Read Delphi Complete Works of Oscar Wilde (Illustrated) Online
Authors: OSCAR WILDE
One thing indeed he did not see, or if he saw it, he thought but little of it - how from the East there was spreading over the world, as a wave spreads, a spiritual inroad of new religions from the time when the Pessinuntine mother of the gods, a shapeless mass of stone, was brought to the eternal city by her holiest citizen, to the day when the ship CASTOR AND POLLUX stood in at Puteoli, and St. Paul turned his face towards martyrdom and victory at Rome. Polybius was able to predict, from his knowledge of the causes of revolutions and the tendencies of the various forms of governments, the uprising of that democratic tone of thought which, as soon as a seed is sown in the murder of the Gracchi and the exile of Marius, culminated as all democratic movements do culminate, in the supreme authority of one man, the lordship of the world under the world’s rightful lord, Caius Julius Caesar. This, indeed, he saw in no uncertain way. But the turning of all men’s hearts to the East, the first glimmering of that splendid dawn which broke over the hills of Galilee and flooded the earth like wine, was hidden from his eyes.
There are many points in the description of the ideal historian which one may compare to the picture which Plato has given us of the ideal philosopher. They are both ‘spectators of all time and all existence.’ Nothing is contemptible in their eyes, for all things have a meaning, and they both walk in august reasonableness before all men, conscious of the workings of God yet free from all terror of mendicant priest or vagrant miracle-worker. But the parallel ends here. For the one stands aloof from the world-storm of sleet and hail, his eyes fixed on distant and sunlit heights, loving knowledge for the sake of knowledge and wisdom for the joy of wisdom, while the other is an eager actor in the world ever seeking to apply his knowledge to useful things. Both equally desire truth, but the one because of its utility, the other for its beauty. The historian regards it as the rational principle of all true history, and no more. To the other it comes as an all- pervading and mystic enthusiasm, ‘like the desire of strong wine, the craving of ambition, the passionate love of what is beautiful.’
Still, though we miss in the historian those higher and more spiritual qualities which the philosopher of the Academe alone of all men possessed, we must not blind ourselves to the merits of that great rationalist who seems to have anticipated the very latest words of modern science. Nor yet is he to be regarded merely in the narrow light in which he is estimated by most modern critics, as the explicit champion of rationalism and nothing more. For he is connected with another idea, the course of which is as the course of that great river of his native Arcadia which, springing from some arid and sun-bleached rock, gathers strength and beauty as it flows till it reaches the asphodel meadows of Olympia and the light and laughter of Ionian waters.
For in him we can discern the first notes of that great cult of the seven-hilled city which made Virgil write his epic and Livy his history, which found in Dante its highest exponent, which dreamed of an Empire where the Emperor would care for the bodies and the Pope for the souls of men, and so has passed into the conception of God’s spiritual empire and the universal brotherhood of man and widened into the huge ocean of universal thought as the Peneus loses itself in the sea.
Polybius is the last scientific historian of Greece. The writer who seems fittingly to complete the progress of thought is a writer of biographies only. I will not here touch on Plutarch’s employment of the inductive method as shown in his constant use of inscription and statue, of public document and building and the like, because it involves no new method. It is his attitude towards miracles of which I desire to treat.
Plutarch is philosophic enough to see that in the sense of a violation of the laws of nature a miracle is impossible. It is absurd, he says, to imagine that the statue of a saint can speak, and that an inanimate object not possessing the vocal organs should be able to utter an articulate sound. Upon the other hand, he protests against science imagining that, by explaining the natural causes of things, it has explained away their transcendental meaning. ‘When the tears on the cheek of some holy statue have been analysed into the moisture which certain temperatures produce on wood and marble, it yet by no means follows that they were not a sign of grief and mourning set there by God Himself.’ When Lampon saw in the prodigy of the one-horned ram the omen of the supreme rule of Pericles, and when Anaxagoras showed that the abnormal development was the rational resultant of the peculiar formation of the skull, the dreamer and the man of science were both right; it was the business of the latter to consider how the prodigy came about, of the former to show why it was so formed and what it so portended. The progression of thought is exemplified in all particulars. Herodotus had a glimmering sense of the impossibility of a violation of nature. Thucydides ignored the supernatural. Polybius rationalised it. Plutarch raises it to its mystical heights again, though he bases it on law. In a word, Plutarch felt that while science brings the supernatural down to the natural, yet ultimately all that is natural is really supernatural. To him, as to many of our own day, religion was that transcendental attitude of the mind which, contemplating a world resting on inviolable law, is yet comforted and seeks to worship God not in the violation but in the fulfilment of nature.
