Dark Star (5 page)

Everybody in Prague knew this game—incidents, provocations, speeches—it meant that the German tank divisions sitting up on the border were coming down. Today? Tomorrow? When?

Soon.

On the surface, there was nothing to see. But what they felt here made itself known in subtle ways: the way people looked at each other, a note in a voice, the unfinished sentence. Szara took the receipt he'd been given in Ostend to the central railroad station. The baggagemaster shook his head, this was from a smaller station, and gestured toward the edge of the city.

He took a taxi, but by the time he arrived, the baggage room of the outlying station was closed for lunch. He found himself in a strange, silent neighborhood with signs in Polish and Ukrainian, boarded windows, groups of tieless men with buttoned collars gathered on street corners. He walked along empty streets swept by wind-driven swirls of dust. The women were hidden in black shawls, children held hands and kept close to the buildings. He heard a bell, looked down a steep lane, and saw a Jewish peddler
with a slumped, starved horse, plumes of breath streaming from its nostrils as it attempted to pull a cart up a hill.

Szara found a tiny café; conversation stopped when he walked in. He drank a cup of tea. There was no sugar. He could hear a clock ticking behind a curtained doorway. What was it in this place? A demon lived here. Szara struggled to breathe, his persona flowed away like mist and left a dull and anxious man sitting at a table. The clock behind the curtain chimed three and he walked quickly to the station. The baggagemaster limped painfully and wore a blue railroad uniform with a war medal pinned on the lapel. He took the receipt silently and, after a moment of study, nodded to himself. He disappeared for a long time, then returned with a leather satchel. Szara asked if a taxi could be called. “No,” the man said. Szara waited for more, for an explanation, something, but that was it.
No.

So he walked. For miles, through zigzag streets clogged with Saturday life, where every ancient stone leaned or sagged; past crowds of Orthodox Jews in caftans and curling sidelocks, gossiping in front of tiny synagogues; past Czech housewives in their print dresses, carrying home black breads and garlic sausages from the street markets; past children and dogs playing soccer on the cobblestones and old men who leaned their elbows on the windowsills and smoked their pipes and stared at the life in the street below. It was every quarter in every city in Europe in the cold, smoky days of November, but to Szara it was like being trapped in the dream where some terrifying thing was happening but the world ignored it and went blindly about its business.

Reaching the hotel, he trudged upstairs and hurled the satchel onto the bed. Then he collapsed in a chair and closed his eyes in order to concentrate. Certain instincts flared to life: he must write about what he'd felt, must describe the haunting of this place. Done well, he knew, such stories spread, took on a life of their own. The politicians would do what they did, but the readers, the people, would understand, care, be animated by pity to speak out for the Czech republic. How to do it? What to select? Which fact really
spoke,
so that the writer could step aside and allow the story to tell
itself. And if his own dispatch did not appear in other countries, it most certainly would run in the Communist party press, in many languages, and more foreign journalists than cared to admit it had a glance at such newspapers. Editorial policy said
anything to keep the peace,
but let the correspondents come here and see it for themselves.

Then the satchel reminded him of its presence. He examined it and realized he'd never seen one like it: the leather was dense, pebbled, the hide of a powerful, unknown animal. It was covered with a thick, fine dust, so he wet his index finger and drew a line through it, revealing a color that had once been that of bitter chocolate but was now faded by sun and time. Next he saw that the seams were hand-sewn; fine, sturdy work using a thread he suspected was also handmade. The satchel was of the portmanteau style—like a doctor's bag, the two sides opened evenly and were held together by a brass lock. Using a damp towel, he cleaned the lock and found a reddish tracery etched into the metal surface. This was vaguely familiar. Where had he seen it? In a moment it came to him: such work adorned brass bowls and vases made in western and central Asia—India, Afghanistan, Turkestan. He tried to depress the lever on the underside of the device, but it was locked.

The handgrip bore half a tag, tied on with string. Peering closely, he was able to make out the date the satchel had been deposited as left luggage: 8 February 1935. He swore softly with amazement. Almost three years.

