Read Conversations with Scorsese Online
Authors: Richard Schickel
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Dalai Lama,
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25.1Damon, Matt,
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41.1Day-Lewis, Daniel,
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35.3Day the Earth Stood Still, The
Dean, James,
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39.1character and personality of,
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29.1in films of MS,
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38.4promotion of films to MS by,
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39.1relationship of MS and,
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37.1De Palma, Brian,
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18.1Departed, The
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41.1Academy Award won by,
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29.2autobiographical elements in,
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29.1betrayal theme in,
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41.1cast of,
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41.2filming of,
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41.1screenplay of,
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29.3violence and vulgar language in,
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33.1Diary of a Country Priest
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14.1DiCaprio, Leonardo,
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35.1in films of MS,
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41.4Directors Guild of America (DGA)
Domino, Fats,
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38.3Donato, Raffaele,
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14.1Dostoyevsky, Fyodor,
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East of Eden
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39.1Eastwood, Clint,
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38.2Easy Riders, Raging Bulls
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14.1Eisenhower, Dwight D.,
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28.1Eisenstein, Sergei,
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37.1emergency medical service (EMS),
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Fellini, Federico,
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34.1Film Foundation,
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audience reaction to,
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35.1background music in,
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38.4biblical epic,
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18.3black-and-white,
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38.1cinematography in,
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7.1classic American,
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7.1close-ups in,
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36.1color,
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39.3documentary,
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38.1editing of,
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7.1father-son themes in,
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26.1gangster,
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29.1generational appeal of,
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39.1genre,
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38.1homage,
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25.1improvisatory acting in,
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34.1musical,
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12.1narrative vs. non-narrative,
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6.1neorealism in,
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34.1old Hollywood style,
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27.1preservation and restoration of,
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39.2sexual content in,
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6.2social and psychological subject matter in,
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14.1studio system,
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39.1on videotape,
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33.1see also specific national film industries
Fonda, Henry
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34.1Ford, John,
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