Delphi Poetry Anthology: The World's Greatest Poems (Delphi Poets Series Book 50) (217 page)

BOOK: Delphi Poetry Anthology: The World's Greatest Poems (Delphi Poets Series Book 50)
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Stanzas — April, 1814

 

Percy Bysshe Shelley (1792–1822)

 

AWAY! the moor is dark beneath the moon,
 
Rapid clouds have drunk the last pale beam of even:
Away! the gathering winds will call the darkness soon,
 
And profoundest midnight shroud the serene lights of heaven.

 

Pause not! The time is past! Every voice cries, ‘Away!’
  
5
 
Tempt not with one last tear thy friend’s ungentle mood:
Thy lover’s eye, so glazed and cold, dares not entreat thy stay:
 
Duty and dereliction guide thee beck to solitude.

 

Away, away! to thy sad and silent home;
 
Pour bitter tears on its desolated hearth;
  
10
Watch the dim shades as like ghosts they go and come,
 
And complicate strange webs of melancholy mirth.

 

The leaves of wasted autumn woods shall float around thine head:
 
The blooms of dewy spring shall gleam beneath thy feet:
But thy soul or this world must fade in the frost that binds the dead,
  
15
 
Ere midnight’s frown and morning’s smile, ere thou and peace may meet.

 

The cloud shadows of midnight possess their own repose,
 
For the weary winds are silent, or the moon is in the deep:
Some respite to its turbulence unresting ocean knows;
 
Whatever moves, or toils, or grieves, hath its appointed sleep.
  
20

 

Thou in the grave shalt rest — yet, till the phantoms flee,
 
Which that house and heath and garden made dear to thee erewhile,
Thy remembrance, and repentance, and deep musings are not free
 
From the music of two voices and the light of one sweet smile.

 

List of Poems in Alphabetical Order

 

List of Poets in Alphabetical Order

 

Music, When Soft Voices Die

 

Percy Bysshe Shelley (1792–1822)

 

MUSIC, when soft voices die,
Vibrates in the memory —
Odours, when sweet violets sicken,
Live within the sense they quicken.

 

Rose leaves, when the rose is dead,
  
5
Are heap’d for the beloved’s bed;
And so thy thoughts, when Thou art gone,
Love itself shall slumber on.

 

List of Poems in Alphabetical Order

 

List of Poets in Alphabetical Order

 

The Poet’s Dream

 

Percy Bysshe Shelley (1792–1822)

 

ON a Poet’s lips I slept
Dreaming like a love-adept
In the sound his breathing kept;
Nor seeks nor finds he mortal blisses,
But feeds on the ae¨rial kisses
  
5
Of shapes that haunt Thought’s wildernesses.

 

He will watch from dawn to gloom
The lake-reflected sun illume
The yellow bees in the ivy-bloom,
 
Nor heed nor see what things they be —
10
But from these create he can
Forms more real than living Man,
 
Nurslings of Immortality!

 

List of Poems in Alphabetical Order

 

List of Poets in Alphabetical Order

 

The World’s Wanderers

 

Percy Bysshe Shelley (1792–1822)

 

TELL me, thou Star, whose wings of light
Speed thee in thy fiery flight,
In what cavern of the night
 
Will thy pinions close now?

 

Tell me, Moon, thou pale and gray
  
5
Pilgrim of heaven’s homeless way,
In what depth of night or day
 
Seekest thou repose now?

 

Weary Mind, who wanderest
Like the world’s rejected guest,
  
10
Hast thou still some secret nest
 
On the tree or billow?

 

List of Poems in Alphabetical Order

 

List of Poets in Alphabetical Order

 

Adonais

 

An Elegy on the Death of John Keats

 

Percy Bysshe Shelley (1792–1822)

 

 
I WEEP for Adonais — he is dead!
 
O, weep for Adonais! though our tears
 
Thaw not the frost which binds so dear a head!
 
And thou, sad Hour, selected from all years
 
To mourn our loss, rouse thy obscure compeers,
  
5
 
And teach them thine own sorrow! Say: ‘With me
 
Died Adonais; till the Future dares
 
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!’

