Complete Fictional Works of Washington Irving (Illustrated) (67 page)

One among the condemned, however, was an exception to these remarks. It was an aged man, somewhat bowed down, with a serene, though dejected countenance, and a beaming, melancholy eye. It was the alchymist. The populace looked upon him with a degree of compassion, which they were not prone to feel towards criminals condemned by the inquisition; but when they were told that he was convicted of the crime of magic, they drew back with awe and abhorrence.

The procession had reached the grand square. The first part had already mounted the scaffolding, and the condemned were approaching. The press of the populace became excessive, and was repelled, as it were, in billows by the guards. Just as the condemned were entering the square, a shrieking was heard among the crowd. A female, pale, frantic, dishevelled, was seen struggling through the multitude. “My father! my father!” was all the cry she uttered, but it thrilled through every heart. The crowd instinctively drew back, and made way for her as she advanced.

The poor alchymist had made his peace with Heaven, and, by a hard struggle, had closed his heart upon the world, when the voice of his child called him once more back to worldly thought and agony. He turned towards the well-known voice; his knees smote together; he endeavoured to stretch forth his pinioned arms, and felt himself clasped in the embraces of his child. The emotions of both were too agonizing for utterance. Convulsive sobs and broken exclamations, and embraces more of anguish than tenderness, were all that passed between them. The procession was interrupted for a moment. The astonished monks and familiars were filled with involuntary respect, at the agony of natural affection. Ejaculations of pity broke from the crowd, touched by the filial piety, the extraordinary and hopeless anguish, of so young and beautiful a being.

Every attempt to soothe her, and prevail on her to retire, was unheeded; at length they endeavoured to separate her from her father by force. The movement roused her from her temporary abandonment. With a sudden paroxysm of fury, she snatched a sword from one of the familiars. Her late pale countenance was flushed with rage, and fire flashed from her once soft and languishing eyes. The guards shrunk back with awe. There was something in this filial frenzy, this feminine tenderness wrought up to desperation, that touched even their hardened hearts. They endeavoured to pacify her, but in vain. Her eye was eager and quick, as the she-wolf’s guarding her young. With one arm she pressed her father to her bosom, with the other she menaced every one that approached.

The patience of the guards was soon exhausted. They had held back in awe, but not in fear. With all her desperation the weapon was soon wrested from her feeble hand, and she was borne shrieking and struggling among the crowd. The rabble murmured compassion; but such was the dread inspired by the inquisition, that no one attempted to interfere.

The procession again resumed its march. Inez was ineffectually struggling to release herself from the hands of the familiars that detained her, when suddenly she saw Don Ambrosio before her. “Wretched girl!” exclaimed he with fury, “why have you fled from your friends? Deliver her,” said he to the familiars, “to my domestics; she is under my protection.”

His creatures advanced to seize her. “Oh, no! oh, no!” cried she, with new terrors, and clinging to the familiars, “I have fled from no friends. He is not my protector! He is the murderer of my father!”

The familiars were perplexed; the crowd pressed on, with eager curiosity. “Stand off!” cried the fiery Ambrosio, dashing the throng from around him. Then turning to the familiars, with sudden moderation, “My friends,” said he, “deliver this poor girl to me. Her distress has turned her brain; she has escaped from her friends and protectors this morning; but a little quiet and kind treatment will restore her to tranquillity.”

“I am not mad! I am not mad!” cried she, vehemently. “Oh, save me!—save me from these men! I have no protector on earth but my father, and him they are murdering!”

The familiars shook their heads; her wildness corroborated the assertions of Don Ambrosio, and his apparent rank commanded respect and belief. They relinquished their charge to him, and he was consigning the struggling Inez to his creatures.

“Let go your hold, villain!” cried a voice from among the crowd—and
Antonio was seen eagerly tearing his way through the press of people.

“Seize him! seize him!” cried Don Ambrosio to the familiars, “’tis an accomplice of the sorcerer’s.”

“Liar!” retorted Antonio, as he thrust the mob to the right and left, and forced himself to the spot.

