DR10 - Sunset Limited (12 page)

Clete's face was turned into the shadows. The back of his neck
was the color of Mercurochrome.

"On my best day I kick in some poor bastard's door for Nig
Rosewater. Last week a greaseball tried to hire me to collect the vig
for a couple of his shylocks. Megan's talking about getting me on as
head of security with a movie company. You think that's bad?"

I looked at the water and the trapped air bubbles that chained
to the surface out of the silt. I heard Clete's weight turn on the
vinyl cushion under him.

"Say it, Dave. Any broad outside of a T&A joint must
have an angle if she'd get involved with your podjo. I'm not sensitive.
But lay off Megan."

I disconnected the sections of my fly rod and set them in the
bottom of the boat. When I lifted the outboard and yanked the starter
rope, the dry propeller whined like a chain saw through the darkening
swamp. I didn't speak again until we were at the dock. The air was hot,
as though it had been baked on a sheet of tin, the current yellow and
dead in the bayou, the lavender sky thick with birds.

Up on the dock, Clete peeled off his shirt and stuck his head
under a water faucet. The skin across his shoulders was dry and scaling.

"Come on up for dinner," I said.

"I think I'm going back to New Orleans tonight."

He took his billfold out of his back pocket and removed a
five-dollar bill and pushed it into a crack in the railing. "I owe for
the beer and gas," he said, and walked with his spinning rod and big
tackle box to his car, his love handles aching with fresh sunburn.

THE NEXT NIGHT, UNDER a fan moon, two
men wearing hats drove a
pickup truck down a levee in Vermilion Parish. On either side of them
marshlands and saw grass seemed to flow like a wide green river into
the Gulf. The two men stopped their truck on the levee and crossed a
plank walkway that oozed sand and water under their combined weight.
They passed a pirogue that was tied to the walkway, then stepped on
ground that was like sponge under their western boots. Ahead, inside
the fish camp, someone walked across the glare of a Coleman lantern and
made a shadow on the window. Mout' Broussard's dog raised its head
under the shack, then padded out into the open air on its leash, its
nose lifted into the wind.

MOUT' STOOD IN THE DOORWAY of the
shack and looked at the two
white men. Both were tall and wore hats that shadowed their faces. The
dog, a yellow-and-black mongrel with scars on its ears, growled and
showed its teeth.

"Shut up, Rafe!" Mout' said.

"Where's Willie Broussard at?" one of the men said. The flesh
in his throat was distended and rose-colored, and gray whiskers grew on
his chin.

"He gone up the levee to the sto'. Coming right back. Wit'
some friends to play bouree. What you gentlemens want?" Mout' said.

"Your truck's right yonder. What'd he drive in?" the second
man said. He wore a clear plastic raincoat and his right arm held
something behind his thigh.

"A friend carried him up there."

"We stopped there for a soda. It was locked up. Where's your
outboard, old man?" the man with whiskers said.

"Ain't got no outboa'd."

"There's the gas can yonder. There's the cut in the cattails
where it was tied. Your boy running a trot line?"

"What y'all want to bother him for? He ain't done you nothing."

"You don't mind if we come inside, do you?" the man in the
raincoat said. When he stepped forward, the dog lunged at his ankle. He
kicked his boot sideways and caught the dog in the mouth, then pulled
the screen and latch out of the doorjamb.

"You stand over in the corner and stay out of the way," the
man with whiskers said.

The man in the raincoat lifted the Coleman lantern by the bail
and walked into the back yard with it. He came back in and shook his
head.

The man with whiskers bit off a corner on a tobacco plug and
worked it into his jaw. He picked up an empty coffee can out of a trash
sack and spit in it.

"I told you we should have come in the a.m. You wake them up
and do business," the man in the raincoat said.

"Turn off the lantern and move the truck."

"I say mark it off. I don't like guessing who's coming through
a door."

The man with whiskers looked at him meaningfully.

"It's your rodeo," the man in the raincoat said, and went back
out the front door.

The wind blew through the screens into the room. Outside, the
moonlight glittered like silver on the water in the saw grass.

"Lie down on the floor where I can watch you. Here, take this
pillow," the man with whiskers said.

