Delirium: The Complete Collection (83 page)

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Authors: Lauren Oliver

Tags: #Dystopian, #Fiction, #Juvenile Fiction, #Retail, #Romance

BOOK: Delirium: The Complete Collection
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“It’s RSV,” Tack spoke up suddenly. “She needs medicine.”

“You some kind of doctor?” I fired back. But I was scared. I wished she would cry, open her mouth, respond to me in any way. But she was just lying there, fighting for breath. And I knew then that it wasn’t just a cold. Whatever she had was getting worse.

“My mother was a nurse,” Tack said calmly. This startled me. It was weird to think of the Thief, the wild and lawless boy, as having a mother—as having a past at all. I looked at him.

“Untie me,” he said, his voice low, convincing, “and I’ll help you.”

“Bullshit,” I said.

There’s a part of me—a big part—that’s hoping Lena won’t show up. She might have gotten stuck at the border, or caught by a patrol without an ID. She might have gotten lost. She might just be too late. Then Tack and I won’t have to get involved, won’t risk a big fat stinking mess.

But we’ve trained her too well, and at a couple of minutes before ten a.m., I spot her moving up the street, head down against the rain, which has petered out to a slow drizzle. She’s wearing clothes that don’t belong to her, except for the wind breaker, which she must have taken from the safe house. Still, her walk is unmistakable: light on her feet, kind of bouncing on her toes, as if she might break into a run at any second.

Tack spots her the same time I do and sinks down a little in the front seat, as if worried she might spot us. But she’s totally focused. She barely pauses at the entrance to the clinic. She slips inside.

Any moment now. The air inside the van is humid, and my skin feels sticky. The windows are fogged from our breath. I feel another roll of nausea and fight it back. No time for that.

After a few minutes, Tack sighs and reaches for the jacket balled up on the seat between us. He shakes it out and shoves his arms, hard, into the sleeves. He looks funny in a suit jacket, like a bear dressed up in a costume for the circus. I would never tell him that, though.

“Ready?” he says.

“Don’t forget this.” I pass him a small laminated ID. It’s so old and stained, the picture is nearly indistinguishable—which is good, because its original owner, Dr. Howard Rivers, was about twenty pounds heavier than Tack and had a decade on him.

Then again, Howard Rivers wasn’t actually Howard Rivers, but Edward Kauffman, a respected doctor in Maine who worked to keep the
deliria
out of our schools and homes, who had ties to the governor, who subsidized medical centers in poorer parts of town. Secretly, though, he was a radical and controversial resister, famous for performing under-the-table abortions on uncureds who’d gotten pregnant and were desperate to conceal it.

Over the years he established identities for a dozen fake doctors so he could increase his shipments of medicine and antibiotics, which he then distributed to Invalids in the Wilds.

Edward Kauffman, the original, is dead now—has been dead for two years. He was outed in a police sting operation and executed only two weeks later. But many of his pseudonyms, his fake identities, survived. They’re healthy and practicing still.

Tack clips the ID to his jacket. “How do I look?” he says.

“Medical,” I answer.

He checks his reflection in the rearview and tries unsuccessfully to mash down his hair. “Don’t forget,” he says. “Parking lot on Twenty-Fourth. I’ll be waiting for you.”

“We’ll be there,” I say, ignoring the weird feeling in my stomach. More than nausea. Nerves. I hate being nervous. It’s a weakness. It reminds me of the person I used to be, and the ticking quiet of the old house, my father brewing, growing his anger like a storm.

Every time I have to kill someone, I pretend he has my father’s face.

“Be careful, Rae.” For a second, I get a glimpse of Michael, the boy no one sees. Face open like a kid’s. Scared. “I wish you’d let me do the heavy lifting.”

“Where’s the fun in that?” I press my fingers against my lips, bring them to his chest. It’s our sign. Neither one of us is super touchy-feely, and besides, it’s too risky to kiss in Zombieland. “See you on the other side.”

“On the other side,” he parrots, then slips out of the van, jogging across the street pooled with rain.

I count off sixty seconds, make some last-minute adjustments to my gear, flip down the mirror, and check my teeth. Feel for the gun concealed in my jacket and check the supplies in my right jeans pocket. All good. All there. Count another sixty seconds, which helps me ignore the nerves. Nothing to be afraid of.

I know what I’m doing. We all do. Too well.

