Everything Is Cinema: The Working Life of Jean-Luc Godard (140 page)

Freud,
299
,
457
,
513
,
536

Frey, Sami,
143
,
158
,
163
,
181–82
,
185

Frodon, Jean-Michel,
539
,
555–56
,
624

Froeschel, Frédéric,
15
,
21

Fromanger, Gérard,
341

Front de Libération Nationale (FLN),
82
,
87
,
98
,
100–102
,
104
,
297

Front National,
102

Fuite, La
(Tzara),
20

Fuller, Samuel,
47
,
54
,
70
,
138
,
151
,
215
,
245–46
,
321
,
324

Funambule, Le
(Genet),
581

Funès, de,
345

Furet, François,
583

Gagarin, Yuri,
191

Galéa, Geneviève,
151

Gallimard,
4
,
12
,
17–18
,
20
,
25
,
582–83

Gallo, Vincent,
624

Gambo, Carlos,
413–14

Games of Love, The
(de Broca),
77

Games of Love and Chance, The
(Marivaux),
567

Gance, Abel,
35
,
47
,
136
,
321

Garcia, Ramos,
618
,
622

Gardner, Ava,
568

Garrel, Philippe,
139
,
269
,
329–30
,
390

Gaspard-Huit, Pierre,
143–44

Gassman, Vittorio,
410–11

Gauche-droite
(TV show),
587

Gauche proletarienne (GP),
357
,
359
,
615

Gaullism,
99
,
275
,
284

Gauloises bleues, Les
(Cournot),
317

Gaumont company,
477
,
506
,
509
,
516
,
519–20
,
556
,
582

Gazette du cinéma, La
(CCQL journal),
1–3
,
15
,
17–20
,
23
,
40

Gégauff, Paul,
21–22
,
34
,
43
,
45
,
83
,
109
,
204
,
315

Genet, Jean,
9
,
581

“Genius of Howard Hawks, The”(Rivette),
35

Gentle Creature, A
(Dostoyevsky),
122

George Sand
(Varda project),
122

German cinema,
15
,
229–30
,
232
,
531
,
537

Germany

East,
531–43

Nazi,
2
,
5–6
,
8
,
11
,
13
,
21
,
196–97
,
204
,
232
,
247
,
300
,
352–53
,
486
,
510–14
,
517
,
522
,
530
,
534
,
537–38
,
559
,
563
,
579
,
595
.
See also
Holocaust; Occupation

Weimar,
229
,
232

Germany Year Zero
(Rossellini),
534

Gertrud
(Dreyer),
235

Gide, André,
6
,
7
,
10
,
30

Gill, Brendan,
220

Gilliatt, Penelope,
356

Giordano, Domiziana,
524

Giotto,
501

Giraudoux, Jean,
4
,
17
,
46
,
93
,
95
,
143
,
177
,
179
,
184
,
306
,
448
,
537–38
,
547
,
557
,
590

Girbaud, François and Marithé,
521

Giroud, Françoise,
49

Giscard d’Estaing, Valéry,
390
,
432

Givray, Claude de,
121

Glass, Ann-Gisel,
470

Globus, Yoram,
474
,
496

Glucksmann, André,
407

Godard, Claude (brother),
5
,
33

Godard, Jean-Luc

actors and,
15
,
166
,
243–44
,
259
,
425–26
,
446
,
450
,
2
,
461
,
472–73

aids young filmmakers in 1960s,
268

Algerian War and,
81–83

American cinema and disillusionment with,
179–80
,
301–2

autobiography, and unity of life and art for,
3
,
58–59
,
75–76
,
83
,
87
,
91–93
,
108–11
,
114–15
,
126–27
,
137–38
,
149–50
,
152
,
158–59
,
161–164
,
183–84
,
190–92
,
198–99
,
208–9
,
226
,
232
,
239
,
241–42
,
244
,
246–48
,
250–52
,
267
,
282–83
,
291–94
,
394
,
513
,
422–23
,
439
,
500
,
505
,
556–60
,
617

autodidacticism of,
30
,
71
,
74
,
267

banning of
La Religieuse
ban and,
273–76

banning of
Married Woman
and,
201–3

banning of
Petit Soldat
,
97–105

birth, family background and youth of,
4–8

break with Braunberger,
144

break with Melville,
141

Bresson’s influence on,
97–98

culture of mass media rejected by,
xiii
,
145–46
,
190
,
194–96
,
198–99
,
262
,
455
,
473
,
555
,
558–59

death of Beauregard and tribute to,
481

death of mother and,
33

death of Truffaut and,
481

debate on Rossellini vs. Antonioni and,
145–48
,
154
,
200

debate on
Shoah
vs. Wajcman,
585–88

debate with Truffaut on Delluc vs. Lumière (spectacle vs. language),
136–37

debate with Truffaut on New Wave,
123–25

divorce from Karina,
186–87
,
226
,
237
,
239–42
,
279–80

divorce from Wiazemsky,
358

early filmmaking efforts, aiding Rohmer, Truffaut, and Rivette,
19–21

early postwar years frequenting film clubs and CCQL circle
8–23

early work and fame of, in 1960s and 1970s,
xii-xiii

early work on Swiss dam and first film,
31–33

early writing for
Cahiers du cinéma
, and Bazin debate on shot-reverse shot,
28–31
,
34–39

