Dance of the Happy Shades (12 page)

BOOK: Dance of the Happy Shades
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Mr. Berryman said to me, “Well I guess you know your behaviour tonight is a pretty serious thing.” He made it sound as if I might be charged with criminal negligence or something worse. “It would be very wrong of me to overlook it,” he said. I suppose that besides being angry and disgusted with
me
, he was worried about taking me home in this condition to my strait-laced parents, who could always say I got the liquor in his house. Plenty of Temperance people would think that enough to hold him responsible, and the town was full of Temperance people. Good relations with the town were very important to him from a business point of view.

“I have an idea it wasn’t the first time,” he said. “If it was the first time, would a girl be smart enough to fill three bottles up with water? No. Well in this case, she
was
smart enough, but not smart enough to know I could spot it. What do you say to that?” I opened my mouth to answer and although I was feeling quite sober the only sound that came out was a loud, desolate-sounding giggle. He stopped in front of our house. “Light’s on,” he said. “Now go in and tell your parents the straight truth. And if you don’t, remember I will.” He did not mention paying me for my baby-sitting services of the evening and the subject did not occur to me either.

I went into the house and tried to go straight upstairs but my mother called to me. She came into the front hall, where I had not turned on the light, and she must have smelled me at once for she ran forward with a cry of pure amazement, as if she had seen somebody falling, and caught me by the shoulders as I did indeed fall down against the bannister, overwhelmed by my fantastic lucklessness, and I told her everything from the start, not omitting even the name of Martin Collingwood and my flirtation with the aspirin bottle, which was a mistake.

On Monday morning my mother took the bus over to Baileyville and found the liquor store and bought a bottle of Scotch whisky. Then she had to wait for a bus back, and she met some people she knew and she was not quite able to hide the bottle in her bag; she was furious with herself for not bringing a proper shopping-bag. As soon as she got back she walked out to the Berrymans’; she had not even had lunch. Mr. Berryman had not gone back to the factory. My mother went in and had a talk with both of them and made an excellent impression and then Mr. Berryman drove her home. She talked to them in the forthright and unemotional way she had, which was always agreeably surprising to people prepared to deal with a mother, and she told them that although I seemed to do well enough at school I was extremely backward—or perhaps eccentric—in my emotional development. I imagine that this analysis of my behaviour was especially effective with Mrs. Berryman, a great reader of Child Guidance books. Relations between them warmed to the point where my mother brought up a specific instance of my difficulties, and disarmingly related the whole story of Martin Collingwood.

Within a few days it was all over town and the school that I had tried to commit suicide over Martin Collingwood. But it was already all over school and the town that the Berrymans had come home on Saturday night to find me drunk, staggering, wearing nothing but my slip, in a room with three boys, one of whom was Bill Kline. My mother had said that I was
to pay for the bottle she had taken the Berrymans out of my baby-sitting earnings, but my clients melted away like the last April snow, and it would not be paid for yet if newcomers to town had not moved in across the street in July, and needed a baby sitter before they talked to any of their neighbours.

My mother also said that it had been a great mistake to let me go out with boys and that I would not be going out again until well after my sixteenth birthday, if then. This did not prove to be a concrete hardship at all, because it was at least that long before anybody asked me. If you think that news of the Berrymans adventure would put me in demand for whatever gambols and orgies were going on in and around that town, you could not be more mistaken. The extraordinary publicity which attended my first debauch may have made me seemed marked for a special kind of ill luck, like the girl whose illegitimate baby turns out to be triplets: nobody wants to have anything to do with her. At any rate I had at the same time one of the most silent telephones and positively the most sinful reputation in the whole High School. I had to put up with this until the next fall, when a fat blonde girl in Grade Ten ran away with a married man and was picked up two months later, living in sin—though not with the same man—in the city of Sault Ste. Marie. Then everybody forgot about me.

But there was a positive, a splendidly unexpected, result of this affair: I got completely over Martin Collingwood. It was not only that he at once said, publicly, that he had always thought I was a nut; where he was concerned I had no pride, and my tender fancy could have found a way around that, a month, a week, before. What was it that brought me back into the world again? It was the terrible and fascinating reality of my disaster; it was
the way things happened
. Not that I enjoyed it; I was a self-conscious girl and I suffered a good deal from all this exposure. But the development of events on that Saturday night—that fascinated me; I felt that I had had a glimpse of the shameless, marvellous, shattering absurdity with
which the plots of life, though not of fiction, are improvised. I could not take my eyes off it.

