Complete Works of Thomas Hardy (Illustrated) (196 page)

BOOK: Complete Works of Thomas Hardy (Illustrated)
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This would have been disconcerting but for one reason: Christopher was ceasing to notice her.  He was a man who often, when walking abroad, and looking as it were at the scene before his eyes, discerned successes and failures, friends and relations, episodes of childhood, wedding feasts and funerals, the landscape suffering greatly by these visions, until it became no more than the patterned wall-tints about the paintings in a gallery; something necessary to the tone, yet not regarded.  Nothing but a special concentration of himself on externals could interrupt this habit, and now that her appearance along the way had changed from a chance to a custom he began to lapse again into the old trick.  He gazed once or twice at her form without seeing it: he did not notice that she trembled.

He sometimes read as he walked, and book in hand he frequently approached her now.  This went on till six weeks had passed from the time of their first encounter.  Latterly might have been once or twice heard, when he had moved out of earshot, a sound like a small gasping sigh; but no arrangements were disturbed, and Christopher continued to keep down his eyes as persistently as a saint in a church window.

The last day of his engagement had arrived, and with it the last of his walks that way.  On his final return he carried in his hand a bunch of flowers which had been presented to him at the country-house where his lessons were given.  He was taking them home to his sister Faith, who prized the lingering blossoms of the seeding season.  Soon appeared as usual his fellow-traveller; whereupon Christopher looked down upon his nosegay.  ‘Sweet simple girl,’ he thought, ‘I’ll endeavour to make peace with her by means of these flowers before we part for good.’

When she came up he held them out to her and said, ‘Will you allow me to present you with these?’

The bright colours of the nosegay instantly attracted the girl’s hand — perhaps before there had been time for thought to thoroughly construe the position; for it happened that when her arm was stretched into the air she steadied it quickly, and stood with the pose of a statue — rigid with uncertainty.  But it was too late to refuse: Christopher had put the nosegay within her fingers.  Whatever pleasant expression of thanks may have appeared in her eyes fell only on the bunch of flowers, for during the whole transaction they reached to no higher level than that.  To say that he was coming no more seemed scarcely necessary under the circumstances, and wishing her ‘Good afternoon’ very heartily, he passed on.

He had learnt by this time her occupation, which was that of pupil-teacher at one of the schools in the town, whither she walked daily from a village near.  If he had not been poor and the little teacher humble, Christopher might possibly have been tempted to inquire more briskly about her, and who knows how such a pursuit might have ended?  But hard externals rule volatile sentiment, and under these untoward influences the girl and the book and the truth about its author were matters upon which he could not afford to expend much time.  All Christopher did was to think now and then of the pretty innocent face and round deep eyes, not once wondering if the mind which enlivened them ever thought of him.

 

 

 

 

 

CHAPTER 3.

 

SANDBOURNE MOOR (continued)

 

It was one of those hostile days of the year when chatterbox ladies remain miserably in their homes to save the carriage and harness, when clerks’ wives hate living in lodgings, when vehicles and people appear in the street with duplicates of themselves underfoot, when bricklayers, slaters, and other out-door journeymen sit in a shed and drink beer, when ducks and drakes play with hilarious delight at their own family game, or spread out one wing after another in the slower enjoyment of letting the delicious moisture penetrate to their innermost down.  The smoke from the flues of Sandbourne had barely strength enough to emerge into the drizzling rain, and hung down the sides of each chimney-pot like the streamer of a becalmed ship; and a troop of rats might have rattled down the pipes from roof to basement with less noise than did the water that day.

On the broad moor beyond the town, where Christopher’s meetings with the teacher had so regularly occurred, were a stream and some large pools; and beside one of these, near some hatches and a weir, stood a little square building, not much larger inside than the Lord Mayor’s coach.  It was known simply as ‘The Weir House.’  On this wet afternoon, which was the one following the day of Christopher’s last lesson over the plain, a nearly invisible smoke came from the puny chimney of the hut.  Though the door was closed, sounds of chatting and mirth fizzed from the interior, and would have told anybody who had come near — which nobody did — that the usually empty shell was tenanted to-day.

