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Authors: Brian Aldiss

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BOOK: Forgotten Life
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Of course what I longed for then – there and then – in my hot little heart, was love or, less abstractly, a woman to love.

Greater than the Chindwin is the river into which it flows, the unmeasurable, immemorial Irrawaddy. The waters of the Irrawaddy are fed both by tributaries rising nearby and distant tributaries which rise in regions of rock and ice up in the Himalayas, so that, like life itself, the river consists of alternating currents of warm and cold streams; and no swimmer can tell which he will encounter next, the warm or the cold. Just to stand looking at the Irrawaddy after the weeks and miles of drought we had put behind us was to drink deep, and to feel its flow as something profound – a main artery in the life of the planet.

For a brief period after rejoining my unit I was able to swim alone in the great river, flinging myself in from the sandy bank, for once unmindful of Japs, snakes, and signal offices. The river immediately took hold of one with its dark effortless power. A river-steamer had been sunk in mid-stream, and lay at an angle on the river-bed with all its superstructure in the sunlight. Long tresses of weed, anchored to its bows, pointed tremulously downstream. It was possible to reach the boat after prolonged battles with the currents, and the water, green as lizard skin, suddenly gave way to scaly hull. With a heave, I was there, over the railings and lying fish-naked on the slant of deck. Ferns and small trees grew on the deck house, giant bees toasted themselves on the sere planking. There it was possible to squat, dangling one hand in the race, a part of that stationary voyage upstream, Captain of the Wreck.

Solitude was precious, because rare. Most of the time, we men of
the Forgotten Army crowded together. Life was gregarious for safety reasons. Those of us on ‘S' Relief grew to know each other very well. Despite our uncertain movements, our routine was fixed. It went in three-day cycles: first day, afternoon shift from 1 p.m. till 6; second day, morning shift from 8 a.m. till 1 p.m., and night shift from 6 p.m. till 8 the next morning; third day, off duty after 8 a.m. to sleep, probably with guard or similar duties in the afternoon or evening. This routine, or something like it, was to be mine for almost three years, in action or out of it. In Burma, night duty generally meant no sleep at all, with signals being passed all the time. Sometimes, it was possible to doze for half-an-hour, head on your arm at the table; more rarely, you could curl up under a blanket in a corner of the office for an hour.

During the Mandalay campaign, my job was to work that prehistoric line instrument, the Fullerphone. About the size of a shoe-box, and black, the Fullerphone scarcely resembled a weapon with which to defeat the ferocious Jap Army. It held none of the glamour of a wireless set. Being solely a line instrument, it had to be connected with forward units or rear units – brigade or Division HQ – which entailed, in a mobile war, the perpetual laying of cable.

The Fullerphone gave off a misanthropic buzz. But it did send and receive Morse. We worked at up to eighty letters a minute. We held the various units of the advance together. We kept everyone in touch. We were good.

When coming off the all-night shift, after perhaps twelve hours of intensive work by dim lights, we did not expect comfort. Sometimes, we had an hour in which to pack up everything, take down the signal office, and start another move. At the best of times, we could get breakfast and then sleep.

The cooks were compelled to wait for us until we came off duty. This did not please them, since sometimes, inevitably, we were late. The food – probably a fried egg and a soya link and a mug of tea – would be cooling or cold. Washing our mess tins was a particularly dismaying business. Two dixies filled with what had been hot water stood at the entrance to the mess area (we sat on the ground or on
logs to eat); one dixie was for washing mess tins and ‘eating irons', the other for a post-wash rinse. By the time we got to them, the liquid in the dixies resembled a particularly rich vomit. Water was scarce. We had to use what was there. Since we had nothing on which to dry tins and cutlery, we used our mosquito nets; by the end of the campaign, the nets had developed a ripe aroma.

Sleep after a busy night was not always easy. Our bivouacs were pitched over slit trenches, and so stood out away from shade, since no one attempts to dig slit trenches, an unrewarding occupation at the best of times, near the roots of trees. Temperatures under the canvas rose as rapidly as the sun. Inside our fragrant mosquito nets, necessary to keep off flies, the heat was suffocating. We fricasséed as we slept.

