Delphi Complete Works of Sir Arthur Conan Doyle (Illustrated) (960 page)

“I will tell you. You know that I have an agent who is always on the look-out for rarities and curiosities for my collection. Some days ago he heard of a dealer upon one of the Quais who had acquired some old rubbish found in a cupboard in an ancient house at the back of the Rue Mathurin, in the Quartier Latin. The dining-room of this old house is decorated with a coat of arms, chevrons, and bars rouge upon a field argent, which prove, upon inquiry, to be the shield of Nicholas de la Reynie, a high official of King Louis XIV. There can be no doubt that the other articles in the cupboard date back to the early days of that king. The inference is, therefore, that they were all the property of this Nicholas de la Reynie, who was, as I understand, the gentleman specially concerned with the maintenance and execution of the Draconic laws of that epoch.”

“What then?”

“I would ask you now to take the funnel into your hands once more and to examine the upper brass rim. Can you make out any lettering upon it?”

There were certainly some scratches upon it, almost obliterated by time. The general effect was of several letters, the last of which bore some resemblance to a B.

“You make it a B?”

“Yes, I do.”

“So do I. In fact, I have no doubt whatever that it is a B.”

“But the nobleman you mentioned would have had R for his initial.”

“Exactly! That’s the beauty of it. He owned this curious object, and yet he had someone else’s initials upon it. Why did he do this?”

“I can’t imagine; can you?”

“Well, I might, perhaps, guess. Do you observe something drawn a little farther along the rim?”

“I should say it was a crown.”

“It is undoubtedly a crown; but if you examine it in a good light, you will convince yourself that it is not an ordinary crown. It is a heraldic crown — a badge of rank, and it consists of an alternation of four pearls and strawberry leaves, the proper badge of a marquis. We may infer, therefore, that the person whose initials end in B was entitled to wear that coronet.”

“Then this common leather filler belonged to a marquis?”

Dacre gave a peculiar smile.

“Or to some member of the family of a marquis,” said he. “So much we have clearly gathered from this engraved rim.”

“But what has all this to do with dreams?” I do not know whether it was from a look upon Dacre’s face, or from some subtle suggestion in his manner, but a feeling of repulsion, of unreasoning horror, came upon me as I looked at the gnarled old lump of leather.

“I have more than once received important information through my dreams,” said my companion in the didactic manner which he loved to affect. “I make it a rule now when I am in doubt upon any material point to place the article in question beside me as I sleep, and to hope for some enlightenment. The process does not appear to me to be very obscure, though it has not yet received the blessing of orthodox science. According to my theory, any object which has been intimately associated with any supreme paroxysm of human emotion, whether it be joy or pain, will retain a certain atmosphere or association which it is capable of communicating to a sensitive mind. By a sensitive mind I do not mean an abnormal one, but such a trained and educated mind as you or I possess.”

“You mean, for example, that if I slept beside that old sword upon the wall, I might dream of some bloody incident in which that very sword took part?”

“An excellent example, for, as a matter of fact, that sword was used in that fashion by me, and I saw in my sleep the death of its owner, who perished in a brisk skirmish, which I have been unable to identify, but which occurred at the time of the wars of the Frondists. If you think of it, some of our popular observances show that the fact has already been recognised by our ancestors, although we, in our wisdom, have classed it among superstitions.”

“For example?”

“Well, the placing of the bride’s cake beneath the pillow in order that the sleeper may have pleasant dreams. That is one of several instances which you will find set forth in a small brochure which I am myself writing upon the subject. But to come back to the point, I slept one night with this funnel beside me, and I had a dream which certainly throws a curious light upon its use and origin.”

“What did you dream?”

“I dreamed — —” He paused, and an intent look of interest came over his massive face. “By Jove, that’s well thought of,” said he. “This really will be an exceedingly interesting experiment. You are yourself a psychic subject — with nerves which respond readily to any impression.”

“I have never tested myself in that direction.”

“Then we shall test you tonight. Might I ask you as a very great favour, when you occupy that couch tonight, to sleep with this old funnel placed by the side of your pillow?”

The request seemed to me a grotesque one; but I have myself, in my complex nature, a hunger after all which is bizarre and fantastic. I had not the faintest belief in Dacre’s theory, nor any hopes for success in such an experiment; yet it amused me that the experiment should be made. Dacre, with great gravity, drew a small stand to the head of my settee, and placed the funnel upon it. Then, after a short conversation, he wished me good night and left me.

I sat for some little time smoking by the smouldering fire, and turning over in my mind the curious incident which had occurred, and the strange experience which might lie before me. Sceptical as I was, there was something impressive in the assurance of Dacre’s manner, and my extraordinary surroundings, the huge room with the strange and often sinister objects which were hung round it, struck solemnity into my soul. Finally I undressed, and turning out the lamp, I lay down. After long tossing I fell asleep. Let me try to describe as accurately as I can the scene which came to me in my dreams. It stands out now in my memory more clearly than anything which I have seen with my waking eyes. There was a room which bore the appearance of a vault. Four spandrels from the corners ran up to join a sharp, cup-shaped roof. The architecture was rough, but very strong. It was evidently part of a great building.