"Don't hurt my boy, suh."

"Don't talk no more. Don't look at my face either."

"What's I gonna do? You here to kill my boy."

"You don't know that. Maybe we just want to talk to
him… Don't look at my face."

"I ain't lying on no flo'. I ain't gonna sit by while y'all
kill my boy. What y'all t'ink I am?"

"An old man, just like I'm getting to be. You can have
something to eat or put your head down on the table and take a nap. But
don't mix in it. You understand that? You mix in it, we gonna forget
you're an old nigra don't nobody pay any mind to."

The man in the raincoat came back through the door, a
sawed-off over-and-under shotgun in his right hand.

"I'm burning up. The wind feels like it come off a desert," he
said, and took off his coat and wiped his face with a handkerchief.
"What was the old man talking about?"

"He thinks the stock market might take a slide."

"Ask him if there's any stray pussy in the neighborhood."

The man with whiskers on his chin leaned over and spit tobacco
juice into the coffee can. He wiped his lips with his thumb.

"Bring his dog in here," he said.

"What for?"

"Because a dog skulking and whimpering around the door might
indicate somebody kicked it."

"I hadn't thought about that. They always say you're a
thinking man, Harpo."

The man with the whiskers spit in the can again and looked
hard at him.

The man who had worn the raincoat dragged the dog skittering
through the door on its leash, then tried to haul it into the air. But
the dog's back feet found purchase on the floor and its teeth tore into
the man's hand.

"Oh, shit!" he yelled out, and pushed both his hands between
his thighs.

"Get that damn dog under control, old man, or I'm gonna shoot
both of you," the man with whiskers said.

"Yes, suh. He ain't gonna be no trouble. I promise," Mout'
said.

"You all right?" the man with whiskers asked his friend.

His friend didn't answer. He opened an ice chest and found a
bottle of wine and poured it on the wound. His hand was strung with
blood, his fingers shaking as though numb with cold. He tied his
handkerchief around the wound, pulling it tight with his teeth, and sat
down in a wood chair facing the door, the shotgun across his knees.

"This better come out right," he said.

MOUT' SAT IN THE corner, on the floor,
his dog between his
thighs. He could hear mullet splash out in the saw grass, the drone of
a distant boat engine, dry thunder booming over the Gulf. He wanted it
to rain, but he didn't know why. Maybe if it rained, no, stormed, with
lightning all over the sky, Cool Breeze would take shelter and not try
to come back that night. Or if it was thundering real bad, the two
white men wouldn't hear Cool Breeze's outboard, hear him lifting the
crab traps out of the aluminum bottom, hefting up the bucket loaded
with catfish he'd unhooked from the trot line.

"I got to go to the bat'room," he said.

But neither of the white men acknowledged him.

"I got to make water," he said.

The man with whiskers stood up from his chair and straightened
his back.

"Come on, old man," he said, and let Mout' walk ahead of him
out the back door.

"Maybe you a good man, suh. Maybe you just ain't giving
yourself credit for being a good man," Mout' said.

"Go ahead and piss."

"I ain't never give no trouble to white people. Anybody round
New Iberia tell you that. Same wit' my boy. He worked hard at the
bowling alley. He had him a li'l sto'. He tried to stay out of trouble
but wouldn't nobody let him."

Then Mout' felt his caution, his lifetime of deference and
obsequiousness and pretense slipping away from him. "He had him a wife,
her name was Ida, the sweetest black girl in Franklin, but a white man
said she was gonna cook for him, just like that, or her husband was
gonna go to the penitentiary. Then he took her out in the shed and made
her get down on her knees and do what he want. She t'rowed up and
begged him not to make her do it again, and every t'ree or fo' nights
he walked her out in the shed and she tole herself it's gonna be over
soon, he gonna get tired of me and then me and Cool Breeze gonna be
left alone, and when he got finished wit' her and made her hate herself
and hate my boy, too, another white man come along and give her
presents and took her to his bed and tole her t'ings to tell Cool
Breeze so he'd know he wasn't nothing but a nigger and a nigger's wife
is a white man's jelly roll whenever he want it."

