Every Dead Thing (24 page)

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Authors: John Connolly

BOOK: Every Dead Thing
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32

T
HE DAY DAWNED
heavy and humid in New Orleans, the smell of the Mississippi strong in the morning air. I left my guest house and skirted the Quarter, trying to clear the tiredness from my head and my bones. I eventually ended up on Loyola, the traffic adding to the oppressive warmth. The sky overhead was gray and overcast with the threat of rain, and dark clouds hung over the city, seeming to lock in the heat. I bought a copy of the
Times-Picayune
from a vending machine and read it as I stood before City Hall. The newspaper was so heavy with corruption that it was a wonder the paper didn’t rot: two policemen arrested on drug trafficking charges, a federal investigation into the conduct of the last Senate elections, suspicions about a former governor. New Orleans itself, with its run-down buildings, the grim shopping precinct of Poydras, the Woolworth store with its
Closing Down
notices, seemed to embody this corruption, so it was impossible to tell whether the city had infected the populace or if some of its people were dragging down the city with them.

Chep Morrison had built the imposing City Hall shortly after he returned from the Second World War to dethrone the millionaire Mayor Maestri and drag New Orleans into the twentieth century. Some of Woolrich’s cronies still remembered Morrison with fondness, albeit a fondness arising from the fact that police corruption had flourished under him, along with numbers rackets, prostitution, and gambling. More than three decades later, the police department in New Orleans was still trying to deal with his legacy. For almost two decades, the Big Sleazy had been top of the league table of complaints about police misconduct, numbering over one thousand complaints per year.

The NOPD had been founded on the principal of “the cut”: like the police forces in other southern cities—Savannah, Richmond, Mobile—it had been formed in the eighteenth century to control and monitor the slave population, with the police receiving a portion of the reward for capturing runaways. In the nineteenth century, members of the force were accused of rapes and murders, lynchings and robberies, of taking graft to allow gambling and prostitution to continue. The fact that police had to stand for election annually meant that they were forced to sell their allegiance to the two main political parties. The force manipulated government elections, intimidated voters, even participated in the massacre of moderates at the Mechanics Institute in 1866.

New Orleans’s first black mayor, Dutch Morial, tried to clean up the department at the start of the nineteen eighties. If the independent Metropolitan Crime Commission, which had a quarter of a century’s start on Morial, couldn’t clean up the department, what hope did a black mayor have? The predominantly white police union went on strike and the Mardi Gras was cancelled. The national guard had to be called out to maintain order. I didn’t know if the situation had improved since then. I hoped that it had.

New Orleans is also homicide central, with about four hundred Code 30s—NOPD code for a homicide—each year. Maybe half get solved, leaving a lot of people walking the streets of New Orleans with blood on their hands. That’s something the city fathers prefer not to tell the tourists, although maybe a lot of the tourists would still come anyway. After all, when a city is so hot that it offers riverboat gambling, twenty-four-hour bars, strippers, prostitution, and a ready supply of drugs, all within a few blocks of one another, there’s got to be some kind of downside to it all.

I walked on, eventually stopping to sit on the edge of a potted tree outside the pink New Orleans Center, the tower of the Hyatt rising behind it, while I waited for Woolrich to show. In the midst of the previous night’s confusion, we had arranged a meeting for breakfast. I had considered staying in Lafayette or Baton Rouge, but Woolrich indicated that the local cops might not like having me so close to the investigation, and as he pointed out, he himself was based in New Orleans.

I gave him twenty minutes, and when he didn’t arrive, I began to walk down Poydras Street, its canyon of office buildings already thronged with businesspeople and tourists heading for the Mississippi.

At Jackson Square, La Madeleine was packed with breakfasters. The smell of baking bread from its ovens seemed to draw people in like cartoon characters pulled along by a visible, snakelike scent. I ordered a pastry and coffee and finished reading the
Times-Picayune.
It’s next to impossible to get the
New York Times
in New Orleans. I read somewhere that the New Orleans citizenry bought fewer copies of the
New York Times
than any other city in the United States, although they made up for it by buying more formal wear than anywhere else. If you’re going out to formal dinners every evening, you don’t get much time to read the
New York Times.

