Funeral in Blue (41 page)

Authors: Anne Perry

BOOK: Funeral in Blue

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Since Monk was on the last barge, if Phillips had moved at all, it had to have been forward. Monk started towards the front. He stood warily on top of the canvas, moving from one shapeless mound to the next, altering his weight all the time, arms wide, footing precarious. His eyes moved from one side to the other, expecting surprise.

He was almost at the prow, ready to jump to the next barge, when he saw a flicker of movement. Then Phillips was on him, knife arcing high and wide. Monk kicked forward, low and moving sideways, almost overbalancing, then righting himself at the last instant.

Phillips missed his mark, expecting to strike flesh and meet resistance, but not meeting it. He teetered on one foot, whirled his arms wildly for an instant, and fell forward onto his knees, ignoring the pain of Monk’s boot on his flesh. He lashed out again immediately, catching the very front of Monk’s shin and ripping his trousers, drawing blood.

Monk was startled. The pain was searing. He had expected Phillips to be more taken aback, longer in recovering, a mistake he would not make again. He had no weapon but the pistol in his belt. He drew it now, not to shoot but to bludgeon. Then he changed his mind and kicked again, hard and high, aiming more carefully this time. He caught Phillips on the side of the head, sending him sprawling. But Phillips had seen it coming and moved back, and the impact was not so great.

Now Monk had to go forward, over the lumpy canvas, and he had no idea what was underneath it. The barges were all hit by the wake of a coal barge, sails set, passing upriver. They bucked and slewed, throwing the men off balance again. Monk suffered most because he was standing. He should have seen that coming. Phillips, younger and more agile, had. Monk swayed, staggered, and fell almost on top of Phillips, who twisted and squirmed away from him. He landed hard, feeling the kegs under the canvas bruise him, and the next moment Phillips was on top of him, arms and legs like steel.

Monk was pinned. He was alone. Orme might even be able to see what was happening, but he could not help, and the bargees were going to take no part.

For a moment Phillips’s face was so close, Monk could smell his skin, his hair, the exhale of his breath. His eyes were glittering, and he smiled as he brought the knife up in his hand.

Monk headbutted him as hard as he could. It hurt—bone against bone—but it was Phillips who yelled, and his grip went suddenly slack. Monk threw him off and slid away, crablike, then spun around instantly, the pistol in his hand.

But he was too late to shoot. Blood smeared over his face and running from his mouth, Phillips had risen to a crouch and turned away, as if he knew Monk would not shoot him in the back. He launched himself from the barge and landed spread-eagle on the canvas of the one ahead.

Without a moment’s thought Monk followed.

Phillips staggered to his feet and started along the central ridge of the canvas. Monk went straight after him, this time finding the balance more difficult. Whatever was under the tarpaulin rolled beneath his feet and pitched him forward harder and faster than he intended.

Phillips reached the prow and jumped again. Again Monk went after him. This time it was tight, canvas-lashed bales underfoot, which were easier to balance on. He jumped from one to the other, catching up, tripping Phillips who went down hard. Monk struck him in the chest, crushing the air out of his lungs and hearing the long, grating rasp as he tried to fill them again. Then he felt pain in his forearm and saw blood. But it was only a slice, too shallow to cripple. He hit Phillips again in the chest, and the knife fell from Phillips’s hand. Monk heard it slide down the canvas and clatter on the decking.

The blood was making his hand slippery now. Phillips was squirming like an eel, strong and hard, elbows and knees all powerful bone and angles, and Monk could not hold on.

Suddenly Phillips was free, staggering towards the front, ready to leap to the next barge. There was a lighter about to cross ahead of them, just one. His intention was clear. He would jump to it, and there would be no boat in which Monk could follow him.

Monk clambered up and reached the prow, just as Phillips jumped and fell short. He went into the water and along the lighter’s side in the white wash of the bow.

Monk hesitated. He could let him drown, easily. He needed to be only a moment late and it would be beyond anyone’s skill to fish him out. Injured as he was, he would drown in minutes. It would be an end better than he deserved. But Monk wanted him alive, so he could be tried and hanged. Durban would be proved right, and all the boys Phillips had used and tortured would have a proper answer.

Monk leaned forward with both arms over the side and caught Phillips by the shoulders, felt his hands lock onto his arms, and used all the strength he possessed to haul him out. He was wet, heavy, and almost a dead weight. His lungs were already filling with water, and he made no resistance.

Monk took out the handcuffs and locked them on before he balanced to roll Phillips over and pump his chest to get the water out. “Breathe!” he said between his teeth. “Breathe, you swine!”

Phillips coughed, vomited up river water, and drew in his breath.

“Well done, Mr. Monk, sir,” Orme said from the lighter coming alongside. “Mr. Durban’d have been happy to see that.”

Monk felt the warmth spread through him like fire and music, and peace after desperate exertion. “It needed tidying up,” he said modestly. “Thank you for your assistance, Mr. Orme.”

Monk arrived home at Paradise Place in Rotherhithe before six, a time that was relatively early for him. He had walked rapidly up the street from where the ferry had landed at Princes Stairs, and walked all the way up to Church Street, then the dogleg into Paradise Place. All the way he was refusing to think that Hester might not yet be home and he would have to wait to tell her that they had Phillips at last. And yet idiotically he could not get the fear of it out of his mind.

The police surgeon had stitched up the gashes Phillips had made in his arm and leg, but he was bruised, filthy, and covered with blood. He had also bought an excellent bottle of brandy for his men, and shared it with them. It had been for all the station, so no one was the worse for wear, but he knew the flavor of it hung around him. However, he did not even think of such a thing as he skipped a step, ran the last few dozen yards up the short length of Paradise Place, and unlocked his own front door.

“Hester!” he called, even before he closed it behind him. “Hester?” Only now did he fully face the possibility that she was not yet home. “I got him!”

The words fell on silence.

Then there was a clatter at the top of the stairs and she came running down, feet flying. Her hair was half undone, thick and fair and unruly as always. She hugged him with all her strength, which was considerable, in spite of her slender frame and lack of fashionable curves.

He picked her up and swung her around, kissing her with all the joy and victory he felt, and the sudden upsurge of belief in everything good. Most of all his elation was due to the possibility that she was right to have had faith in him, not just in his skill but in his honor, that core of him that was good and could treasure and hold on to love.

And Phillips’s capture at last meant that Durban was right to have trusted him too, which he realized now had also mattered.

About the Author

A
NNE
P
ERRY
is the bestselling author of two acclaimed series set in Victorian England: the William Monk novels, including
Dark Assassin
and
Execution Dock
, and the Charlotte and Thomas Pitt novels, including
Buckingham Palace Gardens
and
Long Spoon Lane
. She is also the author of the World War I novels
No Graves As Yet, Shoulder the Sky, Angels in the Gloom, At Some Disputed Barricade
, and
We Shall Not Sleep
, as well as eight holiday novels, most recently
A Christmas Odyssey
. Her stand-alone novel
The Sheen on the Silk
, set in the Byzantine Empire, was a
New York Times
bestseller. Anne Perry lives in Scotland.