Read Everyone We've Been Online
Authors: Sarah Everett
In the car outside Overton, I'm shaking and terrified and beyond grateful Katy drove. Beyond grateful she's doing this with me.
“Here,” she says, dropping an envelope in my lap after she cuts the engine. “For today.”
When I open it, I find a whole bunch of bills. After a moment of confusion, I understand what she's doing and shake my head vehemently. “I can't take this, Katy. No way.”
“Well, you
can't
use all your savings and then get stuck in Lyndale. I'd have to go to New York by myself. That's not happening.”
“It won't. I'll figure it out, but there's no way I'm taking your money. Where did you even
get
all this?”
“Robbed a boyâI mean a bank,” she says, and I snort. “Fine. I pawned something my dad sent me. Some stupid pearl set that would work if I was the First Lady or something.”
“Katy!” I exclaim. “Why would you do that? A gift from your dad? You have to go get it back!”
“I don't
want
it back. I want you happy. I want you in New York. And I don't want shit that reminds me of how little my dad knows about me. I mean, it's fine he doesn't remember my exact birthday, but he's, like, three decades off with my age.”
I point to her wrist. “You like the silver bracelet, though. You never take it off.”
She shrugs. “â'Cause it's cute, which means his new wife probably picked it out. I can pretend he knows me well enough to know it's something I'd like. But a
pearl set
? Anyway, I might have enough money left over to get a new Stentor. I've had my violin for, like, four years.” She faces me now and says, “Just take it, okay? If you're going to do this, if you absolutely
have
to, then I want to help.”
I eye her for several seconds, blinking to hold back tears, then throw my arms around her. “I'm paying you back.”
“No, you're not,” she says.
“I am,” I argue as we both undo our seat belts.
“
Forget
it, okay?” Katy says, laughing at her own joke, but our laughter is strained and I wonder if her heart is pounding as hard as mine, her stomach turning as quickly, her mind racing as fast, as we climb out of the car and walk toward the clinic.
Minutes later, when the nurse comes to get me, I leave Katy in the waiting room, holding my phone and hers, since electronic devices are not allowed in the procedure rooms. Before I leave, my best friend gives me a look that is fearful and knowing and something else I can't define: maybe regretful.
Why are we here?
Let's get the hell out and go home.
But the nurse is waiting. She's short and young, with a bright pink streak in her hair, and I follow her down the hall, clutching the pen and form I started filling out in the waiting room. She hands me a hospital gown and directs me to a changing room.
As I get undressed, I chant the same thing over and over in my mind:
Don't think, don't think, don't think.
If I did, I might run out of here. I might go find Katy in the waiting room, and I'd call her Katy instead of Beatrice, and she'd call me Addie instead of Kathleen, and we'd go to her house or mine and talk about music or Juilliard or NYU. I'd try to forget Zach by filling my mind with other things, other people, not by erasing him.
But what if that's not good enough? What if I can't get over this?
My chest still throbs from just the thought of him.
And yet, I can't stop wondering if this is wrong. If this is stupid.
If I'll regret this.
My heart is racing now, my palms are clammy with sweat, and panic is swelling inside me, rushing up.
Don't think, don't think.
“Almost done in there, Kathleen?”
“One second,” I call back, but as the nurse's footsteps retreat, I see the pen and clipboard with the form I should have handed her sitting on top of the clothes I just took off.
And despite the mantra echoing in my mind, I think,
What if I hate myself for this afterward?
The nurse is back again, hovering outside, but I pull my jeans out of the pile of clothes, letting the rest drop. And I don't put them on, because I don't think I'm strong enough to live with this pain, because forgetting is still the easiest way to move forward.
But I turn my jeans inside out and start to write, scribbling as fast as I can.
I write all I have time to. All I can think of to say to the girl I wish I was, a girl who I hope will be a little braver than I am.
“Dr. Overton is ready whenever you are,” the nurse calls, and then I am picking up my clothes again and opening the door and I am handing the nurse my form. “You're going to be okay,” she promises me, and smiles in a way I don't want to forget. Another woman takes a scan of my brain, a baseline scan, she calls it. And then my nurse with the pink-streaked hair is back, leading me to a room where a doctor in his sixties shakes my hand and explains what's going to happen. The sedative, the side effects.
“How does it work again?” I ask in a moment of panic, stalling. I expect Dr. Overton to be annoyed, but he clearly never tires of talking about his life's work.
