Authors: Naomi Shihab Nye
We have faith that God
. . .
is the owner of water and the
one who could really help us with this
.
âRev. Rodolfo Ruiz, during prayers for the drought
The 2
A.M
. whistle of the long train
stretches out the thread between days,
pins it in a crack between its teeth and pulls
so the people in white beds by the flour mill
become the wheat
unground in the sacks
and the old fish with one whisker
flips over in the river grown too thin.
We need the rain, the iron bar of the track,
the backside of heat. Perfect V-ripple eleven ducklings
cast swimming toward the shore for bread.
As the boys who will not lift their heads
to look anyone in the eye mark the name of their pack
on the bridge with the stink of squared-off letters,
Señora Esquivel who lives alone
remembers her underwear draped on the line.
It will not rain tonight, has not rained in 90 nights.
Cantaloupe cracks on the inside,
jagged fissures in orange flesh.
When the cat blinks to see the sneaky possum
licking his water dish dry,
he thinks, and thinks, Tomorrow I'll get him.
Then sleeps. Inside the small breeze
lifting the fringe of the train's held tone
Hondo, Sabinal, Uvalde, Del Rio, and far off,
glittering as Oz, El Paso rising
from its corner, holding the giant state in place
as a dozing conductor grips his swatch of tickets firmly
in a car streaking the thirsty land.
From far away
from the faraway inside each life
the island a minor disruption
all night shearing off corners
scattering the palm's dried wings
as wind claims the whole sky
telling the wild story
you who arranged your desks
papers in the right-
and left-hand corners
bow down
*
All day the men took air into their bodies
and traded it back again
the men and women took air into their bodies
growing great parachutes over their heads
and the children gulping whole lungfuls
saying they weren't hungry
breathed the same air
as an old neighbor dutifully sweeping his leaves
into a packet
tied with rope
at the top of the mountain
we were breathing air that used to drift
around the bottom of the mountain
resting in a forest
breathing the hush and rustle of bamboo
I wanted to trade something larger
than what I had taken
*
Nothing worse for the person
who can't sleep
than to lie beside
heavy sleepers
first you envy
then worry about them
each hair in their nostrils
growing more delicate
each inhalation a small balcony
from which you wave good-bye
to your lives passing
in the thousand streets
beyond reach
Idaho potatoes have made it to Honolulu.
Scores of automobiles, legions of shirts,
rice steamers, bicycles,
as well as unlikely accessoriesâ
bowling pin salt- and pepper-shakers,
glittering eye shadow,
chocolate-covered cherries,
washed up on these shores.
Outlandish as it seems, all these
preceded us.
The leaves of Eucalyptus robusta
try not to notice it.
Wild purple orchid,
sleek bark of koa,
stand clear. What's here
may or may not belong here.
I press my extra eyes
into the mist over the valley,
forgetting my small book of stamps
and the ten thousand travelers
eating breakfast,
guarding the word
invisible
,
sweet breath of every tree.
I ride the waves of vowels, saying
in my own flat language,
I'll go soon. And, don't remember me.
On the famous beach in Honolulu a small Japanese girl cried and cried and cried. She stood stiff-legged, poking her feet into the sand. Her parents kneeled, whispered, cajoled. Then they tried walking away. They had a baby in their arms. They strolled surprisingly far down the beach, but never took their eyes off her. She raised the volume on her crying, staring straight out to sea. Her pink bathing suit, its ruffled rump. Our eyes followed the silver planes rising off the runway. I loved every plane I was not on. I loved the wailing girl who saw no one else on that beach but herself, whose throat worked hard to find the biggest, saddest sound. After her parents gave up and dragged her still screaming down the beach, we went and sat by the poked-in place her feet had made and funneled up the billion particles into a mound.
The shape of talk would sag
but the birds be brighter than ever
O I needed the birds worse & worse as I got older
as if some crack had opened in the human scheme of things
& only birds with their sharp morning notes
had the sense for any new day
The people went round & round
in the old arenas
dragging their sacks
of troubles & stones & jaggedy love
I could not help them
I was one of them
the people pitched advice
in its flat hat back & forth
across the table
But the birds so far above us
hardly complete sentences
just fragments & dashes
the birds who had seen the towns
grow up & topple
who caught the changing wind
before anyone on the ground did
who left for Mexico when we were not
paying attention
what could they tell us
about lives in heavy bodies
what could they tell us
about being
caught?
All day a boy plunges his hands into his pockets.
Tickets, tape, crystallized stones, a two-dollar bill.
He will not wear pants without pockets.
It is a point of honor.
He sleeps as deeply as the crackle of the burning log,
the breath of the far-flung sea.
Where are you, world? Don't do anything
while I'm not paying attention.
My grandmother mentioned only once how the piano teacher she had as a girl leaned over her too closely at the keys. His damp lips grazed her cheek or maybe they touched her mouth for a minute. My grandmother never felt comfortable with the piano after that. I think a little more music could have helped her life. I played her piano sometimes. Dust rose in little clouds from the cracks between the keys. A few keys had lost their voices. My grandmother told me some things but not enough. We had a sweetness between us. What happened to the piano teacher? His lips parting ever so slightly over middle C, eyes pinned to the ripe notes on the sheet . . . could he help it what they reminded him of? Here I am trying to gather her lost kisses from the air. They're drifting just outside the tune.