It may seem paradoxical to quote in connection with the priest of Chaeronea such a pure rationalist as Mr. Herbert Spencer; yet when we read as the last message of modern science that ‘when the equation of life has been reduced to its lowest terms the symbols are symbols still,’ mere signs, that is, of that unknown reality which underlies all matter and all spirit, we may feel how over the wide strait of centuries thought calls to thought and how Plutarch has a higher position than is usually claimed for him in the progress of the Greek intellect.
And, indeed, it seems that not merely the importance of Plutarch himself but also that of the land of his birth in the evolution of Greek civilisation has been passed over by modern critics. To us, indeed, the bare rock to which the Parthenon serves as a crown, and which lies between Colonus and Attica’s violet hills, will always be the holiest spot in the land of Greece: and Delphi will come next, and then the meadows of Eurotas where that noble people lived who represented in Hellenic thought the reaction of the law of duty against the law of beauty, the opposition of conduct to culture. Yet, as one stands on the
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of Cithaeron and looks out on the great double plain of Boeotia, the enormous importance of the division of Hellas comes to one’s mind with great force. To the north are Orchomenus and the Minyan treasure-house, seat of those merchant princes of Phoenicia who brought to Greece the knowledge of letters and the art of working in gold. Thebes is at our feet with the gloom of the terrible legends of Greek tragedy still lingering about it, the birthplace of Pindar, the nurse of Epaminondas and the Sacred Band.
And from out of the plain where ‘Mars loved to dance,’ rises the Muses’ haunt, Helicon, by whose silver streams Corinna and Hesiod sang; while far away under the white aegis of those snow-capped mountains lies Chaeronea and the Lion plain where with vain chivalry the Greeks strove to check Macedon first and afterwards Rome; Chaeronea, where in the Martinmas summer of Greek civilisation Plutarch rose from the drear waste of a dying religion as the aftermath rises when the mowers think they have left the field bare.
Greek philosophy began and ended in scepticism: the first and the last word of Greek history was Faith.
Splendid thus in its death, like winter sunsets, the Greek religion passed away into the horror of night. For the Cimmerian darkness was at hand, and when the schools of Athens were closed and the statue of Athena broken, the Greek spirit passed from the gods and the history of its own land to the subtleties of defining the doctrine of the Trinity and the mystical attempts to bring Plato into harmony with Christ and to reconcile Gethsemane and the Sermon on the Mount with the Athenian prison and the discussion in the woods of Colonus. The Greek spirit slept for wellnigh a thousand years. When it woke again, like Antaeus it had gathered strength from the earth where it lay; like Apollo it had lost none of its divinity through its long servitude.
In the history of Roman thought we nowhere find any of those characteristics of the Greek Illumination which I have pointed out are the necessary concomitants of the rise of historical criticism. The conservative respect for tradition which made the Roman people delight in the ritual and formulas of law, and is as apparent in their politics as in their religion, was fatal to any rise of that spirit of revolt against authority the importance of which, as a factor in intellectual progress, we have already seen.
The whitened tables of the Pontifices preserved carefully the records of the eclipses and other atmospherical phenomena, and what we call the art of verifying dates was known to them at an early time; but there was no spontaneous rise of physical science to suggest by its analogies of law and order a new method of research, nor any natural springing up of the questioning spirit of philosophy with its unification of all phenomena and all knowledge. At the very time when the whole tide of Eastern superstition was sweeping into the heart of the Capital the Senate banished the Greek philosophers from Rome. And of the three systems which did at length take some root in the city, those of Zeno and Epicurus were used merely as the rule for the ordering of life, while the dogmatic scepticism of Carneades, by its very principles, annihilated the possibility of argument and encouraged a perfect indifference to research.
