Crossbones (24 page)

The Predator passed over the Golden Gate, and then the city itself. Mr. Vargas returned with three cups of coffee to find the two officers leaning into the images on screen. He nearly dropped his tray when he saw what they were looking at.

“It's dead,” Vargas said softly.

Liz and Riggs could only nod. Some of the city had burned, other parts had toppled, and the streets were choked with debris.
The lieutenant zoomed the camera, and the dead came into view. They were everywhere.

The captain shook off a chill. “Let's take a look at the island,” she said. The lieutenant flew the drone across the bay and quickly reached Alameda, loitering overhead and zooming in once again.

“It's infested,” the pilot said.

“But it looks intact,” Liz countered, taking control of one of the cameras and tracking it slowly across Coast Guard Island. As expected, there were no ships in port—certainly no Legend Class cutters—but it didn't look as if the place had burned, which was a good sign. Riggs was right, however. The station was swarming with thousands of the walking dead.

“We'll work it out,” she said.

Lt. Riggs kept his face expressionless as he listened to her words and took in what he was seeing.
Work it out?
That little dustup at Port Angeles had been
nothing
compared to what awaited them down there. A battalion of Marines with heavy weapons would have trouble taking this place.
They
were going to seize it with a couple dozen coasties using light arms?

He saw a blip on a radar scope to his left. “Airborne contact,” the pilot said, tapping the scope. He began tracking the look-down camera on the contact as he steered the drone toward the Bay Bridge. Below them was a slow-moving, haze-gray Navy helicopter.

“They're going to pick us up on their air search radar,” Vargas said from behind them.

“Maybe,” Riggs muttered, keeping the camera on the bird. It was headed for an aircraft carrier sitting motionless off western Oakland, just south of the Bay Bridge. He zoomed in and saw a Black Hawk parked alone on the deck. “No fighter aircraft . . . I got movement on deck.” He zoomed again and saw a few people walking normally, not with the stiff-legged movements of corpses. As he watched, one of the aircraft elevators rose, delivering a low-slung fuel truck that moved across the deck toward the Black Hawk.

Liz said, “Are they military?”

“Can't tell from up here. I can fly lower, but then we run the risk of detection.”

“Negative,” said Liz. “Hold at this altitude and we'll watch for a bit.”

They did just that for the next six hours, Mr. Vargas continuing to shuttle back and forth between the galley and the combat center with fresh coffee. They watched the Navy bird make an awkward landing, saw that the Black Hawk, although fueled, never left the deck, and eventually watched both aircraft ride the elevator to be stored below. The Predator digitally recorded every moment. At the end of those six hours, Liz and her pilot were convinced of several things: the ship was grounded and listing to port, there was a skeleton crew mostly composed of civilians, and the supercarrier—now identified as the
Nimitz
—was still under nuclear power. As evening fell, the two officers watched lights come on in the bridge and from within the hangar deck.

“Can you fly one of those birds?” Liz asked.

Riggs laughed. “You bet your . . . ah, yes, ma'am.”

She stared at the carrier's image on the screen. Power, aircraft, fuel, stores, and a desalinization system that no doubt worked. It was a prize the likes of which William Kidd could never even dream.

“Bring your bird home, Lieutenant,” she said, standing and stretching. “I want you, Miss Liggett, and the senior chief assembled in my quarters at seventeen hundred hours.”

Riggs did as ordered, and several hours later he brought the Predator in for a landing on the intended access road. A zombie wearing a fast-food uniform blundered into its path as it touched down and was cut in half by the fast-moving UAV. The Predator fragmented into spinning pieces from the impact.

The surveillance flight was a success.

•   •   •

L
iz passed around a photograph showing
Nimitz
resting at a tilt to the west of Oakland. Blackbeard was crouched under the bed, watching Charlie, tail flicking.

“This is our new objective,” Liz said. “It has everything we need and poses less risk than the hordes on Coast Guard Island.”

Amy was jubilant. “This changes everything! There'll be more than enough room and resources to take on our crew and all the refugees on shore.”

The captain had no comment and only rubbed slowly at the ugly scar running down one side of her face, now beginning to turn white.

“They'll be willing to share it with us, don't you think?” Amy said. “If we show them we don't mean them harm.”

Charlie and Lt. Riggs exchanged glances.

