Delphi Complete Works of Robert Burns (Illustrated) (Delphi Poets Series) (180 page)

Now westlin winds and slaughtering guns
Bring Autumn’s pleasant weather, —

“the ebullition,” he calls it, “of that passion which ended the school business at Kirkoswald.”

From this time on for several years, love making was his chief amusement, or rather his most serious business. His brother tells us that he was in the secret of half the love affairs of the parish of Tarbolton, and was never without at least one of his own. There was not a comely girl in Tarbolton on whom he did not compose a song, and then he made one which included them all. When he
was thus inly moved, “the agitations of his mind and body,” says Gilbert, “exceeded anything of the kind I ever knew in real life. He had always a particular jealousy of people who were richer than himself, or had more consequence. His love therefore rarely settled on persons of this description.” The jealousy here noted, as extending even to his loves, was one of the weakest points of the poet’s character. Of the ditties of that time, most of which have been preserved, the best specimen is
My Nannie, O
. This song, and the one entitled
Mary Morison
render the whole scenery and sentiment of those rural meetings in a manner at once graphic and free from coarseness. Yet, truth to speak, it must be said that those gloaming trysts, however they may touch the imagination and lend themselves to song, do in reality lie at the root of much that degrades the life and habits of the Scottish peasantry.

But those first three or four years at Lochlea, if not free from peril, were still with the poet times of innocence. His brother Gilbert, in the words of Chambers, “used to speak of his brother as at this period, to himself, a more admirable being than at any other. He recalled with delight the days when they had to go with one or two companions to cut peats for the winter fuel, because Robert was sure to enliven their toil with a rattling fire of witty remarks on men and things, mingled with the expressions of a genial glowing heart, and the whole perfectly free from the taint which he afterwards acquired from his contact with the world. Not even in those volumes which afterwards charmed his country from end to end, did Gilbert see his brother in so interesting a light as in these conversations in the bog, with only two or three noteless peasants for an audience.”

While
Gilbert acknowledges that his brother’s love-makings were at this time unceasing, he asserts that they were “governed by the strictest rules of virtue and modesty, from which he never deviated till he reached his twenty-third year.” It was towards the close of his twenty-second that there occurs the record of his first serious desire to marry and settle in life. He had set his affections on a young woman named Ellison Begbie, daughter of a small farmer, and at that time servant in a family on Cessnock Water, about two miles from Lochlea. She is said to have been not a beauty, but of unusual liveliness and grace of mind. Long afterwards, when he had seen much of the world, Burns spoke of this young woman as, of all those on whom he ever fixed his fickle affections, the one most likely to have made a pleasant partner for life. Four letters which he wrote to her are preserved, in which he expresses the most pure and honourable feelings in language which, if a little formal, is, for manliness and simplicity, a striking contrast to the bombast of some of his later epistles. Songs, too, he addressed to her —
The Lass of Cessnock Banks
,
Bonnie Peggy Alison
, and
Mary Morison
. The two former are inconsiderable; the latter is one of those pure and beautiful love-lyrics, in the manner of the old ballads, which, as Hazlitt says, “take the deepest and most lasting hold on the mind.”

Yestreen, when to the trembling string,
The dance gaed thro’ the lighted ha’,
To thee my fancy took its wing,
I sat, but neither heard nor saw:
Tho’ this was fair, and that was braw,
And yon the toast of a’ the town,
I sigh’d, and said amang them a’,
“Ye are na Mary Morison.”

Oh,
Mary, canst thou wreck his peace,
Wha for thy sake wad gladly die;
Or canst thou break that heart of his,
Whase only faut is loving thee?
If love for love thou wilt na gie,
At least be pity to me shown;
A thought ungentle canna be
The thought o’ Mary Morison.

In these lines the lyric genius of Burns was for the first time undeniably revealed.

But neither letters nor love-songs prevailed. The young woman, for some reason untold, was deaf to his entreaties, and the rejection of this his best affection fell on him with a malign influence, just as he was setting his face to learn a trade which he hoped would enable him to maintain a wife.