And of course Martin Collingwood wrote his Senior Matric that June, and went away to the city to take a course at a school for Morticians, as I think it is called, and when he came back he went into his uncle’s undertaking business. We lived in the same town and we would hear most things that happened to each other but I do not think we met face to face or saw one another, except at a distance, for years. I went to a shower for the girl he married, but then everybody went to everybody else’s showers. No, I do not think I really saw him again until I came home after I had been married several years, to attend a relative’s funeral. Then I saw him; not quite Mr. Darcy but still very nice-looking in those black clothes. And I saw him looking over at me with an expression as close to a reminiscent smile as the occasion would permit, and I knew that he had been surprised by a memory either of my devotion or my little buried catastrophe. I gave him a gentle uncomprehending look in return. I am a grown-up woman now; let him unbury his own catastrophes.

THE TIME OF DEATH

Afterwards the mother, Leona Parry, lay on the couch, with a quilt around her, and the women kept putting more wood on the fire although the kitchen was very hot, and no one turned the light on. Leona drank some tea and refused to eat, and talked, beginning like this, in a voice that was ragged and insistent but not yet hysterical: I wasn’t hardly out of the house, I wasn’t out of the house twenty minutes—

(Three-quarters of an hour at the least, Allie McGee thought, but she did not say so, not at the time. But she remembered, because there were three serials on the radio she was trying to listen to, she listened to every day, and she couldn’t get half of them; Leona was there in her kitchen going on about Patricia. Leona was sewing this cowgirl outfit for Patricia on Allie’s machine; she raced the machine and she pulled the thread straight out to break it instead of pulling it back though Allie had told her don’t do that please it’s liable to break the needle. Patricia was supposed to have the outfit for that night when she sang at a concert up the valley; she was singing Western pieces. Patricia sang with the Maitland Valley Entertainers, who went all over the country playing at concerts and dances. Patricia was introduced as the Little Sweetheart of Maitland Valley, the Baby Blonde, the Pint-Size Kiddie with the Great Big Voice. She did have a big voice, almost alarming in so frail a child.
Leona had started her singing in public when she was three years old.

Never was ascared once, Leona said, leaning forward with a jerky pressure on the pedal, it just comes natural to her to perform. Her kimona fallen open revealed her lean chest, her wilted breasts with their large blue veins sloping into the grey-pink nightgown. She don’t care, it could be the King of England watching her, she’d get up and sing, and when she was through singing she’d sit down, that’s just the way she is. She’s even got a good name for a singer, Patricia Parry, doesn’t that sound like you just heard it announced over the air? Another thing is natural blonde hair. I have to do it up in rags every night of her life, but that real natural blonde is a lot scarcer than natural curly. It don’t get dark, either, there’s that strain of natural blondes in my family that don’t get dark. My cousin I told you about, that won the Miss St. Catharines of 1936, she was one, and my aunt that died—)

Allie McGee did not say, and Leona caught her breath and plunged on: Twenty minutes. And that last thing I said to her as I went out the door was, you keep an eye on the kids! She’s nine years old, isn’t she? I’m just going to run acrost the road to sew up this outfit, you keep an eye on the kids. And I went out the door and down the steps and down to the end of the garden and just as I took the hook off the gate something stopped me, I thought,
something’s wrong!
What’s wrong, I said to myself. I stood there and I looked back at the garden and all I could see was the cornstalks standing and the cabbages there frozen, we never got them in this year, and I looked up and down the road and all I could see was Mundy’s old hound laying out in front of their place, no cars comin’ one way or the other and the yards all empty, it was cold I guess and no kids playin’ out—And I thought, My Lord, maybe I got my days mixed up and this isn’t Saturday morning, it’s some special day I forgot about—Then I thought all it was was the snow coming I could feel in the air, and you know how cold it was,
the puddles in the road was all turned to ice and splintered up—but it didn’t snow, did it, it hasn’t snowed yet—And I run acrost the road then over to McGee’s and up the front steps and Allie says, Leona, what’s the matter with you, you look so white, she says—

Allie McGee heard this too and said nothing, because it was not a time for any sort of accuracy. Leona’s voice had gone higher and higher as she talked and any time now she might break off and begin to scream: Don’t let that kid come near me, don’t let me see her, just don’t let her come near me.