“Perhaps,” the captain offered. “Amy, I want you to conduct a detailed inventory of all our supplies, including arms and ammunition. Will you do that right away, please?”

The young woman left smiling. Charlie closed the door behind her and turned to his sister. “You don't plan on sharing anything, do you?”

“That is not my intention.”

Riggs frowned. “Captain, no disrespect, but what about an attempt at negotiations, or perhaps even using our military status to bully our way into control of that ship?”

“I understand your point, Mr. Riggs,” Liz said. “However, both options leave us exposed. If things didn't go the way we wanted, we'd be vulnerable and lose the advantage of surprise.” She tapped a finger at the photo of
Nimitz
. “Better to strike under our terms instead of reacting.”

“Of course, Captain,” he said.

She looked at her brother. “We'll need crew for this. I want you to conduct some discreet screening of the refugees. Look for people who will make good combatants, men or women without families.
I don't want anyone pressed into service, only those who are ready to fight for the right to survive, no deadweight. Do you take my meaning?”

“I know just the types we need,” said Charlie.

“And I want to reemphasize the word
discreet
. The other refugees cannot hear about this, and Miss Liggett is not to be involved.” She shook her head. “I'm afraid she's grown too close with the civilians, lost her objectivity.”

Liz looked again at the photo of the aircraft carrier. “Senior Chief, if I gave you an armed team, do you think you could get through the dead, then in and out of those boatyard warehouses on the south end of the marina? Bring back some supplies?”

“No sweat.”

“Good.” She slapped a hand against a white metal bulkhead. “Bring back all the paint you can find. I want you to turn this cutter black.”

•   •   •

I
t took a week with all hands participating to paint
Joshua James
. When the black ran out, dark blue was used. It wasn't pretty, but now the frigate-sized ship would no longer stand out like a white beacon. At night, it would be nearly invisible.

Liz mustered her skeleton crew and told them they would be heading south, sold them on the promises that
Nimitz
held for their survival and future. She spoke about hot food, hot showers, fresh water, and working heads. The crew was ecstatic, but their captain cautioned them that if those currently holding the carrier became aggressive,
Joshua James
would be forced to defend itself. There was no protest. The crew was with her.

During that same week, Charlie identified eighteen refugees (most of them male, but a few women included) who had neither families nor any reservations about killing in order to stay alive. They were told to stay quiet until summoned.

Amy was quick to notice that conversations she was not involved with were taking place, which she perceived as an intentional attempt to keep her out of the loop. When she brought her concerns to the captain, she was given a sharp rebuke.

“I don't have time to entertain your hurt feelings, Miss Liggett, nor do I care to hear your theories on conspiracy. Follow your orders. I will worry about what is and is not happening aboard my ship. Are we clear, lady?”

Amy hadn't brought it up again, and kept her head down. But she watched, and worried. Most of all she worried about the captain's statement about aggression from the people on
Nimitz
, and that the crew of the cutter might have to defend themselves. She didn't want to risk another tongue lashing, however, and remained silent.

•   •   •

O
n the morning of January 2, Charlie Kidd collected Ava, the little boy she was found with wearing a rope leash, and his would-be pirates from the Coast Guard station, bringing them aboard along with whatever food and water supplies the rest of the refugees had been able to save. The rest of the civilians protested, and one man tried to grab a cardboard tray of bottled water out of the chief's hands. Charlie shot him in the head, and the rest of the refugees scattered.

Within twenty minutes of the shooting,
Joshua James
raised anchor and steamed out of the mouth of the Chetco River, bow pointed at the Pacific. On shore, refugees ran from the station and lined the water's edge, families and children, the elderly and injured, all crying out and waving their arms, shouting at the departing vessel.

Shocked and enraged, Amy Liggett stormed onto the bridge, yelling that those were innocent, helpless people being left behind, reminding her captain that the Coast Guard mission was to
protect
them, not abandon them. There were tears in her eyes as she demanded that Liz turn the cutter around and take them aboard.

Liz nodded at her brother, who relieved the ensign of her sidearm and locked her in the maintenance closet they'd turned into a cell. The cutter put to sea, towing the forty-seven-foot MLB in its wake, then turned south. Back on land, hordes of the dead tracked in on the cries of anguish coming from the water's edge, and moved on the Coast Guard station in a hungry
surge.

