Endgame (36 page)

Spassky gaped for about ten seconds, thinking about what to do, and finally sat down.
Fischer was told that it was just a closed-circuit, noiseless camera that was projecting the game onto a large screen on the stage. No copy would be kept. He somehow accepted it.

Fischer apologized for his hasty words, and both men finally got down to business. They played one of the best games of the match. After Fischer’s seventh move (fifteen minutes had elapsed on his clock, to Spassky’s five), he briefly left the room. As he walked past Schmid, the referee noted that he appeared intensely grave. “He looked like death,” Schmid said afterward. Yes, and also incensed, indignant, and thoroughly, almost maniacally, determined.

When the game was adjourned on the forty-first move, Fischer’s powerful position was irresistible. The game was resumed the next day and Bobby, feeling ebullient because he was in a winning position, agreed to play on the main stage. At the start of play Spassky took one fleeting glimpse at Fischer’s sealed move, which won by force, meaning that there was no ambiguity to the position: Bobby had a clear win that was demonstrable and resolute. Spassky stopped his clock, signaling his resignation.

Tardy as usual, Fischer dashed onto the stage fifteen minutes late, out of breath. Spassky was already en route to his hotel. “What happened?” he asked, and Schmid said: “Mr. Spassky has resigned.” Fischer signed his score sheet and left the stage without another word. By the time he reached the backstage exit, he could no longer resist smiling at the well-wishers waiting there.

Though it seems ludicrous to suggest that the outcome of the Fischer-Spassky match was predictable after only two games had been completed, one point going to each player, the case
can
be made. The fact is, Fischer’s first win over Spassky was more than a narrowing of the gap. It was the creation of the gestalt Bobby needed to prove to himself that he was capable of dominance. A drawn game would have had no significance. He’d demonstrated in the past that he could, though admittedly infrequently, draw with Spassky. By winning, Bobby not only extracted the first drop of his opponent’s blood, he ensured that the wound would not soon close up.

Even as Bobby was waging a secondary battle against cameras in Reykjavik, cameras in New York were televising his epic struggle on the board.
A thirty-five-year-old sociology professor, Shelby Lyman, a master who’d been ranked high among players in the United States, conducted a five-hour program
almost every day on public television, discussing the games, move by move, as information and color commentary was phoned in to him by the PBS reporter in Iceland. He showed each new move on a demonstration board and attempted to predict what Fischer’s or Spassky’s next move might be. In a primitive form of interactive programming, members of the television audience phoned the studio to offer their suggested next move. Grandmasters were often guests on the show, evaluating the audience’s suggestions and discussing the win-loss possibilities of the contestants.

Lyman was eloquent in a homespun way, and in addition to his analysis of the match, he added explanations so that the analysis would be understandable to chess novices. For example, he once said: “It’s not enough to have respect for bishops in the abstract, you gotta watch out for them!” After the first few broadcasts, there were more than a million viewers following the games, and after two months Lyman became a star himself, with people stopping him on the street and asking for his autograph. So popular was the show that it crowded out the baseball and tennis coverage normally seen in sports bars
in New York, and when the channel was covering the Democratic National Convention in Washington, the station was flooded with thousands of calls asking to have the chess match put back on. Station officials gave in to their viewers’ demands, dropped the convention, and went back to broadcasting the match.

Fischer’s quest and charisma transformed the image and status of chess in the United States and other countries, as well. In New York, intense demand quickly made chess sets an out-of-stock item at department stores such as Bloomingdale’s and Macy’s. Nor could the publishers of Bobby’s two books,
My 60 Memorable Games
and
Bobby Fischer Teaches Chess
, easily keep up with demand for the chess star’s perspective. Chess clubs everywhere saw memberships swell; during the match, the Marshall Chess Club’s roster doubled to six hundred, and the United States Chess Federation added tens of thousands to the fold. For the first time in their lives, chess masters could make a decent living giving lessons because they had so many new students. People were playing chess at work, during their lunch hour, in restaurants, on their front stoops, and in their backyards. There’s no reliable statistic documenting how many people embraced the game as a result of the publicity surrounding the Fischer-Spassky match, but some estimates put the number in the millions.

Off-the-board pressures were undoubtedly placing Spassky (who was less inured than Bobby to being at the center of a storm) under great stress. And that might, in turn, have affected the sharpness of his thinking, because in the fifth game, after committing perhaps the worst blunder of his career on the twenty-seventh move, he resigned, ending one of the shortest decisive encounters in World Championship history.

Grandmaster Miguel Najdorf, seated on the sidelines, likened the next game, the sixth, to a Mozart symphony. Fischer built a crushing attack and enveloped Spassky in a mating net, forcing his capitulation. Fischer later implied that this was his favorite game of the match, and many grandmasters, such as Larry Evans, have indicated that the game was so beautifully executed that it became the match’s turning point.

Fischer began telling friends that he thought the match would be over in his favor in two weeks. He was becoming convivial and even made attempts at dry, almost British humor. At the beginning of August, while gazing out the picture window of his hotel room at the northern void during a gray, raw day, he quipped: “
Iceland is a nice place. I must come back here in the summertime.”

Although it’s never been revealed before, Regina Fischer, disguised in a blond wig and stylish clothing, flew in from England and visited Bobby at the Loftleidir to wish him good cheer and congratulate him on what appeared to be the certainty of his winning the championship. She didn’t want to be recognized. Journalists’ curiosity about her would simply take away, she felt, from her son’s shining moment. She slept in Bobby’s suite overnight but didn’t go to the Laugardalshöll to see him play. Instead, she flew back to the UK the next day.

