Frenzy (14 page)

The large picture window framed a vista of falling autumn leaves that dropped from the tall oak, maple, and sycamore across his landscaped lawn. The leaves and grass appeared to have lost all chlorophyll content overnight, the lush look becoming sparse as the dead, brittle leaves floated down to turn to mulch. The
Archilochus colubris
had long disappeared, and it was just as well, since there was no longer anyone to tend the feeders.

All the losses were building deep within Spain, and about the time he thinks the awful, aching hurts have become a dull, throbbing pain, some new shock wave of recognition hits his core. Ever the realist, he senses that his child is gone for good.

One day she'd been buying Cabbage Patch dolls and Care Bears and the next day she's hitchhiking and getting birth-control pills. Why couldn't he have spotted all of this coming and done something to ward it off? Over and over he makes himself look at things that had happened between himself and Pat, between father and daughter, the harshness and coldness that had alienated a wife and then a daughter.

He could sense now that there would be no reunion or eventual reconciliation. No firm but fair fatherly attentions to put his wayward child back on the track. There would be no reprieves for them. No second chance to become a family again.

He'd been in the family room, staring out the window at the falling leaves, when he'd seen the shadow again or a sense of some movement there in back of him and he'd whirled, instinctively, his right hand going for the small automatic he carried and then catching himself all in the same moment.

That feeling again. The eerie feeling that someone was there in the big, empty house with him. Watching him. Jesus. He felt the skin on his arms and shoulders prickle with what his dear mother had called "goose bumps." And this man who feared nothing shrugged it off. He knew the tricks that stress and lack of sleep could play.

He tried to mentally add up how many hours of sleep he'd actually had so far that week. It was Thursday morning, he thought, and since Sunday night he didn't think he'd had sixteen hours' sleep, and much of that furtive. Still, he told himself, Edison invented the light bulb on less. He was very tired.

His eyes stung and he decided he'd take something and hit the sack. Good night, his mom would say tucking him in, sleep tight. Don't let the bedbugs bite. Now I lay me down to sleep. I pray the Lord my soul to keep. If I should die before I wake . . . CHRIST, he saw it again, a movement of some kind behind him as he headed up the richly carpeted stairs. He had to catch himself to keep from saying something out loud. Get a grip on yourself, man, he told himself and headed for bed.

He had begun to dream the moment he put his head on the pillow, sleeping on his face with his arms under him, the blood cut off. And the dream was very bad this time. One of the worst, in fact.

It is the kind of day that makes you glad to be alive. He is driving down a black-topped service road somewhere in the country. The road runs parallel to a set of railroad tracks not far from a busy interstate. A crop duster periodically dives low over the road to spray the adjacent fields of milo and soybeans, and Spain admires the grace of the small, yellow biplane.

A train is approaching in the distance and the appearance of the countryside, the flat farmland, the old-time plane, the train approaching, it all combines to give the atmosphere a kind of quaint, old-fashioned feel, as if it should be photographed in a freeze frame and made into a calendar scene for a drug company.

The crop duster zooms down across the road again, leaving another trail of white spray through the azure of the crystal-clear sky, and Spain and his companion drive through the falling, dissipating chemicals where the blacktop bisects two halves of a field.

The monstrosity beside Spain says, "What a beautiful day, eh?"

"Yes. It's nice."

"The kind of day you really feel glad to be alive."

"Sure do."

"Just beautiful." The monstrosity leans back expansively, the car seat creaking under his massive weight. "Really pretty."

"Yep."

"Hey," the thing asks Spain, "d'ya know what a kris is?"

"Chris?"

"Yeah. A kris. A Malaysian dagger. Ever seen one?"

"No, I don't bel —" And before he can answer, the monstrosity reaches over and pries one of Spain's fingers — his right thumb, actually, — loose from the wheel and slices something across it, squirting a gush of blood like the end of a garden hose squirting bright red over the dashboard and the wheel as Spain cries out in agony. The thing has sliced his right thumb off with a ridged, serpentine dagger and the pain is just unbearable now as Spain fights to stanch the flow of blood and the monstrosity laughs.