Sometimes I imagine that Tack and I will just crap out—flake on the whole war, the struggle, the resistance. Say good-bye and see you never. We’ll go up north and build a homestead together, far away from everyone and everything. We know how to survive. We could do it. Trap and hunt and fish for our food, grow what we can, pop out a whole brood of kids and pretend the rest of the world doesn’t exist. Let it blow itself to pieces if it wants to.

Dreams.

It has been two and a half minutes. I open the van door and hop down to the curb. The rain is nothing more than a mist now, but the gutters are still overflowing, swirling eddies of crushed coffee cups and cigarette butts and flyers.

When I push open the door to the clinic, it’s like a different world: thick green carpet, and furniture polished so it shines. Big, showy clock in the corner, ticking away the minutes. Not a bad place to die, if you had to choose.

Tack is standing at reception, drumming his fingers against the desk. He barely glances at me when I come in.

“I’m so sorry, doctor.” The lab tech behind the desk is punching buttons frantically. Her fingers are fat and weighted down with rings that cut deep into her flesh. “An inspection—today—there
must
be a mistake.”

“It’s on the books,” Tack says, in a voice that belongs to someone older and fatter and cured. “Every clinic is subjected to an annual regulatory—”

“Excuse me,” I say loudly, interrupting him, as I come toward the desk. I make sure to walk a little funny, just for show. Tack and I can laugh about it later. “Excuse me,” I repeat, a little louder. Too loud for the space.

“You’ll have to hold on,” the receptionist says to me, picking up the phone and angling her chin away from the receiver. She turns immediately back to Tack. “I’m so sorry. You have no idea how embarrassed—”

“Don’t be sorry,” he says. “Just get somebody down here who can help me.”

“Hey.” I lean forward over the counter. “Look, I’m talking to you.”

“Ma’am.” She’s losing it. She’s probably shitting bricks, thinking she’s going to get the whole clinic shut down because she screwed up the review dates. “I’m in the middle of something. If you have an appointment, you’re going to have to sign in and take a seat in the—”

“I don’t have an appointment.” I’m really putting it on, now, practically yelling. Tack does a good job of looking disgusted. “And I won’t wait. I got this rash, okay? It’s driving me crazy. I can’t hardly even sit.”

I undo my belt and start to hitch my pants down over my waist, like I’m about to moon her. Tack draws back with a noise of disgust, and the nurse slams down the phone and practically hurls herself around the desk.

“This way, ma’am,
please
.” She clamps a hand on my arm. I can smell the sweat underneath her perfume. She pilots me quickly out of the reception area—away from Dr. Howard Rivers, medical inspector, where I can’t do any harm, where I won’t embarrass the clinic any further—and through a set of double doors into a long white hallway. I feel a hitch of excitement in my chest, a slight break, like I always do when a plan is going off like we expected. With my free hand I fumble in my right jeans pocket for the small glass bottle, uncork it with a thumb, let the contents spill out into the rag stuffed in my pocket. Acetone, bleach, and heat.

Not as good as manufactured chloroform, but good enough.

“The doctor will be in to see you shortly,” she says, huffing from the exertion of piloting me forward. She practically shoves me into a small examination room and stands, breasts heaving against her uniform, with one hand on the doorknob. The hall behind her is empty. “If you’ll just wait here . . .”

“I hate waiting,” I say, and step forward, bringing the rag to her face.

She is very heavy as she goes down.

Untie me, and I’ll help you
.

The words were stuck in my mind, a taunt and a promise. I didn’t think I could trust him. And it would be a betrayal—of Grandma, and of the other homesteaders who had taken in Blue and me. If I got caught, if the Thief screwed us over, I’d have to pay for it. Maybe I’d get tied up in the sickroom, waiting for the group to decide what should be done with me.

But Blue wasn’t getting any better.

I was so afraid—afraid of everything back then, just a skinny little shit who’d made a snap-dash decision to run away and who had no idea what she was doing. My dad had always told me I was stupid in the head, pathetic, one of the losers. And back then, maybe he was right.

I knew the Thief wasn’t afraid. I could just tell. Wasn’t afraid of me or the other homesteaders, wasn’t afraid of dying.

