Everybody's Autobiography (42 page)

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Authors: Gertrude Stein

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Alice Toklas is at present most interested in the curtains in all the English houses when we come to England that is what she finds most exciting that and everything else done by women.

We went to the country for the day and night before watching the rehearsal, I have never seen a rehearsal and it will be very exciting. In the country I went over to a village called Littleworth and passed a field full of calves, being English calves they are brought up to be by themselves separated from the cows and the bulls, in France the calves are always with the cows not often with bulls but often with oxen. Animals in different countries have different expressions just as the people in different countries differ in expression.

And then we went to the Sadlers Wells Theatre for the rehearsal I had never seen a rehearsal a dress-rehearsal, and there were so many there, not only on the stage but everywhere and they do make them do it again and I liked hearing my words and I like it being a play and I liked it being something to look at and I liked their doing it again and I like the music going on. Daisy Fellowes said everybody worked and I was the only one not working. It is quite true what is known as work is something that I cannot do it makes me nervous, I can read and write and I can wander around and I can drive an automobile and I can talk and that is almost all, doing anything else makes me nervous.

I did like the ballet. It was a play and well constructed and the drop-curtain had a bouquet that was the most lively bouquet I have ever seen painted and Pépé the dog was charming and they were all sweet and kind and English, and the characters were real even if they were French and the music and all went together and really there is no use in going to see a thing if you have not written it no use at all, anyway that is the way I feel about it. And so tomorrow is going to be the day and as they all of them have done the work I am not at all nervous not at all and we will see an English audience. England has changed it is the same but it is no longer nineteenth century, Belgrave Square is still there I like to walk around Belgrave Square, the monarchical principle does prevail, and now that there is no other such anywhere it leaves them all free from care, anything that you do that is unique you enjoy when everybody does it it is a responsibility but when you are the only one doing it there is none of course there is none. And so the English are really having a good time. Tomorrow is another day and we will go to the theatre again and see how it is done when there is an audience there. Tomorrow then.

It was tomorrow which was yesterday and it was exciting, it was the first time I had ever been present when anything of mine had been played for the first time and I was not nervous but it was exciting, it went so very well. English dancers when they dance dance with freshness and agility and they know what drama is, they like to dance and they do know what drama is, it all went so very well, each time a musician does something with the words it makes it do what they never did do, this time it made them do as if the last word had heard the next word and the next word had heard not the last word but the next word.

After all why not.

I like anything that a word can do. And words do do all they do and then they can do what they never do do.

This made listening to what I had done and what they were doing most exciting.

And then gradually it was ending and we went out and on to the stage and there where I never had been with everything in front all dark and we bowing and all of them coming and going and bowing, and then again not only bowing but coming again and then as if it was everything, it was all over and we went back to sit down.

I guess it was a great success.

I hope sometime they will do one as a play. I wonder can they.

And then we went somewhere and we met every one and I always do like to be a lion, I like it again and again, and it is a peaceful thing to be one succeeding.

And I like being in London and I like having a ballet in London and I like everything they did to the ballet in London and I like the way they liked the ballet in London and then we went back again to Paris and going back I saw the only thing I have ever seen from an airplane that was frightening, a wide layer of fog close to the water that went right down the middle of the Channel, but the large part near the shore was clear I do not know why but it was frightening and there we gathered everything together and left for Bilignin. That is a natural thing, perhaps I am not I even if my little dog knows me but anyway I like what I have and now it is today.

G
ERTRUDE
S
TEIN
was born in Pennsylvania in 1874. At Radcliffe she was an outstanding student of William James in psychology, and conducted laboratory experiments with Hugo Munsterberg, which led her to study the anatomy of the brain at Johns Hopkins. In 1902 she joined her brother Leo in Paris, and lived abroad until her death in 1946. Her salon in the rue de Fleurus, over which she presided with Alice B. Toklas, became the gathering place for prominent writers and painters, among them Sherwood Anderson and Hemingway, Matisse and Picasso.

