Dancing Girls (26 page)

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Authors: Margaret Atwood

Tags: #Anthologies, #Adult, #Feminism, #Contemporary

BOOK: Dancing Girls
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Rob took off his glasses and wiped his eyes. Then he pressed his forehead into the grass, which was damp and cool with dew. From the open windows of the auditorium the tinny music ground on, to the rumble of wheels.
I’ll have to leave, I can’t explain, I’ll never be able to face them
. But then he realized that nobody had really seen but her, and she couldn’t tell. He was safe. And who was that, in the bright room at the back of his room, that man in the green gown and the mask, under the glass bubble, raising the knife?

Lives of the Poets

L
ying on the bathroom floor of this anonymous hotel room, my feet up on the edge of the bathtub and a cold wet washcloth balled at the back of my neck. Bloody nosebleed. A good adjective, it works, as the students say in those creative writing classes that are sometimes part of the package. So colourful. Never had a nosebleed before, what are you supposed to do? An ice-cube would be nice. Image of the Coke-and-ice machine at the end of the hall, me streaking toward it, a white towel over my head, the bloodstain spreading through it. A hotel guest opens his room door. Horrors, an accident. Stabbed in the nose. Doesn’t want to get involved, the room door shuts, my quarter jams the machine. I’ll stick with the washcloth.

The air’s too dry, that must be it, nothing to do with me or the protests of the soggy body. Osmosis. Blood to the outside because there’s not enough water vapour; they keep the radiators going full blast and no switch to shut them off. Cheapskates, why couldn’t I stay at the Holiday Inn? Instead it’s this one, pseudo-Elizabethan motifs tacked to a mouse-eaten frame, somebody’s last-ditch attempt
to make something out of this comer of the woods. The outskirts of Sudbury, nickel-smelting capital of the world. Can we show you around, they said. I’d like to see the slagheaps, and the places where the vegetation has all been scorched off. Oh, ha ha, they said. It’s growing back, they raised the stacks. It’s turning into quite a, you know, civilized place. I used to like it, I said, it looked like the moon. There’s something to be said for a place where absolutely nothing grows. Bald. Dead. Clean as a bone. Know what I mean? Furtive glances at one another, young beardy faces, one pipesmokes, they write footnotes, on their way up, why do we always get stuck with the visiting poet? Last one threw up on the car rug. Just wait till we get tenure.

Julia moved her head. The blood trickled gently down the back of her throat, thick and purple-tasting. She had been sitting there in front of the phone, trying to figure out the instructions for calling long distance through the hotel operator, when she’d sneezed and the page in front of her had been suddenly spattered with blood. Totally unprovoked. And Bernie would be hanging around at home, waiting for her to call. In two hours she had to give the reading. A gracious introduction, she would rise and move to the microphone, smiling, she would open her mouth and blood would start to drip from her nose. Would they clap? Would they pretend not to notice? Would they think it was part of the poem? She would have to start rooting around in her purse for a Kleenex, or, better still, she’d faint, and someone else would have to cope. (But everyone would think she was drunk.) How upsetting for the committee. Would they pay her anyway? She could imagine them discussing it.

She raised her head a little, to see if it had stopped. Something that felt like a warm slug crawled down towards her upper lip. She licked, tasting salt. How was she going to get to the phone? On her
back, creeping supine across the floor, using her elbows and pushing with her feet, a swimming motion, like a giant aquatic insect. She shouldn’t be calling Bernie, she should be calling a doctor. But it wasn’t serious enough. Something like this always happened when she had to give a reading, something painful but too minor for a doctor. Besides, it was always out of town, she never knew any doctors. Once it was a bad cold; her voice had sounded as if it was coming through a layer of mud. Once her hands and ankles had swelled up. Headaches were standard: she never got headaches at home. It was as if something was against these readings and was trying to keep her from giving them. She was waiting for it to take a more drastic form, paralysis of the jaw muscles, temporary blindness, fits. This was what she thought about during the introductions, always: herself on a stretcher, the waiting ambulance, then waking up, safe and cured, with Bernie sitting beside the bed. He would smile at her, he would kiss her forehead, he would tell her – what? Some magical thing. They had won the Wintario Lottery. He’d been left a lot of money. The gallery was solvent. Something that would mean she didn’t have to do this any more.