He put one finger on the lock. It was ingenious, a perfectly circular opening that did not suggest the shape of its key. He probed gently with a match, it seemed to want a round shaft with squared ridges at the very end. Hopefully, he jiggled the match about but of course nothing happened. From another time the locksmith, perhaps an artisan who sat cross-legged in a market stall in some souk, laughed at him. The device he'd fashioned would not yield to a wooden match.

Szara went downstairs to the hotel desk and explained to the young clerk on duty: a lost key, a satchel that couldn't be opened, important papers for a meeting on Monday, what could be done? The clerk nodded sympathetically and spoke soothingly. Not to
worry. This happens here every day. A boy was sent off and returned an hour later with a locksmith in tow. In the room the locksmith, a serious man who spoke German and wore a stiff, formal suit, cleared his throat politely. One didn't see this sort of mechanism. But Szara was too impatient to make up answers to unasked questions and simply urged the man to proceed. After a few minutes of meditation, the locksmith reluctantly folded up his leather tool case, put it away, and, reddening slightly, drew a set of finely made burglar's picks from the interior pocket of his jacket. Now the battle between the two technicians commenced.

Not that the Tadzik, the Kirghiz, the craftsman of the Bokhara market—whoever he'd been—didn't resist, he did, but in the event he was no match for the modern Czech and his shining steel picks. With the emphatic
snick
of the truly well made device the lock opened, and the locksmith stood back and applied an immaculate gray cloth to his sweaty forehead. “So beautiful a work,” he said, mostly to himself.

So beautiful a bill, as well, but Szara paid it and tipped handsomely besides, for he knew the
apparat
could eventually find out anything, and he might have signed this man's death warrant.

At dusk, André Szara sat in his unlit room with the remnants of a man's life spread out around him.

There wasn't a writer in the world who could resist attributing a melancholy romance to these artifacts, but, he argued to his critical self, that did not diminish their eloquence. For if the satchel itself spoke of Bokhara, Samarkand, or the oasis towns of the Kara Kum desert, its contents said something very different, about a European, a European Russian, who had traveled—served? hidden? died?—in those regions, about the sort of man he was, about pride itself.

The objects laid out on the hotel desk and bureau made up an estate. Some clothing, a few books, a revolver, and the humble tools—thread and needle, digestive tea, well-creased maps—of a man on the run. On the run, for there was equal clarity, equal eloquence, in the items
not
found. There were no photographs, no letters.
No address book, no traveler's journal. This had been a man who understood the people he fled from and protected the vulnerability of those who may have loved him.

The clothing had been packed on top, folded loosely but perfectly, as though by someone with a long history of military service, someone to whom the ordered neatness of a footlocker was second nature. It was good clothing, carefully preserved, often mended but terribly worn, its wear the result of repeated washings and long use in hard country. Cotton underdrawers and wool shirts, a thick sailor's sweater darned at the elbows, heavy wool socks with virtually transparent heels.

The service revolver dated from prerevolutionary days, a Nagant, the double-action officer's model, 7.62mm from a design of 1895. It was well oiled and fully loaded. From certain characteristics, Szara determined that the sidearm had had a long and very active life. The lanyard ring at the base of the grip had been removed and the surface filed flat, and the metal at the edges of the sharp angles, barrel opening, cylinder, the trigger itself, was silvery and smooth. A look down the barrel showed it to be immaculate, cleaned not with the usual brick dust—an almost religious (and thereby ruinous) obsession with the peasant infantry of the Great War—but with a scouring brush of British manufacture folded in a square of paper. Not newspaper, for that told of where you had been and when you were there. Plain paper. A careful man.

The books were also from the time before the revolution, the latest printing date 1915; and Szara handled them with reverence for they were no longer to be had. Dobrilov's lovely essays on noble estates, Ivan Krug's
Poems at Harvest,
Gletkhin's tales of travel among the Khivani, Pushkin of course, and a collection by one Churnensky,
Letters from a Distant Village,
which Szara had never heard of. These were companions of journey, books to be read and read again, books for a man who lived in places where books could not be found. Eagerly, Szara paged through them, looking for commentary, for at least an underlined passage, but there was, as he'd expected, not a mark to be found.