The sword of Don Ambrosio flashed in an instant from the scabbard; the student was armed, and equally alert. There was a fierce clash of weapons: the crowd made way for them as they fought, and closed again, so as to hide them from the view of Inez. All was tumult and confusion for a moment; when there was a kind of shout from the spectators, and the mob again opening, she beheld, as she thought, Antonio weltering in his blood.

This new shock was too great for her already overstrained intellect. A giddiness seized upon her; every thing seemed to whirl before her eyes; she gasped some incoherent words, and sunk senseless upon the ground.

Days—weeks elapsed, before Inez returned to consciousness. At length she opened her eyes, as if out of a troubled sleep. She was lying upon a magnificent bed, in a chamber richly furnished with pier-glasses, and massive tables inlaid with silver, of exquisite workmanship. The walls were covered with tapestry; the cornices richly gilded; through the door, which stood open, she perceived a superb saloon, with statues and crystal lustres, and a magnificent suite of apartments beyond. The casements of the room were open to admit the soft breath of summer, which stole in, laden with perfumes from a neighbouring garden; from whence, also, the refreshing sound of fountains and the sweet notes of birds came in mingled music to her ear.

Female attendants were moving, with noiseless step, about the chamber; but she feared to address them. She doubted whether this was not all delusion, or whether she was not still in the palace of Don Ambrosio, and that her escape, and all its circumstances, had not been but a feverish dream. She closed her eyes again, endeavouring to recall the past, and to separate the real from the imaginary. The last scenes of consciousness, however, rushed too forcibly, with all their horrors, to her mind to be doubted, and she turned shuddering from the recollection, to gaze once more on the quiet and serene magnificence around her. As she again opened her eyes, they rested on an object that at once dispelled every alarm. At the head of her bed sat a venerable form, watching over her with a look of fond anxiety—it was her father!

I will not attempt to describe the scene that ensued; nor the moments of rapture which more than repaid all the sufferings that her affectionate heart had undergone. As soon as their feelings had become more calm, the alchymist stepped out of the room to introduce a stranger, to whom he was indebted for his life and liberty. He returned, leading in Antonio, no longer in his poor scholar’s garb, but in the rich dress of a nobleman.

The feelings of Inez were almost overpowered by these sudden reverses, and it was some time before she was sufficiently composed to comprehend the explanation of this seeming romance.

It appeared that the lover, who had sought her affections in the lowly guise of a student, was only son and heir of a powerful grandee of Valentia. He had been placed at the university of Salamanca; but a lively curiosity, and an eagerness for adventure, had induced him to abandon the university, without his father’s consent, and to visit various parts of Spain. His rambling inclination satisfied, he had remained incognito for a time at Granada, until, by farther study and self-regulation, he could prepare himself to return home with credit, and atone for his transgressions against paternal authority.

How hard he had studied, does not remain on record. All that we know is his romantic adventure of the tower. It was at first a mere youthful caprice, excited by a glimpse of a beautiful face. In becoming a disciple of the alchymist, he probably thought of nothing more than pursuing a light love affair. Farther acquaintance, however, had completely fixed his affections; and he had determined to conduct Inez and her father to Valentia, and to trust to her merits to secure his father’s consent to their union.

In the meantime, he had been traced to his concealment. His father had received intelligence of his being entangled in the snares of a mysterious adventurer and his daughter, and likely to become the dupe of the fascinations of the latter. Trusty emissaries had been despatched to seize upon him by main force, and convey him without delay to the paternal home.

What eloquence he had used with his father, to convince him of the innocence, the honour, and the high descent of the alchymist, and of the exalted worth of his daughter, does not appear. All that we know is, that the father, though a very passionate, was a very reasonable man, as appears by his consenting that his son should return to Granada, and conduct Inez as his affianced bride to Valentia.

Away, then, Don Antonio hurried back, full of joyous anticipations. He still forbore to throw off his disguise, fondly picturing to himself what would be the surprise of Inez, when, having won her heart and hand as a poor wandering scholar, he should raise her and her father at once to opulence and splendour.

On his arrival he had been shocked at finding the tower deserted by its inhabitants. In vain he sought for intelligence concerning them; a mystery hung over their disappearance which he could not penetrate, until he was thunderstruck, on accidentally reading a list of the prisoners at the impending auto da fé, to find the name of his venerable master among the condemned.

