Delphi Works of Ford Madox Ford (Illustrated) (259 page)

BOOK: Delphi Works of Ford Madox Ford (Illustrated)
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‘In some sort I have done it for your Highness’ sake — or, at least, that your Highness may profit in your fame thereby. For, though all that do know me will scarcely believe in it, the most part of men shall needs judge me by the reports that are set about. In the commonalty, and the princes of foreign courts, one may believe you justified of my blood, and, for this event, even to posterity your name shall be spared. I shall become such a little dust as will not fill a cup. Yet, at least, I shall not sully, in the eyes of men to come, your record.

‘And that I am glad of; for this world is no place for me who am mazed by too much reading in old books. At first I would not believe it, though many have told me it was so. I was of the opinion that in the end right must win through. I think now that it never shall — or not for many ages — till our Saviour again come upon this earth with a great glory. But all this is a mystery of the great goodness of God and the temptations that do beset us poor mortality.

‘So now I go! I think that you will not any more seek to hinder me, for you have heard how set I am on this course. I think, if I have done little good, I have done little harm, for I have sought to injure no man — though through me you have wracked some of my poor servants and slain my poor simple cousin. But that is between you and God. If I must weep for them yet, though I was the occasion of their deaths and tortures, I cannot much lay it to my account.

‘If, by being reputed your leman, as you would have it, I could again set up the Church of God, willingly I would do it. But I see that there is not one man — save maybe some poor simple souls — that would have this done. Each man is set to save his skin and his goods — and you are such a weathercock that I should never blow you to a firm quarter. For what am I set against all this nation?

‘If you should say that our wedding was no wedding because of the pre-contract to my cousin Dearham that you have feigned was made — why, I might live as your reputed leman in a secret place. But it is not very certain that even at that I should live very long. For, if I lived, I must work upon you to do the right. And, if that I did, not very long should I live before mine enemies again did come about me and to you. And so I must die. And now I see that you are not such a man as I would live with willingly to preserve my life.

‘I speak not to reprove you what I have spoken, but to make you see that as I am so I am. You are as God made you, setting you for His own purposes a weak man in very evil and turbulent times. As a man is born so a man lives; as is his strength so the strain breaks him or he resists the strain. If I have wounded you with these my words, I do ask your pardon. Much of this long speech I have thought upon when I was despondent this long time past. But much of it has come to my lips whilst I spake, and, maybe, it is harsh and rash in the wording. That I would not have, but I may not help myself. I would have you wounded by the things as they are, and by what of conscience you have, in your passions and your prides. And this, I will add, that I die a Queen, but I would rather have died the wife of my cousin Culpepper or of any other simple lout that loved me as he did, without regard, without thought, and without falter. He sold farms to buy me bread. You would not imperil a little alliance with a little King o’ Scots to save my life. And this I tell you, that I will spend the last hours of the days that I have to live in considering of this simple man and of his love, and in praying for his soul, for I hear you have slain him! And for the rest, I commend you to your friends!’

The King had staggered back against the long table; his jaw fell open; his head leaned down upon his chest. In all that long speech — the longest she had ever made save when she was shown for Queen — she had not once raised or lowered her voice, nor once dropped her eyes. But she had remembered the lessons of speaking that had been given her by her master Udal, in the aforetime, away in Lincolnshire, where there was an orchard with green boughs, and below it a pig-pound where the hogs grunted.

She went slowly down over the great stone flags of the great hall. It was very gloomy now, and her figure in black velvet was like a small shadow, dark and liquid, amongst shadows that fell softly and like draperies from the roof. Up there it was all dark already, for the light came downwards from the windows. She went slowly, walking as she had been schooled to walk.

‘God!’ Henry cried out; ‘you have not played false with Culpepper?’ His voice echoed all round the hall.

The Queen’s white face and her folded hands showed as she turned —

‘Aye, there the shoe pinches!’ she said. ‘Think upon it. Most times you shall not believe it, for you know me. But I have made confession of it before your Council. So it may be true. For I hope some truth cometh to the fore even in Councils.’

Near the doorway it was all shadow, and soundlessly she faded away among them. The hinge of the door creaked; through it there came the sound of the pikestaves of her guard upon the stone of the steps. The sound whispered round amidst the statues of old knights and kings that stood upon corbels between the windows. It whispered amongst the invisible carvings of the roof. Then it died away.

The King made no sound. Suddenly he cast his hat upon the paving.

MR. APOLLO

 

First published in 1908, this social satire concerns the subject of religion in the modern world, which is a unique theme in Ford’s novels.
 
Written at a time when the author had already renounced his atheism, converting to the Roman Catholic faith, the novel provides an interesting view of the author’s shift in religious beliefs.
 

The satire introduces the Greek god Phoebus Apollo, who visits the Earth
incognito
to study and learn about human life.
 
Mr. Apollo is portrayed as a miracle worker, who can read the other characters’ minds, turn cups of tea into nectar and irradiate the night sky, amongst a plethora of various other wonders.
 
Ford lays particular stress on Mr Apollo’s confrontation with each character and the lasting effect he has upon them.
 
During the course of the narrative, he visits three different London groups, with Mr. Apollo’s innocent interpretation of the Londoners’ thoughts and actions serving as a humorous and cynical foil.
 
It is a delightfully imaginative novel, with literary depth and amusing scenes, earning recognition as one of Ford’s finest achievements prior to
The Good Soldier.

 

The first edition

BOOK: Delphi Works of Ford Madox Ford (Illustrated)
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