For The Win (24 page)

She'd piloted a million virtual vehicles in her career as a gamer, at high speeds, through dangerous terrain. It wasn't remotely the same, even with the helmet's reality-filtering padding and visor. She could hear her own whimpering in her head. Every nerve in her body was screaming
Get off this thing while you can
! But her rational mind kept on insisting that this boy clearly rode his bike through Mumbai every day and managed to survive.

And besides, there was so much Mumbai to see as they sped down the road, and that was much more interesting than worrying about imminent death. As they sped down the causeway, they neared a huge suspension bridge, eight lanes wide, all white concrete and steel cables, proudly proclaimed to be the Bandra-Worli Sea Link by an intricate sign in Hindi and English. They sped up the ramp to it, riding close to the steel girders that lined the bridge's edge, and beneath them, the sea sparkled blue and seemed so close that she could reach down and skim her fingertips in the waves. The air smelled of salt and the sea, the choking traffic fumes whipped away by a wind that ruffled her dress and trousers, pasting them to her body. Her fear ebbed away as they crossed the bridge, and did not come back as they rolled off of it, back into Mumbai, back into the streets all choked with traffic and people. They swerved around saddhus, naked holy men covered in paint. They swerved around dabbahwallahs, men who delivered home-cooked lunches from wives to husbands all over the city, in tiffin pails arranged in huge wooden frames, balanced upon their heads.

She knew they were almost at Andheri when they passed the gigantic Infinity Mall, and then turned alongside a high, ancient brick wall that ran for hundreds of meters, fencing in a huge estate that had to be one of the film studios. Outside the wall, along the drainage ditch, was a bustling market of hawkers, open-air restaurants, beggars, craftsmen, and, among them, film-makers in smart suits with dark glasses, clutching mobile phones as they picked their way along. The bike swerved through all this, avoiding a long line of expensive, spotless dark cars that ran the length of the wall in an endless queue to pass through the security checkpoint at the gatehouse.

She took all this in as they sped down the length of the wall, cornering sharply at the end, following it along to a much narrower gate. Two guards with rifles attached to their belts by chains stood before it, and they hefted their guns as Ashok drew nearer. Then he drew closer still and the guards recognized him and stepped away, revealing the narrow gap in the wall that was barely wide enough for the bike to pass through, though Ashok took it at speed, and Yasmin gasped when her billowing sleeves rasped against the ancient, pitted brick.

Passing through the gate was like passing into another world. Before them, the studios spread forever, the farthest edge lost in the pollution haze. Roads and pathways mazed the grounds, detouring around the biggest buildings Yasmin had ever seen, huge buildings that looked like train stations or airplane hangars from war films. The grounds were all manicured grass, orderly fruit trees, and workmen going back and forth on mysterious errands with toolbelts jangling around their waists, carrying huge bundles of pipe and lumber and cloth.

Ashok drove them past the hangars -- those must be the sound-stages where they shot the movies, there was a good studio-map in Zombie Mecha where you could fight zombies through a series of wood-backed film scenery -- and toward a series of low-slung trailers that hugged the wall to their left. Each one had a miniature fence in front of it, and a small flower-garden, so neat and tidy that at first she thought the flowers must be fake.

Finally, Ashok slowed the bike and then coasted to a stop, killing the engine. The engine noise still hummed in her ears, though, and she continued to feel the thrum of the bike in her legs and bum. She unlocked her hands from around Ashok's waist, prying her fingers apart, and stepped off the bike, catching her toe on the lathi and falling to the grass. Blushing, she got to her feet, unsteady but upright.

Ashok grinned at her. "You all right there, sister?"

She wanted to say something sharp and cutting in response, but nothing came. The words had been beaten out of her by the ride. Suddenly, she felt as though she could hardly breathe, and the fabric of her hijab seemed filled with road dust that it released into her nose and mouth with every inhalation. She carefully undid the pin and moved her hijab so that it no longer covered her face.

Ashok stared at her in horror. "You -- you're just a little girl!"

She bridled and the words came to her again. "I am
14
-- there were girls my age with husbands and babies in Dharavi! I'm a skilled fighter and commander. I'm no little girl!"