 

 
Where wert thou, mighty Mother, when he lay,
  
10
 
When thy Son lay, pierced by the shaft which flies
 
In darkness? where was lorn Urania
 
When Adonais died? With veilèd eyes,
 
‘Mid listening Echoes, in her Paradise
 
She sate, while one, with soft enamoured breath,
  
15
 
Rekindled all the fading melodies
 
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.

 

 
Oh weep for Adonais — he is dead!
 
Wake, melancholy Mother, wake and weep!
  
20
 
Yet wherefore? Quench within their burning bed
 
Thy fiery tears, and let thy loud heart keep,
 
Like his, a mute and uncomplaining sleep;
 
For he is gone, where all things wise and fair
 
Descend; — oh, dream not that the amorous Deep
  
25
 
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

 

 
Most musical of mourners, weep again!
 
Lament anew, Urania! — He died,
 
Who was the Sire of an immortal strain,
  
30
 
Blind, old, and lonely, when his country’s pride,
 
The priest, the slave, and the liberticide,
 
Trampled and mocked with many a loathèd rite
 
Of lust and blood; he went, unterrified,
 
Into the gulf of death; but his clear Sprite
  
35
Yet reigns o’er earth; the third among the sons of light.

 

 
Most musical of mourners, weep anew!
 
Not all to that bright station dared to climb;
 
And happier they their happiness who knew,
 
Whose tapers yet burn through that night of time
  
40
 
In which suns perished; others more sublime,
 
Struck by the envious wrath of man or god,
 
Have sunk, extinct in their refulgent prime;
 
And some yet live, treading the thorny road,
Which leads, through toil and hate, to Fame’s serene abode.
  
45

 

 
But now, thy youngest, dearest one has perished,
 
The nursling of thy widowhood, who grew,
 
Like a pale flower by some sad maiden cherished,
 
And fed with true-love tears, instead of dew;
 
Most musical of mourners, weep anew!
  
50
 
Thy extreme hope, the loveliest and last,
 
The bloom, whose petals nipt before they blew
 
Died on the promise of the fruit, is waste;
The broken lily lies — the storm is overpast.

 

 
To that high Capital, where kingly Death
  
55
 
Keeps his pale court in beauty and decay,
 
He came; and bought, with price of purest breath,
 
A grave among the eternal — Come away!
 
Haste, while the vault of blue Italian day
 
Is yet his fitting charnel-roof! while still
  
60
 
He lies, as if in dewy sleep he lay;
 
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.

 

 
He will awake no more, oh, never more! —
 
Within the twilight chamber spreads apace,
  
65
 
The shadow of white Death, and at the door
 
Invisible Corruption waits to trace
 
His extreme way to her dim dwelling-place;
 
The eternal Hunger sits, but pity and awe
 
Soothe her pale rage, nor dares she to deface
  
70
 
So fair a prey, till darkness, and the law
Of change shall o’er his sleep the mortal curtain draw.

 

 
Oh weep for Adonais! — The quick Dreams,
 
The passion-wingèd Ministers of thought,
 
Who were his flocks, whom near the living streams
  
75
 
Of his young spirit he fed, and whom he taught
 
The love which was its music, wander not, —
 
Wander no more, from kindling brain to brain,
 
But droop there, whence they sprung; and mourn their lot
 
Round the cold heart, where, after their sweet pain,
  
80
They ne’er will gather strength, or find a home again.

 

 
And one with trembling hands clasps his cold head,
 
And fans him with her moonlight wings, and cries;
 
‘Our love, our hope, our sorrow, is not dead;
 
See, on the silken fringe of his faint eyes,
  
85
 
Like dew upon a sleeping flower, there lies
 
A tear some Dream has loosened from his brain.’
 
Lost Angel of a ruined Paradise!
 
She knew not ’twas her own; as with no stain
She faded, like a cloud which had outwept its rain.
  
90

 

 
One from a lucid urn of starry dew
 
Washed his light limbs as if embalming them;
 
Another clipt her profuse locks, and threw
 
The wreath upon him, like an anadem,
 
Which frozen tears instead of pearls begem;
  
95
 
Another in her wilful grief would break
 
Her bow and wingèd reeds, as if to stem
 
A greater loss with one which was more week;
And dull the barbèd fire against his frozen cheek.