Yet the most curious offering of the opened satchel was its odor. Szara could not really pin it down, though he held the sweater
to his face and breathed in it. He could identify a hint of mildew, woodsmoke, the sweetish smell of pack animals, and something else, a spice perhaps, cloves or cardamom, that suggested the central Asian marketplace. It had been carried in the satchel for a long time, for its presence touched the books and the clothing and the leather itself. Why? Perhaps to make spoiled food more palatable, perhaps to add an ingredient of civilization to life in general. On this point he could make no decision.

Szara was sufficiently familiar with the practices of intelligence services to know that chronology meant everything. “May God protect and keep the czar” at the end of a letter meant one thing in 1916, quite another in 1918. With regard to the time of “the officer,” for Szara discovered himself using that term, the satchel's contents offered an Austrian map of the southern borders of the Caspian Sea dated 1919. The cartography had certainly begun earlier (honorary Bolshevik names were missing), but the printing date allowed Szara to write on a piece of hotel stationery “alive in 1919.” Checking the baggage tag once again, he noted “tentative terminal date, 8 February 1935.” A curious date, following by two months and some days the assassination of Sergei Kirov at the Smolny Institute in St. Petersburg, 1 December 1934, which led to the first round of purges under Yagoda.

A terminal date?
Yes,
Szara thought,
this man is dead.

He simply knew it. And, he felt, much earlier than 1935. Somehow, another hand had recovered the satchel and moved it to the left-luggage room of a remote Prague railway station that winter. Infinite permutations were of course possible, but Szara suspected that a life played out in the southern extremity of the Soviet empire had ended there. The Red Army had suppressed the pasha's risings in 1923. If the officer, perhaps a military adviser to one of the local rulers, had survived those wars, he had not left the region. There was nothing of Europe that had not been packed on some night in, Szara guessed, 1920.

That the satchel itself had survived was a kind of miracle, though presently Szara came upon a rather more concrete possibility—the stitching on the bottom lining. This was not the same hand that had lovingly and expertly crafted the seams. The reattachment had been
managed as best it could be done, with waxed thread sewn into a cruciform shape anchoring each corner. So, the officer carried more than books and clothes. Szara remembered what Renate Braun had said in the lobby of Khelidze's hotel: “It is for you.” Not old maps, books, and clothing certainly, and not a Nagant pistol. What was now “his” lay beneath the satchel's false bottom in a secret compartment.

Szara called the desk and had a bottle of vodka sent up. He sensed a long, difficult night ahead of him—the city of Prague was bad enough, the officer's doomed attempt to survive history didn't make things any better. He must, Szara reasoned, have been a loyal soldier in the czar's service, thus fugitive after the revolution in 1917. Perhaps he'd fought alongside White Guardist elements in the civil war. Then flight, always southeast, into central Asia, as the Red Army advanced. The history of that place and time was as evil as any Szara knew—Basmatchi, the marauding bandits of the region, Baron Ungarn-Sternberg, a sadist and a madman, General Ma and his Muslim army; rape, murder, pillage, captives thrown into locomotive boilers to die in the steam. He suspected that this man, who carried a civilized little library and carefully darned the elbows of his sweater, had died in some unremembered minor skirmish during those years. There were times when a bullet was the best of all solutions. Szara found himself hoping it had been that way for the officer.

The vodka helped. Szara was humming a song by the time he had his razor out, sawing away at the thick bands of crisscrossed thread. The officer was no fool. Who, Szara wondered, did he think to deceive with this only too evident false bottom contrivance? Perhaps the very densest border patrolman or the most slow-witted customs guard. The NKVD workshops did this sort of thing quite well, leaving only the slimmest margin for secreting documents and disguising the false bottom so that you really could not tell. On the other hand, the officer had likely done what he could, used the only available hiding place and hoped for the best. Yes, Szara understood him now, better and better; the sewn-down corners revealed
a sort of determination in the face of hopeless circumstances, a quality Szara admired above all others. Having cut loose the final corner, he had to use a nail file to pry up the leather flap.