Fosse (102 page)

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Authors: Sam Wasson

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Cocteau, Jean,
[>]

“Coffee Break” (dance),
[>]

[>]

Cohan, George M.,
[>]

Cohn, Harry,
[>]
,
[>]

Cohn, Marya,
[>]
,
[>]

Cohn, Sam

All That Jazz,
[>]
,
[>]

[>]
,
[>]
,
[>]
,
[>]

Big Deal,
[>]

[>]

career,
[>]

[>]
,
[>]

[>]

changes in the industry,
[>]

and
Chicago,
[>]

Ending,
[>]

Laundry restaurant,
[>]
,
[>]
,
[>]
,
[>]

and Mariel Hemingway,
[>]
,
[>]

parties,
[>]
,
[>]
,
[>]
,
[>]

Ragtime,
[>]

[>]

relationship as Fosse’s agent,
[>]
,
[>]
,
[>]

Thieves,
[>]

[>]

Winchell,
[>]
,
[>]

work routine,
[>]

[>]

Colby, Christine,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
,
[>]

Cole, Frances,
[>]

Cole, Jack

Alive and Kicking,
[>]
,
[>]

Benny Goodman music in club act,
[>]

dance style,
[>]

[>]

Kismet,
[>]

“Limehouse Blues,”
[>]
,
[>]

management style,
[>]

memorial,
[>]

The Merry Widow,
[>]

relationship with Verdon,
[>]

[>]

Verdon as dance assistant,
[>]
,
[>]
,
[>]
,
[>]

[>]

Coleman, Cy

Atlantic City,
[>]
,
[>]

friendship with Fosse,
[>]
,
[>]
,
[>]
,
[>]

on
Hearts and Flowers,
[>]

Little Me,
[>]

Sweet Charity,
[>]
,
[>]

on Verdon’s singing,
[>]

Columbia Pictures

All That Jazz,
[>]
,
[>]
,
[>]
,
[>]

Altered States,
[>]
,
[>]

Annie,
[>]

Dancin’,
[>]

executives,
[>]
,
[>]
,
[>]
,
[>]

Lenny,
[>]

Love Story,
[>]

My Sister Eileen,
[>]
,
[>]

Comden, Betty,
[>]
,
[>]
,
[>]

Comerford, Miss Marguerite “Trixie,”
[>]
,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
,
[>]

Como, Perry,
[>]

Cook, Barbara,
[>]
,
[>]

Cook, Jill,
[>]
,
[>]

Cooper, Mel,
[>]

[>]

Coppola, Francis Ford,
[>]
,
[>]
,
[>]
,
[>]
,
[>]

[>]
,
[>]

Cox, Wally,
[>]
,
[>]

Coyne, Jeanne,
[>]

creative impulse

to combat depression,
[>]

source,
[>]

[>]

wedded to death,
[>]
,
[>]
,
[>]

Creative Management Associates (CMA),
[>]

[>]
,
[>]
,
[>]
,
[>]
,
[>]

Croce, Arlene,
[>]

[>]

Cuban Missile Crisis,
[>]

Cukor, George,
[>]
,
[>]

culture

Broadway,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
(
See also
musicals; Tony Award)

U.S., late 1960s-1970s,
[>]

[>]
,
[>]
,
[>]

[>]
(
See also
historical events)

Culver City, CA,
[>]
,
[>]
,
[>]
,
[>]
,
[>]

Curtis, Tony,
[>]

[>]

 

Damone, Vic,
[>]

Dance Magazine
award,
[>]

[>]

dancer, Fosse as

The Affairs of Dobie Gillis,
[>]
,
[>]
,
[>]

Call Me Mister,
[>]

[>]

Damn Yankees,
[>]

Dance Me a Song,
[>]
,
[>]

[>]
,
[>]

dinner-theater revues,
[>]

[>]

early,
[>]

[>]
,
[>]

[>]

and empathy as a choreographer,
[>]
,
[>]

at the Empire Room,
[>]

The Fifty-Fourth Street Revue,
[>]

[>]

first Manhattan stage appearance,
[>]

first movie appearance,
[>]

first television appearance,
[>]

[>]

first top-liner,
[>]

