Fire From Heaven (9 page)

At the sea-foot of Mount Olympos stood the town of Dion, the holy footstool of Olympian Zeus. Here Philip held his victory feast, in the god’s sacred month, with splendours which Archelaos had never equalled. Distinguished guests came north from all over Greece; kitharists and flautists, rhapsodes and actors, competed for gold wreaths, purple gowns, and bags of silver.

Euripides’ Bachkai was to be staged; Euripides had first put it on in this very theatre. The best scene-painter of Corinth was painting the flats with Theban hills and a royal palace; the tragedians were heard each morning in their lodgings, practising the gamut of all their voices from the boom of gods to maiden trebles. Even the schoolmasters were on holiday. Achilles and his Phoinix (the nickname had stuck at once) had the threshold of Olympos, and the sights of the festival, to themselves. Phoinix had given Achilles his own Iliad, a secret from Timanthes. They gave trouble to no one, absorbed in their private game.

On the god’s annual feast day, the King gave a grand banquet. Alexander was to appear, but to leave before the drinking. He wore a new blue chiton stitched with gold; his heavy loose-waving hair was curled. He sat on the end of his father’s supper-couch, his own silver bowl and cup beside him. The hall was brilliant with lamps; the lords’ sons of the royal bodyguard came and went between the King and his guests of honour, bringing them his gifts.

There were some Athenians, of the party which favoured peace with Macedon. The boy noticed his father taking care with his accent. The Athenians might have helped his enemies; they might have sunk to intrigue with the Persians their forbears had fought at Marathon; but they still had in their gift the prize of Gr?eekness.

The King, shouting down the hall, was asking some guest why he looked so glum. It was Satyros, the great comedian of Athens. Having got the feed he had worked for, he mimed fear amusingly, and said he hardly dared ask for what he wanted. Only name it, cried the King with extended hand. It turned out to be the freedom of two young girls he had seen among the slaves, daughters of an old Olynthian guest-friend; he wanted to save them from their fate and give them marriage-portions. A happiness, cried the King, to grant a request itself so generous. There was a buzz of applause; good feeling warmed the room. The guests who had passed the slave-pens found their food taste a little better.

The garlands were coming in, and big wine-coolers packed with Olympian snow. Philip turned to his son, stroked back the moist fair hair, already losing its curl, from his warm brow, gave it a bristly kiss while the guests murmured delight, and bade him run off to bed. He slipped down, said good night to the guard at the door, who was a friend of his; and made his way to his mother’s room to tell her all about it.

Before his hand was on the door, some warning reached him from within.

The place was in confusion. The women stood huddled like frightened hens. His mother, still dressed in the robe she had worn for the choral odes, was pacing to and fro. The mirror-table was overturned; a maid was on hands and knees, scrambling for jars and pins. As the door opened she dropped a jar and the kohl spilled out. Olympias strode across, and sent her sprawling with a blow on the head.

‘Out, all of you!’ she shouted. ‘Sluts, useless gaping half-wits! Get out, and leave me with my son.’

He came in. The flush of the hot hall and his watered wine drained from his face; his stomach clenched itself on its meal; Silently he walked forward. As the women scurried out, she flung herself on the bed, beating and biting the pillows. He came and knelt beside her, feeling the coldness of his own hands as he stroked her hair. He did not ask the trouble.

Olympias writhed round on the bed, and grasped him by the shoulders, calling all gods to witness her injuries and avenge her. She gripped him to her so that they both shook to and fro; the heavens forbid, she cried, that he should ever learn what she suffered from this vilest of all men; it was unfit for the innocence of his years. She always said this at first. He moved his head so that he could breathe. Not a young man this time, he thought; it must be a girl.

It was a proverb in Macedon, that the King took a wife for every war. It was true these matches, always sealed with rites to please the kindred, were a good way of making reliable allies. The boy only knew the fact. He now remembered a sleekness about his father which he had known before. ‘A Thracian!’ his mother cried. ‘A filthy, blue-painted Thracian!’ Somewhere in Dion, then, all this while, the girl had been hidden away. Hetairas went about, everyone saw them.

Ê’I’m sorry, Mother,’ he said leadenly. ‘Did Father marry her?’