Amid the magnolia and banana trees of the square, tourists watched tap dancers and mimes and a slim black man who maintained a steady, sensual rhythm by hitting his knees with a pair of plastic bottles. There was a light breeze blowing from the river, but it was fighting a losing battle with the morning heat and contented itself with tossing the hair of the artists hanging their paintings on the square’s black iron fence and threatening the cards of the fortune-tellers outside the cathedral.

I felt strangely distant from what I had seen at
Tante
Marie’s house. I had expected it to bring back memories of what I had seen in my own kitchen, the sight of my own wife and child reduced to flesh, sinew, and bone. Instead, I felt only a heaviness, like a dark, wet blanket over my consciousness.

I flicked through the newspaper once again. The killings had made the bottom of the front page, but the details of the mutilations had been kept from the press. It was hard to tell how long that would last; rumors would probably begin to circulate at the funerals.

Inside, there were pictures of two bodies, those of Florence and Tee Jean, being taken across the bridge toward waiting ambulances. The bridge had been weakened by the traffic and there were fears that it might collapse if the ambulances tried to cross. Mercifully, there were no pictures of
Tante
Marie being transported on a special gurney to her ambulance, her huge bulk seeming to mock mortality even as it lay shrouded in black.

I looked up to see Woolrich approaching the table. He had changed his tan suit for a light gray linen; the tan had been covered in Florence Aguillard’s blood. He was unshaven and there were black bags beneath his eyes. I ordered him coffee and a plate of pastries and stayed quiet as he ate.

He had changed a great deal in the years I had known him, I thought. There was less fat on his face, and when the light caught him a certain way, his cheekbones were like blades beneath his skin. It struck me for the first time that he might be ill, but I didn’t raise the topic. When Woolrich wanted to talk about it, he would.

While he ate, I recalled the first time that I had met him, over the body of Jenny Ohrbach. She had been pretty once, a thirty-year-old woman who had kept her figure through regular exercise and a careful diet and who had, it emerged, lived a life of considerable luxury without any obvious means of support.

I had stood over her in an Upper West Side apartment on a cold January night. Two large bay windows opened out on to a small balcony overlooking Seventy-ninth Street and the river, two blocks from Zabar’s deli on Broadway. It wasn’t our territory, but Walter Cole and I were there because the initial MO looked like it might have matched two aggravated burglaries we were investigating, one of which had led to the death of a young account executive, Deborah Moran.

All of the cops in the apartment wore coats, some with mufflers dangling around their necks. The apartment was warm and nobody was in any great hurry to head back out into the cold, least of all Cole and I, despite the fact that this seemed to be a deliberate homicide rather than an aggravated burglary. Nothing in the apartment appeared to have been touched and a purse containing three credit cards and over seven hundred dollars in cash was found undisturbed in a drawer under the television set. Someone had brought coffee from Zabar’s and we sipped from the containers, our hands cupped around them, enjoying the unaccustomed feeling of warmth on our fingers.

The coroner had almost finished his work and an ambulance team was standing by to remove the body when an untidy figure shambled into the apartment. He wore a long brown overcoat the color of beef gravy, and the sole of one of his shoes had come adrift from the upper. Through the gap, a red sock and an exposed big toe revealed themselves. His tan pants were as wrinkled as a two-day-old newspaper and his white shirt had given up the struggle to keep its natural tones, settling instead for the unhealthy yellow pallor of a jaundice victim. A fedora was jammed on his head. I hadn’t seen anyone wear a fedora at a crime scene since the last film noir revival at the Angelika.

But it was the eyes that attracted the most attention. They were bright and amused and cynical, trailing lines like a jellyfish moving through water. Despite his ramshackle appearance, he was clean shaven and his hands were spotless as he took a pair of plastic gloves from his pocket and pulled them on.

“Cold as a whore’s heart out there,” he remarked, squatting down and placing a finger gently beneath Jenny Ohrbach’s chin. “Cold as death.”

I felt a figure brush my arm and turned to see Cole standing beside me.

“Who the hell are you?” he asked.

