Read Curious Warnings - The Great Ghost Stories Of M.R. James Online

Authors: M.R. James

Tags: #Literature & Fiction, #Genre Fiction, #Horror, #Ghosts, #Occult, #Short Stories, #Single Author, #Single Authors

Curious Warnings - The Great Ghost Stories Of M.R. James (55 page)

BOOK: Curious Warnings - The Great Ghost Stories Of M.R. James
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Then very carefully I took hold of the stalk of the plant (which was very short, for, as I said, it grew rather flat on the ground) and pulled, and to my surprise it came up as easily as a mushroom. It had a clean round bulb without any rootlets and left a smooth neat hole in the ground, in which, according to promise, I laid the acorn, and covered it in with earth. I think it very likely that it will turn into a second plant.

Then I remembered the last word of the spring and went back to dip the plant in it. I had a shock when I did so, and it was lucky I was holding it firm, for when it touched the water it struggled in my hand like a fish or a newt and almost slipped out.

I dipped it three times and thought I felt it growing smaller in my hand: and indeed when I looked at it I found it had shut up its leaves and curled them in quite close, so that the whole thing was little more than a bulb. As I looked at it I thought the water changed its note and said:


That’ll do, that’ll do
.”

I thought it was time to thank the spring for all it had done for me, though, as you may suppose, I did not yet know in the least what was to be done with the plant, or what use it was going to be.

So I went over and said in the politest words I could how much I was obliged, and if there was anything I had or could do which would be agreeable, how glad I should be. Then I listened carefully, for it seemed by this time quite natural that I should get some sort of answer. It came.

There was a sudden change in the sound, and the water said clearly and rapidly, “
Silver silver silver silver
.”

I felt in my pocket. Luckily I had several shillings, sixpences and half-crowns. I thought the best way was to offer them all, so I put them in the palm of my right hand and held it under the water, open, just over the dancing sand.

For a few seconds the water ran over the silver without doing anything: only the coins seemed to grow very bright and clean. Then one of the shillings was very neatly and smoothly slid off, and then another and a sixpence.

I waited, but no more happened, and the water seemed to draw itself down and away from my hand, and to say “
All right
.” So I got up.

The three coins lay on the bottom of the pool looking brighter than even the newest I have ever seen, and gradually as they lay there they began to appear larger. The shillings looked like half-crowns and the sixpence like a shilling. I thought for a moment that it was because water magnifies, but I soon saw that this could not be the reason, for they went on growing larger, and of course thinner, until they finally spread into a kind of silver film all over the bottom of the pool; and as they did so the water began to take on a musical sound, much like the singing that comes when you wet your finger and draw it around the edge of a finger glass at dessert (which some people’s idea of table manners allows them to do).

It was a pretty sight and sound, and I listened and looked for a long time.

But all this time what had become of the plant? Why, when I gave the silver to the spring I had wrapped the plant carefully in a silk handkerchief and put it safe in my breast pocket. I took the handkerchief out now, and for a moment I was afraid the plant was gone; but it was not. It had shrunk to a very small whity-green ball. Now what was to be done with it, or rather what could it do?

It was plain to me that it must have a strange and valuable property or virtue, since I had been put on its track in such a remarkable way. I thought I could not do better than ask the spring.

I said, “O Spring of water, have I your good leave to ask what I should do with this precious plant to put it to the best use?”

The silver lining of the spring made its words much easier to catch when it said anything—for I should tell you that for the most part now it did not speak, or not in any language that I could understand, but rather sang—and it now said, “
Swallow swallow, drink, swallow
.”

Prompt
obedience, dear Jane, has always been my motto, as it is doubtless yours, and I at once laid myself down, drank a mouthful of water from the spring, and put the little bulb in my mouth. It instantly grew soft and slipped down my throat. How prosaic! I have no idea what it tasted like.

And again I addressed the spring: “Is there anything more for me to do?”


No no, no no, you’ll see, you’ll see—good-bye, good-bye
,” was the answer which came at once.