‘Don’t call that man your father!’ She held him at arms’ length, staring into his face; her lashes were matted, the lids streaked with black and blue; her dilated eyes showed white all round the iris. One shoulder of her gown had fallen; her thick dark-red hair stood out all round her face and fell tangled on her bared breast. He remembered the Gorgon’s head in the Perseus room, and shook off the thought with horror. ‘Your father!’ she cried to him. ‘Zagreus be my witness, you are clean of that!’ Her fingers dug into his shoulders, so that he clenched his teeth with pain. ‘The day will come, yes it will come, when he will learn what part he had in you! Oh yes, he will learn a greater was here before him!’ Letting go, she flung herself back on her elbows and began to laugh.

She rolled in her red hair, laughing in sobs, catching her breath with shrill crowing gasps, the pitch of her laughter mounting louder and higher. The boy, to whom this was new, knelt by her in stifling terror, pullin?g at her hands, kissing her sweat-smeared face, calling in her ear to her to stop, to speak to him; he was here with her, he, Alexander; she must not go mad or he would die.

At last she moaned deeply, sat up, gathered him in her arms and stroked her cheek against his head. Weak with relief, he lay against her with closed eyes. ‘Poor boy, poor child. It was only the laughing-sickness; that is what he has brought me to. I should be ashamed, before anyone but you; but you know what I have to bear. See darling, I know you, I am not mad. Though he would gladly see it, the man who calls himself your father.’

He opened his eyes and sat up. ‘When I’m a man, I’ll see right done you.’

‘Ah, he does not guess what you are. But I know. I and the god.’

He asked no question. Enough had happened. Later, in the night, when, empty with vomiting, he lay dry-lipped in bed listening to the distant roar of the feast, her words came back to him.

Next day the games began. The two-horse chariots ran their laps, the dismounter leaping off and running with the car and vaulting on again. Phoinix, who had noticed the boy’s hollow eyes and guessed the cause, was glad to see him held by it.

He woke just before midnight, thinking of his mother. He got out of bed and dressed. He had dreamed she called to him from the sea, like the goddess mother of Achilles. He would go to her, and ask her what she had meant last night.

Her room was empty. Only an old crone, belonging to the house, crept muttering about, picking things up; they had all forgotten her. She looked at him with a little wet red eye, and said the Queen had gone to the Hekate shrine.

He slipped out into the night, among the drunks and whores and soldiers and pickpurses. He needed to see her, whether she saw him or not. He knew the way to the crossroads.

The city gates stood open for the festival. Far ahead were the black cloaks and the torch. It was a Hekate night, moonless; they did not see him stalking them. She had to fend for herself, because she had not a son of age to help her. It was his business, what she did.

She had made her women wait, and gone on alone. He skirted the oleanders and the tamarisks, to the shrine with its three-faced image. She was there, with something whining and whimpering in her hands. She had set her torch in the sooty socket by the altar-slab. She was all in black, and what she held was a young black dog. She held it up by the nape, and hacked a knife at its throat. It writhed and squealed, the whites of its eyes shone in the torchlight. Now she grasped it by its hindfeet, jerking and choking while the blood ran down; when it only twitched, she laid it down on the altar. Kneeling before the image, she beat her fists on the ground. He heard the furious whisper, soft as a snake’s, rise to a howl the dog itself might have made; the unknown words of the incantation, the known words of the curse. Her long hair trailed in the puddled blood; when she got up the ends were sticky, and her hands were clotted with black.

When it was over he tracked her home, keeping himself hidden. She looked familiar again, in her black cloak, walking among her women. He did not want to let her out of his sight.

Next day Epikrates said to Phoinix, ‘You must spare him to me today. I want to take him to the music-contest.’ He had meant to go with friends, with whom he could discuss technique; but the boy’s looks disturbed him. Like everyone else, he had heard the talk.

It was the contest for the kitharists. There was hardly a leading artist from the mainland or Greek Asia or the cities of Sicily and Italy who had not come. The unguessed-at beauty caught the boy up, breaking his mood and throwing him straight into ecstasy. So Hektor, stunned by Ajax’s great stone, had looked up at a voice that raised the hair on his head, and found Apollo standing by him.