And there was a local defiler of sleep. Central Burma is the habitat of the Morse Code bird. The Morse Code bird sits in the leaves of the palm tree outside signalmen's tents and utters random bursts of Morse Code. Dit dit-dit-dit dit-dah-dit-dit dit-dah dah dit … Endlessly, meaninglessly, while the weary brain of the operator who has been passing Morse all night perforce tries to transcribe the bird's nonsense. Full grown men have been known to run naked, screaming, from their trenches, trying to drive the offender away. No raven of Edgar Allan Poe's was ever more ill-omened than the Morse Code bird.

Few animals were to be seen; the birds were mainly those of the kind that earned their living by eating the dead. We passed through a copse outside Myingyang where Japanese troops lay scattered in death. Turkey-like vultures with creamy feathers ran among them, guts so swollen with food that they could scarcely hop into the lowest branches of the trees to escape us. The Japanese, British and Indians had between them made of Burma a terrible waste; ordinary life was suspended while the evil dream of war went by, first in a tide one way, then in a tide the other.

Our portion of tide moved forward about once a week. At one period, we pitched camp near Yeu. The four or five bivouacs of ‘S' Relief were clustered near two large palms tethered to the ground by
cordons of vines and creepers. Before us was open land, looking towards a canal; behind was a thicket, very noisy at night with the sound of things scuttling through the dead undergrowth. We were nervous in that camp, not knowing exactly where the enemy was. As the sun was setting on our first evening there, we heard noises in the topknots of the palms. Looking up, we saw black snakes dangling far above us. We came to realize that the snakes were the tails of some kind of big cat. The Cockneys among us became particularly nervous; war was one thing, tangling with wild life quite another.

The night was moonlit, the heartbreaking moonlight of a still Burma night, when the Moon hangs like a sacred gong in the next field but one, ancient with wisdom, gold with desire. I lay awake under my mosquito net, my rifle by my side. After a while, crashing noises sounded from the nearest tree. A shadow fell outside the bivouac. One of the cats was standing there.

Because we had camped so near to the tree for purposes of concealment, and because we had arrived in the dark the previous night, we had not dug slit trenches as usual. Our slender cover was propped up on poles in order to make it easier to enter and leave the tent. The big cat strolled in. I lay there, resting on one elbow, afraid to move. The cat came closer. It looked in at me. Only the net separated our faces. Neither of us spoke. Then it walked out the rear of the tent and was gone.

What communication could I have had with it?

That camp remains in memory my favourite. It was one of the few sites where there were Burmese nearby. They had not fled at our approach. They had harvested the crop on the field by whose perimeter we stayed and were busy threshing grain while we were there. We watched the operation with interest, talked to them, called to the women, and offered them cigarettes. Beyond the field of stubble was a grain field, the crop very much broken down, and beyond that lay a canal, with low-growing blossom trees on its banks and nine inches of water flowing in it. The whole neighbourhood was attractive, with small white pagodas here and there like silver pepper-pots set randomly on a lawn.

But it was water that was the attraction. Water we had not seen for six weeks at that time. Sweat and dust alone had kept our bodies clean. It was possible to lie in the canal and be almost totally submerged in water. All the relief went for a bathe that first day. Thereafter, they considered that nine inches of water was too tame, and so I went alone, accompanied only by Sid Feather's rhesus monkey, Minnie. Minnie ran beside me on her long lead like a dog. In the water, she would enjoy a swim and then come and perch on my shoulder to dry herself. I lay there prone, watching a busy kingfisher which fished in the water from one of the low trees. The sun burned overhead, war was miles away. I communed with nature.

The trouble with communing with nature is that she does not commune back. One day, when returning through the flattened cereal crop from the canal, I almost stepped on a great snake, straw coloured, basking in the sun. It reared up to strike. Minnie immediately scaled the nearest tree, which happened to be me, and stood on the top of my head, screaming furiously and throwing handfuls of my hair at the snake.

Perhaps Minnie saved the day. The snake did not strike. It suddenly made off, shaking out its long coils. I watched it thrash its way through the burnished stalks. It was six or more feet long. It made its way rapidly across the field. Shaken, I walked back to camp. Minnie remained clinging to my ears until we were in safer surroundings.