Irvine was at that time a centre of the flax-dressing art, and as Robert and his brother raised flax on their farm, they hoped that if they could dress as well as grow flax, they might thereby double their profits. As he met with this heavy disappointment in love just as he was setting out for Irvine, he went thither downhearted and depressed, at Midsummer, 1781. All who met him at that time were struck with his look of melancholy, and his moody silence, from which he roused himself only when in pleasant female society, or when he met with men of intelligence. But the persons of this sort whom he met in Irvine were probably few. More numerous were the smugglers and rough-living adventurers with which that seaport town, as Kirkoswald, swarmed. Among these he contracted, says Gilbert, “some acquaintance of a freer manner of thinking and living than he had been used to, whose society prepared him for over-leaping the bonds of rigid virtue which had hitherto
restrained him.” One companion, a sailor-lad of wild life and loose and irregular habits, had a wonderful fascination for Burns, who admired him for what he thought his independence and magnanimity. “He was,” says Burns, “the only man I ever knew who was a greater fool than myself, where woman was the presiding star; but he spoke of lawless love with levity, which hitherto I had regarded with horror.
Here his friendship did me a mischief.
”

Another companion, older than himself, thinking that the religious views of Burns were too rigid and uncompromising, induced him to adopt “more liberal opinions,” which in this case, as in so many others, meant more lax opinions. With his principles of belief, and his rules of conduct at once assailed and undermined, what chart or compass remained any more for a passionate being like Burns over the passion-swept sea of life that lay before him? The migration to Irvine was to him the descent to Avernus, from which he never afterwards, in the actual conduct of life, however often in his hours of inspiration, escaped to breathe again the pure upper air. This brief but disastrous Irvine sojourn was brought to a sudden close. Burns was robbed by his partner in trade, his flax-dressing shop was burnt to the ground by fire during the carousal of a New Year’s morning, and himself, impaired in purse, in spirits, and in character, returned to Lochlea to find misfortunes thickening round his family, and his father on his death-bed. For the old man, his long struggle with scanty means, barren soil, and bad seasons, was now near its close. Consumption had set in. Early in 1784, when his last hour drew on, the father said that there was one of his children of whose future he could not think without fear. Robert, who was in the room,
came up to his bedside and asked, “O father, is it me you mean?” The old man said it was. Robert turned to the window, with tears streaming down his cheeks, and his bosom swelling, from the restraint he put on himself, almost to bursting. The father had early perceived the genius that was in his boy, and even in Mount Oliphant days had said to his wife, “Whoever lives to see it, something extraordinary will come from that boy.” He had lived to see and admire his son’s earliest poetic efforts. But he had also noted the strong passions, with the weak will, which might drive him on the shoals of life.

Mossgiel. — Towards the close of 1783, Robert and his brother, seeing clearly the crash of family affairs which was impending, had taken on their own account a lease of the small farm of Mossgiel, about two or three miles distant from Lochlea, in the parish of Mauchline. When their father died in February, 1784, it was only by claiming the arrears of wages due to them, and ranking among their father’s creditors, that they saved enough from the domestic wreck, to stock their new farm. Thither they conveyed their widowed mother, and their younger brothers and sisters, in March, 1784. Their new home was a bare upland farm,
118 acres
of cold clay-soil, lying within a mile of Mauchline village. Burns entered on it with a firm resolution to be prudent, industrious, and thrifty. In his own words, “I read farming books, I calculated crops, I attended markets, and, in short, in spite of the devil, the world, and the flesh, I should have been a wise man; but the first year from unfortunately buying bad seed — the second, from a late harvest, we lost half our crops. This overset all my wisdom, and I returned like the dog to his vomit, and the sow that was washed
to her wallowing in the mire.” Burns was in the beginning of his twenty-sixth year when he took up his abode at Mossgiel, where he remained for four years. Three things those years and that bare moorland farm witnessed, — the wreck of his hopes as a farmer, the revelation of his genius as a poet, and the frailty of his character as a man. The result of the immoral habits and “liberal opinions” which he had learnt at Irvine were soon apparent in that event of which he speaks in his
Epistle to John Rankine
with such unbecoming levity. In the Chronological Edition of his works it is painful to read on one page the pathetic lines which he engraved on his father’s headstone, and a few pages on, written almost at the same time, the epistle above alluded to, and other poems in the same strain, in which the defiant poet glories in his shame. It was well for the old man that he was laid in Alloway Kirkyard before these things befell. But the widowed mother had to bear the burden, and to receive in her home and bring up the child that should not have been born. When silence and shame would have most become him, Burns poured forth his feelings in ribald verses, and bitterly satirized the parish minister, who required him to undergo that public penance which the discipline of the Church at that time exacted. Whether this was a wise discipline or not, no blame attached to the minister, who merely carried out the rules which his Church enjoined. It was no proof of magnanimity in Burns to use his talent in reviling the minister, who had done nothing more than his duty. One can hardly doubt but that in his inmost heart he must have been visited with other and more penitential feelings than those unseemly verses express. But, as Lockhart has well observed, “his false pride recoiled from letting his
jovial associates know how little he was able to drown the whispers of the still small voice; and the fermenting bitterness of a mind ill at ease within himself escaped — as may be often traced in the history of satirists — in angry sarcasms against those who, whatever their private errors might be, had at least done him no wrong.” Mr. Carlyle’s comment on this crisis of his life is too weighty to be omitted here. “With principles assailed by evil example from without, by ‘passions raging like demons’ from within, he had little need of sceptical misgivings to whisper treason in the heat of the battle, or to cut off his retreat if he were already defeated. He loses his feeling of innocence; his mind is at variance with itself; the old divinity no longer presides there; but wild Desires and wild Repentance alternately oppress him. Ere long, too, he has committed himself before the world; his character for sobriety, dear to a Scottish peasant as few corrupted worldlings can even conceive, is destroyed in the eyes of men; and his only refuge consists in trying to disbelieve his guiltiness, and is but a refuge of lies. The blackest desperation gathers over him, broken only by the red lightnings of remorse.” Amid this trouble it was but a poor vanity and miserable love of notoriety which could console itself with the thought