"Shake it off and zip up your pants," the man with whiskers
said.

"You cain't get my boy fair. He'll cut yo' ass."

"You better shut up, old man."

"White trash wit' a gun and a big truck. Seen y'all all my
life. Got to shove niggers round or you don't know who you are."

The man with whiskers pushed Mout' toward the shack, surprised
at the power and breadth of muscle in Mout's back.

"I might have underestimated you. Don't take that as good
news," he said.

MOUT' WOKE JUST BEFORE first light.
The dog lay in his lap, its
coat stiff with mud. The two white men sat in chairs facing the front
door, their shoulders slightly rounded, their chins dropping to their
chests. The man with the shotgun opened his eyes suddenly, as though
waking from a dream.

"Wake up," he said.

"What is it?"

"Nothing. That's the point. I don't want to drive out of here
in sunlight."

The man with whiskers rubbed the sleep out of his face.

"Bring the truck up," he said.

The man with the shotgun looked in Mout's direction, as if
asking a question.

"I'll think about it," the man with whiskers said.

"It's mighty loose, Harpo."

"Every time I say something, you got a remark to make."

The man with the shotgun rewrapped the bloody handkerchief on
his hand. He rose from the chair and threw the shotgun to his friend.
"You can use my raincoat if you decide to do business," he said, and
went out into the dawn.

Mout' waited in the silence.

"What do you think we ought to do about you?" the man with
whiskers asked.

"Don't matter what happen here. One day the devil gonna come
for y'all, take you where you belong."

"You got diarrhea of the mouth."

"My boy better than both y'all. He outsmarted you. He know
y'all here. He out there now. Cool Breeze gonna come after you, Mr.
White Trash."

"Stand up, you old fart."

Mout' pushed himself to his feet, his back against the plank
wall. He could feel his thighs quivering, his bladder betraying him.
Outside, the sun had risen into a line of storm clouds that looked like
the brow of an angry man.

The man with whiskers held the shotgun against his hip and
fired one barrel into Mout's dog, blowing it like a bag of broken
sticks and torn skin into the corner.

"Get a cat. They're a lot smarter animals," he said, and went
out the door and crossed the board walkway to the levee where his
friend sat on the fender of their pickup truck, smoking a cigarette.

"COOL BREEZE RUN OUT OF gas. That's
why he didn't come back to
the camp," Mout' said.

It was Wednesday afternoon, and Helen and I sat with Mout' in
his small living room, listening to his story.

"What'd the Vermilion Parish deputies say?" Helen asked.

"Man wrote on his clipboa'd. Said it was too bad about my dog.
Said I could get another one at the shelter. I ax him, 'What about them
two men?' He said it didn't make no sense they come into my camp to
kill a dog. I said, 'Yeah, it don't make no sense 'cause you wasn't
listening to the rest of it.'"

"Where's Cool Breeze, Mout'?"

"Gone."

"Where?"

"To borrow money."

"Come on, Mout'," I said.

"To buy a gun. Cool Breeze full of hate, Mr. Dave. Cool Breeze
don't show it, but he don't forgive. What bother me is the one he don't
forgive most is himself."

BACK AT MY OFFICE, I called Special
Agent Adrien Glazier at
the FBI office in New Orleans.

"Two white men, one with the first name of Harpo, tried to
clip Willie Broussard at a fish camp in Vermilion Parish," I said.

"When was this?"

"Last night."

"Is there a federal crime involved here?"

"Not that I know of. Maybe crossing a state line to commit a
felony."

"You have evidence of that?"

"No."

"Then why are you calling, Mr. Robicheaux?"

"His life's in jeopardy."

"We're not unaware of the risk he's incurred as a federal
witness. But I'm busy right now. I'll have to call you back," she said.

"You're busy?"

The line went dead.

A UNIFORMED DEPUTY PICKED up Cool
Breeze in front of a
pawnshop on the south side of New Iberia and brought him into my office.

"Why the cuffs?" I said.

"Ask him what he called me when I told him to get in the
cruiser," the deputy replied.

"Take them off, please."

"By all means. Glad to be of service. You want anything else?"
the deputy said, and turned a tiny key in the lock on the cuffs.