“Well, every time any of us remembers something, we don't just pull it out of the box and then put it back. We're actually reforming the memory of that thing. It's like every time you open a document on your computer and make changesâyou save it anew. You write over the file every time you access it. Same with memoryâanytime you access a memory, you write over it and then re-save it. We call it reconsolidation. And I think that's why sometimes it feels like we're reliving things that we remember. We are constantly re-creating or re-saving memories in our mind.” I nod and think of every memory of Zach, of how it feels too real and too much. “So what we do is we ask you to start off thinking of what you want to forget. You access it so we can locate the neural connections involved, and then we interrupt the reconsolidation process; we interrupt the process so the memory
doesn't
save. Does that make sense?”
I nod again as I lie in the bed, gripping the sides to stop myself from running out. I think of Katy in the waiting room, my mother at work, my father somewhere far away.
And Zach.
Before I forget him.
His hair, his smile, his scent, his laugh, his movies.
“Let's start with the day you met him. Do you remember that?”
I think of the heat the day I rode over to At Home Movies, pushing the door open, a boy with twinkling eyes springing out from behind the counter.
Zach,
the boy I love.
The doctor and nurse discuss what they're seeing on the screen, throwing out words that are completely foreign to me.
“We've got it,” the nurse says finally, pushing something into my arm. “Relax now, Kathleen. We'll take it from here.”
Don't think, don't think, don't think.
As the sedative starts to kick in, it becomes easier not to.
“You're probably starting to feel quite foggy by now, a little sleepy, which is perfectly normal,” the doctor says. “Try to relax.”
“She's so restless,” a woman says now, the nurse, I think. The fog makes it hard to tell.
“Here,” she says, and takes my hand, squeezes.
It helps. It stills the tremor coursing through me, vibrating like a plucked string.
I can still feel the warmth of her grip as I fall into a cloudy, quiet state. And as I feel things starting to disappear,
see
things starting to dull in the window of my mind, I panic. The cars go first. Round-faced vehicles with headlights shaped like bulging eyes, on a street I recognize vaguely. The grass goes next. Tables, then people. Random strangers in different parts of different scenes.
It's when the sound goes with them that I start to panic.
What am I doing?
I try to squeeze the woman's hand, to tell her to stop it. I don't want to forget.
I don't want to forget.
Not even how it felt.
Not even how it hurt.
Not yet.
Because it mattered and it made me different and maybe I was wrong. Maybe I can handle it.
I can handle it.
But my hands don't seem to move, don't seem to convey any sort of message to the nurse, and the people and things and memories keep vanishing.
So I search for something I can hold on to. A sturdy, firmly planted pillar in the middle of a tornado.
A piece of music. Bach.
I've always hidden things in my music. I don't know if it will be enough.
Still, I grab on to it. I don't let go.
As I'm falling under, I start to panic.
At that feeling of things disappearing, the edges growing dim, the spot left vacant by things I can't hold on to.
“Just relax,” a murky voice says to me, and I tell myself to.
It's okay.
You're going to forget.
You're about to start over.
But I still can't stop the storm in my chest, the feeling in my body saying that something isn't right.
I try to form words, but I can't. To ask for a minute or five.
I was glad there wasn't enough time before, but now I want it.
Now I need it.
My mind begins to blur with images, spinning. The accident.
Spinning.
Goth Guy.
The hospital bed.
Spinning.
The theater.
Zach on the bench next to me, sharing my jacket.
Rory's gravestone.
Spinning.
These are the things that happened to me.
These are some of the things I did.
I think of “Air on the G String.” This is the piece that reminded me.
I don't want to lose it.
I don't want to lose any of it.
But what if I am not strong enough? To take the pain of having just fragments, of knowing that I'll never truly have all the pieces of my life? What if I am not strong enough even to make out words now, in this fog? To tell Dr. Overton that I don't want to forget?
I try to form words, but it doesn't feel like my lips are even moving.
“Sâ¦sssâ¦s⦔
Stop.
Spinning.
Stop.
Please, please stop.
Spinning.
The things I know about my life are just shards of broken glass, the aftermath, what I've been told and pieced together. They are just a shadow, a replica of what happened and how.
But I deserve to know them.
I deserve to keep them.
Stop, stop, stop.
I'm not strong enough.
I've never been strong enough.
I cave when things get hard. I prefer to live vicariously, to live other people's stories because I am not brave enough to live my own.
That
is who I am.
“Sâ¦sstâ¦o⦔
Spinning.
“Addie?” a voice says now. I still can't tell whose it is.
Did they hear me?
Am I imagining it?
Am I strong enough?
“Stop,” I say.
Stop.
Finallyâfinallyâthey do.