early writing for
La Gazette du cinéma
,
1–3
,
17
,
23

education,
7–8

“Everything is cinema” concept and,
xiii–xiv

fathers and daughter issue and,
435
,
452
,
457–58
,
491
,
494–96
,
500

finances of, and problems funding films,
99
,
127
,
131
,
144
,
203
,
239
,
279
,
344
,
353
,
359
,
384–85
,
464
,
469
,
474–75
,
477–80
,
492–93
,
495–97
,
519
,
539

friendship and collaboration with Gorin,
301–2
,
325
,
349–56
,
362–64

friendship with Truffaut,
15–17
,
123
,
253
,
320
,
335
,
440

friendship with Truffaut ended,
368–73

friendship with Vianey,
167–68

Godard, Jean-Luc (
continued
)

Langlois ouster protests and,
321–22

leaves Grenoble, for Rolle Switzerland,
398–99

lectures and studio at La fémis,
545–48

lectures at American universities,
322–26
,
356–57
,
362
,
322–26

lectures in Montreal, with Losique,
391–95
,
398–99
,
408–10
,
415
,
419
,
428
,
545

loss of status in France by 1970,
355–56

loss of support and thefts from family,
30–31

Manifesto of 121 and refusal to sign,
103

Maoists and,
299–301

May 1968 protests and,
326–35

meets Belmondo and casts in film,
43–44

meets Truffaut and Rivette in postwar film clubs,
15–17

Mitterrand and Lang aid filmmaking,
443–45

motorcycle accident and agoraphobia of,
xiii
,
360–61
,
374
,
428

moves to Grenoble to learn video from Beauviala,
373–75
,
378–79

New Left foreseen by, and connection of art and politics,
124–25

New York Film Festival and American appreciation of,
219–20

political fanaticism and films of, in Maoist period,
335–64

relationship with Miéville’s daughter,
389
,
407–8

retrospective and show,
Voyage(s) en utopie
,
Godard, 1946–2006
at Beaubourg,
625–26

retrospective in Montreal, of 1977,
393–95

retrospective in Paris, of 2001,
607

retrospective in Soviet Union, of 1992,
540–43

retrospectives at MOMA,
323
,
561

Rohmer’s editorship of
Cahiers
opposed and call of combat for New Wave,
176–77

travels to Algiers,
301–302

travels to America,
115
,
322–26
,
341–43
,
353–55

travels to Canada,
343–44
,
393–95
,
408

travels to Cuba,
323

travels to Czechoslovakia,
346–47

travels to eastern Germany after fall of Berlin Wall,
533

travels to Italy with Gorin, and develops new cinematic composition,
347–49

travels to Japan with Vlady,
277–78

travels to Middle East to make film on Palestinian struggle,
351

travels to Mozambique,
413–15

travels to Sarajevo,
616–20
,
624

travels to South America and New York to escape combat in Indochina,
25–26

Godard, Jean-Luc, awards and honors

Adorno philosophy prize,
564

French Legion of Honor,
445

French Order of Merit,
444

honorary César,
519

Jean Vigo Prize,
72

Locarno Golden Leopard,
564

New York Critics Circle,
561–62

for
Notre Musique
,
623–24

prix Louis Delluc,
488

Venice Critics’ and Special Jury Prize,
140
,
143

Venice prize,
168

Godard, Jean-Luc, books and articles
A Bas le cinema
(with Gorin, unpublished),
349

“Defense and Illustration of Classical Découpage,”29

edits
Cahiers
issue of May 1979,
414

“For a Political Cinema,”
1–2
,
93

For Ever Mozart
,
576–77

Godard on Godard
,
561

Histoire(s)
published by Gallimard,
582–83

Jean-Luc Godard par Jean-Luc Godard
,
476

Jean-Luc Godard par Jean-Luc Godard
, second volume,
583–84

“Joseph Mankiewicz,”1,
17

“Letter to André Malraux,”
275

“Montage, mon beau souci,”
38–39

Montreal seminars,
545

“My Characters,”185

“Notes on
Pierrot Le Fou
,”
253–55

“16mm Chronicle”(Godard),
19–20
,
23

Son
+
Image
(MOMA catalogue),
561

“Three Thousand Hours of Cinema,”298

“Tout seul”(on Truffaut),
481

Godard, Jean-Luc, filmmaking techniques documentary methods,
42
,
60
,
89–91
,
135
,
152–55
,
177–79
,
194
,
201
,
260–63
,
269
,
286–87
,
301
,
311
,
339
,
342–44
,
348
,
362
,
400–408
,
429
,
483
,
512
,
613
,
614
,
616