The scene within was a large fire in a fireplace to which the whole floor of the house was no more than a hearthstone.  The occupants were two gentlemanly persons, in shooting costume, who had been traversing the moor for miles in search of wild duck and teal, a waterman, and a small spaniel.  In the corner stood their guns, and two or three wild mallards, which represented the scanty product of their morning’s labour, the iridescent necks of the dead birds replying to every flicker of the fire.  The two sportsmen were smoking, and their man was mostly occupying himself in poking and stirring the fire with a stick: all three appeared to be pretty well wetted.

One of the gentlemen, by way of varying the not very exhilarating study of four brick walls within microscopic distance of his eye, turned to a small square hole which admitted light and air to the hut, and looked out upon the dreary prospect before him.  The wide concave of cloud, of the monotonous hue of dull pewter, formed an unbroken hood over the level from horizon to horizon; beneath it, reflecting its wan lustre, was the glazed high-road which stretched, hedgeless and ditchless, past a directing-post where another road joined it, and on to the less regular ground beyond, lying like a riband unrolled across the scene, till it vanished over the furthermost undulation.  Beside the pools were occasional tall sheaves of flags and sedge, and about the plain a few bushes, these forming the only obstructions to a view otherwise unbroken.

The sportsman’s attention was attracted by a figure in a state of gradual enlargement as it approached along the road.

‘I should think that if pleasure can’t tempt a native out of doors to-day, business will never force him out,’ he observed.  ‘There is, for the first time, somebody coming along the road.’

‘If business don’t drag him out pleasure’ll never tempt en, is more like our nater in these parts, sir,’ said the man, who was looking into the fire.

The conversation showed no vitality, and down it dropped dead as before, the man who was standing up continuing to gaze into the moisture.  What had at first appeared as an epicene shape the decreasing space resolved into a cloaked female under an umbrella: she now relaxed her pace, till, reaching the directing-post where the road branched into two, she paused and looked about her.  Instead of coming further she slowly retraced her steps for about a hundred yards.

‘That’s an appointment,’ said the first speaker, as he removed the cigar from his lips; ‘and by the lords, what a day and place for an appointment with a woman!’

‘What’s an appointment?’ inquired his friend, a town young man, with a Tussaud complexion and well-pencilled brows half way up his forehead, so that his upper eyelids appeared to possess the uncommon quality of tallness.

‘Look out here, and you’ll see.  By that directing-post, where the two roads meet.  As a man devoted to art, Ladywell, who has had the honour of being hung higher up on the Academy walls than any other living painter, you should take out your sketch-book and dash off the scene.’

Where nothing particular is going on, one incident makes a drama; and, interested in that proportion, the art-sportsman puts up his eyeglass (a form he adhered to before firing at game that had risen, by which merciful arrangement the bird got safe off), placed his face beside his companion’s, and also peered through the opening.  The young pupil-teacher — for she was the object of their scrutiny — re-approached the spot whereon she had been accustomed for the last many weeks of her journey home to meet Christopher, now for the first time missing, and again she seemed reluctant to pass the hand-post, for that marked the point where the chance of seeing him ended.  She glided backwards as before, this time keeping her face still to the front, as if trying to persuade the world at large, and her own shamefacedness, that she had not yet approached the place at all.

‘Query, how long will she wait for him (for it is a man to a certainty)?’ resumed the elder of the smokers, at the end of several minutes of silence, when, full of vacillation and doubt, she became lost to view behind some bushes.  ‘Will she reappear?’  The smoking went on, and up she came into open ground as before, and walked by.

‘I wonder who the girl is, to come to such a place in this weather?  There she is again,’ said the young man called Ladywell.

‘Some cottage lass, not yet old enough to make the most of the value set on her by her follower, small as that appears to be.  Now we may get an idea of the hour named by the fellow for the appointment, for, depend upon it, the time when she first came — about five minutes ago — was the time he should have been there.  It is now getting on towards five — half-past four was doubtless the time mentioned.’

‘She’s not come o’ purpose: ‘tis her way home from school every day,’ said the waterman.

