Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (586 page)

Then we mounted the castle wall, where it broods over a precipice of many hundred feet perpendicular, looking down upon a level plain below, and forth upon a landscape, every foot of which is richly studded with historic events. There is a small peep-hole in the wall, which Queen Mary is said to have been in the habit of looking through. It is a most splendid view; in the distance, the blue Highlands, with a variety of mountain outlines that I could have studied unweariably; and in another direction, beginning almost at the foot of the Castle Hill, were the Links of Forth, where, over a plain of miles in extent the river meandered, and circled about, and returned upon itself again and again and again, as if knotted into a silver chain, which it was difficult to imagine to be all one stream. The history of Scotland might be read from this castle wall, as on a book of mighty page; for here, within the compass of a few miles, we see the field where Wallace won the battle of Stirling, and likewise the battle-field of Bannockburn, and that of Falkirk, and Sheriffmuir, and I know not how many besides.

Around the Castle Hill there is a walk, with seats for old and infirm persons, at points sheltered from the wind. We followed it downward, and I think we passed over the site where the games used to be held, and where, this morning, some of the soldiers of the garrison were going through their exercises. I ought to have mentioned, that, passing through the inner gateway of the castle, we saw the round tower, and glanced into the dungeon, where the Roderic Dhu of Scott's poem was left to die. It is one of the two round towers, between which the portcullis rose and fell.

EDINBURGH. — THE PALACE OF HOLYROOD.

At eleven o'clock we took the rail for Edinburgh, and I remember nothing more, except that the cultivation and verdure of the country were very agreeable, after our experience of Highland barrenness and desolation, until we found the train passing close at the base of the rugged crag of Edinburgh Castle. We established ourselves at Queen's Hotel, in Prince's Street, and then went out to view the city. The monument to Sir Walter Scott — a rather fantastic and not very impressive affair, I thought — stands almost directly in front of a hotel. We went along Prince's Street, and thence, by what turns I know not, to the Palace of Holyrood, which stands on a low and sheltered site, and is a venerable edifice. Arthur's Seat rises behind it, — a high hill, with a plain between. As we drew near the Palace, Mr. Bowman, who has been here before, pointed out the windows of Queen Mary's apartments, in a circular tower on the left of the gateway. On entering the enclosed quadrangle, we bought tickets for sixpence each, admitting us to all parts of the Palace that are shown to visitors; and first we went into a noble hall or gallery, a long and stately room, hung with pictures of ancient Scottish kings; and though the pictures were none of them authentic, they, at least, answer an excellent purpose in the way of upholstery. It was here that the young Pretender gave the ball which makes one of the scenes in Waverley.

Thence we passed into the old historic rooms of the Palace, — Darnley's and Queen Mary's apartments, which everybody has seen and described. They are very dreary and shabby-looking rooms, with bare floors, and here and there a piece of tapestry, faded into a neutral tint; and carved and ornamented ceilings, looking shabbier than plain whitewash. We saw Queen Mary's old bedstead, low, with four tall posts, — and her looking-glass, which she brought with her from France, and which has often reflected the beauty that set everybody mad, — and some needlework and other womanly matters of hers; and we went into the little closet where she was having such a cosey supper-party with two or three friends, when the conspirators broke in, and stabbed Rizzio before her face. We saw, too, the blood-stain at the threshold of the door in the next room, opening upon the stairs. The body of Rizzio was flung down here, and the attendant told us that it lay in that spot all night. The blood-stain covers a large space, — much larger than I supposed, — and it gives the impression that there must have been a great pool and sop of blood on all the spot covered by Rizzio's body, staining the floor deeply enough never to be washed out. It is now of a dark brown hue; and I do not see why it may not be the genuine, veritable stain. The floor, thereabouts, appears not to have been scrubbed much; for I touched it with my finger, and found it slightly rough; but it is strange that the many footsteps should not have smoothed it, in three hundred years.

One of the articles shown us in Queen Mary's apartments was the breastplate supposed to have been worn by Lord Ruthven at the murder, a heavy plate of iron, and doubtless a very uncomfortable waistcoat.

HOLYROOD ABBEY.

From the Palace, we passed into the contiguous ruin of Holyrood Abbey; which is roofless, although the front, and some broken columns along the nave, and fragments of architecture here and there, afford hints of a magnificent Gothic church in bygone times. It deserved to be magnificent; for here have been stately ceremonials, marriages of kings, coronations, investitures, before the high altar, which has now been overthrown or crumbled away; and the floor — so far as there is any floor — consists of tombstones of the old Scottish nobility. There are likewise monuments, bearing the names of illustrious Scotch families; and inscriptions, in the Scotch dialect, on the walls.

In one of the front towers, — the only remaining one, indeed, — we saw the marble tomb of a nobleman, Lord Belhaven, who is represented reclining on the top, — with a bruised nose, of course. Except in Westminster Abbey, I do not remember ever to have seen an old monumental statue with the nose entire. In all political or religious outbreaks, the mob's first impulse is to hit the illustrious dead on their noses.

At the other end of the Abbey, near the high altar, is the vault where the old Scottish kings used to be buried; but, looking in through the window, I saw only a vacant space, — no skull, nor bone, nor the least fragment of a coffin. In fact, I believe the royal dead were turned out of their last home, on occasion of the Revolutionary movements, at the accession of William III.

HIGH STREET AND THE GRASS-MARKET.