Ford Star Revue,
[>]

The George Burns and Gracie Allen Show,
[>]

Give a Girl a Break,
[>]

[>]
,
[>]

[>]
,
[>]
,
[>]

hiding his talent,
[>]

[>]
,
[>]

to honor Chayefsky at memorial,
[>]

Hook, Line, and Sinker,
[>]

Kiss Me Kate,
[>]

[>]
,
[>]
,
[>]

The Little Prince,
[>]

[>]
,
[>]

[>]
,
[>]

MGM contract,
[>]
,
[>]
,
[>]

during military service,
[>]

[>]
,
[>]
,
[>]

My Sister Eileen,
[>]
,
[>]
,
[>]

with Niles,
[>]

[>]
,
[>]

[>]
,
[>]

[>]

Pal Joey
(City Center revival),
[>]

[>]
,
[>]

Pal Joey
(Connecticut),
[>]

Pal Joey
(summer stock),
[>]

[>]
,
[>]

Riff Brothers partnership,
[>]

[>]
,
[>]

[>]
,
[>]
,
[>]

“Seasons of Youth” Timex revue,
[>]

[>]

Toni Twin Time,
[>]

Tough Situation,
[>]
,
[>]

[>]

Your Hit Parade,
[>]

dancers

challenges of the profession,
[>]
,
[>]
,
[>]
,
[>]
,
[>]

[>]
,
[>]
,
[>]

[>]

competition among,
[>]
,
[>]

[>]
,
[>]

[>]

female, effects of decline of burlesque,
[>]

[>]

injuries,
[>]
,
[>]

[>]

loyalty,
[>]
,
[>]
,
[>]

[>]
,
[>]

male, misconceptions,
[>]

swings,
[>]

the thing you love can also kill you,
[>]
,
[>]
,
[>]

See also
performing arts, principles of

Dancing for Writers,
[>]

[>]
,
[>]

Daniele, Graciela,
[>]

Daniels, Danny,
[>]

Dante, Nicholas,
[>]

Davies, Jack,
[>]

Davies, Marion,
[>]

Davis, Sammy, Jr.,
[>]

Day, Doris,
[>]

Dean, James,
[>]

death and Fosse

contemplation of,
[>]
,
[>]

[>]
,
[>]
,
[>]

five stages of dying and
Stages,
[>]

imagined death/ending scenes,
[>]
,
[>]
,
[>]

[>]
,
[>]
,
[>]
,
[>]

[>]
(
See also
“Bye Bye Life”)

philosophy,
[>]
,
[>]

[>]
,
[>]
,
[>]

[>]

relationship with creativity,
[>]
,
[>]
,
[>]

remains, directive in will,
[>]

Sept.
[>]
, 1987,
[>]
,
[>]

De Laurentiis, Dino,
[>]
,
[>]

de Mille, Agnes

backing of the SSDC,
[>]

Bloomer Girl,
[>]

influence on Fosse,
[>]

and McCracken,
[>]
,
[>]
,
[>]

Oklahoma!,
[>]

[>]
,
[>]
,
[>]

De Niro, Robert,
[>]

depression and darkness, of Fosse

after
All That Jazz,
[>]

after death of Chayefsky,
[>]
,
[>]

after surgery,
[>]
,
[>]
,
[>]
,
[>]

and creativity,
[>]
,
[>]
,
[>]
,
[>]
,
[>]

and death (
See
death and Fosse, contemplation of)

and final line of
Pippin,
[>]
,
[>]

[>]

overview,
[>]
,
[>]
,
[>]

[>]

Derricks, Cleavant,
[>]
,
[>]

Devine, Loretta,
[>]
,
[>]

Diamond, Neil,
[>]
,
[>]

Dietrich, Marlene,
[>]
,
[>]

Dillon, Sara,
[>]
,
[>]

director/editor, Fosse as

All That Jazz,
[>]
,
[>]

[>]
,
[>]

[>]
,
[>]

[>]
,
[>]

[>]
,
[>]

[>]

audition process,
[>]

[>]
,
[>]
,
[>]
,
[>]
,
[>]

Big Deal,
[>]

[>]
,
[>]

[>]

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