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Authors: Rex Miller

BOOK: Frenzy
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He knew how the mind works under stress. He was very tired. He would take a couple of aspirin, drink a cup of coffee — caffeine perversely made him sleepy — and take the phone off the hook. And he knew he would sleep. And in that sleep. Yes. Dreams would come.

That was the nice thing about being back home, Eichord thought. You didn't have to produce any results. Just sit here in the grungy squad room smelling used smoke and listening to Lee and Tuny, the two-man uncomedy team who had been his friends since before the dawn of recorded time. These long-time partners who were so close they could piss in the same beer can.

He realized he'd been staring at the same page in the homicide report for about ten minutes. Reading it over and over again and still not seeing the words. Nothing registering. Out to lunch.

"I'm out to lunch," he told the room.

"What else is new?" his friend James Lee muttered.

"Hey, Jimmie," he said, tilting his head in the direction of fat Dana, "your girlfriend's startin' to look pretty good to me, man."

"Yeah? Well, she's allllllll mine."

"That's right, I'm already spoken for, so eatcher heart out, ya fuckin' wino."

Eichord was an alcoholic, and his friends handled it — as they did all things — with taste and diplomacy, and by calling Eichord a fucking wino. If you couldn't take a joke you didn't hang around.

So good to be back home, Eichord thought with a sigh. Back here where I belong with the rest of the rocket scientists.

Back in his safe and smelly cubbyhole in the bowels of Buckhead Station, Eichord felt far removed from a world where a mob assassin shoots his/her victims' eyes out. Had each unrelated decedent seen something they should not? Is this what the killer was saying with those two awful pulls of the trigger, You've seen too much? One thing was clear: when you take aim and shoot someone's eyes out, you are not just committing murder. You are making one helluva statement.

She was unconscious and she stayed out for a long time, awakening to a sense of being drugged but with a pain of such throbbing intensity the dope couldn't cancel it out. Imagine an impacted wisdom tooth, broken off in the extrication process by an inept oral surgeon, and raw nerve ends screaming for whatever solace waits beyond codeine, Demerol, Dilaudid. What high is next? The righteous heroin stone? Free-basing? A leaded baseball bat? You don't care. You just want the lights out.

The next time she came to, she could identify some of the sounds. Roger Nunnaly's voice, an older woman. The voices took shapes in the discrete colors within the variegated darkness and she saw through a camera lens layered thick with Vaseline. Then she went away again to sleep.

Greg had found her and debated whether to take her to the emergency ward of the nearest hospital but he knew the police would become involved.

What a bother this girl had become. Such a hassle. One of Nunnaly's street friends knew a woman nurse who didn't ask questions, and the problem was temporarily solved. Private care. Of sorts.

Tiff was young and strong and healthy. She was a fast healer. But without proper medical treatment the bones did not set properly. She would have problems. The spine is also a funny thing. A blow to the back had impaired the motor nerves controlling lateral movement of the right foot. She would not walk as well as she had. The facial scars would recede to some extent. All in all, not so bad. Better a crippled dog than a dead lioness.

The RN the boys had hired cost money. The dope she was hitting Tiff with also wasn't free. And there was the problem of the impending score. Greg and Roger did what they had to do. There was a couple who needed a young girl for "a live-in domestic," as they put it, and Greg sold them Tiffany for sixteen hundred dollars cash. It was touch and go for a while. The Freunds almost backed out on the deal when they saw the extent of damage to their merch, but they gave her a thorough examination, slept on it, and finally reached a decision. What the hell. They had plenty of disposable income and it might be worth a shot.

Tiff was not consulted in the matter, needless to say. She had not only lost the $2,800 gold mine, she'd cost them a bundle to boot, and jeopardized an important score. There was nothing to talk about. If she could generate some income it was her place to do so. She'd be expected to do whatever the Freunds told her to do. Light maid work, probably, and sex anyway they wanted it. Anytime. With whoever they said. In return, the Freunds were picking up her "medical expenses." Fair is fair.