The fear of snakes always haunted us. Army training in India taught us that the first thing we did on waking was lean out of bed and tip our boots upside down, in order to eject any nasties which might have lodged there during the night. It was a habit which took years to break, even in relatively scorpion-free England.

Although I never became fond of the army, I found a developing passion for the natural world, that great green system which encompassed us. It could bring my heart up from my boots. Burma is a varied country, by no means all jungle as some imagine. Its variety was beautiful and the Burmese appeared to have lived in harmony with its variety, embellishing it with their pagodas, and not overwhelming it – as India was overwhelmed – with humankind. But the Burmese
had by and large vanished, taking cover like rabbits under the wing of war. We entered their buildings, moodily looking for souvenirs and poking about, rifles in hand, in the manner of invading soldiery. Some of the wooden houses were enchanting. I remember one in particular, with a verandah contained behind an ornamental rail. Of the four stilts on which it stood, only three remained. Inside, all was as it had been. Although chairs remained in place, everything listed to starboard, like a sinking ship.

In this surreal landscape, the British were surreal objects. The ethos of the Forgotten Army was to look as wild as possible. We wore trousers with puttees and boots, to keep out insects, and bush hats. Our torsoes were mahogany brown, our backsides alabaster white. It was the custom to tie bits of the coloured signal scarves dropped with our airborne rations round our hats to serve as puggarees, and to grow our hair long. ‘In the depths of the Burmese jungle lived a strange white race …' For me, this costume remained a kind of dressing up; for the older members of the army, it had become second nature. Many of them described themselves as
puggle.
It was the sun, the heat, the awful food, they'd tell you.

The maddest in ‘S' Relief was Steve Dutt. It was rumoured that his father was a general; Steve was just a private and an orderly. A sweet-natured man, he was never heard to raise his voice in conversation. He would sit about, listening to our talk, smiling, stroking his moustache. His recreation was to drill himself as if he were a platoon. On these occasions, he put on a sergeant-major's voice.

‘Steve Dutt, Steve Dutt, harten-shun. As you were. Wait for it. Steve Dutt, harten-SHUN. Saloope arms. By the right, quick – wait for the order, Dutt. Quick – MARCH. Ep, ep, ep, right, ep. Let's see you swing that arm. Plenty of bullshit. Keep in line.

‘Steve Dutt, Ri-ight TURN. Chin up. Look to your front, man. Harbout TURN. Ep, ep, ep, right, ep.'

And so on. True, we all on occasions drilled ourselves, but it was Steve Dutt who drilled himself continually, for a half-hour at a time, up and down in whatever clear ground there was. We would hear him at night, outside the bivouacs. No one thought anything of it.

‘By the right, number. One, two, three, four, five – six. As you were. Wake up, Dutt, you know what comes after five, don't you? Dutt, by the right, number. One, two, three, four, five, SIX, seven, eight, nine, ten. Pick up your dressing. Squad, diss – I want to see you smartly away. Diss-MISS.'

Then he would come in. ‘Sergeant put me through it today,' he'd say cheerfully, lighting up a cigarette.

A few of us in ‘S' Relief had small lanterns. We would sit and chat in the entrance of someone's bivvy after dark. We spoke our own lingo of English and fractured Urdu. The conversation would often turn to London. There were frequent arguments about which number bus ran through Cockfosters, or where it went after it left the High Street.

My mates were homesick, and would talk about ‘our mum' doing this or that, or ‘my old woman' doing this or that, or how they went down to see the Spurs play every Saturday. Their small home worlds were continually resurrected. Homesickness was something I never felt. The present was too vivid.

Another favourite topic was how forgotten we were in this unearthly part of the world, and how we never featured in the news. It was the rule to find nothing good about overseas. To declare that one felt passionately about Burma would have been to invite ostracism, or else the scornful, ‘Wait till you've got a bit of service in.'

The man I was most fond of in ‘S' Relief, after Bert Lyons, was Ron Grade. Ron was a slow-spoken farmer from Pinner way. One of his eyes was beyond his control and would wander about in the course of conversation. Ron was the only man with a camera; perhaps it was a sign of the interest he took in the world for which the others cared little.

BOOK: Forgotten Life
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