"Oh, wow. I wouldn't worry about that too much if I were you. You ain't gonna have time to bleed to death," it says, and the kris bites into his neck, the thing slashing the sharp, wavy edge across Spain's jugular, then tossing the blade down and picking up a club as the bloodspurt bathes the interior of the car, and saying, "Adi—s, motherfucker," as he slams a home run using Spain's head for a ball, and just as the club slams into his screaming face, the car coming in the opposite direction hits them head-on and they are spun around and back-ended by an eighteen-wheeler loaded with steel and in the crushing impact they are smacked out on to the railroad tracks and the train grinds down on them just as the crop duster crashes down out of the sky on the deadly tableau and Spain sits up in the grinding, crushing, pulverizing meat grinder shaking and bathed in nightmare terror, and the thing in the shadows there with him in the empty house speaks for the first time as he jerks out of the dream, and Spain feels his whole body cover in chill bumps as the ancient and horrible voice says, "Hello there."

"Who, uh, how did you get in here?" Spain dreams.

"Who how did I get in here? You sure have a way with words."

"You're the one who's been watching me."

"Bingo."

"Why don't you come out of the shadows? You scared?"

"Uh-huh."

"What are you scared of?"

"What are I scared of? Not you, big fella."

"Are you a demon of some kind?"

"Will you just listen to yourself? You're getting all worked up over nothing."

"Motherfucker."

"Oh, no. I'd never fuck her. My mother is sin and you never fuck sin. Sin fucks you. Sin and madness."

"Go to hell."

"From your lips to God's ear."

"Horseshit."

"Sin, madness, hell, and horseshit. The four horseshits of the apocalypse."

"Fuckyou!"
Spain screams, lurching out of the dream in the empty darkness of his bedroom, waking as the abrasive echo of his curse resonates in his mind. The shadows are very near now and soon they will find him and enclose him, enveloping him in a shroud of insanity and death.

"Come on, man," Morales said to the slim, dark-haired man as he adjusted one of the large, heavy-duty lights for the third time.

"An' wash whe' jew put dose feet, baby, jew knock this motherfucking light over jew
buy
it, man." He was fussy about his expensive lights.

Big fucking deal, Belmonte thought. It looked like a "real" movie set with all the lights and cameras and shit around. Cables running everywhere.

"Hey, these fuckers burn
out
I leave 'em on too long, man. Come on,
mano,
jew look real pretty. Let's get this motherfucking chit over with, eh?"

"Yaaaa," Jon Belmonte grunted noncommittally as he carefully brushed his dark hair. Even if he was being shot from the back, he wanted to look good. He'd watch this shit later with the new bitch. When he was satisfied he slipped his shirt off and pulled on an old shirt that he could burn afterward. This bitch wasn't going to splatter a new sixty-eight-dollar shirt.

"Jew ready now, Marlon."

"Here we are man, Spic and Span." They laughed. "Le's do it."

"Hey, li'l mama," Belmonte said as they walked into the room where the girl was resting on the bed. "It's star time," he said with a giggle as he spread his arms out expansively. "Right?"

"Nnn." She nodded dumbly, eyes heavy-lidded, features slack.

"Hey?" Nothing. "HEY, bitch. Talk to me."

"What?" she said.

"You ain't gon' fuck this up now, are ya?" He smiled. She shook her head slowly, nodding. "Wake up now, li'l mama. You remember your big line, now, doncha?"

"Mmmm," she grunted.

"Say?"

"Yeah. Umm. Yeah, I remember."

"Say it." She gazed off into space, a smile fixed on her face. "SAY IT, damn you .... You stupid li'l bitch." Nothing.

"Ay, chihuahua, jew hit her with too much. She ain't gonna even look like she's alive."

"Fuck it, man, let's get it done." They started kicking on the rest of the lights. A powerful bounce-light and a light that looked like it was surrounded by a silver umbrella, and a bank of small lights on a portable stand.

