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Authors: Matthew Farrer

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BOOK: Faces
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The laughter pealed out from the top of the tower like bells, and hung in the air behind the line of jetbikes and air-sleds like the wake of a boat. Deep in the wasteland beyond where the mon-keigh travelled they would slip into the webway, and soon they would be breathing the fragrant air of a maiden world, rich with spices and flower-perfumes, dancing in warm water across delicate coral sand while the waves chuckled in amongst the roots of the mangrove towers and the moons danced and pinwheeled overhead.

They would mourn their dead, and re-enact the greatest of their myths: the Dream of Lileath, the Veil of Isha, the War in Heaven, the Doom of Eldanesh, the Fall. With the tale-telling they would reconsecrate their precious ritual masks, the heart of the troupe, and then they would roam again, roam up from the coral oceans to the great sighing seas of grass. They would find the camps of their cousins and steal in amongst their tents and tethered dragons, dazzling and bemusing them with shadow and laughter, and then they would make themselves known, step into the light, and dance for them. Perhaps they would tell one of the great stories, perhaps they would tell one of the lesser, perhaps one of the younger stories of the Devourer or the bestial wars about the great Gate.

Or perhaps they would dance a newer story still. A story of strays and travellers, forced by the decay of their old paths to leave the safety of their webway and make quick and secret passage across a world of crackling dunes and bloody, moonless skies. A story of a monstrous storm that not even these swift travellers could outrun. A story of the search for what the storm had taken from them, something more precious to them than the features of their own faces. A story of ugly, upstart animals who had meddled with something they should never have seen, a story of insolence punished, thievery justly rewarded, desecration turned back on itself. A story of how the great tales would try to play themselves out even through such lumpen mockeries of minds.

That was the power of the tales. That was the power of the masks. It was a story Sheagoresh had never imagined when he left his old troupe and wrought a new cast of great masks to form the core of a new one, but now they had lived it, the story was part of theirs, to tell and reinterpret and dance for themselves and for others all down the coming years.

The wind picked up, dust-cloud and nightfall drew curtains across the desert. Dull emergency lights glowed in the tower corridors, control telltales sparkled on the operations deck, a vox-alarm squawked unanswered. Nothing moved, and Pipeline Maintenance Depot 347-South-East was swallowed by the desert night.

About the Author

Matthew Farrer
is the author of the novella ‘The Inheritor King’, which appears in
Sabbat Crusade
. He also wrote the Warhammer 40,000 novels
Crossfire, Legacy
and
Blind
, along with numerous short stories, including ‘The Headstone and Hammerstone Kings’ for
Sabbat Worlds
and the Horus Heresy tales ‘After Desh’ea’ and ‘Vorax’. He lives and works in Australia.

A BLACK LIBRARY PUBLICATION

First published in the
Fear the Alien
anthology in 2010.
First published digitally in 2011.
This eBook edition published in 2015 by Black Library, Games Workshop Ltd., Willow Road, Nottingham, NG7 2WS, UK.

Cover by Leo Lesfargue.

© Games Workshop Limited 2015. All rights reserved.

Black Library, the Black Library logo, The Horus Heresy, The Horus Heresy logo, The Horus Heresy eye device, Space Marine Battles, the Space Marine Battles logo, Warhammer 40,000, the Warhammer 40,000 logo, Games Workshop, the Games Workshop logo and all associated brands, names, characters, illustrations and images from the Warhammer 40,000 universe are either ®, ™ and/or © Games Workshop Ltd 2000-2015, variably registered in the UK and other countries around the world.
All rights reserved.

A CIP record for this book is available from the British Library.

ISBN: 978-1-78251-861-7

This is a work of fiction. All the characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental.

See Black Library on the internet at
blacklibrary.com

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BOOK: Faces
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