After this, he took up his life much as before. His mother reminded him often with a sigh or a meaning look; but the shock had passed the worst, his body was strong and his age resili?ent; he sought healing as nature taught him. On the footslopes of Mount Olympos, he rode with Phoinix through chestnut groves, chanting line for line of Homer, first in Macedonian and then in Greek.

Phoinix would gladly have kept him from the women’s rooms. But if once the Queen mistrusted his loyalty, the boy would be lost to him for ever. She must not look for her son in vain. At least he seemed now to come away in better spirits.

He had found her busy with some plan which made her almost cheerful. He had waited in dread, at first, for her to come with her midnight torch, and fetch him to the Hekate shrine. She had never yet bade him call down a curse himself upon his father; the night they went to the tomb, he had only had to hold things and stand by.

Time passed; it was clearly no such thing; at last he even questioned her. She smiled, the subtle shadows curving under her cheekbones. He should know in good time, and it would surprise him. It was a service she had vowed to Dionysos; she promised he should be there. His spirits lightened. It must be the dancing for the god. These last two years she had been saying he was too old for women’s mysteries. He was eight now. It had been bitter to think that Kleopatra would soon go with her instead.

Like the King, she gave audience to many foreign guests. Aristodemos the tragedian had come not to perform, but as a diplomat, a role often entrusted to well-known actors; he was arranging ransoms for Athenians taken at Olynthos. A slender elegant man, he managed his voice like a polished flute; one could almost see him caress it. Alexander admired the good sense of his mother’s questions about the theatre. Later she received Neoptolemos of Skyros, a protagonist even more distinguished, who was rehearsing for The Bachkai, playing the god. This time, the boy was absent.

He would not have known his mother was working magic, if he had not heard her through the door one day. Though the wood was thick, he caught some of the incantation. It was one he did not know, about killing a lion on the mountain; but the meaning was always the same. So he went away without knocking.

It was Phoinix who roused him at dawn to see the play. He was too young for the chairs of honour; he would sit with his father when he came of age. He had asked his mother if he could sit with her, as he had done till only last year; but she said she would not be watching, she had other business then. He must tell her afterwards how he had liked it.

He loved the theatre; waking to a treat which would begin at once; the sweet morning smells, dew-laid dust, grass and herbs bruised by many feet, the smoke of the early workers’ torches just quenched at daybreak; people clambering down the tiers, the deep buzz of the soldiers and peasants up at the top, the fuss with cushions and rugs down among the seats of honour, the chatter from the women’s block; then suddenly the first notes of the flute, all other sound dying but the morning bird-song.

The play began eerily in the dawn-dusk; the god, masked as a beautiful fair-haired youth, saluting the fire on his mother’s tomb, and planning revenge on the Theban King who scorned his rites. His young voice, the boy perceived, was being skilfully done by a man; his maenads had flat breasts, and cool boys’ voices; but, this knowledge once stored away, he gave himself to the illusion.

Dark-haired young Pentheus spoke wickedly of the maenads and their rites. The god was bound to kill him. Several friends had described the plot beforehand. Pentheus’ death was the most dreadful one could conceive; but Phoinix had promised one did not see it.

While the blind prophet rebuked the King, Phoinix whispered that this old voice from the mask was the same actor’s who played the youthful god; such was the tragedian’s art. When Pentheus had died offstage, this actor too would change masks, and enact the mad queen Agave.

Imprisoned by the King, the god broke out with fire and earthquake; the effects, set up by Athenian craftsmen, entranced the boy. Pentheu?s, defying miracles, infatuate for doom, still rejected the divinity. His last chance gone, Dionysos wound him in deadly magic and stole his wits away. He saw two suns in the sky; thought he could move mountains; yet let the mocking god disguise him absurdly as a woman, to spy on the maenad rites. The boy joined in the laughter whose edge was sharpened by the sense of terrors to come.

The King went off to his agony; the chorus sang; then the Messenger brought the news. Pentheus had climbed a tree to spy from; the maenads had seen him, and in their god-crazed strength uprooted it. His mad mother, seeing only a wild beast, had led them to tear him in pieces. It was over, and as Phoinix had said, need not be seen. The mere telling had been enough.