“I’m one of the good guys,” responded the figure. “Well, I’m FBI, so whatever that makes me in your eyes.” He flicked his ID at us. “Special Agent Woolrich.”

He rose, sighed, and pulled the gloves from his hands, then thrust both gloves and hands deep into the pockets of his coat.

“What brings you out on a night like this, Agent Wool-rich?” I asked. “Lose the keys to the Federal Building?”

“Oh, the witty NYPD,” said Woolrich, with a half smile. “Lucky there’s an ambulance standing by in case my sides split.” He turned his head to one side as he took in the body again. “You know who she is?” he asked.

“We know her name, but that’s it,” said a detective I didn’t recognize. I didn’t even know her name at that point. I knew only that she had been pretty once and now she was pretty no longer. She had been beaten around the face and head with a piece of hollow-centered coaxial cable, which had been dumped beside her body. The cream carpet around her head was stained a deep, dark red and blood had splashed on the walls and the expensive, and probably uncomfortable, white leather furniture.

“She’s Tommy Logan’s woman,” said Woolrich.

“The garbage collection guy,” I said.

“The very same.”

Tommy Logan’s company had clinched a number of valuable garbage collection contracts in the city over the previous two years. Tommy had also expanded into the window cleaning business. Tommy’s boys cleaned the windows in your building or you didn’t have any windows left to clean, and possibly no building either. Anyone with those kinds of contacts had to be connected.

“Racketeering interested in Tommy?” It was Cole.

“Lots of people interested in Tommy. Lot more than usual, if his girlfriend is lying dead on the carpet.”

“You think maybe someone’s sending him a message?” I asked.

Woolrich shrugged. “Maybe. Maybe someone should have sent him a message telling him to hire a decorator whose eyesight didn’t give out the year Elvis died.”

He was right. Jenny Ohrbach’s apartment was so retro it should have been wearing flares and a goatee. Not that it mattered to Jenny Ohrbach any more.

No one ever found out who killed her. Tommy Logan seemed genuinely shocked when he was told that his girlfriend was dead, so shocked he even stopped worrying that his wife might find out about her. Maybe Tommy decided to be more generous to his business partners as a result of Jenny Ohrbach’s death, but if he did, their arrangement still didn’t last much longer. One year later, Tommy Logan was dead, his throat cut and his body dumped by the Borden Bridge in Queens.

But Woolrich I saw more of. Our paths crossed on occasion; we went for a drink once or twice before I returned home and he went back to his empty apartment in Tribeca. He produced tickets to a Knicks game; he came to the house for dinner; he gave Jennifer an enormous stuffed elephant as a birthday present; he watched, but did not judge or interfere, as I drank myself away shot by shot.

I have a memory of him at Jenny’s third birthday party, a cardboard clown’s hat jammed on his head and a bowl of Ben & Jerry’s Cherry Garcia ice cream in his hand. He looked embarrassed, sitting there in his crumpled suit surrounded by three-and four-year-olds and their adoring parents, but also strangely happy as he helped small children blow up balloons or drew quarters from behind their ears. He did farmyard impressions and taught them how to balance spoons on their noses. When he left, there was a sadness in his eyes. I think he was recalling other birthdays, when his child was the center of attention, before he lost his way.

When Susan and Jennifer died, he followed me to the station and waited outside for four hours until they had finished questioning me. I couldn’t go back to the house, and after that first night when I found myself crying in a hospital lobby, I couldn’t stay with Walter Cole, not only because of his involvement in the investigation but because I did not want to be surrounded by a family, not then. Instead, I went to Woolrich’s small, neat apartment, the walls lined with books of poetry: Marvell, Vaughan, Richard Crashaw, Herbert, Jonson, and Ralegh, whose “Passionate Man’s Pilgrimage” he sometimes quoted. He gave me his bed. On the day of the funeral, he had stood behind me in the rain and let the water wash over him, the drops falling from the brim of his hat like tears.

“How you doing?” I asked eventually.

He puffed his cheeks and breathed out, his head moving slightly from side to side like a nodding-dog figure on the backseat of a car. Gray was seeping through his hair from silver pools over his ears. There were lines like the cracks in fine china spreading from his eyes and the corners of his mouth.

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