It was the very morning of the execution. The procession was already on its way to the grand square. Not a moment was to be lost. The grand inquisitor was a relation of Don Antonio, though they had never met. His first impulse was to make himself known; to exert all his family influence, the weight of his name, and the power of his eloquence, in vindication of the alchymist. But the grand inquisitor was already proceeding, in all his pomp, to the place where the fatal ceremony was to be performed. How was he to be approached? Antonio threw himself into the crowd, in a fever of anxiety, and was forcing his way to the scene of horror, where he arrived just in time to rescue Inez, as has been mentioned.

It was Don Ambrosio that fell in their contest. Being desperately wounded, and thinking his end approaching, he had confessed to an attending father of the inquisition, that he was the sole cause of the alchymist’s condemnation, and that the evidence on which it was grounded was altogether false. The testimony of Don Antonio came in corroboration of this avowal; and his relationship to the grand inquisitor had, in all probability, its proper weight. Thus was the poor alchymist snatched, in a manner, from the very flames; and so great had been the sympathy awakened in his case, that for once a populace rejoiced at being disappointed of an execution.

The residue of the story may readily be imagined, by every one versed in this valuable kind of history. Don Antonio espoused the lovely Inez, and took her and her father with him to Valentia. As she had been a loving and dutiful daughter, so she proved a true and tender wife. It was not long before Don Antonio succeeded to his father’s titles and estates, and he and his fair spouse were renowned for being the handsomest and happiest couple in all Valentia.

As to Don Ambrosio, he partially recovered to the enjoyment of a broken constitution and a blasted name, and hid his remorse and disgrace in a convent; while the poor victim of his arts, who had assisted Inez in her escape, unable to conquer the early passion that he had awakened in her bosom, though convinced of the baseness of the object, retired from the world, and became an humble sister in a nunnery.

The worthy alchymist took up his abode with his children. A pavilion, in the garden of their palace, was assigned to him as a laboratory, where he resumed his researches with renovated ardour, after the grand secret. He was now and then assisted by his son-in-law; but the latter slackened grievously in his zeal and diligence, after marriage. Still he would listen with profound gravity and attention to the old man’s rhapsodies, and his quotations from Paracelsus, Sandivogius, and Pietro D’Abano, which daily grew longer and longer. In this way the good alchymist lived on quietly and comfortably, to what is called a good old age, that is to say, an age that is good for nothing; and unfortunately for mankind, was hurried out of life in his ninetieth year, just as he was on the point of discovering the Philosopher’s Stone.

*

Such was the story of the captain’s friend, with which we whiled away the morning. The captain was, every now and then, interrupted by questions and remarks, which I have not mentioned, lest I should break the continuity of the tale. He was a little disturbed, also, once or twice, by the general, who fell asleep, and breathed rather hard, to the great horror and annoyance of Lady Lillycraft. In a long and tender love scene, also, which was particularly to her ladyship’s taste, the unlucky general, having his head a little sunk upon his breast, kept making a sound at regular intervals, very much like the word
pish
, long drawn out. At length he made an odd abrupt guttural sound, that suddenly awoke him; he hemmed, looked about with a slight degree of consternation, and then began to play with her ladyship’s work-bag, which, however, she rather pettishly withdrew. The steady sound of the captain’s voice was still too potent a soporific for the poor general; he kept gleaming up and sinking in the socket, until the cessation of the tale again roused him, when he started awake, put his foot down upon Lady Lillycraft’s cur, the sleeping Beauty, which yelped and seized him by the leg, and, in a moment, the whole library resounded with yelpings and exclamations. Never did man more completely mar his fortunes while he was asleep. Silence being at length restored, the company expressed their thanks to the captain, and gave various opinions of the story. The parson’s mind, I found, had been continually running upon the leaden manuscripts, mentioned in the beginning, as dug up at Granada, and he put several eager questions to the captain on the subject. The general could not well make out the drift of the story, but thought it a little confused. “I am glad, however,” said he, “that they burnt the old chap of the tower; I have no doubt he was a notorious impostor.”