VINTAGE FICTION, POETRY, AND PLAYS
V-158
A
UDEN
, W. H. and C. I
SHERWOOD
Two Great Plays: The
Dog Beneath the Skin
and
The Ascent of F6
V-601
A
UDEN
, W. H. and P
AUL
T
AYLOR
(trans.)
The Elder Edda
V-673
B
ECK
, J
ULIAN
and J
UDITH
M
ALINA
Paradise Now
V-342
B
ECKSON
, K
ARL
(ed.)
Aesthetes and Decadents of the 1890's
V-271
B
EDIER
, J
OSEPH
Tristan and Iseult
V-321
B
OLT
, R
OBERT
A Man for All Seasons
V-21
B
OWEN
, E
LIZABETH
The Death of the Heart
V-48
B
OWEN
, E
LIZABETH
The House in Paris
V-294
B
RADBURY
, R
AY
The Vintage Bradbury
V-670
B
RECHT
, B
ERTOLT
Collected Works
, Vol. I
V-207
C
AMUS
, A
LBERT
Caligula & 3 Other Plays
V-2
C
AMUS
, A
LBERT
The Stranger
V-223
C
AMUS
, A
LBERT
The Fall
V-245
C
AMUS
, A
LBERT
The Possessed
, a play
V-281
C
AMUS
, A
LBERT
Exile and the Kingdom
V-626
C
AMUS
, A
LBERT
Lyrical and Critical Essays
V-135
C
APOTE
, T
RUMAN
Other Voices, Other Rooms
V-148
C
APOTE
, T
RUMAN
The Muses Are Heard
V-643
C
ARLISLE
, O
LGA
Poets on Streetcorners: Portraits of Fifteen Russian Poets
V-28
C
ATHER
, W
ILLA
Five Stories
V-200
C
ATHER
, W
ILLA
My Mortal Enemy
V-679
C
ATHER
, W
ILLA
Death Comes for the Archbishop
V-680
C
ATHER
, W
ILLA
Shadows on the Rock
V-140
C
ERF
, B
ENNETT
(ed.)
Famous Ghost Stories
V-203
C
ERF
, B
ENNETT
(ed.)
Four Contemporary American Plays
V-127
C
ERF
, B
ENNETT
(ed.)
Great Modern Short Stories
V-326
C
ERF
, C
HRISTOPHER
(ed)
The Vintage Anthology of Science Fantasy
V-293
C
HAUCER
, G
EOFFREY
The Canterbury Tales
, a prose version in Modern English
V-142
C
HAUCER
, G
EOFFREY
Troilus and Cressida
V-723
C
HERNYSHEVSKY
, N. G.
What Is to Be Done?
V-146
C
LARK
, W
ALTER
V
AN
T.
The Ox-Bow Incident
V-589
C
LIFTON
, L
UCILLE
Good Times
V-173
C
ONFUCIUS
(trans. by A. Waley)
Analects
V-155
C
ONRAD
, J
OSEPH
Three Great Tales: The Nigger of the Narcissus, Heart of Darkness, Youth
V-10
C
RANE
, S
TEPHEN
Stories and Tales
V-531
C
RUZ
, V
ICTOR
H
ERNANDEZ
Snaps: Poems
V-205
D
INESEN
, I
SAK
Winter's Tales
V-721
D
OSTOYEVSKY
, F
YODOR
Crime and Punishment
V-722
D
OSTOYEVSKY
, F
YODOR
The Brothers Karamazov
V-188
E
SCHENBACH
, W
OLFRAM VON
Parzival
V-254
F
AULKNER
, W
ILLIAM
As I Lay Dying
V-139
F
AULKNER
, W
ILLIAM
The Hamlet
V-282
F
AULKNER
, W
ILLIAM
The Mansion
V-339
F
AULKNER
, W
ILLIAM
The Reivers
V-381
F
AULKNER
, W
ILLIAM
Sanctuary
V-5
F
AULKNER
, W
ILLIAM
The Sound and the Fury
V-184
F
AULKNER
, W
ILLIAM
The Town
V-351
F
AULKNER
, W
ILLIAM
The Unvanquished
V-262
F
AULKNER
, W
ILLIAM
The Wild Palms
V-149
F
AULKNER
, W
ILLIAM
Three Famous Short Novels: Spotted Horses, Old Man, The Bear