Nor were the Romans ever fortunate enough like the Greeks to have to face the incubus of any dogmatic system of legends and myths, the immoralities and absurdities of which might excite a revolutionary outbreak of sceptical criticism. For the Roman religion became as it were crystallised and isolated from progress at an early period of its evolution. Their gods remained mere abstractions of commonplace virtues or uninteresting personifications of the useful things of life. The old primitive creed was indeed always upheld as a state institution on account of the enormous facilities it offered for cheating in politics, but as a spiritual system of belief it was unanimously rejected at a very early period both by the common people and the educated classes, for the sensible reason that it was so extremely dull. The former took refuge in the mystic sensualities of the worship of Isis, the latter in the Stoical rules of life. The Romans classified their gods carefully in their order of precedence, analysed their genealogies in the laborious spirit of modern heraldry, fenced them round with a ritual as intricate as their law, but never quite cared enough about them to believe in them. So it was of no account with them when the philosophers announced that Minerva was merely memory. She had never been much else. Nor did they protest when Lucretius dared to say of Ceres and of Liber that they were only the corn of the field and the fruit of the vine. For they had never mourned for the daughter of Demeter in the asphodel meadows of Sicily, nor traversed the glades of Cithaeron with fawn-skin and with spear.
This brief sketch of the condition of Roman thought will serve to prepare us for the almost total want of scientific historical criticism which we shall discern in their literature, and has, besides, afforded fresh corroboration of the conditions essential to the rise of this spirit, and of the modes of thought which it reflects and in which it is always to be found. Roman historical composition had its origin in the pontifical college of ecclesiastical lawyers, and preserved to its close the uncritical spirit which characterised its fountain-head. It possessed from the outset a most voluminous collection of the materials of history, which, however, produced merely antiquarians, not historians. It is so hard to use facts, so easy to accumulate them.
Wearied of the dull monotony of the pontifical annals, which dwelt on little else but the rise and fall in provisions and the eclipses of the sun, Cato wrote out a history with his own hand for the instruction of his child, to which he gave the name of Origines, and before his time some aristocratic families had written histories in Greek much in the same spirit in which the Germans of the eighteenth century used French as the literary language. But the first regular Roman historian is Sallust. Between the extravagant eulogies passed on this author by the French (such as De Closset), and Dr. Mommsen’s view of him as merely a political pamphleteer, it is perhaps difficult to reach the VIA MEDIA of unbiassed appreciation. He has, at any rate, the credit of being a purely rationalistic historian, perhaps the only one in Roman literature. Cicero had a good many qualifications for a scientific historian, and (as he usually did) thought very highly of his own powers. On passages of ancient legend, however, he is rather unsatisfactory, for while he is too sensible to believe them he is too patriotic to reject them. And this is really the attitude of Livy, who claims for early Roman legend a certain uncritical homage from the rest of the subject world. His view in his history is that it is not worth while to examine the truth of these stories.
In his hands the history of Rome unrolls before our eyes like some gorgeous tapestry, where victory succeeds victory, where triumph treads on the heels of triumph, and the line of heroes seems never to end. It is not till we pass behind the canvas and see the slight means by which the effect is produced that we apprehend the fact that like most picturesque writers Livy is an indifferent critic. As regards his attitude towards the credibility of early Roman history he is quite as conscious as we are of its mythical and unsound nature. He will not, for instance, decide whether the Horatii were Albans or Romans; who was the first dictator; how many tribunes there were, and the like. His method, as a rule, is merely to mention all the accounts and sometimes to decide in favour of the most probable, but usually not to decide at all. No canons of historical criticism will ever discover whether the Roman women interviewed the mother of Coriolanus of their own accord or at the suggestion of the senate; whether Remus was killed for jumping over his brother’s wall or because they quarrelled about birds; whether the ambassadors found Cincinnatus ploughing or only mending a hedge. Livy suspends his judgment over these important facts and history when questioned on their truth is dumb. If he does select between two historians he chooses the one who is nearer to the facts he describes. But he is no critic, only a conscientious writer. It is mere vain waste to dwell on his critical powers, for they do not exist.