Quitting the Abbey and the Palace, we turned into the Canongate, and passed thence into High Street, which, I think, is a continuation of the Canongate; and being now in the old town of Edinburgh, we saw those immensely tall houses, seven stories high, where the people live in tiers, all the way from earth to middle air. They were not so quaint and strange looking as I expected; but there were some houses of very antique individuality, and among them that of John Knox, which looks still in good repair. One thing did not in the least fall short of my expectations, — the evil odor, for which Edinburgh has an immemorial renown, — nor the dirt of the inhabitants, old and young. The town, to say the truth, when you are in the midst of it, has a very sordid, grimy, shabby, upswept, unwashen aspect, grievously at variance with all poetic and romantic associations.

From the High Street we turned aside into the Grass-Market, the scene of the Porteous Mob; and we found in the pavement a cross on the site where the execution of Porteous is supposed to have taken place.

THE CASTLE.

Returning thence to the High Street, we followed it up to the Castle, which is nearer the town, and of more easy access from it, than I had supposed. There is a large court or parade before the castle gate, with a parapet on the abrupt side of the hill, looking towards Arthur's Seat and Salisbury Crags, mud overhanging a portion of the old town. As we leaned over this parapet, my nose was conscious of the bad odor of Edinburgh, although the streets, whence it must have come, were hundreds of feet below. I have had some experience of this ugly smell in the poor streets of Liverpool; but I think I never perceived it before crossing the Atlantic. It is the odor of an old system of life; the scent of the pine forests is still too recent with us for it to be known in America.

The Castle of Edinburgh is free (as appears to be the case with all garrisoned places in Great Britain) to the entrance of any peaceable person. So we went in, and found a large space enclosed within the walls, and dwellings for officers, and accommodation for soldiers, who were being drilled, or loitering about; and as the hill still ascends within the external wall of the castle, we climbed to the summit, and there found an old soldier whom we engaged to be our guide. He showed us Mons Meg, a great old cannon, broken at the breech, but still aimed threateningly from the highest ramparts; and then he admitted us into an old chapel, said to have been built by a Queen of Scotland, the sister of Harold, King of England, and occupying the very highest part of the hill. It is the smallest place of worship I ever saw, but of venerable architecture, and of very solid construction. The old soldier had not much more to show us; but he pointed out the window whence one of the kings of Scotland is said, when a baby, to have been lowered down, the whole height of the castle, to the bottom of the precipice on which it stands, — a distance of seven hundred feet.

After the soldier had shown us to the extent of his jurisdiction, we went into a suite of rooms, in one of which I saw a portrait of Queen Mary, which gave me, for the first time, an idea that she was really a very beautiful woman. In this picture she is wonderfully so, — a tender womanly grace, which was none the less tender and graceful for being equally imbued with queenly dignity and spirit. It was too lovely a head to be cut off. I should be glad to know the authenticity of this picture.

I do not know that we did anything else worthy of note, before leaving Edinburgh. There is matter enough, in and about the town, to interest the visitor for a very long time; but when the visit is calculated on such brevity as ours was, we get weary of the place, before even these few hours come to an end. Thus, for my part, I was not sorry when, in the course of the afternoon, we took the rail for Melrose, where we duly arrived, and put up at the George Inn.

MELROSE.

Melrose is a village of rather antique aspect, situated on the slope and at the bottom of the Eildon Hills, which, from this point of view, appear like one hill, with a double summit. The village, as I said, has an old look, though many of the houses have at least been refronted at some recent date; but others are as ancient, I suppose, as the days when the Abbey was in its splendor, — a rustic and peasant-like antiquity, however, low-roofed, and straw-thatched. There is an aged cross of stone in the centre of the town.

Our first object, of course, was to see the Abbey, which stands just on the outskirts of the village, and is attainable only by applying at a neighboring house, the inhabitant of which probably supports himself, and most comfortably, too, as a showman of the ruin. He unlocked the wooden gate, and admitted us into what is left of the Abbey, comprising only the ruins of the church, although the refectory, the dormitories, and the other parts of the establishment, formerly covered the space now occupied by a dozen village houses. Melrose Abbey is a very satisfactory ruin, all carpeted along its nave and transepts with green grass; and there are some well-grown trees within the walls. We saw the window, now empty, through which the tints of the painted glass fell on the tombstone of Michael Scott, and the tombstone itself, broken in three pieces, but with a cross engraven along its whole length. It must have been the monument of an old monk or abbot, rather than a wizard. There, too, is still the “marble stone” on which the monk and warrior sat them down, and which is supposed to mark the resting-place of Alexander of Scotland. There are remains, both without and within the Abbey, of most curious and wonderfully minute old sculpture, — foliage, in places where it is almost impossible to see them, and where the sculptor could not have supposed that they would be seen, but which yet are finished faithfully, to the very veins of each leaf, in stone; and there is a continual variety of this accurate toil. On the exterior of the edifice there is equal minuteness of finish, and a great many niches for statues; all of which, I believe, are now gone, although there are carved faces at some points and angles. The graveyard around the Abbey is still the only one which the village has, and is crowded with gravestones, among which I read the inscription of one erected by Sir Walter Scott to the memory of Thomas Pardy, one of his servants. Some sable birds — either rooks or jackdaws — were flitting about the ruins, inside and out.

Mr. Bowman and I talked about revisiting Melrose by moonlight; but, luckily, there was to be no moon that evening. I do not myself think that daylight and sunshine make a ruin less effective than twilight or moonshine. In reference to Scott's description, I think he deplorably diminishes the impressiveness of the scene by saying that the alternate buttresses, seen by moonlight, look as if made of ebon and ivory. It suggests a small and very pretty piece of cabinet-work; not these gray, rough walls, which Time has gnawed upon for a thousand years, without eating them away.