January 12—
Nimitz

Maya reached the superstructure's bridge level, feeling the climb in her thigh muscles. She was young and fit, but it was still nearly an eight-story climb. Doc Rosa said exercise was good for the baby now that she was out of her first trimester, when the risk of miscarriage was at its highest. She walked the short distance to the hatch. The Navy guys climbed these stairs all day long, and most were older than her, so she couldn't complain. Besides, the stairs would keep her backside toned. Evan would appreciate that.

If he's not dead.

She tried to push the hateful thought away. It didn't want to leave. At the hatch, she gave the handle a tug, but it was unmoving. She tried several times with the same result. Locked? Since when? She banged a fist against the steel.

•   •   •

B
anks and PK heard the thumping at the bridge hatch, and Banks moved to it. “Who's there?” he called. There was no answer, so he asked again. More thumping, and more insistent.

“I'll be back,” he told Katcher, jacking a round into his sidearm before moving outside onto the bridge catwalk. He would circle around, go through another hatch, and come up behind whoever was trying to get in. If it wasn't someone he knew, they were going to get some new holes in them.

•   •   •

I
t was still raining as
Nimitz
passed beneath the Bay Bridge. Corpses in soiled and tattered clothing that were lining the edge in droves crawled over the bridge's railing and flung themselves into space. In seconds they were smashing onto the flight deck, bones snapping and insides bursting through split flesh. Some landed head down and were destroyed instantly. Others were crippled so badly they could only flop about on the deck, but most either crawled or dragged their fractured bodies into grotesque standing positions and started moving.

Several drifters threw themselves off the bridge just as the aircraft carrier's conning tower passed beneath them.

•   •   •

F
rustrated, Maya turned from the bridge and backtracked to where a side hatch opened onto the outside catwalk. She would bang on the outside of the bridge windows until someone let her in.

A gust of cold, wet air hit her as she pushed the hatch open and stepped onto the steel grating, one hand gripping the slick rail. The drop-off to water was to her left as she moved forward, the bridge lights glowing ahead on the right. The sky was full dark now and the clouds masked both moon and stars. The catwalk shuddered briefly under her feet, then twice more.

The bridge hatch ahead of her opened suddenly, an oval of light spilling out as Mr. Banks emerged. Maya raised a hand as he turned toward her, and then something dark dropped from the sky, slamming onto the catwalk between them. Another fell behind the
operations specialist, hitting the railing and slithering bonelessly over the side for the long drop to the waters below. Another landed on the steel grate and started to stand.

The shape that had fallen between them lifted its head and bared its teeth at the young woman.

Maya saw Banks spin, saw the flash of his pistol, and she unzipped the hip pocket of her coveralls. Her hand found the checkered grip of the little .380 automatic Evan had given her, and which Chief Liebs had then taught her to use properly. She worked the slide and shot the thing on the deck, then saw Banks aiming at her and yelling something.

She dropped to the catwalk as Banks's pistol flashed silently with three quick shots. Maya pivoted in a crouch to see a trio of limping ghouls on the catwalk behind her. Two went down, but the third soaked up the gunfire with its chest and lunged for her. She threw herself on her back and fired upward between her knees, the bullet catching the creature under the chin and blowing out the top of its head. It collapsed onto her legs, and she kicked free.

Then Banks had her by the arm, hauling her up and pulling her back to the open hatch. More dark shapes were plunging through the night, some missing the ship completely and falling into the sea, others smashing through the radar and antenna clusters atop the conning tower. Banks pulled Maya through the hatch, slamming and securing it behind them.

PK stood on the bridge wearing a startled look and holding a pistol. “Raining zombies?” he said. “How messed up is that?”

•   •   •

F
ather Xavier, contact the bridge immediately,” PK said through the intercom, his voice carrying throughout the ship. He'd been calling and getting no response since someone fired a shot across their bow. Now that Maya and Banks were safe on the bridge, he was back at it.

Banks was standing with Maya near the bridge windows overlooking the flight deck. More than a hundred shapes dropped out of the sky and smacked onto the deck before the carrier cleared the Bay Bridge on the other side.

Maya took a legal pad and pen from a bridge console, and they began scribbling back and forth, Banks catching her up.

Still no word on Evan, sorry,
Banks wrote.

Are you still looking?