And the women in the kitchen would crowd around the couch, their big bodies indistinct in the half-light, their faces looming pale and heavy, hung with the ritual masks of mourning and compassion. Now lay down, they would say, in the stately tones of ritual soothing. Lay down, Leona, she ain’t here, it’s all right.

And the girl from the Salvation Army would say, in her gentle unchanging voice, You must forgive her, Mrs. Parry, she is only a child. Sometimes the Salvation Army girl would say: It is God’s will, we do not understand. The other woman from the Salvation Army, who was older, with an oily, sallow face and an almost masculine voice, said: In the garden of heaven the children bloom like flowers. God needed another flower and he took your child. Sister, you should thank him and be glad.

The other women listened uneasily while these spoke; their faces at such words took on a look of embarrassed childish solemnity. They made tea and set out on the table the pies and fruitcake and scones that people had sent, and they themselves had made. Nobody ate anything because Leona would not eat. Many of the women cried, but not the two from the Army. Allie McGee cried. She was stout, placid-faced, big-breasted; she had no children. Leona drew up her knees under the quilt and rocked herself back and forth as she wept, and threw her head down and then back (showing, as some of them
noticed with a feeling of shame, the dirty lines on her neck). Then she grew quiet and said with something like surprise: I nursed him till he was ten months old. He was so good, too, you never would of known you had him in the house. I always said, that’s the best one I ever had.

In the dark overheated kitchen the woman felt the dignity of this sorrow in their maternal flesh, they were humble before this unwashed, unliked and desolate Leona. When the men came in—the father, a cousin, a neighbour, bringing a load of wood or asking shamefacedly for something to eat—they were at once aware of something that shut them out, that reproved them. They went out and said to the other men, Yeah, they’re still at it. And the father who was getting a little drunk, and belligerent, because he felt that something was expected of him and he was not equal to it, it was not fair, said, Yeah, that won’t do Benny any good, they can bawl their eyes out.

George and Irene had been playing their cut-out game, cutting things out of the catalogue. They had this family they had cut out of the catalogue, the mother and father and the kids, and they cut out clothes for them. Patricia watched them cutting and she said, Look at the way you kids cut out! Lookit all the white around the edges! How are you going to make those clothes stay on, she said, you didn’t even cut any fold-over things. She took the scissors and she cut very neatly, not leaving any white around the edges; her pale shrewd little face was bent to one side; her lips bitten together. She did things the way a grown-up does; she did not pretend things. She did not play at being a singer, though she was going to be a singer when she grew up, maybe in the movies or maybe on the radio. She liked to look at movie magazines and magazines with pictures of clothes and rooms in them; she liked to look in the windows of some of the houses uptown.

Benny was trying to climb up on the couch. He grabbed at the catalogue and Irene hit his hand. He began to whimper.
Patricia picked him up competently and carried him to the window. She stood him on a chair looking out, saying to him, Bow-wow, Benny, see bow-wow—It was Mundy’s dog, getting up and shaking himself and going off down the road.

Bow-wow, said Benny interrogatively, putting his hands flat and leaning against the window to see where the dog went. Benny was eighteen months old and the only words he knew how to say were Bow-wow and Bram. Bram was for the scissors-man who came along the road sometimes; Brandon was his name. Benny remembered him, and ran out to meet him when he came. Other little kids only thirteen, fourteen months old knew more words than Benny, and could do more things, like waving bye-bye and clapping hands, and most of them were cuter to look at. Benny was long and thin and bony and his face was like his father’s—pale, mute, unexpectant; all it needed was a soiled peaked cap. But he was good; he would stand for hours just looking out a window saying Bow-wow, bow-wow, now in a low questioning tone, now crooningly, stroking his hands down the window-pane. He liked you to pick him up and hold him, long as he was, just like a little baby; he would lie looking up and smiling, with a little timidity or misgiving. Patricia knew he was stupid; she hated stupid things. He was the only stupid thing she did not hate. She would go and wipe his nose, expertly and impersonally, she would try to get him to talk, repeating words after her, she would put her face down to his, saying anxiously, Hi, Benny,
Hi
, and he would look at her and smile in his slow dubious way. That gave her this feeling, a kind of sad tired feeling, and she would go away and leave him, she would go and look at a movie magazine.

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