Duma Key (87 page)

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Authors: Stephen King

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His thoughts broke off as he became aware of a dull, tingling feeling in both hands and forearms.

Feeling. Coming back. Pins and needles.

The cat leaped at his face, claws out, spitting.

Halston shut his eyes and opened his mouth. He bit at the cat's belly and got nothing but fur. The cat's front claws were clasped on his ears, digging in. The pain was enormous, brightly excruciating. Halston tried to raise his hands. They twitched but would not quite come out of his lap.

He bent his head forward and began to shake it back and forth, like a man shaking soap out of his eyes. Hissing and squalling, the cat held on. Halston could feel blood trickling down his cheeks. It was hard to get his breath. The
cat's chest was pressed over his nose. It was possible to get some air in by mouth, but not much. What he did get came through fur. His ears felt as if they had been doused with lighter fluid and then set on fire.

He snapped his head back, and cried out in agony—he must have sustained a whiplash when the Plymouth hit. But the cat hadn't been expecting the reverse and it flew off. Halston heard it thud down in the backseat.

A trickle of blood ran in his eye. He tried again to move his hands, to raise one of them and wipe the blood away.

They trembled in his lap, but he was still unable to actually move them. He thought of the .45 special in its holster under his left arm.

If I can get to my piece, kitty, the rest of your nine lives are going in a lump sum.

More tingles now. Dull throbs of pain from his feet, buried and surely shattered under the engine block, zips and tingles from his legs—it felt exactly the way a limb that you've slept on does when it's starting to wake up. At that moment Halston didn't care about his feet. It was enough to know that his spine wasn't severed, that he wasn't going to finish out his life as a dead lump of body attached to a talking head.

Maybe I had a few lives left myself.

Take care of the cat. That was the first thing.
Then get out of the wreck
—maybe someone would come along, that would solve both problems at once. Not likely at 4:30 in the morning on a back road like this one, but barely possible. And—

And what was the cat doing back there?

He didn't like having it on his face, but he didn't like having it behind him and out of sight, either. He tried the rear-view mirror, but that was useless. The crash had knocked it awry and all it reflected was the grassy ravine he had finished up in.

A sound from behind him, like low, ripping cloth.

Purring.

Hellcat my ass. It's gone to sleep back there.

And even if it hadn't, even if it was somehow planning murder, what could it do? It was a skinny little thing, probably
weighed all of four pounds soaking wet. And soon . . . soon he would be able to move his hands enough to get his gun. He was sure of it.

Halston sat and waited. Feeling continued to flood back into his body in a series of pins-and-needles incursions. Absurdly (or maybe in instinctive reaction to his close brush with death) he got an erection for a minute or so.
Be kind of hard to beat off under present circumstances,
he thought.

A dawn-line was appearing in the eastern sky. Somewhere a bird sang.

Halston tried his hands again and got them to move an eighth of an inch before they fell back.

Not yet. But soon.

A soft thud on the seatback beside him. Halston turned his head and looked into the black-white face, the glowing eyes with their huge dark pupils.

Halston spoke to it.

“I have never blown a hit once I took it on, kitty. This could be a first. I'm getting my hands back. Five minutes, ten at most. You want my advice? Go out the window. They're all open. Go out and take your tail with you.”

The cat stared at him.

Halston tried his hands again. They came up, trembling wildly. Half an inch. An inch. He let them fall back limply. They slipped off his lap and thudded to the Plymouth's seat. They glimmered there palely, like large tropical spiders.

The cat was grinning at him.

Did I make a mistake?
he wondered confusedly. He was a creature of hunch, and the feeling that he had made one was suddenly overwhelming. Then the cat's body tensed, and even as it leaped, Halston knew what it was going to do and he opened his mouth to scream.

The cat landed on Halston's crotch, claws out, digging.

At that moment, Halston wished he
had
been paralyzed. The pain was gigantic, terrible. He had never suspected that there could be such pain in the world. The cat was a spitting coiled spring of fury, clawing at his balls.

Halston
did
scream, his mouth yawning open, and that was when the cat changed direction and leaped at his face, leaped at his mouth. And at that moment Halston knew
that it was something more than a cat. It was something possessed of a malign, murderous intent.