That was the problem: they needed the money. They had always needed the money, for the whole four years they had lived together, and they still needed it. At first it hadn’t seemed so important. Bernie was on a grant then, painting, and after that he got a renewal. She had a part-time job, cataloguing in a library. Then she had a book published, by one of the medium-sized houses, and got a grant herself. Of course she quit her job, to make the best use of the time. But Bernie ran out of money, and he had trouble selling paintings. Even when he did sell one, the dealer got most of it. The dealer system was wrong, he told her, and he and two other painters opened a co-operative artists’ gallery which, after a lot of talk, they decided to call
The Notes From Underground
. One of the other
painters had money, but they didn’t want to take advantage of him; they would go strict thirds. Bernie explained all this to her, and he was so enthusiastic it had seemed natural to lend him half of her grant money, just to get things going. As soon as they began to show a profit, he said, he would pay her back. He even gave her two shares in the gallery. They hadn’t started to show a profit yet, though, and, as Bernie pointed out, she didn’t really need the money back right at the moment. She could get some more. She now had a reputation; a small one, but still, she could earn money easier and faster than he could, travelling around and giving readings on college campuses. She was “promising,” which meant that she was cheaper than those who were more than promising. She got enough invitations to keep them going, and though she debated the merits of each one with Bernie, hoping he would veto, he had never yet advised her to turn one down. But to be fair, she had never told him quite how much she hated it, the stares of the eyes, her own voice detached and floating, the one destructive question that was sure to lurk there among all the blank ones.
I mean, do you really think you have anything to say?

Deep in February, deep in the snow, bleeding on the tiles of this bathroom floor. By turning her head she could see them, white hexagons linked like a honeycomb, with a single black tile at regular intervals.

For a measly hundred and twenty-five dollars – but it’s half the rent, don’t forget that – and twenty-five a day for expenses. Had to take the morning plane, no seats in the afternoon, who the hell goes to Sudbury in February? A bunch of engineers. Practical citizens, digging out the ore, making a bundle, two cars and a swimming pool. They don’t stay at this place, anyway. Dining room at lunchtime almost empty. Just me and a very old man who talked to himself out loud. What’s wrong with him? I said to the waitress. Is he crazy? In a whisper I said it. It’s okay, he’s deaf, she said. No, he’s
just lonely, he’s been real lonely ever since his wife died. He lives here. I guess it’s better than an old-age home, you know? There are more people here in the summertime. And we get a lot of men who’re separating from their wives. You can always tell them, by what they order.

Didn’t pursue that. Should have though, now I’ll never know. What they order. Was looking as usual for the cheapest thing on the menu. Need that whole hundred and twenty-five, why waste it on food? This food. The menu a skewed effort to be Elizabethan, everything spelled with an “e” at the end. Got the Anne Boleyn Special, a hamburger with no bun, garnished with a square of red Jell-O and followed by “a glass of skime milke.” Do they know that Anne Boleyn’s head was cut off? Is that why the hamburger has no bun? What goes on in people’s minds? Everyone thinks writers must know more about the inside of the human head, but that’s wrong. They know less, that’s why they write. Trying to find out what everyone else takes for granted. The symbolism of the menu, for god’s sake, why am I even thinking about it? The menu has no symbolism, it’s just some dimwit’s ill-informed attempt to be cute. Isn’t it?

You’re too complicated, Bernie used to tell her, when they were still stroking and picking at each other’s psyches. You should take it easy. Lie back. Eat an orange. Paint your toenails.

All very well for him.