He blushed a purple color and clasped his hands at his chest apologetically. "Forgive me," he said. "But -- Well, I assumed you were 18 or 19. You're tall. I've brought you all this way and you're, well, you're a child! Your parents will be mad with worry!"

She gave him her best steely glare, the one she used to make the boys in the Army behave when they were getting too, well,
boyish
. "I left them a note. And I'll be back tonight. And I'm old enough to worry about this sort of thing on my own account, thank you very much. Now, you've dragged me halfway across India for some mysterious purpose, and I'm sure that it wasn't just to have me stand around here talking about my family life."

He recovered himself and grinned again. "Sorry, sorry. Right, we're here for a meeting. It's important. The Webblies have never had much contact with real unions, but now that Nor is in trouble, she's asked me to take up her cause with the unions here. There's meetings like this happening all over the world today -- in China and Indonesia, in Pakistan and Mexico and Guatemala. The people waiting for us inside -- they're labor leaders, representatives of the garment-workers' union, the steelworkers' union, even the Transport and Dock Workers' union -- the biggest unions in Mumbai. With their support, the Webblies can have access to money, warm bodies for picket lines, influence and power. But they don't know anything about what you do -- they've never played a game. They think that the Internet is for email and pornography. So you're here --
we're
here -- to explain this to them."

She swallowed a few times. There was so much in all that she didn't understand -- and what she
did
understand, she wasn't very happy about. For example, this
real
union business -- the Webblies were a real union! But there was more pressing business than her irritation, for example: "What do you mean
we're here to explain
? Are you a gamer?"

He shook his head ruefully. "Haven't got the patience for it. I'm an economist. Labor economist. I've spent a lot of time with BSN, working out strategy with her."

She wasn't exactly certain what an economist was, but she also felt that admitting this might further undermine her credibility with this man who had called her a child. "I need my lathi," she said.

"You don't need a lathi in this meeting," he said. "No one will attack us."

"Someone will steal it," she said.

"This isn't Dharavi," he said. "No one will steal it."

That did it. She could talk about the problems in Dharavi.
She
was a Dharavi girl. But this stranger had no business saying bad things about her home. "I need my lathi in case I have to beat your brains out with it for rubbishing my home," she said, between gritted teeth.

"Sorry, sorry." He squatted down beside the bike and began to unravel the bungee cords from around the lathi. She also went down on one knee and began to worry at the zipstraps that tied up her trouser legs at the ankles, but they only went in one direction, and once they'd locked tight, they wouldn't loosen. Ashok looked up from the bungee cords.

"You need to cut them off," he said. "Here, one moment." He fished in his trouser-pocket and came up with a wicked flick-knife that he snapped open. He took gentle hold of the strap on her right ankle and slid the blade between it and her leg. She held her breath as he sliced through the strap, then flicked the knife closed, turned to her other leg, and, grasping her ankle, cut away the other strap. He looked up at her. Their eyes met, then she looked away.

"Be careful," she said, though he'd finished. He handed her the lathi. She gripped it with numb fingers, nearly dropped it, gripped it.

"OK," he said. "OK." He shook his head. "The people in there don't know anything about you or what you do. They are a little, you know, old fashioned." He smiled and seemed to be remembering something. "Very old fashioned, in some cases. And they're not very good with children. Young people, I mean." He held up his hands as she raised her lathi. "I only mean to warn you." He considered her. "Maybe you could cover your face again?"

Yasmin considered this for a moment. Of course, she didn't want to cover her face. She wanted to just go in as herself. Why shouldn't she be able to? But wearing the hijab had some advantages, and one was that no one would ask you why you were covering your face. Ashok had clearly believed she was much older until she'd undraped it.

Wordlessly, she unpinned the fabric, brought it across her face, and repinned it. He gave her a happy thumbs up and said, "All right! They're good people, you know. Very good people. They want to be on our side." He swallowed, thought some, rocked his chin from side to side. "But perhaps they don't know that yet."