Yes, scanning all frequencies. Xavier has us on lockdown. Refugees that came on board are hostile. Being hunted down now.

Maya scribbled questions back at him.
Who is hunting? How many refugees? Where are they?

Banks answered what he could, emphasizing that she was to stay here with them, safe on the bridge. After a moment's hesitation, she nodded agreement. Then Banks told her about the radio contact from a ship called
Adventure Galley
.

Fired a shot across our bow,
he wrote.
Demanding we surrender.

Banks didn't need to be a trained lip reader to see Maya mouth the words
Fuck that
.

•   •   •

X
avier wished Pat Katcher would shut up. The demands that he call the bridge
right now
, however, not only persisted but were sounding more urgent. His voice echoed through the passageways.
Why didn't the bridge have a Hydra radio?
Neither he nor Calvin could take the time to find a phone right now. They were hunting—or being hunted—and shots had already been fired. Calvin had a buckshot pellet in the meat of his left thigh to prove it.

Minutes ago a big woman with short hair and a flannel shirt popped out into the passageway behind them and fired a shotgun. It was a hasty, unaimed shot, and most of the blast blew apart a cluster of electrical conduit running up one wall. The two men spun to return fire, catching a glimpse of the woman as she ducked back out
of sight. Now they were advancing slowly with their weapons to their shoulders.

The empty hull of her shotgun shell was lying on the deck at an intersection, and they swung their weapons in every direction. Corridors, hatches, ladderways, but no woman.

“She could be anywhere,” Xavier breathed.

Calvin nodded and started right, easing up to a hatch. He gripped the handle and pushed, both men staying out of the opening for a moment, and then Xavier went in low with his shotgun. A pair of fluorescent bars illuminated a planning room of some kind, filled with tables and chairs, several whiteboards, and a projector. There was no one inside.

“Father Xavier, call the bridge
immediately
.” Pat Katcher's voice had an annoyed tone as it came from an overhead speaker.

“Take it,” said Calvin, crouching in the open hatch and watching the hallway. Xavier picked up a wall phone and punched in the bridge extension. The electronics tech answered at once.

“Skipper, Jesus . . . I mean, what have—”

“Talk to me, PK,” Xavier said.

The young man paused. “Father, a shitload of drifters dropped onto the ship when it passed under the Bay Bridge. A bunch are still moving. We also got a radio transmission from a ship calling itself
Adventure Galley
. It sounds familiar, but I don't know why, and they're demanding we surrender and muster everyone on deck. They just fired a warning shot across our bow.”

The priest digested the message.
Compounding problems.
“Any other transmissions?”

“No, sir.”

“Okay, don't respond to them. Is anyone with you?”

“Banks and Maya are here. They had a close call with some drifters out on the catwalk, but everyone's okay. We're locked in the bridge.”

“Good,” said Xavier. “Stay there. See if you and Banks can get
some surface radar working so we can see where this other ship is, and where
Nimitz
is going.”

Katcher said he would try, and clicked off.

Xavier turned to his friend. “Maya's on the bridge, and she's safe,” he assured him before filling him in on the rest.

Calvin kept his eyes on the corridor. “Go. You deal with that. I'll get this bitch, then hunt down the rest of them.”

Xavier had shamed and bullied his friend into this hunt, and now he was supposed to run out on the man? They couldn't permit these boarders to have free run of the ship, but they suddenly had new problems. He keyed the mic on his Hydra. “Chief Liebs, it's Xavier.”

A moment later the chief's voice said, “Go ahead.”

Xavier updated the gunner's mate on what was happening belowdecks, and now topside with both the dead and the appearance of a hostile ship.

“Copy,” said Liebs. “Stone is with me; we're leaving the armory, fully loaded. Meet us on the port side catwalk amidships, right below the flight deck. We have to be ready to mount a defense.”

Xavier acknowledged and turned to his friend, who was standing at the hatch now. Before the priest could speak, Calvin repeated, “Go.”

Xavier unsnapped the Hydra radio from his combat vest and handed it to the other man, smacking his shoulder. “Watch your ass.” Then he slipped through the hatch and jogged to the right, shotgun held low in front of him.

Calvin watched him go. When he was sure the priest was safely away, he unlaced and kicked off his boots, turned the radio volume down as far as it would go, and ghosted left up the passageway.