Maybe he wasn’t even up yet. He used to take naps in the afternoons, he’d be lying there under the heaped-up blankets of their Queen Street West apartment (over the store that had once sold hardware but was now a weaving boutique, and the rent was climbing), face down, arms flung out to either side, his socks on the floor where he’d discarded them, one after the other, like deflated feet or stiffened blue footprints leading to the bed. Even in the mornings
he would wake up slowly and fumble his way to the kitchen for some coffee, which she would already have made. That was one of their few luxuries, real coffee. She’d have been up for hours, crouching at the kitchen table, worrying away at a piece of paper, gnawing words, shredding the language. He would place his mouth, still full of sleep, on hers, and perhaps pull her back into the bedroom and down into the bed with him, into that liquid pool of flesh, his mouth sliding over her, furry pleasure, the covers closing over them as they sank into weightlessness. But he hadn’t done that for some time. He had been waking earlier and earlier; she, on the other hand, had been having trouble getting out of bed. She was losing that compulsion, that joy, whatever had nagged her out into the cold morning air, driven her to fill all those notebooks, all those printed pages. Instead she would roll herself up in the blankets after Bernie got up, tucking in all the corners, muffling herself in wool. She had begun to have the feeling that nothing was waiting for her outside the bed’s edge. Not emptiness but nothing, the zero with legs in the arithmetic book.

“I’m off,” he’d say to her groggy bundled back. She’d be awake enough to hear this; then she would lapse back into a humid sleep. His absence was one more reason for not getting up. He would be going to
The Notes From Underground
, which was where he seemed to spend most of his time now. He was pleased with the way it had been going, they’d had several interviews in the papers, and it was easy for her to understand how something could be thought of as a qualified success and still not make money, since the same thing had happened to her book. But she worried a little because he wasn’t doing very much painting any more. His last picture had been a try at Magic Realism. It was her, sitting at the kitchen table, wrapped in the plaid rug off the foot of the bed, with her hair in a sleazy bun at the back of her neck, looking like some kind of famine victim. Too bad the kitchen was yellow; it made her skin green. He hadn’t
finished it though. Paperwork, he would say. That was what he spent his mornings at the gallery doing, that and answering the phone. The three of them were supposed to take turns and he should have been off at twelve, but he usually ended up there in the afternoons, too. The gallery had attracted a few younger painters, who sat around drinking plastic cups of Nescafé and cans of beer and arguing about whether or not anyone who bought a share in the gallery should be able to have a show there and whether the gallery should take commissions, and if not how it was going to survive. They had various schemes, and they’d recently hired a girl to do public relations, posters and mailings and bothering the media. She was freelance and did it for two other small galleries and one commercial photographer. She was just starting out, Bernie said. She talked about building them up. Her name was Marika; Julia had met her at the gallery, back in the days when she’d been in the habit of dropping around in the afternoons. That seemed a long time ago.

Marika was a peach-cheeked blonde, about twenty-two or three, anyway no more than five or six years younger than Julia. Although her name suggested the exotic, a Hungarian perhaps, her accent was flat Ontario and her last name was Hunt. Either a fanciful mother or a name-changing father, or perhaps Marika had adopted the name herself. She had been very friendly to Julia. “I’ve read your book,” she said. “I don’t find time to read too many books, but I got yours out of the library because of Bernie. I didn’t think I was going to like it, but actually it’s quite good.” Julia was grateful, Bernie said too grateful, to people who said they liked her work or who had even read it. Nevertheless, she heard a voice inside her head saying,
Piss right off
. It was the way Marika offered her compliment: like a biscuit to a dog, part reward, part bribe, and condescending.

Since then they’d had coffee together several times. It was always Marika who dropped over, on some errand or other from Bernie. They sat in the kitchen and talked, but no real connections were
made. They were like two mothers at a birthday party, sitting on the sidelines while their children whooped and gobbled: they were polite to each other, but the real focus of their attention was elsewhere. Once Marika had said, “I’ve always thought I might like to write myself,” and Julia had felt a small red explosion at the back of her neck and had almost thrown her cup of coffee at her, until she realized Marika didn’t mean it that way, she was just trying to appear interested. “Aren’t you afraid you’ll run out of material?”

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