with flowers, and languishing in the embraces of celestial beauty. There Acis wooed his Galatea in the shade, with the Sicilian sea spreading in halcyon serenity before them. There were depicted groups of fauns and dryads, fondly reclining in summer bowers, and listening to the liquid piping of the reed; or the wanton satyrs, surprising some wood-nymph during her noontide slumber. There, too, on the storied tapestry, might be seen the chaste Diana, stealing, in the mystery of moonlight, to kiss the sleeping Endymion; while Cupid and Psyche, entwined in immortal marble, breathed on each other’s lips the early kiss of love.

The ardent rays of the sun were excluded from these balmy halls; soft and tender music from unseen musicians floated around, seeming to mingle with the perfumes that were exhaled from a thousand flowers. At night, when the moon shed a fairy light over the scene, the tender serenade would rise from among the bowers of the garden, in which the fine voice of Don Ambrosio might often be distinguished; or the amorous flute would be heard along the mountain, breathing in its pensive cadences the very soul of a lover’s melancholy.

Various entertainments were also devised to dispel her loneliness, and to charm away the idea of confinement. Groups of Andalusian dancers performed, in the splendid saloons, the various picturesque dances of their country; or represented little amorous ballets, which turned upon some pleasing scene of pastoral coquetry and courtship. Sometimes there were bands of singers, who, to the romantic guitar, warbled forth ditties full of passion and tenderness.

Thus all about her enticed to pleasure and voluptuousnesss; but the heart of Inez turned with distaste from this idle mockery. The tears would rush into her eyes, as her thoughts reverted from this scene of profligate splendour, to the humble but virtuous home from whence she had been betrayed; or if the witching power of music ever soothed her into a tender reverie, it was to dwell with fondness on the image of Antonio. But if Don Ambrosio, deceived by this transient calm, should attempt at such time to whisper his passion, she would start as from a dream, and recoil from him with involuntary shuddering.

She had passed one long day of more than ordinary sadness, and in the evening a band of these hired performers were exerting all the animating powers of song and dance to amuse her. But while the lofty saloon resounded with their warblings, and the light sound of feet upon its marble pavement kept time to the cadence of the song, poor Inez, with her face buried in the silken couch on which she reclined, was only rendered more wretched by the sound of gayety.

At length her attention was caught by the voice of one of the singers, that brought with it some indefinite recollections. She raised her head, and cast an anxious look at the performers, who, as usual, were at the lower end of the saloon.

One of them advanced a little before the others. It was a female, dressed in a fanciful, pastoral garb, suited to the character she was sustaining; but her countenance was not to be mistaken. It was the same ballad-singer that had twice crossed her path, and given her mysterious intimations of the lurking mischief that surrounded her. When the rest of the performances were concluded, she seized a tambourine, and, tossing it aloft, danced alone to the melody of her own voice. In the course of her dancing, she approached to where Inez reclined: and as she struck the tambourine, contrived dexterously to throw a folded paper on the couch. Inez seized it with avidity, and concealed it in her bosom. The singing and dancing were at an end; the motley crew retired; and Inez, left alone, hastened with anxiety to unfold the paper thus mysteriously conveyed. It was written in an agitated, and almost illegible handwriting: “Be on your guard! you are surrounded by treachery. Trust not to the forbearance of Don Ambrosio; you are marked out for his prey. An humble victim to his perfidy gives you this warning; she is encompassed by too many dangers to be more explicit.—Your father is in the dungeons of the inquisition!”

The brain of Inez reeled, as she read this dreadful scroll. She was less filled with alarm at her own danger, than horror at her father’s situation. The moment Don Ambrosio appeared, she rushed and threw herself at his feet, imploring him to save her father. Don Ambrosio stared with astonishment; but immediately regaining his self-possession, endeavoured to soothe her by his blandishments, and by assurances that her father was in safety. She was not to be pacified; her fears were too much aroused to be trifled with. She declared her knowledge of her father’s being a prisoner of the inquisition, and reiterated her frantic supplications that he would save him.

Don Ambrosio paused for a moment in perplexity, but was too adroit to be easily confounded. “That your father is a prisoner,” replied he, “I have long known. I have concealed it from you, to save you from fruitless anxiety. You now know the real reason of the restraint I have put upon your liberty: I have been protecting instead of detaining you. Every exertion has been made in your father’s favour; but I regret to say, the proofs of the offences of which he stands charged have been too strong to be controverted. Still,” added he, “I have it in my power to save him; I have influence, I have means at my beck; it may involve me, it is true, in difficulties, perhaps in disgrace; but what would I not do, in the hope of being rewarded by your favour? Speak, beautiful Inez,” said he, his eyes kindling with sudden eagerness; “it is with you to say the word that seals your father’s fate. One kind word—say but you will be mine, and you will behold me at your feet, your father at liberty and in affluence, and we shall all be happy!”

Inez drew back from him with scorn and disbelief. “My father,” exclaimed she, “is too innocent and blameless to be convicted of crime; this is some base, some cruel artifice!” Don Ambrosio repeated his asseverations, and with them also his dishonourable proposals; but his eagerness overshot its mark: her indignation and her incredulity were alike awakened by his base suggestions; and he retired from her presence, checked and awed by the sudden pride and dignity of her demeanour.

The unfortunate Inez now became a prey to the most harrowing anxieties. Don Ambrosio saw that the mask had fallen from his face, and that the nature of his machinations was revealed. He had gone too far to retrace his steps, and assume the affectation of tenderness and respect; indeed, he was mortified and incensed at her insensibility to his attractions, and now only sought to subdue her through her fears. He daily represented to her the dangers that threatened her father, and that it was in his power alone to avert them. Inez was still incredulous. She was too ignorant of the nature of the inquisition, to know that even innocence was not always a protection from its cruelties; and she confided too surely in the virtue of her father, to believe that any accusation could prevail against him.

At length Don Ambrosio, to give an effectual blow to her confidence, brought her the proclamation of the approaching auto da fé, in which the prisoners were enumerated. She glanced her eye over it, and beheld her father’s name, condemned to the stake for sorcery!

For a moment she stood transfixed with horror. Don Ambrosio seized upon the transient calm. “Think, now, beautiful Inez,” said he, with a tone of affected tenderness, “his life is still in your hands; one word from you, one kind word, and I can yet save him.”

“Monster! wretch!” cried she, coming to herself, and recoiling from him with insuperable abhorrence: “’Tis you that are the cause of this—’tis you that are his murderer!” Then, wringing her hands, she broke forth into exclamations of the most frantic agony.

The perfidious Ambrosio saw the torture of her soul, and anticipated from it a triumph. He saw that she was in no mood, during her present paroxysm, to listen to his words; but he trusted that the horrors of lonely rumination would break down her spirit, and subdue her to his will. In this, however, he was disappointed. Many were the vicissitudes of mind of the wretched Inez; at one time, she would embrace his knees, with piercing supplications; at another, she would shrink with nervous horror at his very approach; but any intimation of his passion only excited the same emotion of loathing and detestation.

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