Accordingly I once more thanked the spring, wished it clear water, no mud, no tramplings of cattle, and bade it farewell. But, I said, I should hope to visit it again.

Then I turned away and looked about me, wondering whether, now that I had swallowed the mysterious plant, I should see anything different. The only thing I noticed was due, I suppose, not to the plant, but to the spring; but it was odd enough.

All the trees hard by were crowded with little birds of all kinds sitting in rows on the branches as they do on telegraph wires. I have no doubt they were listening to the silver bell in the spring. They were quite still, and did not take any notice when I began to walk away.

I said, you will remember, that the ground I was on was a sort of flat terrace at the top of a steep slope. Now at one end this terrace just went down into the wood, but at the other end there was a little mound or hillock with thick underwood behind it. I felt a curiosity, an inclination, to walk that way: I have very little doubt that the plant was at the bottom of it.

As I walked I looked at the ground, and noticed a curious thing: the roots of the plants and grasses seemed to show more than I was accustomed to see them.

It was not a great way to the hillock. When I got to it I wondered why I had gone, for there was nothing odd about it. Still I stepped on to the top, and then I did see something, namely, a square flat stone just in front of my feet.

I poked at it with my walking-stick, but somehow I did not seem to touch it, nor was there any scraping noise. This was funny. I tried again, and now I saw that my stick was not touching it at all; there was something in between. I felt with my hands, and they met with what seemed like grass and earth, certainly not like stone.

Then
I understood. The plant was the one which makes you able to see what is under the ground!

I need not tell you all I thought, or how surprising and delightful it was. The first thing was to get at the flat stone and find out what was underneath it.

Accordingly, what with a knife and what with my fingers, I soon had it uncovered: it was four or five inches under the surface. There were no marks on it; it measured more than a foot each way. I lifted it.

It was the cover of a sort of box with bottom and sides each made of a slab just like the lid. In this box was another, made of some dark metal, which I took to be lead. I pulled it out and found that the lid of the box was all of one piece with the rest, like a sardine tin. Evidently I could not open it there and then. It was rather heavy, but I did not care, and I managed without too much inconvenience to carry it home to the place I was lodging in. Of course I put back the stone neatly and covered it up with earth and grass again.

I was late for tea, but I had found what was better than tea.

II: The First Jar

That night I waited till the moon was up before trying to open the box. I do not well know why, but it seemed the right thing, and I followed my instinct, feeling that it might be the plant that made me think as I did.

I drew up the blind and laid the box on a table near the window, where the moon shone full on it, and waited to see if anything else occurred to me. Suddenly I heard a sort of metallic snap. I went and looked at the box. Nothing appeared on the side nearest to me—but when I turned it around I saw that all along the side which the moon had shone upon there was a line along the metal. I turned another side to the moonlight, and another snap came in two or three minutes. Of course I went on.

When the moon had made a groove on all four sides, I tried the lid. It would not come off yet, so there was nothing to be done but continue the process. Three times I did it: every side I turned to the moon thrice, and when that was done the lid was free. I lifted it, and what did I see in the box? All this writing would be very little use if I did not tell you, so it must be done.

There were five compartments in the box: in each of them was a little jar or vase of glass with a round body, a narrow neck, and spreading out a little at the top. The top of each was covered with a plate of metal and on each plate was a word or two in capital letters.

On the one in the middle there were the words
unge oculos
, the other jars had one word apiece,
aures, linguam, frontem, pectus
.

Now, years ago, I took great pains to learn the Latin language, and on many occasions I have found it
most useful
, whatever you may see to the contrary in the newspaper: but seldom or never have I found it more useful than now.

I saw at once that the words meant
anoint the eyes, the ears, the tongue, the forehead, the chest
. What would be the result of my doing this, of course I knew no more than you: but I was pretty sure that it would not do to try them all at once, and another thing I felt, that it would be better to wait till next day before trying any of them.