In many ways, “unlucky thirteen” was the pivotal game of the Fischer-Spassky championship encounter. It was a nine-and-a-half-hour marathon in which Fischer, even though a pawn ahead, had a difficult position right up to adjournment. He could find no improvement with overnight analysis, and upon resumption he was forced to continue seeking what looked like a draw. On the sixty-ninth move, obviously exhausted, Spassky blundered. When he realized his mistake, he could barely look at the board, turning his head away several times in humiliation and frustration. Fischer, after moving to collect Spassky’s gift, sat back in his chair, grimly, staring at the Russian—studying him. For a long, long moment, he didn’t take his eyes off Spassky.
There was just a bit of compassion in Fischer’s eyes, which turned the episode into a true Aristotelian tragedy: Spassky’s terror combined with Fischer’s pity. Spassky finally moved, but resigned on the seventy-fourth move.

At that point in the match, Fischer stopped taking the chances that are often necessary to win a game. Because of his unusual caution, the following seven games, numbers fourteen to twenty, were all draws. After the match, Fischer explained that he hadn’t been playing for draws but realized that his three-point lead was enough to win the title, as long as he could prevent Spassky from winning a game.

After twenty games, the score stood at 11½–8½ in favor of Fischer. He needed just two draws or one win out of the remaining four games to wrest the title from the Russian, and from Russia. Fischer’s future was manifest.

Shortly before the concluding week of the match, the Soviet delegation, by way of a long and preposterous statement, made an accusation that Fischer might be “influencing” the World Champion’s behavior by “chemical substances if not by electronic means.” Incredibly, an investigation was launched by the Reykjavik Police Department and Icelandic scientists. They field-stripped Spassky’s chair, x-rayed it, took scrapings of all the surroundings, and even examined the air on the stage. The image of a burly policeman traipsing across the stage with an empty plastic bag, attempting to “capture” the air, was the stuff of Chaplinesque comedy. One object was found in Spassky’s chair that was not in Fischer’s otherwise identical chair!
But the secret weapon turned out to be a blob of wood filler, placed there by the manufacturer. Fischer guffawed when he heard of it and said that he’d been expecting rougher tactics from the Russians.

Donald Schultz, part of Fischer’s team, was there when the wood from the chair was x-rayed, and he saw the X-ray itself. He also saw a second X-ray and noticed that the blob was no longer there. He couldn’t help wondering if one of the Russians had planted something in the chair to embarrass Bobby but on second thought had somehow removed it so that the Soviets themselves wouldn’t be embarrassed if it could be proven they’d put it there in the first place.

The Russians insisted that a lighting fixture above the stage be taken apart to see if there was an electronic device hidden there that might be affecting Spassky’s play. As a policeman began to unscrew the globe, he yelled down
from the ladder that there
was
something in there. The Russians and the Americans ran to the base of the ladder as the policeman descended with his discovery: “
Two dead flies!”

The case was embarrassingly closed, it having become clear that the Soviets, stunned at the probable loss of “their” title, were searching for an alibi, one that would sully Bobby’s achievement. The London
Times
summed up the chess circus in humorous, though pointed, fashion: “
It started out as a farce by Beckett—
Waiting for Godot
. Then it turned into a Kafka tragedy. Now it’s beyond Kafka. Perhaps Strindberg could do it justice.”

The twenty-first game commenced on August 31, and Fischer, playing black, conducted the endgame in stellar fashion; at adjournment it looked as though he could win. If that were to occur, the twenty-first game would be Bobby’s last. To conquer Spassky and become World Champion, he’d always needed to collect 12½ points, and a win would get him to that magic number.

The next day, Harry Benson, a Scotsman who was a key photographer for
Time Life
, met Spassky at the Saga Hotel. “There’s a new champion,” Spassky said. “I’m not sad. It’s a sporting event and I lost. Bobby’s the new champion. Now I must take a walk and get some fresh air.”

Benson immediately drove to the Hotel Loftleidir and called Bobby on the house phone. “Are you sure it’s official?” Fischer asked. Told that it was, he said: “Well, thanks.”

At 2:47 p.m., Fischer appeared on stage at Laugardalshöll to sign his score sheet. Schmid made the official announcement: “Ladies and gentlemen, Mr. Spassky has resigned by telephone at 12:50. This is a traditional and legal way of resignation. Mr. Fischer has won this game, number twenty-one, and he is the winner of the match.”

The spectators went wild. Fischer smiled when Schmid shook his hand, then he nodded awkwardly at the audience, appeared uncomfortable, and started to go. Just before leaving, he paused ever so briefly and looked out into the crowd, as though he might be about to say something or perhaps wave. Then he quickly disappeared backstage and left the building. A mob swarmed around his car, which was driven by Saemi Palsson, his bodyguard. Television and radio reporters poked microphones and cameras at the closed windows. Lombardy sat in the backseat, and the three men drove off. Only
after they were under way did Fischer allow himself to break into a big, boyish grin. He was the World Chess Champion.

Two days after Fischer won the championship, a lavish banquet was held in his honor at Laugardalshöll. Boris Spassky attended, as did the arbiter Lothar Schmid and FIDE’s president Dr. Max Euwe, who officiated. The event had been planned for weeks and was sold out long before the match was over. More than one thousand people attended (scalpers obtained $75 to $100 for a $22 ticket), and everyone feasted on lamb and suckling pig grilled over charcoal braziers, served by waiters in Viking helmets. The “Vikings” kept goblets filled with something called “Viking’s Blood,” a powerful concoction of red wine and cognac. On the same stage where Fischer and Spassky had fought it out for two months, an orchestra now played, but the music was a pleasant potpourri from
The Tales of Hoffmann
and
La Traviata
. The whole evening radiated an Old World ambience, as though the event were taking place in 1872, in a huge European beer garden, rather than 1972, in a covered Icelandic arena.