Three men in black, with curious, top-heavy, black velvet hats, sat in a line upon a red-carpeted dais. Their faces were very solemn and sad. On the left stood two long-gowned men with port-folios in their hands, which seemed to be stuffed with papers. Upon the right, looking toward me, was a small woman with blonde hair and singular, light-blue eyes — the eyes of a child. She was past her first youth, but could not yet be called middle-aged. Her figure was inclined to stoutness and her bearing was proud and confident. Her face was pale, but serene. It was a curious face, comely and yet feline, with a subtle suggestion of cruelty about the straight, strong little mouth and chubby jaw. She was draped in some sort of loose, white gown. Beside her stood a thin, eager priest, who whispered in her ear, and continually raised a crucifix before her eyes. She turned her head and looked fixedly past the crucifix at the three men in black, who were, I felt, her judges.

As I gazed the three men stood up and said something, but I could distinguish no words, though I was aware that it was the central one who was speaking. They then swept out of the room, followed by the two men with the papers. At the same instant several rough-looking fellows in stout jerkins came bustling in and removed first the red carpet, and then the boards which formed the dais, so as to entirely clear the room. When this screen was removed I saw some singular articles of furniture behind it. One looked like a bed with wooden rollers at each end, and a winch handle to regulate its length. Another was a wooden horse. There were several other curious objects, and a number of swinging cords which played over pulleys. It was not unlike a modern gymnasium.

When the room had been cleared there appeared a new figure upon the scene. This was a tall, thin person clad in black, with a gaunt and austere face. The aspect of the man made me shudder. His clothes were all shining with grease and mottled with stains. He bore himself with a slow and impressive dignity, as if he took command of all things from the instant of his entrance. In spite of his rude appearance and sordid dress, it was now his business, his room, his to command. He carried a coil of light ropes over his left forearm. The lady looked him up and down with a searching glance, but her expression was unchanged. It was confident — even defiant. But it was very different with the priest. His face was ghastly white, and I saw the moisture glisten and run on his high, sloping forehead. He threw up his hands in prayer and he stooped continually to mutter frantic words in the lady’s ear.

The man in black now advanced, and taking one of the cords from his left arm, he bound the woman’s hands together. She held them meekly toward him as he did so. Then he took her arm with a rough grip and led her toward the wooden horse, which was little higher than her waist. On to this she was lifted and laid, with her back upon it, and her face to the ceiling, while the priest, quivering with horror, had rushed out of the room. The woman’s lips were moving rapidly, and though I could hear nothing I knew that she was praying. Her feet hung down on either side of the horse, and I saw that the rough varlets in attendance had fastened cords to her ankles and secured the other ends to iron rings in the stone floor.

My heart sank within me as I saw these ominous preparations, and yet I was held by the fascination of horror, and I could not take my eyes from the strange spectacle. A man had entered the room with a bucket of water in either hand. Another followed with a third bucket. They were laid beside the wooden horse. The second man had a wooden dipper — a bowl with a straight handle — in his other hand. This he gave to the man in black. At the same moment one of the varlets approached with a dark object in his hand, which even in my dream filled me with a vague feeling of familiarity. It was a leathern filler. With horrible energy he thrust it — but I could stand no more. My hair stood on end with horror. I writhed, I struggled, I broke through the bonds of sleep, and I burst with a shriek into my own life, and found myself lying shivering with terror in the huge library, with the moonlight flooding through the window and throwing strange silver and black traceries upon the opposite wall. Oh, what a blessed relief to feel that I was back in the nineteenth century — back out of that mediaeval vault into a world where men had human hearts within their bosoms. I sat up on my couch, trembling in every limb, my mind divided between thankfulness and horror. To think that such things were ever done — that they could be done without God striking the villains dead. Was it all a fantasy, or did it really stand for something which had happened in the black, cruel days of the world’s history? I sank my throbbing head upon my shaking hands. And then, suddenly, my heart seemed to stand still in my bosom, and I could not even scream, so great was my terror. Something was advancing toward me through the darkness of the room.

It is a horror coming upon a horror which breaks a man’s spirit. I could not reason, I could not pray; I could only sit like a frozen image, and glare at the dark figure which was coming down the great room. And then it moved out into the white lane of moonlight, and I breathed once more. It was Dacre, and his face showed that he was as frightened as myself.

“Was that you? For God’s sake what’s the matter?” he asked in a husky voice.

“Oh, Dacre, I am glad to see you! I have been down into hell. It was dreadful.”

“Then it was you who screamed?”

“I dare say it was.”

“It rang through the house. The servants are all terrified.” He struck a match and lit the lamp. “I think we may get the fire to burn up again,” he added, throwing some logs upon the embers. “Good God, my dear chap, how white you are! You look as if you had seen a ghost.”

“So I have — several ghosts.”

“The leather funnel has acted, then?”

“I wouldn’t sleep near the infernal thing again for all the money you could offer me.”

Dacre chuckled.

“I expected that you would have a lively night of it,” said he. “You took it out of me in return, for that scream of yours wasn’t a very pleasant sound at two in the morning. I suppose from what you say that you have seen the whole dreadful business.”

“What dreadful business?”

“The torture of the water — the ‘Extraordinary Question,’ as it was called in the genial days of ‘Le Roi Soleil.’ Did you stand it out to the end?”

“No, thank God, I awoke before it really began.”

“Ah! it is just as well for you. I held out till the third bucket. Well, it is an old story, and they are all in their graves now, anyhow, so what does it matter how they got there? I suppose that you have no idea what it was that you have seen?”

“The torture of some criminal. She must have been a terrible malefactor indeed if her crimes are in proportion to her penalty.”

“Well, we have that small consolation,” said Dacre, wrapping his dressing-gown round him and crouching closer to the fire. “They WERE in proportion to her penalty. That is to say, if I am correct in the lady’s identity.”