Charlie Freund had been into stags there in Hollywood, Florida, way back when it was dirty little loops of cellulite queens and skinny dudes in black socks. Broads corralled off street corners. Bimbos scouted at poolside. "Dirty Feet flicks," named after the hallmark of the old-time porn quickie.

But the burgeoning market exploded and stag loops went the way of the sex shops and mail catalogs as production values accelerated, the new video technology bringing with it the mainstream money. And the cheapie porno film was obsolete almost overnight in a world where the next-door neighbors were taping their own action. Consumer need was reassessed.

The video boom signified megabucks, and soon the adult-movie market was the biggest enterprise going in America. When stag films dried up, he and his partner went their own ways, his partner going the massage-parlor route, Charlie concentrating on direct-mail specialties. He knew there'd always be a living just on the two hundred names he had. Pedophiles, people wanting circus shit, fans of heavy duty S&M. They had nowhere else to go for it but the small, kitchen-table porn merchants.

Charlie had cultivated a small stable of ladies who were into tit torture, spankings, humiliation, and the lighter forms of bondage and discipline. The rest of it was faked, and sometimes rather inexpertly. But the market was there just as he said. And since he was into it himself, he could see that the potential was astounding for quality stuff.

Porno entrepreneurs go under for the same reasons any other small business fails: undercapitalization, lack of management knowledge, unwillingness to change with the marketplace, failing to maintain a fair share of the active business, refusing to work hard enough. Charlie went to some people who had money and management knowledge, and offered his willingness to shoot at a new bull's-eye, work hard, and carve out a virgin mini-market for them. He convinced them he knew his specialty, which was pain, and Charlie Freund was on his way.

Charlie was married — well, not married exactly — but he lived with a mean, vicious malcontent of a diesel dyke named Bobbie. They made a good team. They liked hurting women, but not exclusively. They had Catholic tastes in these areas. They had a surprisingly capacious repertoire and an insatiable appetite for punishing and hurting and dominating.

It began on the level of the barbed invective and the punishing insult, which they both cultivated as an art form. They had poisonous and deadly verbal skills. Caustic, biting, unforgiving tongues — both of them — capable of the most acrimonious linguistic surgery. Nonanesthetized probes homing in on the soft spots. Critiques of dripping, acidulous harshness. Scorn of the most withering and unforgettable acerbity. The problem is, they needed recipients for the abuse. Someone, preferably, who wouldn't fight back.

They went for prepubescent targets who could be dressed up as foxy little cheerleaders, virginal 4H girls, rosy-cheeked homecoming-queen fantasies from either sex. But they usually had to make do with tired hookers playacting, divorcees on the third bounce, doltish hash-slingers. They lusted for the animation and thrills of a yet-to-be-vanquished but vulnerable recipient for their gifts.

They were spoilers. It began with words, always. Scathing sarcasm that could puncture and deflate with surgical precision or pummel the target with crude bludgeons; devastating onslaughts of mockery and derision. Mercilessly savage rancor designed to cripple and maim. And Tiff wore the designation VICTIM like a banner.

They used Tiff in some of the lower-budget affairs. Customized specialty orders where the camera might need to see the angry, red welts appear, or even a little blood dotting the skin in a "pincushion" movie. But the mainstream stuff called for pros. They used models for the tormented tit titillation, the fantasies catering to the clothespin-and-rubber-band crowd, the teen stewardess spanking sessions (See Patty paddled by Tara in this steaming bestseller featuring the stars of
Teddy Torture).
Tiff was okay for the untitled junk. The hardcore work went to a grossly overweight dominatrix in Pennsylvania, who regularly sent them Polaroids of her guilt-ridden hubby, a weight hanging dumbly from his flaccid cock-ringed dong. Custom jobs for the whackaroonies.

One physical act held unique appeal for Charlie and Bobbie. DBC was a subcategory of discipline and punishment that rivaled even the boundless thrills of creating an emotional basket case. It was a bizarre tangential tributary of S & M called Disfigurement by Consent. A young and soft victim would be drawn into this with sufficient drugs and time and the proper increments of humiliation and force. "But the fun was in getting the child to want it herself.

