DR10 - Sunset Limited (13 page)

"Thanks for bringing him in."

"Oh, yeah, anytime. I always had aspirations to be a bus
driver," he said, and went out the door, his eyes flat.

"Who you think is on your side, Breeze?" I said.

"Me."

"I see. Your daddy says you're going to get even. How you
going to do that? You know who these guys are, where they live?"

He was sitting in the chair in front of my desk now, looking
out the window, his eyes downturned at the corners.

"Did you hear me?" I said.

"You know how come one of them had a raincoat on?" he said.

"He didn't want the splatter on his clothes."

"You know why they left my daddy alive?"

I didn't reply. His gaze was still focused out the window. His
hands looked like black starfish on his thighs.

"Long as Mout's alive, I'll probably be staying at his house,"
he said. "Mout' don't mean no more to them than a piece of nutria meat
tied in a crab trap."

"You didn't answer my question."

"Them two men who killed the white boys out in the Basin? They
ain't did that in St. Mary Parish without permission. Not to no white
boys, they didn't. And it sure didn't have nothing to do with any black
girl they raped in New Iberia."

"What are you saying?"

"Them boys was killed 'cause of something they done right
there in St. Mary."

"So you think the same guys are trying to do you, and you're
going to find them by causing some trouble over in St. Mary Parish?
Sounds like a bad plan, Breeze."

His eyes fastened on mine for the first time, his anger
unmasked. "I ain't said that. I was telling you how it work round here.
Blind hog can find an ear of corn if you t'row it on the ground. But
you tell white folks grief comes down from the man wit' the money, they
ain't gonna hear that. You done wit' me now, suh?"

LATE THAT SAME AFTERNOON, an elderly
priest named Father James
Mulcahy called me from St. Peter's Church in town. He used to have a
parish made up of poor and black people in the Irish Channel, and had
even known Clete Purcel when Clete was a boy, but he had been
transferred by the Orleans diocese to New Iberia, where he did little
more than say Mass and occasionally hear confessions.

"There's a lady here. I thought she came for reconciliation.
But I'm not even sure she's Catholic," he said.

"I don't understand, Father."

"She seems confused, I think in need of counseling. I've done
all I can for her."

"You want me to talk to her?"

"I suspect so. She won't leave."

"Who is she?"

"Her name is Lila Terrebonne. She says she lives in
Jeanerette."

Helen Soileau got in a cruiser with me and we drove to St.
Peter's. The late sun shone through the stained glass and suffused the
interior of the church with a peculiar gold-and-blue light. Lila
Terrebonne sat in a pew by the confessional boxes, immobile, her hands
in her lap, her eyes as unseeing as a blind person's. An enormous
replication of Christ on the cross hung on the adjacent wall.

At the vestibule door Father Mulcahy placed his hand on my
arm. He was a frail man, his bones as weightless as a bird's inside his
skin.

"This lady carries a deep injury. The nature of her problem is
complex, but be assured it's of the kind that destroys people," he said.

"She's an alcoholic, Father. Is that what we're talking about
here?" Helen said.

"What she told me wasn't in a sacramental situation, but I
shouldn't say any more," he replied.

I walked up the aisle and sat in the pew behind Lila.

"You ever have a guy try to pick you up in church before?" I
asked.

She turned and stared at me, her face cut by a column of
sunshine. The powder and down on her cheeks glowed as though
illuminated by klieg lights. Her milky green eyes were wide with
expectation that seemed to have no source.

"I was just thinking about you," she said.

"I bet."

"We're all going to die, Dave."

"You're right. But probably not today. Let's take a ride."

"It's strange I'd end up sitting here under the Crucifixion.
Do you know the Hanged Man in the Tarot?"

"Sure," I said.

"That's the death card."

"No, it's St. Sebastian, a Roman soldier who was martyred for
his faith. It represents self-sacrifice," I said.

"The priest wouldn't give me absolution. I'm sure I was
baptized Catholic before I was baptized Protestant. My mother was a
Catholic," she said.

Helen stood at the end of Lila's pew, chewing gum, her thumbs
hooked in her gunbelt. She rested three fingers on Lila's shoulders.

"How about taking us to dinner?" she said.