 

 
Another Splendour on his mouth alit,
  
100
 
That mouth, whence it was wont to draw the breath
 
Which gave it strength to pierce the guarded wit,
 
And pass into the panting heart beneath
 
With lightning and with music: the damp death
 
Quenched its caress upon his icy lips;
  
105
 
And, as a dying meteor stains a wreath
 
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.

 

 
And others came … Desires and Adorations,
 
Wingèd Persuasions and veiled Destinies,
  
110
 
Splendours and Glooms, and glimmering Incarnations
 
Of hopes and fears, and twilight Phantasies;
 
And Sorrow, with her family of Sighs,
 
And Pleasure, blind with tears, led by the gleam
 
Of her own dying smile instead of eyes,
  
115
 
Came in slow pomp; — the moving pomp might seem
Like pageantry of mist on an autumnal stream.

 

 
All he had loved, and moulded into thought,
 
From shape, and hue, and odour, and sweet sound,
 
Lamented Adonais. Morning sought
  
120
 
Her eastern watch-tower, and her hair unbound,
 
Wet with the tears which should adorn the ground,
 
Dimmed the ae¨rial eyes that kindle day;
 
Afar the melancholy thunder moaned,
 
Pale Ocean in unquiet slumber lay,
  
125
And the wild winds flew round, sobbing in their dismay.

 

 
Lost Echo sits amid the voiceless mountains,
 
And feeds her grief with his remembered lay,
 
And will no more reply to winds or fountains,
 
Or amorous birds perched on the young green spray,
  
130
 
Or herdsman’s horn, or bell at closing day;
 
Since she can mimic not his lips, more dear
 
Than those for whose disdain she pined away
 
Into a shadow of all sounds: — a drear
Murmur, between their songs, is all the woodmen hear.
  
135

 

 
Grief made the young Spring wild, and she threw down
 
Her kindling buds, as if she Autumn were,
 
Or they dead leaves; since her delight is flown
 
For whom should she have waked the sullen year?
 
To Phoebus was not Hyacinth so dear
  
140
 
Nor to himself Narcissus, as to both
 
Thou, Adonais: wan they stand and sere
 
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.

 

 
Thy spirit’s sister, the lorn nightingale,
  
145
 
Mourns not her mate with such melodious pain;
 
Not so the eagle, who like thee could scale
 
Heaven, and could nourish in the sun’s domain
 
Her mighty youth with morning, doth complain,
 
Soaring and screaming round her empty nest,
  
150
 
As Albion wails for thee; the curse of Cain
 
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!

 

 
Ah, woe is me! Winter is come and gone,
 
But grief returns with the revolving year;
  
155
 
The airs and streams renew their joyous tone:
 
The ants, the bees, the swallows reappear;
 
Fresh leaves and flowers deck the dead Seasons’ bier;
 
The amorous birds now pair in every brake,
 
And build their mossy homes in field and brere;
  
160
 
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.

 

 
Through wood and stream and field and hill and Ocean
 
A quickening life from the Earth’s heart has burst
 
As it has ever done, with change and motion,
  
165
 
From the great morning of the world when first
 
God dawned on Chaos; in its stream immersed
 
The lamps of Heaven flash with a softer light;
 
All baser things pant with life’s sacred thirst;
 
Diffuse themselves; and spend in love’s delight,
  
170
The beauty and the joy of their renewèd might.

 

 
The leprous corpse touched by this spirit tender
 
Exhales itself in flowers of gentle breath;
 
Like incarnations of the stars, when splendour
 
Is changed to fragrance, they illumine death
  
175
 
And mock the merry worm that wakes beneath;
 
Nought we know, dies. Shall that alone which knows
 
Be as a sword consumed before the sheath
 
By sightless lightning? — the intense atom glows
A moment, then is quenched in a most cold repose.
  
180

 

 
Alas! that all we loved of him should be
 
But for our grief, as if it had not been,
 
And grief itself be mortal! Woe is me!
 
Whence are we, and why are we? of what scene
 
The actors or spectators? Great and mean
  
185
 
Meet massed in death, who lends what life must borrow.
 
As long as skies are blue, and fields are green,
 
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.

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