‘An experiment on woman’s endurance and patience under neglect.  Two to one against her staying a quarter of an hour.’

‘The same odds against her not staying till five would be nearer probability.  What’s half-an-hour to a girl in love?’

‘On a moorland in wet weather it is thirty perceptible minutes to any fireside man, woman, or beast in Christendom — minutes that can be felt, like the Egyptian plague of darkness.  Now, little girl, go home: he is not worth it.’

Twenty minutes passed, and the girl returned miserably to the hand-post, still to wander back to her retreat behind the sedge, and lead any chance comer from the opposite quarter to believe that she had not yet reached this ultimate point beyond which a meeting with Christopher was impossible.

‘Now you’ll find that she means to wait the complete half-hour, and then off she goes with a broken heart.’

All three now looked through the hole to test the truth of the prognostication.  The hour of five completed itself on their watches; the girl again came forward.  And then the three in ambuscade could see her pull out her handkerchief and place it to her eyes.

‘She’s grieving now because he has not come.  Poor little woman, what a brute he must be; for a broken heart in a woman means a broken vow in a man, as I infer from a thousand instances in experience, romance, and history.  Don’t open the door till she is gone, Ladywell; it will only disturb her.’

As they had guessed, the pupil-teacher, hearing the distant town-clock strike the hour, gave way to her fancy no longer, and launched into the diverging path.  This lingering for Christopher’s arrival had, as is known, been founded on nothing more of the nature of an assignation than lay in his regular walk along the plain at that time every Monday, Wednesday, and Friday of the six previous weeks.  It must be said that he was very far indeed from divining that his injudicious peace-offering of the flowers had stirred into life such a wearing, anxious, hopeful, despairing solicitude as this, which had been latent for some time during his constant meetings with the little stranger.

She vanished in the mist towards the left, and the loiterers in the hut began to move and open the door, remarking, ‘Now then for Wyndway House, a change of clothes, and a dinner.’

 

 

 

 

 

CHAPTER 4.

 

SANDBOURNE PIER — ROAD TO WYNDWAY — BALL-ROOM IN WYNDWAY HOUSE

 

The last light of a winter day had gone down behind the houses of Sandbourne, and night was shut close over all.  Christopher, about eight o’clock, was standing at the end of the pier with his back towards the open sea, whence the waves were pushing to the shore in frills and coils that were just rendered visible in all their bleak instability by the row of lights along the sides of the jetty, the rapid motion landward of the wavetips producing upon his eye an apparent progress of the pier out to sea.  This pier-head was a spot which Christopher enjoyed visiting on such moaning and sighing nights as the present, when the sportive and variegated throng that haunted the pier on autumn days was no longer there, and he seemed alone with weather and the invincible sea.

Somebody came towards him along the deserted footway, and rays from the nearest lamp streaked the face of his sister Faith.

‘O Christopher, I knew you were here,’ she said eagerly.  ‘You are wanted; there’s a servant come from Wyndway House for you.  He is sent to ask if you can come immediately to play at a little dance they have resolved upon this evening — quite suddenly it seems.  If you can come, you must bring with you any assistant you can lay your hands upon at a moment’s notice, he says.’

‘Wyndway House; why should the people send for me above all other musicians in the town?’

Faith did not know.  ‘If you really decide to go,’ she said, as they walked homeward, ‘you might take me as your assistant.  I should answer the purpose, should I not, Kit? since it is only a dance or two they seem to want.’

‘And your harp I suppose you mean.  Yes; you might be competent to take a part.  It cannot be a regular ball; they would have had the quadrille band for anything of that sort.  Faith — we’ll go.  However, let us see the man first, and inquire particulars.’

Reaching home, Christopher found at his door a horse and wagonette in charge of a man-servant in livery, who repeated what Faith had told her brother.  Wyndway House was a well-known country-seat three or four miles out of the town, and the coachman mentioned that if they were going it would be well that they should get ready to start as soon as they conveniently could, since he had been told to return by ten if possible.  Christopher quickly prepared himself, and put a new string or two into Faith’s harp, by which time she also was dressed; and, wrapping up herself and her instrument safe from the night air, away they drove at half-past nine.

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