"Do you know what we keep in here, slave?" Bobbie asked Tiff in her sexiest, most dangerous contralto.

"Hmm-mmm." Tiff shook her head in the negative.

"Get those eyes off of me, you freak," Bobbie hissed, and Tiff cast her eyes to the floor obediently. "There, you cunt. That's much better. Now. In this little rosewood box your mistress keeps her silver branding iron. If you want us to keep feeding you all that dope, you greedy little bitch, you'd better show us you want to become one of the family. Soon you'll be begging your mistress for the privilege of wearing our brand on your ass." Tiff appeared to be nodding off and Bobbie slapped her somewhat absentmindedly. "If you could only learn to behave more like Ginger. Junkie cunt."

They were always talking to her about Ginger. She should try to act more like Ginger. Ginger Deaton had learned to really like it, they assured her. She had been extremely plain, with a personality still embryonic, but Charlie and Bobbie had brought her along with all the artifice their collective perversion could muster, gentling this quiet, passive creature further into their nightmare swamp because they smelled the strong scent of victim on her. She became a favorite protegee in time.

One cannot be hypnotized against one's will. But Ginger's own needs were such that a notoriously unscrupulous hypnotist was able to further enslave her on the Freunds' behalf. Once Bobbie heard a noise in their bedroom closet, to illustrate the extent of their dark proclivities, and jumped out of bed in alarm. It was Ginger, unable to control a sneeze, for which she was later whipped to the edge of her pain threshold, the girl's head visible from hair down to upper lip. The rest of Ginger Deaton mummified in four and a half feet of tightly wrapped bandages.

Charlie remembered then that Ginger had requested discipline "a few days ago," and he'd forgotten about the quiet little slave who was silently dehydrating to death in their closet. Devoted Ginger bore cruel Freund brands on both legs, the inner thighs, the cheeks of her ass, her armpits, tits — the rest of her a living dart board of disfigurement from cigarette burns, pin and needle holes. God knows what. Why can't you learn to be more like Ginger? they'd taunt Tiff. Learn to serve us.

But Denise was their piece of least resistance. Their masterwork of depravity. They had spent over two years working their magic on a gay, twenty-year-old boy named Dennis Majors. They were ardent, persuasive, and very cunning. Their love affair with Dennis would survive the test of time only if he would be willing to meet them halfway. By which they meant if he would allow the woman within him-her to finally, fully emerge from the cruel joke that life had played on him-her-it.

It required the greatest concentration, effort, and planning on their part, not to mention personal risk, while they scammed their victim for the eighteen months Dennis spent under the observation of a reputable psychiatrist and a physician. But Dennis-Denise, who had been living as a woman for years, now with the benefit of a year and a half of hormone injections et al, was allowed to go under the scalpel.

Several weeks later, to the Freunds' great amusement, the youth committed suicide after they unceremoniously dumped her in a scathing, derisive, blistering attack by telephone. They had informed her, with never a second's hesitation or moment's remorse, that his-her gender reassignment surgery had been the punch line of a hilarious practical joke. They had reached a level of vituperation and scorn that surprised even them, and Denise's self-immolation was an exciting payoff.

These were the hands into which Spain's daughter had been placed for care and feeding.

Later, with seldom if ever a tender moment, Spain's daughter, branded and fully hooked, was working "love shows," the euphemism for live sex acts, having celebrated a birthday by performing in a particularly nasty S & M show in which she was listed as "golden shower-receiving."

But the quality of mercy droppeth as the gentle rains. Tiff's addiction and crippled body they could accept. Her stubborn streak was a continual irritant to the Freunds. Her owners now regarded Tiff as worthless chattel, fast becoming a tiresome liability. When the Freunds are approached by some mob-connected people who need an untraceable live target for a snuff movie being shot out of the country, she is sold for what will be the last time.

Maybe it was around the time his daughter disappeared that the bad dreams began, he thinks. Or was it earlier — when he came home from the trip to the coast and discovered Pat and Buddy Blackburn were sharing his bed? Spain cannot recall the precise instant the nightmares began. Only the dreams themselves, which are bloody real and etch themselves into his memory banks.

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