Tiff, blinded momentarily, put her hand over her face and said, "Shit. Hey, the light hurts my eyes," and both of the men broke up laughing.

The photographer, Morales, said, "Hey, li'l
puta,
jew ain't going to have to worry about having nothing hurt jew eyes for much longer, so don't worry about it."

"Cool it, goddammit," Belmont said as they laughed, jiving around as they set up for the payoff shot.

"Make sure we got film in the motherfucker and that nothin's fucked up 'cause you ain't got a second take on this one, C.B."

"Yeah. I hear dat chit all right." He double-checked the monitor. He was shooting a video master with a rinky-dink portable generator, but the picture looked to be all right and the cats bought this shit they weren't too choosy about Panaflex cams and Scope. Just let 'em see it nice 'n' clear, you know. See the little
chiquita
get fucked up in a nice color close-up. No big fucking deal just as long as everything showed good.

"Jew miked?" Morales asked Belmonte.

"Unnn," he said, making sure the cord from the lavaliere was tucked down on the side the camera wouldn't see. Cheap shit wouldn't even have a fuckin' boom on it.

"How's this look?"

"Looking good," Morales said. He made a last-minute adjustment as he squinted through the camera apparatus. "Yeah. Okay."

"Yeah."

"I'm ready. You got your chit together?"

"Nnnn. Tape rollin'?"

"Yo. Mark it."

"Teenage Snuff, fucking TAKE
ONE!"
He was in the lower right of the shot. A two-shot of Tiff in close-up, back to a medium shot where you could see Belmonte's back, and the long metal thing in his left hand.

"I told you that you'd pay for displeasing me, you cunt," he emoted into the mike clipped to his shirt. Nothing. The dumb cunt had forgotten her line. "DON'T STOP THE TAPE. KEEP THE FUCKER ROLLING," he shouted and stepped close.

"No sweat," Morales said. He slapped her with the free hand but she just held her head a little differently, the same dumb smile on her face. He could see she was out of it. Fuck it.

"Teenage Snuff,
TAKE TWO!"
he said his line again. "I told you that you'd pay for displeasing me, you cunt," and he started plunging the metal thing into her and she screamed.

Morales thought to himself the blood was looking damn good. Best damn blood squibs you ever wanna see. The good part was just starting. He couldn't wait. He was anxious to see Jon put her eyes out with the thing. He loved to see a little white honey get all fucked up like this.

Jon Belmonte, a.k.a. Juan La Bellamonde, was seldom in the wet vid they cranked out at Rhapsody Video. He'd do a little off-cam thing now and then, but this was a special exception. It would take some expertise. You didn't want to go too far. It would be easy to lose your head, get carried away, and off the bitch before you get to the good stuff. Expendables were expensive. He also couldn't see laying out good coin for some dude with a big cock just for something they could shoot over the shoulder in a little back-lit quickie two-shot. And he knew he could keep her alive at least till he got to her eyes.

He knew just how far to stick her in the tits to look good on cam. Get the freaks up for it. Stick her plenty of times but nice little shallow jabs. He knew he could trust himself not to go crazy and blow it. He'd done plenty of this kind of shit himself. He just hadn't filmed all of it. No problem.

He was a packager. He had the whole production thing, the last stop on the pain line. Rhapsody, ironically titled by the former owner, was just one of the indies feeding the Blue Kriegal operation, which was tied to St. Louis people. He didn't know who was involved and didn't want to know. It was bad enough having to deal with a freak like Kriegal. Kriegal's thing was run by St. Louis, who was under Chicago, and them fuckers — the less you know about them, the longer you live.

Porn was a family operation as far as he was concerned. And his level of the family, the remora sucking up to the big fish that could get you through the heavy surface scum, really was a family. A freak family but still a family. A small circle of people all involved in the same shit. The people he bought the girl from, the Fruends — shit, they sold to Blue Kriegal. There were indies all over the country. The production end wasn't shit on the little cheapie stuff like this. All that bogus bullshit about how the mob controlled pornography, that was just newspaper jive.