V-130
F
IELDING
, H
ENRY
Tom Jones
V-45
F
ORD
, F
ORD
M
ADOX
The Good Soldier
V-187
F
ORSTER
, E. M.
A Room With a View
V-7
F
ORSTER
, E. M.
Howards End
V-40
F
ORSTER
, E. M.
The Longest Journey
V-61
F
ORSTER
, E. M.
Where Angels Fear to Tread
V-219
F
RISCH
, M
AX
I'm Not Stiller
V-8
G
IDE
, A
NDRE
The Immoralist
V-96
G
IDE
, A
NDRE
Lafcadio's Adventures
V-27
G
IDE
, A
NDRE
Strait Is the Gate
V-66
G
IDE
, A
NDRE
Two Legends: Oedipus and Theseus
V-656
G
ILBERT
, C
REIGHTON
Complete Poems and Selected Letters of Michelangelo
V-473
G
OODMAN
, P
AUL
Adam and His Works: Collected Stories of Paul Goodman
V-402
G
OODMAN
, P
AUL
Hawkweed
V-654
G
OODMAN
, P
AUL
Homespun of Oatmeal Gray
V-300
G
RASS
, G
UNTER
The Tin Drum
V-425
G
RAVES
, R
OBERT
Claudius the God
V-182
G
RAVES
, R
OBERT
I, Claudius
V-717
G
UERNEY
, B. G. (ed.)
An Anthology of Russian Literature in the Soviet Period
V-255
H
AMMETT
, D
ASHIELL
The Maltese Falcon
and
The Thin Man
V-15
H
AWTHORNE
, N
ATHANIEL
Short Stories
V-476
H
OROWITZ
, I
SRAEL
First Season
V-489
H
OROVITZ
, I.
AND
T. M
C
N
ALLY AND
L. M
ELFI
Morning, Noon and Night
V-305
H
UMPHREY
, W
ILLIAM
Home from the Hill
V-727
I
LF AND
P
ETROV
The Twelves Chairs
V-295
J
EFFERS
, R
OBINSON
Selected Poems
V-380
J
OYCE
, J
AMES
Ulysses
V-484
K
AFKA
, F
RANZ
The Trial
V-683
K
AUFMANN
, W
ALTER
Cain and Other Poems
V-536
K
ESSLER
, L
YLE
The Watering Place
V-134
L
AGERKVIST
, P
AR
Barabbas
V-240
L
AGERKVIST
, P
AR
The Sibyl
V-23
L
AWRENCE
, D. H.
The Plumed Serpent
V-71
L
AWRENCE
, D. H.
St. Mawr and The Man Who Died
V-315
L
EWIS
, A
NTHONY
Gideon's Trumpet
V-553
L
OWENFELS
, W
ALTER
(ed.)
In a Time of Revolution: Poems from Our Third World
V-537
L
UKE
, P
ETER
Hadrian VII
V-673
M
ALINA
, J
UDITH AND
J
ULIAN
B
ECK
Paradise Now
V-136
M
ALRAUX
, A
NDRE
The Royal Way
V-479
M
ALRAUX
, A
NDRE
Man's Fate
V-180
M
ANN
, T
HOMAS
Buddenbrooks
V-3
M
ANN
, T
HOMAS
Death in Venice and Seven Other Stories
V-86
M
ANN
, T
HOMAS
The Transposed Heads
V-496
M
ANN
, T
HOMAS
Confessions of Felix Krull, Confidence Man
V-497
M
ANN
, T
HOMAS
The Magic Mountain
V-36
M
ANSFIELD
, K
ATHERINE
Stories
V-137
M
AUGHAM
, S
OMERSET
Of Human Bondage
V-78
M
AXWELL
, W
ILLIAM
The Folded Leaf
V-91
M
AXWELL
, W
ILLIAM
They Came Like Swallows
V-221
M
AXWELL
, W
ILLIAM
Time Will Darken It
V-489
M
C
N
ALLY
, T.
AND
I. H
OROVITZ AND
L. M
ELFI
Morning, Noon and Night
V-562
M
C
N
ALLY
, T
ERENCE
Sweet Eros, Next and Other Plays
V-489
M
ELFI
, L., I. H
OROVITZ
, T. M
C
N
ALLY
Morning, Noon and Night

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