He caught one last glimpse of that black-and-white face below the flattened ears, its eyes enormous and filled with lunatic hate. It had gotten rid of the three old people and now it was going to get rid of John Halston.

It rammed into his mouth, a furry projectile. He gagged on it. Its front claws pinwheeled, tattering his tongue like a piece of liver. His stomach recoiled and he vomited. The vomit ran down into his windpipe, clogging it, and he began to choke.

In this extremity, his will to survive overcame the last of the impact paralysis. He brought his hands up slowly to grasp the cat.
Oh my God,
he thought.

The cat was forcing its way into his mouth, flattening its body, squirming, working itself further and further in. He could feel his jaws creaking wider and wider to admit it.

He reached to grab it, yank it out, destroy it . . . and his hands clasped only the cat's tail.

Somehow it had gotten its entire body into his mouth. Its strange, black-and-white face must be crammed into his very throat.

A terrible thick gagging sound came from Halston's throat, which was swelling like a flexible length of garden hose.

His body twitched. His hands fell back into his lap and the fingers drummed senselessly on his thighs. His eyes sheened over, then glazed. They stared out through the Plymouth's windshield blankly at the coming dawn.

Protruding from his open mouth was two inches of bushy tail . . . half-black, half-white. It switched lazily back and forth.

It disappeared.

A bird cried somewhere again. Dawn came in breathless silence then, over the frost-rimmed fields of rural Connecticut.

—

The farmer's name was Will Reuss.

He was on his way to Placer's Glen to get the inspection sticker renewed on his farm truck when he saw the
late morning sun twinkle on something in the ravine beside the road. He pulled over and saw the Plymouth lying at a drunken, canted angle in the ditch, barbed wire tangled in its grille like a snarl of steel knitting.

He worked his way down, and then sucked in his breath sharply. “Holy moley,” he muttered to the bright November day. There was a guy sitting bolt upright behind the wheel, eyes open and glaring emptily into eternity. The Roper organization was never going to include him in its presidential poll again. His face was smeared with blood. He was still wearing his seat belt.

The driver's door had been crimped shut, but Reuss managed to get it open by yanking with both hands. He leaned in and unstrapped the seat belt, planning to check for ID. He was reaching for the coat when he noticed that the dead guy's shirt was rippling, just above the belt buckle. Rippling . . . and bulging. Splotches of blood began to bloom there like sinister roses.

“What the Christ?” He reached out, grasped the dead man's shirt, and pulled it up.

Will Reuss looked—and screamed.

Above Halston's navel, a ragged hole had been clawed in his flesh. Looking out was the gore-streaked black-and-white face of a cat, its eyes huge and glaring.

Reuss staggered back, shrieking, hands clapped to his face. A score of crows took cawing wing from a nearby field.

The cat forced its body out and stretched in obscene languor.

Then it leaped out the open window. Reuss caught sight of it moving through the high dead grass and then it was gone.

It seemed to be in a hurry, he later told a reporter from the local paper.

As if it had unfinished business.

STEPHEN KING
is the author of more than fifty books, all of them worldwide bestsellers. Among his most recent are
Lisey's Story,
the Dark Tower novels,
Cell, From a Buick 8,
Everything's Eventual, Hearts in Atlantis, The Girl Who Loved
Tom Gordon,
and
Bag of Bones.
His acclaimed nonfiction book,
On Writing,
was also a bestseller. He is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters and the 2007 Grand Master Award from the Mystery Writers of America. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

Author photo by Amy Guip
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“Animals,” from
The Collected Poems of Frank O'Hara
by Frank O'Hara, edited by Donald Allen, copyright © 1971 by Maureen Granville-Smith, Administratrix of the Estate of Frank O'Hara. Used by permission of Alfred A. Knopf, a division of Random House, Inc.

Permission to use lyrics from “Dig” by Shark Puppy (R. Tozier, W. Denbrough), granted by Bad Nineteen Music, copyright © 1986.

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This book is a work of fiction. Names, characters, places, and incidents either are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

Copyright © 2008 by Stephen King

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Cover design and photo illustration by Jae Song Photograph © John Lund / Jupiter Images

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