AN HOUR LATER WE crossed the parish
line into St. Mary. The
air was mauve-colored, the bayou dimpled with the feeding of bream, the
wind hot and smelling of tar from the highway. We drove up the
brick-paved drive of the Terrebonne home. Lila's father stood on the
portico, a cigar in his hand, his shoulder propped against a brick
pillar.

I pulled the cruiser to a stop and started to get out.

"Stay here, Dave. I'm going to take Lila to the door," Helen
said.

"That isn't necessary. I'm feeling much better now. I
shouldn't have had a drink with that medication. It always makes me a
bit otherworldly," Lila said.

"Your father doesn't like us, Lila. If he wants to say
something, he should have the chance," Helen said.

But evidently Archer Terrebonne was not up to confronting
Helen
Soileau that evening. He took a puff from his cigar, then walked inside
and closed the heavy door audibly behind him.

The portico and brick parking area were deep in shadow now,
the gold and scarlet four-o'clock flowers in full bloom. Helen walked
toward the portico with her arm around Lila's shoulders, then watched
her go in the house and close the door. Helen continued to look at the
door, working the gum in her jaw, the flat of one hand pushed down in
the back of her gunbelt.

She opened the passenger door and got in.

"I'd say leapers and vodka," I said.

"No odor, fried terminals. Yeah, that sounds right. Great
combo for a coronary," she replied.

I turned around in front of the house and drove toward the
service road and the bridge over the bayou. Helen kept looking over the
seat through the rear window.

"I wanted to kick her old man's ass. With a baton, broken
teeth and bones, a real job," she said. "Not good, huh, bwana?"

"He's one of those guys who inspire thoughts like that. I
wouldn't worry about it."

"I had him made for a child molester. I was wrong. That
woman's been raped, Dave."

THE NEXT MORNING I CALLED Clete Purcel
in New Orleans, signed
out of the office for the day, and drove across the elevated highway
that spanned the chain of bays in the Atchafalaya Basin, across the
Mississippi bridge at Baton Rouge, then down through pasture country
and the long green corridor through impassable woods that tapered into
palmettos and flooded cypress on the north side of Lake Pontchartrain.
Then I was at the French Quarter exit, with the sudden and real urban
concern of having to park anywhere near the Iberville Welfare Project.

I left my truck off Decatur, two blocks from the Cafe du
Monde, and crossed Jackson Square into the shade of Pirates Alley
between the lichen-stained garden of the Cathedral and the tiny
bookstore that had once been the home of William Faulkner. Then I
walked on down St. Ann, in sunlight again, to a tan stucco building
with an arched entrance and a courtyard and a grilled balcony upstairs
that dripped bougainvillea, where Clete Purcel kept his private
investigative agency and sometimes lived.

"You want to take down Jimmy Fig? How hard?" he said.

"We don't have to bounce him off the furniture, if that's what
you mean."

Clete wore a pressed seersucker suit with a tie, and his hair
had just been barbered and parted on the side and combed straight down
on his head so that it looked like a little boy's.

"Jimmy Figorelli is a low-rent sleaze. Why waste time on a
shit bag?" he said.

"It's been a slow week."

He looked at me with the flat, clear-eyed pause that always
indicated his unbelief in what I was saying. Through the heavy bubbled
yellow glass in his doors, I saw Megan Flynn walk down the stairs in
blue jeans and a T-shirt and carry a box through the breezeway to a
U-Haul trailer on the street.

"She's helping me move," Clete said.

"Move where?"

"A little cottage between New Iberia and Jeanerette. I'm
going to head security at that movie set."

"Are you crazy? That director or producer or whatever he is,
Billy Holtzner, is the residue you pour out of spittoons."

"I ran security for Sally Dio at Lake Tahoe. I think I can
handle it."

"Wait till you meet Holtzner's daughter and boyfriend. They're
hypes, or at least she is. Come on, Clete. You were the best cop I ever
knew."

Clete turned his ring on his finger. It was made of gold and
silver and embossed with the globe and anchor of the U.S. Marine Corps.

"Yeah, 'was' the best cop. I got to change and help Megan.
Then we'll check out Jimmy Fig. I think we're firing in the well,
though," he said.