It was past midnight now, so I went to bed: but first I locked up the box in a cupboard, for I did not want anyone to see it as yet.

Next day I woke bright and early, looked at my watch, found there was no need to think about getting up yet, and, like a wise creature, went to sleep again. I mention this, not merely by way of being jocose, but because after I went to sleep I had a dream which most likely came from the plant and certainly had to do with the box.

I seemed to see a room, or to be in a room about which I only noticed that the floor was paved with mosaic in a pattern mostly red and white, that there were no pictures on the walls and no fireplace, no sashes or indeed panes in the window, and the moon was shining in very bright.

There was a table and a chest. Then I saw an old man, rather badly shaved and bald, in a Roman dress, white for the most part, with a purple stripe somewhere, and sandals. He looked by no means a wicked or designing old man. I was glad of that.

He opened the chest, took out my box, and placed it carefully on the table in the moonlight. Then he went to a part of the room I could not see, and I heard a sound of water being poured into a metal basin, and he came into sight again, wiping his hands on a white towel.

He opened the box, took out a little silver spoon and one of the jars, took off the lid and dipped the spoon in the jar and touched first his right eye and then his left with it. Then he put the jar and the spoon back, laid the lid on the box and put it back in the chest. After that he went to the window and stood there looking out, and seemed to be very much amused with what he saw. That was all.

“Hints for me,” I remember thinking. “Perhaps it will be best not to touch the box before the moon is up tonight, and always with washed hands.”

I suppose I woke up immediately, for it was all very fresh in my mind when I did.

It was something of a disappointment to have to put off my experiments till the night came around. But it was all for the best, for letters came by the post which I had to attend to: in fact, I was obliged to go to the town a little way off to see someone and to send telegrams and so on.

I was a little doubtful about the seeing things underground, but I soon found that unless I—so to say—turned on the tap, and specially wished and tried to use the power, it did not interfere with my ordinary seeing. When I did, it seemed to come forward from the back of my eyes, and was stronger than the day before. I could see rabbits in their burrows and followed the roots of one oak-tree very deep down.

Once it threatened to be awkward, when I stooped to pick up a silver coin in the street, and grazed my knuckle against a paving stone, under which, of course, it was.

So much for that. By the way, I had taken a look at the box after breakfast, I found (not very much to my surprise) that the lid was as tight on it as when I found it first.

After dinner that evening I put out the light—the moon being now bright—placed the box on the table, washed my hands, opened it and, shutting my eyes, put my hand on one of the jars at random and took it out. As I had rather expected, I heard a little rattle as I did so, and feeling in the compartment, I found a little, a very little, spoon. All was well.

Now to see which jar chance or the plant had chosen for my first experiment. I took it to the window: it was the one marked
aures
—ears—and the spoon had on the handle a letter A.

I opened the jar. The lid fitted close but not over tightly. I put in the
spoon as the old man had done, as near as I could remember. It brought out a very small drop of thick stuff with which I touched first my right ear and then my left. When I had done so I looked at the spoon. It was perfectly dry.

I put it and the jar back, closed the box, locked it up, and, not knowing in the least what to expect, went to the open window and put my head out.

For some little time I heard nothing. That was to be expected, and I was not in the least inclined to distrust the jar. Then I was rewarded: a bat flew by, and I, who have not heard a bat even squeak these twenty years, now heard this one say in a whistling angry tone, “Would you, would you,
I’ve
got you—no, drat, drat.”

It was not a very exciting remark, but it was enough to show me that a whole new world (as the books say) was open to me.

This, of course, was only a beginning. There were some plants and flowering shrubs under the window, and though I could see nothing, I began to hear voices—two voices—talking among them. They sounded young: of course they were anyhow very small, but they seemed to belong to young creatures of their kind.

“Hullo, I say, what have you got there? Do let’s look; you might as well.”

Then a pause—another voice: “I believe it’s a bad one.”

BOOK: Curious Warnings - The Great Ghost Stories Of M.R. James
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