He marched to the door, which was made of heavy metal screen over glass, and opened it, then gestured inside with a grand sweep of his arm. Trying to look as dignified as possible, she stepped into the gloom of the trailer, where it was cool and smelled of betel and chai and bleach, and where a lazy ceiling fan beat the air, trailing long snot-trails of dust.

This was what she noticed first, and not the people sitting around the room on sofas and easy-chairs. Those people were sunk deep into their chairs and sitting silently, their eyes lost in shadow. But after a moment, they began to shift minutely, staring at her. Ashok entered behind her and said, "Hello! Hello! I'm glad you could all make it!"

And then they stood, and they were all much older than her, much older than Ashok. The youngest was her mother's age, and he was fat and sleek and had great jowls and short hair in a fringe around his ears. There were three others, another man in kurta pyjamas with a Muslim skull cap and two very old women in sarees that showed the wrinkled skin on their bellies.

Ashok introduced them around, Mr Phadkar of the steelworkers' union, Mr Honnenahalli of the transport and dock workers' union, and Mrs Rukmini and Mrs Muthappa, both from the garment workers' union. "These good people are interested in Big Sister Nor's work and so she asked me to bring you round to talk to them. Ladies and gentlemen, this is Yasmin, a trusted activist within the IWWWW organization. She is here to answer your questions."

They all greeted her politely, but their smiles never reached their eyes. Ashok busied himself in a corner where there was a chai pot and cups, pouring out masala chai for everyone and bringing it around on a tray. "I will be your chaiwallah," he said. "You just all talk."

Yasmin's throat was terribly dry, but she was veiled, and so she passed on the chai, but quickly regretted it as the talk began.

"I understand that your 'work' is just playing games, is that right?" said Mr Honnenahalli, the fat man who worked with the Transport and Dock Workers' union.

"We work in the games, yes," Yasmin said.

"And so you organize people who play games. How are they workers? They sound like players to me. In the transport trade, we work."

Yasmin rocked her chin from side to side and was glad of her veil. She remembered her talk with Sushant. "We work the way anyone works, I suppose. We have a boss who asks us to do work, and he gets rich from our work."

That made the two old aunties smile, and though it was dark in the room, she thought it was a genuine one.

"Sister," said Mr Phadkar, he in the skullcap, "tell us about these games. How are they played?"

So she told them, starting with Zombie Mecha, aided by the fact that Mr Phadkar had actually seen one of the many films based on the game. But as she delved into character classes, leveling up, unlocking achievements, and so on, she saw that she was losing them.

"It all sounds very complicated," Mr Honnenahalli said, after she had spoken for a good thirty minutes, and her throat was so dry it felt like she had eaten a mouthful of sand and salt. "Who plays these games? Who has time?"

This was something she often heard from her father, and so she told Mr Honnenahalli what she always told him. "Millions of people, rich and poor, men and women, boys and girls, all over the world. They spend crores and crores of rupees, and thousands of hours. It's a game, yes, but it's also as complicated as life in some ways."

Mr Honnenahalli twisted his face up into a sour lemon expression. "People in life
make
things that matter. They don't just --" He flapped a hand, miming some kind of pointless labor. "They don't just press buttons and play make believe."

She felt her cheeks coloring and was glad again of the veil. Ashok held up a hand. "If a humble chai-wallah may intervene here." Mr Honnenahalli gave him a hostile look, but he nodded. "'Pressing buttons and playing make believe' describes several important sectors of the economy, not least the entire financial industry. What is banking, if not pressing buttons and asking everyone to make believe that the outcomes have value?"

The old aunties smiled and Mr Honnenahalli grunted. "You're a clever bugger, Ashok. You can always be clever, but clever doesn't feed people or get them a fair deal from their employers."

Ashok nodded as though this point had never occurred to him, though Yasmin was pretty certain from his smile that he'd expected this, too. "Mr Honnenahalli, there are over 9,000,000 people working in this industry, and it turns over 500 crore rupees every year. It's averaging six percent quarterly growth. And eight of the 20 largest economies in the world are not countries, they're games, issuing their own currency, running their own fiscal policies, and setting their own labor laws."