After he had gone upstairs I looked out the back window at the
courtyard, the dry wishing well that was cracked and never retained
water, the clusters of untrimmed banana trees, Clete's rust-powdered
barbells that he religiously pumped and curled, usually half full of
booze, every afternoon. I didn't hear Megan open the door to the
breezeway behind me.

"What'd you say to get him upset?" she asked. She was
perspiring from her work and her T-shirt was damp and shaped against
her breasts. She stood in front of the air-conditioning unit and lifted
the hair off the back of her neck.

"I think you're sticking tacks in his head," I said.

"Where the hell you get off talking to me like that?"

"Your brother's friends are scum."

"Two-thirds of the world is. Grow up."

"Boxleiter and I had a talk. The death photo of the black guy
in the drainpipe was a setup."

"You're full of shit, Dave."

We stared at each other in the refrigerated coolness of the
room, almost slit-eyed with antagonism. Her eyes had a reddish-brown
cast in them like fire inside amber glass.

"I think I'll wait outside," I said.

"You know what homoeroticism is? Guys who aren't quite gay but
who've got a yen they never deal with?" she said.

"You'd better not hurt him."

"Oh, yeah?" she said, and stepped toward me, her hands shoved
in her back pockets like a baseball manager getting in an umpire's
face. Her neck was sweaty and ringed with dirt and her upper lip was
beaded with moisture. "I'm not going to take your bullshit, Dave. You
go fuck yourself." Then her face, which was heart-shaped and tender to
look at and burning with anger at the same time, seemed to go out of
focus. "
Hurt
him? My father was nailed alive to a
board wall. You lecture me on hurting people? Don't you feel just a
little bit embarrassed, you self-righteous sonofabitch?"

I walked outside into the sunshine. Sweat was running out of
my hair; the backdraft of a passing sanitation truck enveloped me with
dust and the smell of decaying food. I wiped my forehead on my sleeve
and was repelled by my own odor.

CLETE AND I DROVE out of the Quarter,
crossed Canal, and
headed up Magazine in his convertible. He had left the top down while
the car had been parked on the street and the seats and metal surfaces
were like the touch of a clothes iron. He drove with his left hand, his
right clenched around a can of beer wrapped in a paper sack.

"You want to forget it?" I asked.

"No, you want to see the guy, we see the guy."

"I heard Jimmy Fig wasn't a bad kid before he was at Khe Sanh."

"Yeah, I heard that story. He got wounded and hooked on
morphine. Makes great street talk. I'll tell you another story. He was
the wheelman on a jewelry store job in Memphis. It should have been an
easy in-and-out, smash-and-grab deal, except the guys with him decided
they didn't want witnesses, so they executed an eighty-year-old Jew who
had survived Bergen-Belsen."

"I apologize to you and Megan for what I said back there."

"I've got hypertension, chronic obesity, and my own rap sheet
at NOPD. What do guys like us care about stuff like that?"

He pressed his aviator glasses against his nose, hiding his
eyes. Sweat leaked out of his porkpie hat and glistened on his flexed
jaw.

JIMMY FIGORELLI RAN A sandwich shop
and cab stand on Magazine
just below Audubon Park. He was a tall, kinetic, wired man, with
luminous black eyes and black hair that grew in layers on his body.

He was chopping green onions in an apron and never missed a
beat when we entered the front door and stood under the bladed ceiling
fan that turned overhead.

"You want to know who put a hit on Cool Breeze Broussard? You
come to my place of business and ask me a question like that, like you
need the weather report or something?" He laughed to himself and raked
the chopped onions off the chopping board onto a sheet of wax paper and
started slicing a boned roast into strips.

"The guy doesn't deserve what's coming down on him, Jimmy.
Maybe you can help set it right," I said.

"The guys you're interested in don't fax me their day-to-day
operations," he replied.

Clete kept lifting his shirt up from his shoulders with his
fingers.

"I got a terrible sunburn, Jimmy. I want to be back in the
air-conditioning with a vodka and tonic, not listening to a shuck that
might cause a less patient person to come around behind that counter,"
Clete said.

Jimmy Figorelli scratched an eyebrow, took off his apron and
picked up a broom and began sweeping up green sawdust from around an
ancient Coca-Cola cooler that sweated with coldness.