When Blue started gurgling and rasping in her sleep—then went ten seconds at a time, still, not breathing, before taking in a gasp of air—I stole a knife from the kitchen and brought it back to the sickroom. My hands were shaking. I remember, because I kept thinking of my mom’s hands, rattling her silverware, fluttering like birds, a wild, frantic part of her. I wondered if she’d been thinking of me at all since I’d left.

It was late. Everyone else was asleep—now that the Thief had been caught, even Gray didn’t feel the need to patrol.

The Thief’s smile was like a sickle blade in the dark. I squatted down in front of him.

“You promised,” I told him. “You promised to help me.”

“Cross my heart and hope to die,” he said. I didn’t like the sound of his voice—like he was laughing at me—but I cut him loose anyway, feeling sick the whole time, knowing Blue would die otherwise. Might die just the same.

He stood up, groaning a little. I hadn’t realized how tall he was. I hadn’t seen him except sitting or lying down since he was brought in. I took a step backward, flinching, when he raised his arms above his head.

His smile vanished, turned into something harder. “You don’t trust me, do you?” he said.

I shook my head. He extended his hand for the knife, and after a second’s hesitation, I gave it to him.

“I’ll be back by noon,” he said. My heart was beating hard in my throat, a rhythm saying,
Please, please. I’m counting on you
. He jerked his chin in Blue’s direction. “Keep her alive until then.”

Then he was gone, moving soundlessly through the darkened halls, vanishing into the shadows. And I sat holding Blue, with terror sitting like a black mist in my chest, and waited.

Lies are just stories, and stories are all that matter. We all tell stories. Some are more truthful than others, maybe, but in the end the only thing that counts is what you can make people believe.

I learned to tell stories from my mom. “Your dad’s not feeling well today,” she’d say. She’d say,
I had an accident
. She’d say,
Remember what happened. You’re a clumsy girl. You walked into a door. You tripped and stumbled down a staircase
. My favorite story:
He doesn’t mean to
.

She was so good at telling stories that I started to believe them after a while. Maybe I was clumsy. Maybe it was my fault, for provoking him.

Maybe he really didn’t mean to.

There were stories, too, about a girl who got pregnant before her cure. Caroline Gormely—she lived down the street from me, in our neighborhood of boxy, identical-looking houses. Her parents only found out after she swallowed half a bottle of bleach and was taken to the emergency room. One day she was around, riding the bus home from school, pressing her nose to the glass, the window fogging with her breath. And one day she wasn’t anymore.

My mom told me she’d been taken somewhere to be cured, shipped off to a different city where she could start again. Her parents had disowned her. She would likely end up working sanitation somewhere, never paired, carrying the blight of the disease around her like a scar.
You see what happens
, my dad said,
when you don’t listen?

What about the baby?
I’d asked my mom.

She hesitated for only a second.
The baby will be taken care of
, she said. And she meant it: just not in the way I thought.

The lab tech’s uniform is big on me, so big I feel like a kid playing dress-up. But it will work. I don’t rush. A good story needs pacing, deliberateness. I take my time finding a small fabric mask, which I slip over my face, and rubber gloves. I lock the doorknob before I slip back out into the hall. No sense in risking the discovery of the nurse, who is now curled up on the linoleum, breathing deeply, like a child.

I clip her ID on my uniform, knowing no one will check it. You need to give people the broad strokes, the things they’re expecting: the main characters and the buildup.

And the climax, of course. A good story always needs a climax.

None of the homesteaders blamed me for the Thief’s escape, as I had worried they would, even after the kitchen knife was discovered to be missing. Everyone assumed he had broken out somehow, that he had managed to loosen the restraints himself and had stolen the knife before sneaking out. The hard-liners, the ones who had wanted to see him killed, gloated: he was no good, he might be back to murder them in their sleep, they’d have to keep constant tabs on the food stores now. Should have offed the no-good Scavenger when they’d had a chance.

I almost spoke up. I would have confessed, but I was too scared that I would get turned out, abandoned in the Wilds.

The Thief had promised to be back by noon, but noon came and went, and by the time the homesteaders were finished with their rounds and Blue’s breathing sounded like a rattle in her chest, when she was breathing at all, I knew that he had lied to me. He would never be back, and Blue would die, and it was all my fault. I couldn’t cry about it because I’d learned never to cry, even as a little girl. Crying was one of the things that set my dad off, just like laughing too loud, or smiling at a joke that didn’t include him, or acting happy when he was miserable, or miserable when he was happy.

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