The mair they talk, I’m kent the better,
E’en let them clash.

Or was this not vanity at all, but the bitter irony of self-reproach?

This collision with the minister and Kirk Session of his parish, and the bitter feelings it engendered in his rebellious bosom, at once launched Burns into the troubled sea of religious controversy that was at that time raging all around him. The clergy of the West were divided into
two parties, known as the Auld Lights and the New Lights. Ayrshire and the west of Scotland had long been the stronghold of Presbyterianism and of the Covenanting spirit; and in Burns’s day — a century and a half after the Covenant — a large number of the ministers still adhered to its principles, and preached the Puritan theology undiluted. These men were democratic in their ecclesiastical views, and stout protestors against Patronage, which has always been the bugbear of the sects in Scotland. As Burns expresses it, they did their best to stir up their flocks to

Join their counsel and their skills
To cowe the lairds,
An’ get the brutes the power themsels
To chuse their herds.

All Burns’s instincts would naturally have been on the side of those who wished to resist patronage and “to cowe the lairds,” had not this his natural tendency been counteracted by a stronger bias drawing him in an opposite direction. The Auld Lights, though democrats in Church politics, were the upholders of that strict church discipline under which he was smarting, and to this party belonged his own minister, who had brought that discipline to bear upon him. Burns, therefore, naturally threw himself into the arms of the opposite, or New Light party, who were more easy in their life and in their doctrine. This large and growing section of ministers were deeply imbued with rationalism, or, as they then called it, “common-sense,” in the light of which they pared away from religion all that was mysterious and supernatural. Some of them were said to be Socinians or even pure Deists, most of them shone less in the pulpit,
than at the festive board. With such men a person in Burns’s then state of mind would readily sympathize, and they received him with open arms. Nothing could have been more unfortunate than that in this crisis of his career he should have fallen into intimacy with those hard-headed but coarse-minded men. They were the first persons of any pretensions to scholarly education with whom he had mingled freely. He amused them with the sallies of his wit and sarcasm, and astonished them by his keen insight and vigorous powers of reasoning. They abetted those very tendencies in his nature which required to be checked. Their countenance, as clergymen, would allay the scruples and misgivings he might otherwise have felt, and stimulate to still wilder recklessness whatever profanity he might be tempted to indulge in. When he had let loose his first shafts of satire against their stricter brethren, those New Light ministers heartily applauded him; and hounded him on to still more daring assaults. He had not only his own quarrel with his parish minister and the stricter clergy to revenge, but the quarrel also of his friend and landlord, Gavin Hamilton, a county lawyer, who had fallen under Church censure for neglect of Church ordinances, and had been debarred from the Communion. Burns espoused Gavin’s cause with characteristic zeal, and let fly new arrows one after another from his satirical quiver.